Antonio de Pereda Sold at Auction Prices

b. 1611 - d. 1678

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    • Circle of ANTONIO DE PEREDA (Valladolid, 1611 - Madrid, 1678), Second half of the 17th Century - early 18th Century "Jesus Christ, Man of Sorrows"
      Jun. 11, 2024

      Circle of ANTONIO DE PEREDA (Valladolid, 1611 - Madrid, 1678), Second half of the 17th Century - early 18th Century "Jesus Christ, Man of Sorrows"

      Est: €4,250 - €5,000

      Circle of ANTONIO DE PEREDA (Valladolid, 1611 - Madrid, 1678), Second half of the 17th Century - early 18th Century "Jesus Christ, Man of Sorrows" Oil on canvas 111 x 83 cm 4.250 - 5.000 €

      Bayeu Subastas
    • ATTRIBUITO AD ANTONIO DE PEREDA Y SALGADO (VALLADOLID 1611-1678 MADRID) Con
      Jun. 07, 2023

      ATTRIBUITO AD ANTONIO DE PEREDA Y SALGADO (VALLADOLID 1611-1678 MADRID) Con

      Est: €10,000 - €15,000

      ATTRIBUITO AD ANTONIO DE PEREDA Y SALGADO (VALLADOLID 1611-1678 MADRID) Conchiglie e noci olio su tela 25.7 x 35.5 cm.

      Christie's
    • Attributed to ANTONIO DE PEREDA Y SALGADO
      Apr. 01, 2022

      Attributed to ANTONIO DE PEREDA Y SALGADO

      Est: CHF1,800 - CHF2,500

      Attributed to ANTONIO DE PEREDA Y SALGADO (Valladolid 1608/11–1678 Madrid) The fallen angels entering hell. Pen and brown ink, brown and grey wash, with traces of red and black chalk. Old inscription verso in pen and brown ink: De Mane D. Antonio Pereda. 34 x 23.8 cm. --------------- ANTONIO DE PEREDA Y SALGADO, zugeschrieben (Valladolid 1608/11–1678 Madrid) Der Höllensturz der gefallenen Engel. Feder in Braun, braun und grau laviert, Spuren von roter und schwarze Kreide. Verso mit brauner Feder alt bezeichnet: De Mane D. Antonio Pereda. 34 x 23,8 cm.

      Koller Auctions
    • ANTONIO DE PEREDA - Ecce Homo surrounded by angels
      Jul. 14, 2020

      ANTONIO DE PEREDA - Ecce Homo surrounded by angels

      Est: €18,000 -

      ANTONIO DE PEREDA Valladolid 1611 - Madrid 1678 Ecce Homo surrounded by angels Oil on canvas Size 128.5 x 98.5 cm

      Subastas Segre
    • SPANISH OLD MASTER, 17th c.
      Oct. 06, 2019

      SPANISH OLD MASTER, 17th c.

      Est: $2,000 - $3,000

      possible attrib. Antonio de Pereda (Spanish, 1611-1678) Christ with crown of thorns o/p, 12.25 by 10.25 in.; period ebonized frame, 23 by 21 in. A larger, very similar version of this painting by Pereda is in Madrid’s Prado Museum titled Christ as the Man of Sorrows, c. 1640. Prov.: A gift from the Ambassador of Spain in the 1990’s, Don Carlos Manzanares (1915-1999) to his very close friend.

      CRN Auctions
    • Oil on Panel Attributed to Pereda (1611 - 1678)
      Oct. 27, 2018

      Oil on Panel Attributed to Pereda (1611 - 1678)

      Est: $25,000 - $50,000

      Oil on Panel Attributed to Antonio de Pereda (1611 - 1678) Overall Size: 23" x 21" Sight Size: 11.5" x 9 3/4" This is a painting of Christ on wood panel probably done by Antonio de Pereda circa 1640. The title is “Christ As The Man of Sorrows” and it may have been a preliminary work for the oil-on-canvas of the same title that now hangs in the Prado Museum in Spain. Pereda (1608 - 1678 or 1611 - 1678) was a Spanish painter of the 1600’s best known for his still lifes and religious paintings. He came from an artistic family; his father, mother and two brothers were all painters. He was educated in Madrid and taken under the protective wing of Giovanni Battista Crescenzi. After Crescenzi's death in 1635, Pereda was expelled from the Spanish court and began to take commissions from religious institutions. The painting on panel represents Christ before he was crucified, with the crown of thorns and the rope around his neck being so distinctive. The tree trunk will ultimately be his cross. The oil-on-canvas (“Cristo Varon de Dolores” in Spanish) was done by Pereda in 1641 and it’s nearly four times as big as this one on wooden panel. There are other noticeable differences between the pieces, too. The fingers on the left hand are different (the fourth finger is crooked in the oil-on-canvas), the rope is positioned a bit differently in both, the halo is larger in the oil-on-canvas, and the crown of thorns is larger and more detailed in the one at the Prado. But stylistically, the features in the panel and the oil-on-canvas seem very much alike. The hands - and especially the fingers - seem like they were done by the same person. The details in the rope - the thickness and graininess of the rope - seem very much alike, and the emotional expression on the face of Christ seems to be so much alike in both pieces. Pereda was known to have used different mediums to prepare his works - preliminary drawings, prints, books of engravings, and even plaster casts - and it’s possible that the painting on panel was done after Pereda did the one on canvas. An email from the Prado to the current owner of this work says that the piece on wooden panel “could be a later version of that work by Pereda himself …” But it’s possible that the wooden panel was rendered before the one on canvas was done, as a preliminary work for the oil on canvas. In 2018, an article written for the 200th anniversary of the Prado traced the history of how European artists made the transition from using wood panels to painting on canvas. In Spain, this transition ran from about 1620 to the 1640’s, just when Pereda was coming into his own. The wooden panel is not signed by Pereda, either (it was signed in the lower part of the tree trunk by Pereda in the oil-on-canvas), but it can clearly be attributed to him, and might have been done as a preliminary work for the piece that now hangs in the Prado. The painting was also a gift from a Spanish Ambassador to the current owner of the painting. The ambassador was a close lifelong friend of the current owner, and their friendship adds provenance to the piece. The frame is elaborate and probably done around the same time the painting was done. The construction of the frame also lends credence to the age of the painting. (You can see the construction in one of the photos of the backside of the frame.) The panel has slight paint loss at the top edge of the panel (about a quarter of an inch) and the frame has some age wear or nicks at the top or right side of the frame. There are a few wormholes on the front side of the frame, indicative of frames from that time period.

      Sarasota Estate Auction
    • ANTONIO DE PEREDA Y SALDAGO | Putti holding flowers and an orb
      Jan. 27, 2017

      ANTONIO DE PEREDA Y SALDAGO | Putti holding flowers and an orb

      Est: $15,000 - $20,000

      oil on canvas

      Sotheby's
    • †After Antonio de Pereda (1611-1678), "El Sueno del Caballero," early 20th c., oil on canvas, after the original, the angel holding a..
      Mar. 02, 2013

      †After Antonio de Pereda (1611-1678), "El Sueno del Caballero," early 20th c., oil on canvas, after the original, the angel holding a..

      Est: $500 - $1,000

      After Antonio de Pereda (1611-1678), "El Sueno del Caballero," early 20th c., oil on canvas, after the original, the angel holding a banner "Aeterne pungit, cito volat et occidit," (The fame of great feats will vanish in a dream), oil on canvas, after the original, framed, H.- 53 in., W.- 77 1/4 in.

      Crescent City Auction Gallery
    • ANTONIO DE PEREDA Y SALGADO (Valladolid 1611-1678 Madrid) Putti Holding a Veil and Crown.
      Jan. 29, 2013

      ANTONIO DE PEREDA Y SALGADO (Valladolid 1611-1678 Madrid) Putti Holding a Veil and Crown.

      Est: $2,000 - $3,000

      ANTONIO DE PEREDA Y SALGADO (Valladolid 1611-1678 Madrid) Putti Holding a Veil and Crown. Pen and brownish black ink and black chalk on blue laid paper. 240x295 mm; 9 1/2x11 1/2 inches. The letters VW counter mark to an unknown watermark. An attribution to Guglielmo Caccia (1568-1625) has been suggested.

      Swann Auction Galleries
    • AFTER ANTONIO DE PEREDA (Spanish. 1608-1678)
      Aug. 09, 2010

      AFTER ANTONIO DE PEREDA (Spanish. 1608-1678)

      Est: $800 - $1,000

      AFTER ANTONIO DE PEREDA (Spanish. 1608-1678) "El Sueno de la Muerte". Oil on Canvas. Measuring 54" by 78". Framed. (Cond: old varnish, approx. 50 years old) (800/1000)

      Auction Gallery of the Palm Beaches
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