Pedro Nunez de Villavicencio Paintings & Artwork for Sale | Pedro Nunez de Villavicencio Art Value Price Guide

Sep. 12, 2024
Pedro Núñez de Villavicencio (attributed) (Seville, 1644-Madrid, 1695) Sevillian Baroque School of the 17th century
Est: €6,000 - €6,500
Holy Family with San Juanito. Oil on canvas measurements: 105 x 75 cm. Measurements with frame: 116 x 90 cm. Born in Seville, he was a member of a prominent Andalusian noble family, and entered in 1660 as a knight of the Sovereign Order of Saint John of Jerusalem. For this reason he had to move to the island of Malta, seat of the Order and its Grand Master, to take the tests as a knight, carrying out the mandatory tasks of stewardship and also of a war type (especially against the Turks). In his brief returns to his hometown he took the opportunity, for example, to photograph the recently appointed Seville archbishop Ambrosio Ignacio de Spínola (1670), demonstrating how much he knew the Murrillesque style when he was not under the chiaroscuro influence of Preti, and that it is true what the classics of art historiography point out: his great ability as a portraitist. On another occasion he would take the opportunity to join the prestigious and elitist Brotherhood of Charity. In August 1695, Núñez de Villavicencio returned to Madrid from Seville, where he would have traveled on personal matters or to rest. He was surely going to rejoin his position when he died at the inn where he was staying. This is recorded in the account books of the Madrid reception of the Order of Saint John, which contain the accounts due to his death and even a brief inventory of his possessions at his last moment, as well as other details. of his will. Provenance: important private collection, Madrid. Lot not subject to reserve price. Liquidation of important private family collection.
Templum Fine Art Auctions
Jul. 18, 2024
Pedro Núñez de Villavicencio (attributed) (Seville, 1644-Madrid, 1695) Sevillian Baroque School of the 17th century
Est: €6,000 - €6,500
Holy Family with San Juanito. Oil on canvas measurements: 105 x 75 cm. Measurements with frame: 116 x 90 cm. Born in Seville, he was a member of a prominent Andalusian noble family, and entered in 1660 as a knight of the Sovereign Order of Saint John of Jerusalem. For this reason he had to move to the island of Malta, seat of the Order and its Grand Master, to take the tests as a knight, carrying out the mandatory tasks of stewardship and also of a war type (especially against the Turks). In his brief returns to his hometown he took the opportunity, for example, to photograph the recently appointed Seville archbishop Ambrosio Ignacio de Spínola (1670), demonstrating how much he knew the Murrillesque style when he was not under the chiaroscuro influence of Preti, and that it is true what the classics of art historiography point out: his great ability as a portraitist. On another occasion he would take the opportunity to join the prestigious and elitist Brotherhood of Charity. In August 1695, Núñez de Villavicencio returned to Madrid from Seville, where he would have traveled on personal matters or to rest. He was surely going to rejoin his position when he died at the inn where he was staying. This is recorded in the account books of the Madrid reception of the Order of Saint John, which contain the accounts due to his death and even a brief inventory of his possessions at his last moment, as well as other details. of his will. Provenance: important private collection, Madrid. Lot not subject to reserve price. Liquidation of important private family collection.
Templum Fine Art Auctions
Jun. 26, 2024
Pedro Núñez de Villavicencio (attributed) (Seville 1644-Madrid 1695) Sevillian Baroque School of the 17th century
Est: €6,000 - €6,500
Holy Family with San Juanito Oil on canvas measurements: 105 x 75 cm Measurements with frame: 116 x 90 cm Born in Seville he was a member of a prominent Andalusian noble family and entered in 1660 as a knight of the Sovereign Order of Saint John of Jerusalem For this reason he had to move to the island of Malta seat of the Order and its Grand Master to take the tests as a knight carrying out the mandatory tasks of stewardship and also of a war type (especially against the Turks) In his brief returns to his hometown he took the opportunity for example to photograph the recently appointed Seville archbishop Ambrosio Ignacio de Spínola (1670) demonstrating how much he knew the Murrillesque style when he was not under the chiaroscuro influence of Preti and that it is true what the classics of art historiography point out: his great ability as a portraitist On another occasion he would take the opportunity to join the prestigious and elitist Brotherhood of Charity In August 1695 Núñez de Villavicencio returned to Madrid from Seville where he would have traveled on personal matters or to rest He was surely going to rejoin his position when he died at the inn where he was staying This is recorded in the account books of the Madrid reception of the Order of Saint John which contain the accounts due to his death and even a brief inventory of his possessions at his last moment as well as other details of his will Provenance: important private collection Madrid Lot not subject to reserve price Liquidation of important private family collection
Templum Fine Art Auctions
Dec. 20, 2023
Pedro Núñez de Villavicencio (attributed) (Seville, 1644-Madrid, 1695). Magnificent Pair of Beggar Children on canvas, 17th century Spanish school
Est: €20,000 - €25,000
Of the three known versions by the same author with the same theme, the work that Templum has the honor of presenting in our Christmas Auction stands out from the rest for its exquisite details and careful technique, as well as for its excellent state of conservation in polychrome. only with eight small patches on the back and without relining. Oil on canvas, frame not included. Canvas measurements: 164 x 110 cm. Born in Seville, he was a member of a prominent Andalusian noble family, and entered in 1660 as a knight of the Sovereign Order of Saint John of Jerusalem. For this reason he had to move to the island of Malta, seat of the Order and its Grand Master, to take the tests as a knight, carrying out the mandatory tasks of stewardship and also of a war type (especially against the Turks). In his brief returns to his hometown he took the opportunity, for example, to photograph the recently appointed Seville archbishop Ambrosio Ignacio de Spínola (1670), demonstrating how much he knew the Murrillesque style when he was not under the chiaroscuro influence of Preti, and that it is true what the classics of art historiography point out: his great ability as a portrait painter. On another occasion he would take the opportunity to join the prestigious and elitist Brotherhood of Charity. In August 1695, Núñez de Villavicencio returned to Madrid from Seville, where he would have traveled on personal matters or to rest. He was surely going to rejoin his position when he died at the inn where he was staying. This is recorded in the account books of the Madrid reception of the Order of Saint John, which contain the accounts due to his death and even a brief inventory of his possessions at his last moment, as well as other details. of his will. Provenance: important Spanish private collection, lot not subject to reservation.
Templum Fine Art Auctions
Feb. 07, 2023
Attribué à Pedro NUÑEZ DE VILLAVICENCIO Séville, 1644 - Madrid, 1695 Jeune garçon coupant une tranche de pain Huile sur toile
Est: €3,000 - €4,000
Attribué à Pedro NUÑEZ DE VILLAVICENCIO Séville, 1644 - Madrid, 1695 Jeune garçon coupant une tranche de pain Huile sur toile h: 90,50 w: 77 cm Estimation 3 000 - 4 000 €
Artcurial
Sep. 27, 2022
Attribué à Pedro NUÑEZ DE VILLAVICENCIO Séville, 1644 - Madrid, 1695 Jeune garçon coupant une tranche de pain Huile sur toile
Est: €6,000 - €8,000
Attribué à Pedro NUÑEZ DE VILLAVICENCIO Séville, 1644 - Madrid, 1695 Jeune garçon coupant une tranche de pain Huile sur toile h: 90,50 w: 77 cm
Artcurial
Jul. 14, 2022
Attributed to PEDRO NUÑEZ DE VILLAVICENCIO (Seville, 1644 - Madrid, 1695). "Youths". Oil on canvas. It keeps its original fabric. Presents repaints.
Est: €10,000 - €12,000
Attributed to PEDRO NUÑEZ DE VILLAVICENCIO (Seville, 1644 - Madrid, 1695). "Young people". Oil on canvas. It retains its original canvas. It presents repainting. Measurements: 165 x 110,5 cm. The artist offers us a work worked with the delicacy with which Murillo worked his feminine figures and children, making special emphasis on their poor and naive character in the case of the last ones. In this work we see a scene framed within 17th-century costumbrismo, worked with a realistic language in which a balanced and well-established composition stands out, as well as the almost pearly quality of the children's flesh tones. This composition and the subject matter, typical of scenes from the reality of Golden Age Spain and the picaresque literature of the period, bring the work close to the naturalist trend. Costumbrismo is a genre in which popular types and attitudes, behaviour, values and habits common to a specific group of the population, region or class are described by means of a satirical, nostalgic or narrative description of the environments, customs, dress, festivals and entertainments, traditions, trades and types representative of a society. The idea of costumbrismo arose from an attempt to understand reality, or more precisely, reality understood in a particular way, from a specific point of view. Born in Seville, Pedro Núñez took part in the founding of the Seville Academy of Fine Arts, founded by Murillo and Herrera el Mozo. Murillo directed this workshop with numerous assistants and apprentices whose main aim was to complete the training of young painters who were considered insufficient in drawing. Pedro Núñez's participation was certainly exceptional for his age, and he made some of the additions in the Seville market hall where the artistic institution was established. He himself became a member of the Order of Saint John of Jerusalem in 1661 and had to settle in Malta, alternating with trips to Seville, possibly Rome, and southern Italy, where he worked as a painter and met the Calabrian Mattia Preti. In 1675, owing to the plague that broke out in Malta, he returned permanently to Seville, where he became the Order's point of reference in administrative matters for the priory in Castile. In 1693 and 1694 he went to Madrid to participate in the commission that was to appoint the Order's ambassador to the Court of Madrid. It was on this occasion that he offered the painting Juegos infantiles a Carlos II ("Children's Games to Charles II") on his return from one of his trips to Seville. He is known for being Murillo's friend and executor on the death of the master of Seville in 1682.
Setdart Auction House
Apr. 27, 2022
Circle of PEDRO NUÑEZ DE VILLAVICENCIO (Seville, 1644 - Madrid, 1695). "Children Playing Dice". Oil on canvas.
Est: €22,000 - €24,000
Circle of PEDRO NUÑEZ DE VILLAVICENCIO (Seville, 1644 - Madrid, 1695). "Children Playing Dice". Oil on canvas. Size: 116 x 143 m; 127 x 153 cm (frame). Born in Seville, Pedro Nuñez participated in the foundation of the Academy of Fine Arts of Seville, founded by Murillo and Herrera el Mozo. Murillo directed this workshop with numerous assistants and apprentices whose main aim was to complete the training of young painters, who were considered insufficient in drawing. Pédro Núñez's participation was certainly exceptional for his age, and he made some of the additions in the Seville market hall where the art institution was located. He himself became a member of the Order of Saint John of Jerusalem in 1661 and had to settle in Malta, alternating with trips to Seville, possibly Rome, and southern Italy, where he worked as a painter and met the Calabrian Mattia Preti. In 1675, owing to the plague that broke out in Malta, he returned permanently to Seville, where he became the Order's point of reference in administrative matters for the priory in Castile. In 1693 and 1694 he went to Madrid to participate in the commission that was to appoint the Order's ambassador to the Court of Madrid. It was on this occasion that he offered the painting Juegos infantiles a Carlos II (Children's Games to Charles II) on his return from one of his trips to Seville. He is known for being Murillo's friend and executor on the death of the master of Seville in 1682. The artist offers us a work worked with the delicacy with which Murillo worked his female figures and children, with special emphasis on their poor and naive character in the case of the latter. In this work we see a scene framed within 17th-century costumbrismo, worked with a realistic language in which a balanced and well-established composition stands out, as well as the almost pearly quality of the children's flesh tones. This composition and the subject matter, typical of scenes from the reality of Golden Age Spain and the picaresque literature of the period, bring the work close to the naturalist trend. Costumbrismo is a genre in which popular types and attitudes, behaviour, values and habits common to a specific group of the population, region or class are described by means of a satirical, nostalgic or narrative description of the environments, customs, dress, festivals and entertainments, traditions, trades and types representative of a society. The idea of costumbrismo arose from an attempt to understand reality, or more precisely, reality understood in a particular way, from a specific point of view.
Setdart Auction House
Mar. 09, 2022
NIÑO CON LEBRILLO
Est: -
0
Isbilya Subastas
Mar. 09, 2022
NIÑO CON NARANJAS
Est: -
Esta pareja de niños sigue los modelos del pintor sevillano, que debió de iniciarse en la pintura en Sevilla al lado de Murillo, a quien le unió una permanente amistad. Junto a él aparece ya en 1660 entre los fundadores de la Academia de Pintura de Sevilla. La filiación con el gran maestro sevillano se hace elocuente en uno de los géneros más repetidos por Villavicencio: la representación de escenas populares con muchachos callejeros, la representación de los jóvenes "pillos" jugando en la calle o en la realización de los trabajos que ayudaban a mantener a sus familias se convierte en seña de identidad de este artista, y estos modelos son los que aquí se reproducen en esta pareja de simpáticos lienzos.
Isbilya Subastas
Dec. 29, 2021
Attributed to PEDRO NUÑEZ DE VILLAVICENCIO (Seville, 1644 - Madrid, 1695). "Young people". Oil on canvas. It retains its original canvas. Presents repainting. Measurements: 165 x 110,5 cm.
Est: €10,000 - €12,000
Attributed to PEDRO NUÑEZ DE VILLAVICENCIO (Seville, 1644 - Madrid, 1695). "Young people". Oil on canvas. It retains its original canvas. Presents repainting. Measurements: 165 x 110,5 cm. The artist offers us a work worked with the delicacy with which Murillo worked his female figures and children, with special emphasis on their poor and naive character in the case of the latter. In this work we see a scene framed within the costumbrismo of the XVII century, worked with a realistic language where a composition stands out, balanced and well established, as well as in the almost pearly quality of the children's flesh tones. This composition and the theme treated by the author, typical of the scenes of the reality of the Spain of the Golden Century and the picaresque literature of the time, bring the piece closer to the naturalist current. It is a genre in which popular types and attitudes, behaviors, values and habits common to a specific group of the population, region or class are described through the description, satirical, nostalgic or narrative, of the environments, customs, clothing, parties and entertainment, traditions, trades and representative types of a society. The idea of costumbrismo arose from an attempt to understand reality, or more precisely, reality understood in a particular way, from a specific point of view. Born in Seville, Pedro Núñez participated in the foundation of the Academy of Fine Arts of Seville, founded by Murillo and Herrera el Mozo. Murillo directed this workshop with numerous assistants and apprentices whose main objective was to complete the training of young painters, considered insufficient in drawing. The participation of Pedro Núñez was, for his age, certainly exceptional, making some of the additions in the market hall of Seville where the artistic institution is based. He himself became a member of the Order of St. John of Jerusalem in 1661, and had to settle in Malta, alternating with trips to Seville, possibly Rome, and southern Italy, where he worked as a painter and met the Calabrian Mattia Preti. In 1675, due to the plague that broke out in Malta, he returned definitively to Seville, where he became the Order's point of reference in administrative matters for the Priory of his Order in Castile. In 1693 and 1694 he went to Madrid to participate in the commission that was to appoint the ambassador of the Order at the Court of Madrid. It was on this occasion that he offered the painting Juegos infantiles a Carlos II (Children's Games to Charles II) on his return from one of his trips to Seville. He is known for being a friend and executor of Murillo at the death of the master of Seville in 1682.
Setdart Auction House
Dec. 29, 2021
Monumental Renaissance bench, Italy, ca. 1550. In walnut wood. Provenance: Private collection. Measures: 265 x 285 x 82 cm.
Est: €20,000 - €25,000
Monumental Renaissance bench, Italy, ca. 1550. In walnut wood. Provenance: Private collection. Measures: 265 x 285 x 82 cm. Exceptional Italian Renaissance bench-archon. It consists of a structure of architectural inspiration and a wide iconographic program where classical motifs inspired by Greek and Roman Antiquity are intermingled, although freely interpreted, and heraldic, in a hybridization typical of Renaissance art. Entirely made of walnut wood, it presents magnificent carving in each of its parts: on a modest base there is a frieze worked in high relief with a central heraldic shield around which are arranged symmetrically cartouches representing galloping Amazons, guarded by masks between phylacteries. Winged torsos inspired by Nikés or goddesses of Victory decorate the corners, protruding as prow masks. Two lions carved in rounded bulk preside over the flanks of the bench and serve as bases for the columns of Corinthian order and partially fluted shaft. A triple semicircular arch with finely carved scallop-shaped tympana respectively shelter three soffits in which high and low relief are combined, in which heraldic motifs dominate exalted by triumphal iconography of Greco-Roman inspiration: fruit garlands, laurels, trophies, acanthus, mythical creatures derived from the tritons, putti of harmonious proportions... Two stipes with anthropomorphic torso, female and male respectively, support corbels carved with scrolls and acanthus. Eagles and lion masks, heraldic motifs par excellence, are proffered on the architrave. The seat cover opens, also functioning as a chest. The furniture of the Italian Renaissance enjoyed a development comparable to the rest of its artistic manifestations. Craftsmen spent a minimum of ten years as apprentices before being considered sufficiently qualified to become masters. Although late Gothic style furniture predominates in central and northern Europe almost until the first half of the 16th century, the Renaissance style, born in Italy, soon spread throughout the European courts. It completely changed the concept of decoration and affirmed the idea of the house as a "residence" and furniture became a fundamental element of the stately home. A majestic type of furniture took shape, of elegant classical proportions and built with refined wisdom. In the decorative theme, architectural elements such as columns, plinths, pilasters, balustrades, mirrors, moldings, carved motifs and bas-reliefs began to be used. The wood most used by the craftsmen of the XV and XVI centuries for the construction of quality furniture is walnut.
Setdart Auction House
Dec. 28, 2021
PEDRO NÚÑEZ DE VILLAVICENCIO (Seville, 1644 - Madrid, 1695). "Young man with lamb". Oil on canvas.
Est: €20,000 - €25,000
PEDRO NÚÑEZ DE VILLAVICENCIO (Seville, 1644 - Madrid, 1695). "Young man with lamb". Oil on canvas. Attached study of Don Enrique Valdivieso. Retains label on the back of provenance: Property of Mrs. Platt (London). Measurements: 131 x 99 cm; 152 x 124 cm (frame). A young man stars in a scene, accompanied by a basket with birds and a lamb, indicating the hunting activity of the boy. However, the lamb does not cease to refer to a Christian iconography that wraps a realistic image in a halo of mysticism and religious symbolism. The artist offers us a work worked with the delicacy with which Murillo worked his female figures and children, with special emphasis on their poor and naive character in the case of the latter. In this work we see a scene framed within the costumbrismo of the seventeenth century, worked with a realistic language where a composition stands out, balanced and well established. This composition and the theme treated by the author, typical of the scenes of the reality of the Spain of the Golden Century and the picaresque literature of the time, bring the piece closer to the naturalist current. It is a genre in which popular types and attitudes, behaviors, values and habits common to a specific group of the population, region or class are described by means of a satirical, nostalgic or narrative description of the environments, customs, clothing, parties and entertainment, traditions, trades and representative types of a society. The idea of costumbrismo arose from an attempt to understand reality, or more precisely, reality understood in a particular way, from a specific point of view. Born in Seville, Pedro Núñez participated in the foundation of the Academy of Fine Arts of Seville, founded by Murillo and Herrera el Mozo. Murillo directed this workshop with numerous assistants and apprentices whose main objective was to complete the training of young painters, considered insufficient in drawing. The participation of Pedro Núñez was, for his age, certainly exceptional, making some of the additions in the market hall of Seville where the artistic institution is based. He himself became a member of the Order of St. John of Jerusalem in 1661, and had to settle in Malta, alternating with trips to Seville, possibly Rome, and southern Italy, where he worked as a painter and met the Calabrian Mattia Preti. In 1675, due to the plague that broke out in Malta, he returned definitively to Seville, where he became the Order's point of reference in administrative matters for the Priory of his Order in Castile.In 1693 and 1694 he went to Madrid to participate in the commission that was to appoint the Order's ambassador to the Court of Madrid. It was on this occasion that he offered the painting Juegos infantiles a Carlos II (Children's Games to Charles II) on his return from one of his trips to Seville. He is known for being a friend and executor of Murillo at the death of the master of Seville in 1682.
Setdart Auction House
Nov. 30, 2021
Pedro Nunez de Villavicencio (Siviglia 1635 - Madrid 1695)
Est: €20,000 - €30,000
Pedro Nunez de Villavicencio (Siviglia 1635 - Madrid 1695) Giovane fruttivendolo attaccato dai cani Olio su tela 120 x 170 cm Questa stupenda opera proveniente da una storica collezione lombarda è stata variamente studiata nel corso del’900. Se inizialmente era assegnata a Tommaso Salini e successivamente al Pseudo Salini, in seguito, grazie alla ricerca dei proprietari, diversi esperti sono convenuti sul nome di Pedro Nunez de Villavicencio. Questo è avvenuto in virtù della strettissima vicinanza col dipinto conservato a Budapest presso il Museo Nazionale d’Arte. Nato in una ricca famiglia, Pedro Nunez de Villavicencio riceve una formazione molto accurata e riceve le sue prime lezioni di pittura, probabilmente, dal grande maestro Murillo. Va a Malta e conosce le opere del Barocco italiano, incontrando anche Mattia Preti, che gli sarà da lume nella sua intera produzione, approfondendo la sua cultura e la tecnica pittorica. Rientra a Siviglia dove opera ininterrottamente sino alla morte, con un piccolo intervallo dovuto al soggiorno romano dal 1673 al 1682. Il suo stile si configura chiaramente come influenzato da Murillo per le tematiche e lo sfumato, mentre dal Preti riceve l’eleganza, la precisione tecnica e il fervore espressivo nei suoi personaggi. Le sue tematiche più note sono legate all’infanzia e strettamente connesse a Murillo. La nostra opera, come detto, trova la sua conferma attributiva con la tela, molto simile, conservata in Ungheria. Le due opere sono strettamente legate sia a Murillo, tema legato alla fanciullezza, sia al Preti, per la brillante resa cromatica, e al Salini, con il quale è stato scambiato nel tempo passato. Queste considerazioni, unite alla pittura nitida e all’inserto di natura morta, fanno avanzare, in via del tutto teorica, che esse appartengano al periodo romano dell’artista valenziano. Pedro Nunez de Villavicencio (Seville 1635 - Madrid 1695) Young greengrocer attacked by dogs Oil on canvas 120 x 170 cm
Lucas Aste
Mar. 11, 2021
Attributed to PEDRO NUÑEZ DE VILLAVICENCIO (Seville, 1644 - Madrid, 1695). "Kids eating". Oil on canvas. It has two lateral breaks and additions.
Est: €11,000 - €12,000
Attributed to PEDRO NUÑEZ DE VILLAVICENCIO (Seville, 1644 - Madrid, 1695). "Kids eating". Oil on canvas. It has two lateral breaks and additions. Measurements: 165 x 111 cm. The artist offers us a work worked with the delicacy with which Murillo worked his female figures and children, with special emphasis on their poor and naive character in the case of the latter. In this work we see a scene framed within the costumbrismo of the XVII century, worked with a realistic language where a composition stands out, balanced and well established, as well as in the almost pearly quality of the children's flesh tones. This composition and the theme treated by the author, typical of the scenes of the reality of the Spain of the Golden Century and the picaresque literature of the time, bring the piece closer to the naturalist current. It is a genre in which popular types and attitudes, behaviors, values and habits common to a specific group of the population, region or class are described through the description, satirical, nostalgic or narrative, of the environments, customs, clothing, parties and entertainment, traditions, trades and representative types of a society. The idea of costumbrismo arose from an attempt to understand reality, or more precisely, reality understood in a particular way, from a specific point of view. Born in Seville, Pedro Nuñez participated in the founding of the Academy of Fine Arts of Seville, founded by Murillo and Herrera el Mozo. Murillo directed this workshop with numerous assistants and apprentices whose main objective was to complete the training of young painters, considered insufficient in drawing. The participation of Pédro Núñez was, for his age, certainly exceptional, making some of the additions in the hall of the Seville market where the artistic institution is based. He himself became a member of the Order of St. John of Jerusalem in 1661, and had to settle in Malta, alternating with trips to Seville, possibly Rome, and southern Italy, where he worked as a painter and met the Calabrian Mattia Preti. In 1675, due to the plague that broke out in Malta, he returned definitively to Seville, where he became the Order's point of reference in administrative matters for the Priory of his Order in Castile. In 1693 and 1694 he went to Madrid to participate in the commission that was to appoint the ambassador of the Order at the Court of Madrid. It was on this occasion that he offered the painting Juegos infantiles a Carlos II (Children's Games to Charles II) on his return from one of his trips to Seville. He is known for being a friend and executor of Murillo at the death of the master of Seville in 1682.
Setdart Auction House
Oct. 26, 2017
Pedro Núñez de Villavicencio (1644-1695), seguace di, Contadini
Est: €1,000 - €1,500
olio su tela, cm 73x58
Cambi Casa d'Aste
Jul. 05, 2011
Pedro Núñez de Villavicencio (Seville 1640-?1695-8)
Est: £70,000 - £100,000
Pedro Núñez de Villavicencio (Seville 1640-?1695-8) Two young peasants in a landscape oil on canvas 59 x 45 3/8 in. (150 x 115 cm.)
Christie's
Apr. 24, 2009
Pedro Núñez de Villavicencio (Seville 1640-c. 1695-8)
Est: £20,000 - £30,000
Pedro Núñez de Villavicencio (Seville 1640-c. 1695-8) Boys playing dice - a modello oil on canvas 18 x 23¾ in. (45.7 x 60.4 cm.)
Christie's
Jul. 10, 2008
- Pedro Núñez de Villavicencio , Seville 1640 - 1695/8 (?) Place Unknown Portrait of Ambrosio Ignacio Spínola y Guzmán, Archbishop of Seville (1668-1684) oil on canvas
Est: £20,000 - £30,000
inscribed along the lower edge: Ill m' et R. m' D.D. Amb.' Ignat.' Spinola et Guzman Archie-/ 'piscop'. Hispalensis, anno Dni 1670 AEtatis Sua 38.~ oil on canvas
Sotheby's

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Pedro Núñez de Villavicencio (attributed) (Seville, 1644-Madrid, 1695) Sevillian Baroque School of the 17th century

Pedro Núñez de Villavicencio (attributed) (Seville, 1644-Madrid, 1695) Sevillian Baroque School of the 17th century

Pedro Núñez de Villavicencio (attributed) (Seville 1644-Madrid 1695) Sevillian Baroque School of the 17th century

Pedro Núñez de Villavicencio (attributed) (Seville, 1644-Madrid, 1695). Magnificent Pair of Beggar Children on canvas, 17th century Spanish school

Attribué à Pedro NUÑEZ DE VILLAVICENCIO Séville, 1644 - Madrid, 1695 Jeune garçon coupant une tranche de pain Huile sur toile

Attribué à Pedro NUÑEZ DE VILLAVICENCIO Séville, 1644 - Madrid, 1695 Jeune garçon coupant une tranche de pain Huile sur toile

Attributed to PEDRO NUÑEZ DE VILLAVICENCIO (Seville, 1644 - Madrid, 1695). "Youths". Oil on canvas. It keeps its original fabric. Presents repaints.

Circle of PEDRO NUÑEZ DE VILLAVICENCIO (Seville, 1644 - Madrid, 1695). "Children Playing Dice". Oil on canvas.

NIÑO CON LEBRILLO

NIÑO CON NARANJAS

Attributed to PEDRO NUÑEZ DE VILLAVICENCIO (Seville, 1644 - Madrid, 1695). "Young people". Oil on canvas. It retains its original canvas. Presents repainting. Measurements: 165 x 110,5 cm.

Monumental Renaissance bench, Italy, ca. 1550. In walnut wood. Provenance: Private collection. Measures: 265 x 285 x 82 cm.

PEDRO NÚÑEZ DE VILLAVICENCIO (Seville, 1644 - Madrid, 1695). "Young man with lamb". Oil on canvas.

Pedro Nunez de Villavicencio (Siviglia 1635 - Madrid 1695)

Attributed to PEDRO NUÑEZ DE VILLAVICENCIO (Seville, 1644 - Madrid, 1695). "Kids eating". Oil on canvas. It has two lateral breaks and additions.

Pedro Núñez de Villavicencio (1644-1695), seguace di, Contadini

Pedro Núñez de Villavicencio (Seville 1640-?1695-8)

Pedro Núñez de Villavicencio (Seville 1640-c. 1695-8)

- Pedro Núñez de Villavicencio , Seville 1640 - 1695/8 (?) Place Unknown Portrait of Ambrosio Ignacio Spínola y Guzmán, Archbishop of Seville (1668-1684) oil on canvas

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Pedro Nunez de Villavicencio Sold at Auction Prices

b. 1640 - d. 1695

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