Charles-Balthazar-Julien Fevret de Saint-Memin Sold at Auction Prices

b. 1770 - d. 1852

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    • CHARLES BALTHAZAR JULIEN FEVRET DE SAINT-MEMIN, FRENCH 1770-1852, LEWIS MORRIS AND HELEN LEDYARD LINCKLAEN, CIRCA 1798, Engraving, Frame: 5 1/4 x 4 1/2 in. (13.3 x 11.4 cm.)
      Jun. 15, 2023

      CHARLES BALTHAZAR JULIEN FEVRET DE SAINT-MEMIN, FRENCH 1770-1852, LEWIS MORRIS AND HELEN LEDYARD LINCKLAEN, CIRCA 1798, Engraving, Frame: 5 1/4 x 4 1/2 in. (13.3 x 11.4 cm.)

      Est: $400 - $600

      CHARLES BALTHAZAR JULIEN FEVRET DE SAINT-MEMIN FRENCH, 1770-1852 LEWIS MORRIS AND HELEN LEDYARD LINCKLAEN, CIRCA 1798 Engraving In ebonized frames with oak leaf and acorn loop for hanging (2)

      Potomack Company
    • Attributed to Charles Balthazar Julien Févret de Saint-Mémin (French 1770-1852)
      Mar. 11, 2020

      Attributed to Charles Balthazar Julien Févret de Saint-Mémin (French 1770-1852)

      Est: £700 - £1,000

      Portrait of a gentleman in profile pastel with pencil 42.5 x 36cm

      Cheffins
    • AFTER CHARLES BALTHAZAR JULIEN FÉVRET DE SAINT-MÉMIN (1770-1852), Late 19th/Early 20th Century, Two engravings., The largest 9" x 6....
      Oct. 19, 2018

      AFTER CHARLES BALTHAZAR JULIEN FÉVRET DE SAINT-MÉMIN (1770-1852), Late 19th/Early 20th Century, Two engravings., The largest 9" x 6....

      Est: $100 - $150

      AFTER CHARLES BALTHAZAR JULIEN FÉVRET DE SAINT-MÉMIN (1770-1852) Late 19th/Early 20th Century Two engravings. Restrikes of earlier works. One colored and one in black and white. The largest 9" x 6.5" sight. Framed 10.5" x 8.75".

      Eldred's
    • TWO ENGRAVINGS AFTER CHARLES BALTHAZAR JULIEN FÉVRET DE SAINT-MÉMIN (1770-1852) Restrikes of earlier works. One colored and one in b...
      Jun. 22, 2018

      TWO ENGRAVINGS AFTER CHARLES BALTHAZAR JULIEN FÉVRET DE SAINT-MÉMIN (1770-1852) Restrikes of earlier works. One colored and one in b...

      Est: $100 - $150

      TWO ENGRAVINGS AFTER CHARLES BALTHAZAR JULIEN FÉVRET DE SAINT-MÉMIN (1770-1852) Late 19th/Early 20th Century Restrikes of earlier works. One colored and one in black and white. The largest 9" x 6.5" sight. Framed 10.5" x 8.75".

      Eldred's
    • CHARLES BALTHAZAR JULIEN FEVRET DE SAINT-MÉMIN (1770 - 1852) | Portrait of Captain Thompson, Philadelphia
      Jan. 21, 2018

      CHARLES BALTHAZAR JULIEN FEVRET DE SAINT-MÉMIN (1770 - 1852) | Portrait of Captain Thompson, Philadelphia

      Est: $2,000 - $3,000

      charcoal on paper

      Sotheby's
    • CHARLES BALTHAZAR JULIEN FEVRET DE SAINT-MÉMIN (1770 - 1852) | Portrait of Captain Thomson, Philadelphia
      Jan. 19, 2017

      CHARLES BALTHAZAR JULIEN FEVRET DE SAINT-MÉMIN (1770 - 1852) | Portrait of Captain Thomson, Philadelphia

      Est: $6,000 - $8,000

      charcoal on paper

      Sotheby's
    • CHARLES B.J. FEVRET DE SAINT-MEMIN
      Oct. 01, 2016

      CHARLES B.J. FEVRET DE SAINT-MEMIN

      Est: $3,000 - $5,000

      CHARLES B.J. FEVRET DE SAINT-MEMIN (French, 1770-1852), portrait of a lady, black and white chalk on pink hand-tinted laid paper, paper is laid to stretcher and bears J Whatman watermark; lot also includes partial 1798 documents found inside the frame, includes two letters written in French by Charles Dain of Basse Terre, Guadeloupe, and J.G. Touchimbert, as well as a notarized letter about the shipment of two trunks to Guadeloupe by Jacob Furtado. Sheet 20-1/2''h, 15''w. Portrait with staining in margins and around edge of matting, few small surface losses with drip on hair ribbon, small tears to margins, letters trimmed along right edge to fit inside frame.

      South Bay Auctions Inc
    • School of Charles Balthazar Julien Fevret de Saint-Memin (1770-1852), LE SOLDAT DU CHENE (THE SOLDIER OF THE OAK- AN OSAGE CHIEF), (COPY IN REVERSE RELATING TO THE PORTRAIT STUDY FOR THOMAS MCKENNEY AND JOHN HALL'S BOOK PROJECT: "THE HISTORY OF THE
      Dec. 10, 2014

      School of Charles Balthazar Julien Fevret de Saint-Memin (1770-1852), LE SOLDAT DU CHENE (THE SOLDIER OF THE OAK- AN OSAGE CHIEF), (COPY IN REVERSE RELATING TO THE PORTRAIT STUDY FOR THOMAS MCKENNEY AND JOHN HALL'S BOOK PROJECT: "THE HISTORY OF THE

      Est: $5,000 - $7,000

      SCHOOL OF CHARLES BALTHAZAR JULIEN FEVRET DE SAINT-MEMIN (1770-1852), AMERICAN LE SOLDAT DU CHENE (THE SOLDIER OF THE OAK- AN OSAGE CHIEF), (COPY IN REVERSE RELATING TO THE PORTRAIT STUDY FOR THOMAS MCKENNEY AND JOHN HALL'S BOOK PROJECT: "THE HISTORY OF THE INDIAN TRIBES OF NORTH AMERICA") Watercolour and ink on "J Whatman" watermarked paper; sculpted oval, inscribed "Alice Warwick" in pencil versoImage 9" x 7" - 22.9 x 17.8 cm.; 9.75" x 8.25" - 24.8 x 21 cm.Provenance:"Alice Warwick" inscribed in pencil verso, One of a collection of five watercolours in this sale: lots 489 to 493 of which this lot and three additional lots: lot 489, lot 492 and lot 493 are similarly inscribed: "Alice Warwick" in pencil verso;Private Collection, TorontoNote:This sitter faces left in the McKenney & Hall published lithograph and wears a fur collar overcoat. This lot depicts the sitter facing right and wearing a variant costume- a grey striped blanket robe.

      Waddington's
    • School of Charles Balthazar Julien Fevret de Saint-Memin (1770-1852), AN OSAGE WARRIOR (COPY AFTER THE PORTRAIT STUDY FOR THOMAS MCKENNEY AND JOHN HALL'S BOOK PROJECT: "THE HISTORY OF THE INDIAN TRIBES OF NORTH AMERICA"), Watercolour and ink on "J.
      Dec. 10, 2014

      School of Charles Balthazar Julien Fevret de Saint-Memin (1770-1852), AN OSAGE WARRIOR (COPY AFTER THE PORTRAIT STUDY FOR THOMAS MCKENNEY AND JOHN HALL'S BOOK PROJECT: "THE HISTORY OF THE INDIAN TRIBES OF NORTH AMERICA"), Watercolour and ink on "J.

      Est: $5,000 - $7,000

      SCHOOL OF CHARLES BALTHAZAR JULIEN FEVRET DE SAINT-MEMIN (1770-1852), FRENCH/AMERICAN AN OSAGE WARRIOR (COPY AFTER THE PORTRAIT STUDY FOR THOMAS MCKENNEY AND JOHN HALL'S BOOK PROJECT: "THE HISTORY OF THE INDIAN TRIBES OF NORTH AMERICA") Watercolour and ink on "J. Whatman" watermarked paper; sculpted oval, the sheet, cut as an oval with 1/4" margin, inscribed in pencil: "Alice Warwick" verso.Image 8.75" x 6.75" - 22.2 x 17.1 cm.; 9.75" x 7.75" - 24.8 x 19.7 cm.Provenance:"Alice Warwick" inscribed in pencil verso, one of a collection of five watercolours in this sale: lots 489 to 493, of which this lot 489 and three following lots: lots 491, 492 and 493, are similarly inscribed: "Alice Warwick" in pencil verso;Private Collection, TorontoLiterature:Herman J. Viola, "The Indian Legacy of Charles Bird King";Andrew J. Cosentino, "The Paintings of Charles Bird King (1785-1862), Smithsonian Institution Press, 1977Note:The subject of this watercolour is known from the lithograph published for Thomas Lorraine McKenney's (1785-1859) and James Hall's (1793-1868) masterwork book: "History of the Indian Tribes of North America with Biographical Sketches and Anecdotes of the Principal Chiefs" renowned for its faithful portraits of Native Americans. The lithographic portrait plates are based on paintings by American artist Charles Bird King (1785-1862), who was employed by the War Department to paint the Indian delegates visiting Washington, D.C., to educate the American public and to preserve them in a series of portraits. Most of the original oil portraits were painted from life in the studio of C.B. King beginning in the winter of 1822 and 1842, the rest were copied from watercolours executed in the field by young frontier artist James Otto Lewis. It is recorded that a number of period copies exist of the over 143 portraits of Indian Chiefs and elders painted by King in the form of contemporary copies made by King himself or his students, such as George Cook, and many other unidentified artists. Herman J. Viola notes that a large number of copies were painted of the Indians as copies for the Indian delegates who sat for their portrait; to fill additional orders, or for record keeping purposes. The series of portraits executed for the McKenney and Hall project provide the only record of the likenesses of many of the most prominent Indian leaders of the nineteenth century and has been described as "the most colorful portraits of Indians ever executed". Since a fire at the Smithsonian destroyed most of the paintings in 1865, the published lithographs and the contemporary copies painted by various hands, survive as our only record. "An Osage Warrior" has become one of the most recognized Indian portraits executed for the McKenney & Hall project. It's image appears on the front cover of William H. Truettner's book: "Painting Indians and Building Empires in North America, 1710-1840". Charles B. J.F. Saint-Memin's original watercolour: "An Osage Warrior" on loan from the Winterthur collection, is included in the international exhibition of historic plains Indian art: "The Plains Indians Artists of the Earth and Sky" which began at the Musee du Quai Branly in France and recently opened at the Nelson- Atkins Museum of Art, Kansas City where "An Osage Warrior" occupies a full page colour illustration. It is also the subject most frequently reproduced and is subject of contemporary prints and giclee print reproductions.

      Waddington's
    • Five miniature portrait engravings, charles balthazar julien févret de saint-mémin (french/american 1770-1852)
      Nov. 13, 2014

      Five miniature portrait engravings, charles balthazar julien févret de saint-mémin (french/american 1770-1852)

      Est: $1,000 - $1,500

      Five miniature portrait engravings charles balthazar julien févret de saint-mémin (french/american 1770-1852) Including Mrs. Samuel (Martha Round) Caldwell (1748-1824) of Philadelphia; Mr. Adam Lynn, a silversmith from Alexandria, Virginia; S.A. Law, of Philadelphia; an unidentified Philadelphia gentleman, all in gilt frames; together with a portrait of James Simmons (1765-1809), a Philadelphia clockmaker, framed. Diam: 2 1/4 in. (image sight) PROVENANCE: A Gentleman's Collection, from a Washington, DC Townhouse. The four similarly framed portraits: Old Print Shop, New York, New York.

      Freeman's | Hindman
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