More people recognize Miles Davis as a musician than as an artist, possibly because he came to art late in life, as therapy after a stroke. This identification, however, in no way detracts from Miles Davis' art. Influenced by artists such as Basquiat, Picasso, and Kandinsky, and with an eye to African art, Miles Davis' paintings utilized bold colors and abstract compositions.
Miles Davis' art was rarely exhibited during his lifetime, although the Nerlino Gallery represented him during his final years. According to Joanne Nerlino, Davis had created over 100 paintings and drawings and had stacks of filled sketchbooks representing six years' worth of work. A book of his art, Miles Davis: The Collected Artwork, was published in 2013. Miles Davis memorabilia is prized by collectors worldwide. Collectors may find other outstanding drawings for sale online by contemporary or historical artists that capture the essence of a variety of subjects.
Bearing the artist's embossed signature and chop mark numbered 271/300, printed by Atelier GF, Toronto, CA; Bag One Arts, Inc. Provenance: Circle Fine Art Corporation, Chicago, Illinois (paper label affixed verso); From Prominent Art Collector, Grosse Pointe Woods, Michigan
Oil on paper, backed on board, untitled, signed 'Miles' in red paint to the lower right corner, framed. Together with a handwritten and illustrated dedication from Miles Davis ‘to Disco 2000’, on Hotel Alhambra Palace letterheaded paper. Dimensions 29 1/2in x 21 1/2in (75cm x 54.6cm) 35in x 27in (88.9cm x 68.6cm) framed Provenance Gifted by Miles Davis to the co-organiser of the 9th International Jazz Festival in Granada, 1988. Miles Davis stayed at the same hotel (Alhambra Palace Hotel) during the festival as the organiser, who was also the owner of the record shop ‘Disco 2000’ in Marbella. Thence by direct descent and generously donated to support the charity Think Equal.
Bearing the artists blindstamp and red seal lower right, numbered 417/450 in pencil lower left. Plate signed. Provenance: Circle Fine Art Corporation, Chicago, Illinois (paper label affixed verso); From Prominent Art Collector, Grosse Pointe Woods, Michigan
Bearing the artists blindstamp and red seal lower right, numbered 417/450 in pencil lower left. Plate Signed. Provenance: Circle Fine Art Corporation, Chicago, Illinois (paper label affixed verso); From Prominent Art Collector, Grosse Pointe Woods, Michigan
Bearing the artists blindstamp and red seal lower right, numbered 285/300 in pencil lower left. Frame 28" x 24" Provenance: Circle Fine Art Corporation, Chicago, Illinois (paper label affixed verso); From Prominent Art Collector, Grosse Pointe Woods, Michigan
Bearing the artists embossed signature lower right, numbered 46/100 (there were 15 artist's proofs) in white pencil lower left, published by Atelier Whitewater Editions, the full sheet. Framed. Provenance: Circle Fine Art Corporation, Chicago, Illinois (paper label affixed verso); From Prominent Art Collector, Grosse Pointe Woods, Michigan
Miles Davis (American, 1926-1991): What It Is, 1990, an original acrylic and pastel on canvas painting by Miles Davis and Jo Gelbard, titled and signed by Miles Davis, accompanied by a letter of provenance, 60in x 38in (15.5cm x 96.5cm)
Miles Davis (American, 1926-1991). ‘Time after time’, mixed media drawing, signed lower right, inscribed and dated 1984 on reverse, 24 x 20cm. Framed and glazed. Davis was an American jazz trumpeter, bandleader, and composer. In 1984, Davis met 34-year-old sculptor Jo Gelbard who taught Davis how to paint; the two were frequent collaborators and were soon romantically involved. Under glass, ink possibly slightly faded, generally good appearance.
Pickup on Monday, Nov 13, 2023 from 1:00 pm to 6:00 pm All items are sold as-is. The absence of a condition report does not imply that the lot is in perfect condition or completely free of defects, imperfections, or wear and tear. The pickup address will be released on your invoice. Invoices are sent after the entire auction has ended. Be sure to bring boxes and packing material to pickup. If you purchase a large item, be sure to bring moving help. Shipping is NOT AVAILABLE. Items not picked up by the pickup deadline will be forfeited and you will still be charged. Items cannot be held after the pickup date. Items not picked up will be automatically charged to the card on file.
Miles Davis 1926 - 1991 Untitled (musician) Lithograph on paper; H 510 mm, W 390 mm; stamped with Japanese characterslower right; numbered lower left ''232/300''; Paper with embossing right ''Miles''
MONTBLANC - Miles DAVIS (2016) n° 1587 / 1926 Stylo plume de la collection "Great Characters", en édition limitée à 1926 exemplaires en hommage au jazzman et trompettiste de talent Miles Davis (1926-1991). Entièrement platiné, sa forme générale est inspirée de la trompette, jusqu'à l'agrafe qui reprend les trois pistons de l'instrument, et le bout du corps en forme lui-même de piston à cône bleu qui rappelle l'embouchure HEIM qu'il utilisait et le titre de l'album jazz "Kind Of Blue". Le capuchon, à vis, est finement gravé d'instruments de jazz-band, tandis que le corps fait référence aux différents dates marquantes de l'évolution du jazz. Le chiffre de 2006 est gravé à côté d'une étoile sertissant un diamant, en référence à l'année d'intronisation de l'artiste au Rock and Roll Hall of Fame and Museum. Plume en or 18k principalement rhodiée laissant en jaune la silhouette du trompettiste. Encrage par piston. Très bel état, microrayures, encré. Dans son écrin, complet de son petit livre et du livret-certificat. Sans boite ni cartonnage. Long. ouvert : 12,5 cm Long. fermé : 14,6 cm Note : Cette édition Great Characters Miles Davis rend hommage à l'un des musiciens de jazz les plus innovants et les plus influents de tous les temps : Miles Dewey Davis. Il était non seulement un trompettiste au son extraordinaire, mais également un pionnier de presque toutes les phases du jazz américain d'après-guerre. L'édition est limitée à 1926 pièces en référence à son année de naissance. MONTBLANC - GREAT CHARACTER MILES DAVIS PLATINUM-COATED ROLLERBALL PEN Estimation 2 000 - 2 500 €
MONTBLANC - Miles DAVIS (2016) n° 1587 / 1926 Stylo plume de la collection "Great Characters", en édition limitée à 1926 exemplaires en hommage au jazzman et trompettiste de talent Miles Davis (1926-1991). Entièrement platiné, sa forme générale est inspirée de la trompette, jusqu'à l'agrafe qui reprend les trois pistons de l'instrument, et le bout du corps en forme lui-même de piston à cône bleu qui rappelle l'embouchure HEIM qu'il utilisait et le titre de l'album jazz "Kind Of Blue". Le capuchon, à vis, est finement gravé d'instruments de jazz-band, tandis que le corps fait référence aux différents dates marquantes de l'évolution du jazz. Le chiffre de 2006 est gravé à côté d'une étoile sertissant un diamant, en référence à l'année d'intronisation de l'artiste au Rock and Roll Hall of Fame and Museum. Plume en or 18k principalement rhodiée laissant en jaune la silhouette du trompettiste. Encrage par piston. Très bel état, microrayures, encré. Dans son écrin, complet de son petit livre et du livret-certificat. Sans boite ni cartonnage. Long. ouvert : 12,5 cm Long. fermé : 14,6 cm Note : Cette édition Great Characters Miles Davis rend hommage à l'un des musiciens de jazz les plus innovants et les plus influents de tous les temps : Miles Dewey Davis. Il était non seulement un trompettiste au son extraordinaire, mais également un pionnier de presque toutes les phases du jazz américain d'après-guerre. L'édition est limitée à 1926 pièces en référence à son année de naissance. MONTBLANC - GREAT CHARACTER MILES DAVIS PLATINUM-COATED ROLLERBALL PEN Estimation 2 000 - 2 500 €
MILES DAVIS WITH QUINCY THOMAS JR. TROUPE Miles. The Autobiography Miles Davis with Quincy Thomas Jr. Troupe "DAVIS, Miles (1926-1991) with Quincy Thomas TROUPE, Jr. (b.1939). Miles. The Autobiography. New York: Simon and Schuster, 1989. "First edition, first printing, signed and inscribed by Miles Davis. Inscribed in black ink on the front free endpaper 'Yo! Cuz, Thanks for all the help & support through the years. You’ve always been there for me! I hope this book will help you through the perils of being a star – cos you’re gonna make it one day. On the one, Miles', and dated '2.2.89'. The recipient was reportedly Davis’ last drummer, Ricky “Sugarfoot” Wellman. We are unable to trace any other presentation copy in auction records. "Octavo. Mid-blue morocco publisher’s presentation binding, title gilt to the spine and trumpet device gilt to the front board, edges speckled red (very good, minor scuffs). Housed in a modern custom quarter black morocco solander box. "[With:] Miles Davis, Essex House, New York, 1988. A gelatin silver print by Enrique Cervera Bernatowich, printed 1998, signed, titled, dated and numbered 2 from the edition of 15 in black ink (margin), image: 223 x 149 mm; sheet: 254 x 202 mm; window mounted: 356 x 281 mm. The image was published on the cover of the French journal Hot Jazz, July 1988.
MILES DAVIS "Giulia and Miles, 1980s Miles Davis MILES DAVIS (1926-1991) "Giulia and Miles, 1980s "felt pen on paper, unsigned 415 x 295 mm; window mounted (553 x 443 mm) accompanied by documents concerning the provenance "After Miles had a stroke in 1982, he took up drawing to improve the strength and flexibility of his paralysed hand, and to keep his mind occupied with something when he wasn't playing music. 'More and more I have been drawing and painting', said Miles, 'It's soothing for me to paint and I just love seeing what comes out of my imagination. Gallerist Joanne Nerlino, described Miles' art as ""Figurative Expressionist"": 'they are expressionist paintings with figures merging through them.' Cited in Cole, The Last Miles, 125-6. Provenance: Giulia Troja (companion of Miles Davis 1982-85).
MILES DAVIS AND ARETHA FRANKLIN "Boxing style silkscreen concert poster for a performance by the Miles Davis Quintet and Aretha Franklin at Adams-West theatre, Los Angeles, 11-12 September 1964 Miles Davis and Aretha Franklin "DAVIS, Miles (1926-1991) and Aretha FRANKLIN (1942-2018). "Boxing style silkscreen concert poster for a performance by the Miles Davis Quintet and Aretha Franklin at Adams-West theatre, Los Angeles, 11-12 September 1964, printed in black on heavy cardstock, 560 x 356mm. Los Angeles: Green’s Show Print, 1964. "[With:] A boxing style silkscreen poster for a performance by Aretha Franklin with support from “Cannonball” Adderley at Adams-West theatre, Los Angeles, 4-5 September 1964, printed in blue on heavy cardstock, 561 x 355mm. Los Angeles: Green’s Show Print, 1964.
"CHARLES “CHARLIE,” JR. PARKER "A collection of 23 original 12-inch acetates of airshots, including 17 of Charlie Parker, from the archive of the legendary amateur recordist Boris Rose, 1948-53 "Charles “Charlie,” Jr. Parker "PARKER, Charles “Charlie,” Jr. (1920-1955), Miles DAVIS (1926-1991), Lester YOUNG (1909-1959) et al. "A collection of 23 original 12-inch acetates of airshots, including 17 of Charlie Parker, from the archive of the legendary amateur recordist Boris Rose, 1948-53. "Boris Rose (1918-2000), a sound engineer from the Bronx, was by all accounts a compulsive collector who recorded radio performances and broadcasts, making homemade acetates and bootleg records available to jazz fans for decades. Writing about Rose’s extensive archive for the Wall Street Journal in 2010, William Friedwald remarked that he ‘was one of those legendary characters who seem to proliferate in the world of jazz… An inveterate prankster, he dreamed up a dizzying array of fake label names… many of which he tried to pass off as European imports… The truth was that Mr. Rose produced them all from his brownstone on East 10th Street. ""I always felt something about jazz,"" Mr. Rose said in an undated interview with historian Dan Morgenstern… ""As far back as 1930, I listened to broadcasts from the Cotton Club. I heard Duke, I heard Don Redman, I heard Cab Calloway… As far back as 1940, I purchased a home [disc-cutter] recorder and I began to dub records.” From there, he branched out to recording radio broadcasts and then live bands in clubs. ""I had professional equipment and began to take down all of these jazz broadcasts,"" he explained. ""First on 16-inch acetate discs. Later on, when tape came into the picture, I was able to record on tape.""' Friedwald notes that ‘the centerpiece of the Rose archive is the Birdland Collection: Mr. Rose recorded virtually every band that played this most legendary of jazz joints, either directly off the airwaves or by smuggling a concealed tape recorder into the club.’ Over the years, he amassed an enormous archive, documenting an entire era of music. Highlights present here are Bird at St. Nicks, along with radio broadcasts from the Royal Roost, Birdland, the Band Box, Café Society, and Carnegie Hall, offering a remarkable overview of Charlie Parker’s live repertoire during this period. Other artists represented include Miles Davis, Fats Navarro, Count Basie, Lester Young, Bud Powell and Coleman Hawkins. ‘We should thank goodness that someone was documenting these broadcasts,’ proclaims music critic John Corbett, ‘or they might have been lost forever.’ Corbett, Vinyl Freak, November 2004. Cummings, Democracy of Sound, 65. Driggs and Haddix, ix. Friedwald, WSJ, 4 December 2010. "Twenty-three 12-inch acetates, the majority of the white labels with typewritten titles and track listings, some with handmade sleeves, the others with white card sleeves, some of the sleeves with handwritten track listings, the Charlie Parker recordings comprising: "- Bird at St. Nick’s, featuring the Charlie Parker Quintet with Red Rodney, Al Haig, Tommy Potter and Roy Haynes at St. Nicholas Arena, New York, 18 February 1950. Parker scholar Lawrence O. Koch notes: ‘There is a different parker here than on any other "- Bird on 52nd Street, featuring Charlie Parker at the Onyx Club, New York, 6 July 1948, recorded by Dean Benedetti; "- Charlie Parker, one side featuring White Christmas, Slow Boat to China and This Time the Dream’s On Me, possibly at Royal Roost, New York, December 1948, the other side featuring Tiger Rag, presumably Dizzy Gillespie at WOR Studios, New York, 20 Septemb" "- Birdomania, one side featuring Lullaby in Rhythm at Café Society, New York, May/July 1950, and Lament for the Congo [Bongo Ballad] at Renaissance Ballroom, New York, 19 or 20 May 1950, the other side featuring Moose the Mooche and 52nd Street Theme at C" "- Charlie Parker, one side featuring Parker at Birdland, New York, 24 March 1951, the other featuring Parker at Carnegie Hall, New York, 14 November 1952, and at Birdland, 20 September 1952, with a handmade sleeve; "- Rose Records – Rose 20, featuring Charlie Parker at the Band Box, New York, on 16 February, 23 March and 30 March 1953, and at Birdland on 30 May 1953, white record sleeve with handwritten track listing; "- Charlie Parker, one side featuring Parker at the Band Box, New York, 30 March 1953, the other featuring an Interview with the Bird with Marshall Stearns and John Maher, New York, 1 May 1950. Koch refers to this as a ‘famous oral interview… Bird speaks o" "- Another copy of the above, the white sleeve with handwritten track listing; "- Charlie Parker at the Café Society, New York, probably Spring 1950, with homemade paper sleeve; "- Charlie Parker, side one featuring Parker at Birdland, 23 May 1950, and side two possibly featuring Parker at Café Society, New York, June 1950; "- Rose Records – Rose 30, featuring Parker at Birdland on 24 March 1951 and 20 September 1952, the latter date with Charles Mingus, the white paper sleeve with handwritten track listing; "- Parker Broadcasts, featuring Charlie Parker at the Royal Roost, New York, 12 December 1948, 12 February, 26 February and 5 March 1949, the white paper sleeve with handwritten track listing; "- Parker Broadcasts, side one featuring Parker with Dizzy Gillespie at WOR Studios, New York, 20 September 1947, and at the Waldorf Astoria, New York, 5 March 1949, side two featuring five tracks almost certainly from a tribute concert commemorating Duke "- Parker Broadcasts, featuring Parker at Birdland, 23 May 1950 and 7 April 1951, and at Café Society, New York, probably 1 June 1950, the white paper sleeve with handwritten track listing; "- Charlie Parker, featuring Parker at the Band Box, New York, 16 February, 23 March and 30 March 1953; "- Charlie Parker with Buddy Stewart and Dave Lambert, featuring Parker at the Royal Roost, New York, 5 March 1949, the white paper sleeve titled and dated in ink; "- Rose Records – Rose 31, featuring Parker at Birdland on 30 June 1950 and 7 April 1951, and at the Waldorf Astoria, New York, on 5 March 1949, the white paper sleeve with handwritten track listing; "the six further acetates including Fats Navarro with the Tadd Dameron Band, October 1948; Count Basie on CBS, 9 July 1938; Lester Young at Birdland, July 1953; Miles Davis at the Royal Roost, September 1948; and two WNEW Sunday Afternoon Jam Sessions; the collection housed in a carpet covered flight case. Provenance: Boris Rose (1918-2000; amateur recordist).
Miles Davis (1926-1991) Shukat & Hafer Acrylic on canvas 52-1/2 x 65-1/2 inches (133.4 x 166.4 cm) Signed lower left: Miles Property from the Estate of Stacey Snyder, Dallas, Texas HID01801242017
Miles Davis (1926-1991) "New York By Night" Screenprint in colors on Stonehenge paper Edition: 145/300 With the estate stamped signature in the lower right margin: Miles; numbered in pencil, with two blindstamps, and with the artist's red chopmark, along the lower margin; with the estate ink stamp verso: The Estate of Miles Davis, 1998; Atelier GF, Toronto, Canada, prntr.; Bag One Arts INC., New York, NY, pub.
Miles Davis 1926-1991 Eye of the Storm 1989 acrylic on canvas 60 x 52 inches signed accompanied by a COA from Triangle Galleries. Exhibited: Triangle Galleries, Beverly Hills, California, October 1989. (exhibition of works by Davis and musician John Mellenkamp.
"Stan Getz & Miles Davis" by Frank Driggs, 1992 Unsigned Offset Lithograph. Paper size is 12 x 9.5 inches, with an image size of 12 x 9.5 inches. The Offset Lithograph is from an unknown edition size. and is not framed. The condition was rated A: Mint. Additional details: Published by Magnum/Editions du Desastre, a poster publisher during two decades from 1990 to 2010.
"Charlie Parker & Miles Davis" by Frank Driggs, 1992 Unsigned Offset Lithograph. Paper size is 9.5 x 12 inches, with an image size of 9.5 x 12 inches. The Offset Lithograph is from an unknown edition size. and is not framed. The condition was rated A-: Near Mint, very light signs of handling. Additional details: Published by Magnum/Editions du Desastre, a poster publisher during two decades from 1990 to 2010.
Miles Davis Music Collection (25) boxed CDs including Complete Live at Plugged Nickle 1965; Bitches and Brews; Complete Columbia Album Collection; Live and the Fillmore; together with a linocut, pencil signed by Kreg Yingst Property from: a Chicago, Illinois (River North) estate Category: Collectibles > Hollywood Estimated Sale Time: 1:47 pm CST Shipping Status: Leonard Auction, Inc. will provide direct shipping for this lot. Please visit our website for a shipping estimate. Sales Tax: California (7.25%), Florida (6%), Georgia (8.5%), Kansas (6.5%), New Jersey (6.625%), New Mexico (5.125%), New York (8.875%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs: Photograph #1 Photograph #2 Photograph #3 Photograph #4 Last modified: September 28, 2022, 9:53 am
Miles Davis (American, 1926-1991), Untitled Figures, red and blue felt tip pen on paper, signed in pencil lower center, matted and framed under Plexiglass, 13"h x 9.5"w (sight), 20.5"h x 16"w (frame)
Miles Davis (American, 1926-1991), Untitled Abstract, signed and inscribed center left, information inscribed verso, framed under plexiglass, 38"h x 27"w (sheet), 41"h x 31"w (frame)
Music, Miles David signed 8 x6 colour photograph signed in Cologne a few weeks before he died. Miles Dewey Davis III (May 26, 1926 - September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Good condition Est.
MILES DAVIS (1926-1991), "EZZ-THETIC", limited edition lithograph, indistinctly numbered ?/300 in pencil, blindstamp, framed. Visible sheet 75cm by 54cm Accompanying the lot is a booklet, 'The Art of Miles Davis', a retrospective of the jazz musicians music - on canvas
Jazz stars, c.1960s and 1980s Jazz stars, c.1960s and 1980s SELECTION OF PORTRAITS OF JAZZ STARS, c.1960s and 1980s, printed later, Miles Davis (1926-1991) and Nina Simone (1933-2003). Digital archive prints (6), image size, 210 x 150mm, sheet size, 255 x 205mm, titled and dated in pen verso, with Herb Snitzer copyright stamp verso.
Tommy Yow (New Orleans), "Gateway," 21st c., acrylic on canvas, signed lower right, portrait of Miles Davis from a 1991 Jazz Fest performance, unframed, H.- 20 in., W.- 16 in. Provenance: The Kissee Art Collection.
Herb Snitzer b.1932 Herb Snitzer b.1932 COLLECTION OF PORTRAITS OF JAZZ INFLUENCIAL MUSICIANS, c.1958-1960, printed later, subjects include Nina Simone (1933-2003) and Miles Davis (1926-1991). Silver gelatin prints (6), image size, 200 x 150mm, sheet size, 255 x 200mm, with photographer's copyright stamp verso, titled and dated in ink verso.
We are proud to carry the Legends Of Music large framed 45 record displays. The display measures 16 inches wide by 19 inches tall. An 8.50 x 11 high resolution photo of your favorite artist is dominant on the top. The 7 inch 45 record has been plated over a black vinyl record and then polished to a mirror finish. No music is on the record and can not be played, for display purposes only. The frame is made of wood and has a beautiful black lacquer finish. Matted with an acid free black mat, conservation framed methods were used for years of enjoyment. This display has what is known as Museum Glass which is a UV protected framers grade acrylic which is non-breakable. Reserve is set at $45 *****Please note***** Our auctions have a Reserve Price. The low reserve price is a hidden minimum that the seller is willing to accept for an item. In a Reserve Price auction, the seller is only obligated to sell the item once the bid amount meets or exceeds the Reserve Price. If you wish to open up bidding at the reserve price and no one bids against you, you would win that auction item. Please see the reserve price for this item in the description.
Miles Davis attributed lithograph. Unsigned, mounted to board. Measures 13.75-in. x 8.5-in. If lot is absent of a condition report one may be requested via email. Condition report is provided as an opinion only and is no guarantee as grading can be subjective. Buyer must view photographs or scans to assist in determining condition and ask further questions if so desired. Our in-house shipping department will gladly pack and ship any item that fits into a 14x14x14 inch or 30x5x24 inch or equivalent or smaller box/folio if it is not fragile or over 25lbs. We will charge for labor to pack and process based on actual time it takes, actual cost of materials used to pack and actual shipper charges that will include insurance and signature required. We generally use USPS and Fed Ex and compare the pricing between the two. Books maximum box size will be 14x14x14 inch or equivalent and will be shipped USPS Media Mail unless otherwise requested. We gladly will give shipping estimates prior to auction. Please make this request at least 24 hours prior to auction for our shipping department to respond. If your invoice is for multiple items, we will use our discretion on requiring the use of an outside shipper. We reserve the right to require an outside shipper on any item(s) in the auction even if not stated.
MONTBLANC - MILES DAVIS (2016) N° 1180 / 1926 Stylo roller de la collection "Great Characters", en édition limitée à 1926 exemplaires en hommage au jazzman et trompettiste de talent Miles Davis (1926-1991). Entièrement platiné, sa forme générale est inspirée de la trompette, jusqu'à l'agrafe qui reprend les trois pistons de l'instrument, et le bout du corps en forme lui-même de piston à cône bleu qui rappelle l'embouchure HEIM qu'il utilisait et le titre de l'album jazz "Kind Of Blue". Le capuchon, à vis, est finement gravé d'instruments de jazz-band, tandis que le corps fait référence aux différents dates marquantes de l'évolution du jazz. Le chiffre de 2006 est gravé à côté d'une étoile sertissant un diamant, en référence à l'année d'intronisation de l'artiste au Rock and Roll Hall of Fame and Museum. Avec son écrin, complet de son livret, avec une recharge. Boite et cartonnage. Superbe état. Long. ouvert : Long. fermé : Note : Cette édition Great Characters Miles Davis rend hommage à l'un des musiciens de jazz les plus innovants et les plus influents de tous les temps : Miles Dewey Davis. Il était non seulement un trompettiste au son extraordinaire, mais également un pionnier de presque toutes les phases du jazz américain d'après-guerre. L'édition est limitée à 1926 pièces en référence à son année de naissance. MONTBLANC - GREAT CHARACTER MILES DAVIS PLATINUM-COATED ROLLERBALL PEN Estimation 2 200 - 2 500 €
Miles Davis two record set. FACTORY SEALED. Prestige PR 24001. From a non-smoking home. Provenance: Bob Borcherdt collection. Boulder City, Nevada. If lot is absent of a condition report one may be requested via email. Condition report is provided as an opinion only and is no guarantee as grading can be subjective. Buyer must view photographs or scans to assist in determining condition and ask further questions if so desired. Our in-house shipping department will gladly pack and ship any item that fits into a 14x14x14 inch or 30x5x24 inch or equivalent or smaller box/folio if it is not fragile or over 25lbs. We will charge for labor to pack and process based on actual time it takes, actual cost of materials used to pack and actual shipper charges that will include insurance and signature required. We generally use USPS and Fed Ex and compare the pricing between the two. Books maximum box size will be 14x14x14 inch or equivalent and will be shipped USPS Media Mail unless otherwise requested. We gladly will give shipping estimates prior to auction. Please make this request at least 24 hours prior to auction for our shipping department to respond. If your invoice is for multiple items, we will use our discretion on requiring the use of an outside shipper. We reserve the right to require an outside shipper on any item(s) in the auction even if not stated.
Miles Davis LP Record Album. Factory Sealed. Prestige 7094. Cookin' with The Miles Davis Quintet. P7094. From a non-smoking home. Provenance: Bob Borcherdt collection. Boulder City, Nevada. If lot is absent of a condition report one may be requested via email. Condition report is provided as an opinion only and is no guarantee as grading can be subjective. Buyer must view photographs or scans to assist in determining condition and ask further questions if so desired. Our in-house shipping department will gladly pack and ship any item that fits into a 14x14x14 inch or 30x5x24 inch or equivalent or smaller box/folio if it is not fragile or over 25lbs. We will charge for labor to pack and process based on actual time it takes, actual cost of materials used to pack and actual shipper charges that will include insurance and signature required. We generally use USPS and Fed Ex and compare the pricing between the two. Books maximum box size will be 14x14x14 inch or equivalent and will be shipped USPS Media Mail unless otherwise requested. We gladly will give shipping estimates prior to auction. Please make this request at least 24 hours prior to auction for our shipping department to respond. If your invoice is for multiple items, we will use our discretion on requiring the use of an outside shipper. We reserve the right to require an outside shipper on any item(s) in the auction even if not stated.
Miles Davis LP Record Album. FACTORY SEALED. Prestige 7007. Original Jazz Classics, The Musings of Miles. P 7007. From a non-smoking home. Provenance: Bob Borcherdt collection. Boulder City, Nevada. If lot is absent of a condition report one may be requested via email. Condition report is provided as an opinion only and is no guarantee as grading can be subjective. Buyer must view photographs or scans to assist in determining condition and ask further questions if so desired. Our in-house shipping department will gladly pack and ship any item that fits into a 14x14x14 inch or 30x5x24 inch or equivalent or smaller box/folio if it is not fragile or over 25lbs. We will charge for labor to pack and process based on actual time it takes, actual cost of materials used to pack and actual shipper charges that will include insurance and signature required. We generally use USPS and Fed Ex and compare the pricing between the two. Books maximum box size will be 14x14x14 inch or equivalent and will be shipped USPS Media Mail unless otherwise requested. We gladly will give shipping estimates prior to auction. Please make this request at least 24 hours prior to auction for our shipping department to respond. If your invoice is for multiple items, we will use our discretion on requiring the use of an outside shipper. We reserve the right to require an outside shipper on any item(s) in the auction even if not stated.
Miles Davis 1926-1991 Roots 1992 color serigraph and book 34 x 20-1/2 inches (image) 41 x 27 inches (sheet) embossed signature, artist’s chop mark LR, numbered 216/300 in pencil printed by Atelier GF, Toronto, CA; Bag One Arts, Inc. with a copy of: Miles Davis: The Collected Artwork, San Rafael, California : Insight Editions, 2013. This book is very difficult to find and sells for $400 on rare book sites.
* Davis (Miles, 1926-1991). Don Quixote, circa 1985, colour screenprint, printed signature, red seal and signature in blind lower right, 59.5 x 44 cm (23.5 x 17.25 in) mount aperture, framed and glazed Qty: (1)
Goerge Condo (1957) More sketches of Spain-For Miles Davis 3 1991 Etching hand-signed and numbered by pencil. Edition of 40 on paper. Sheet: 69 x 77 cm. Published by Poligrafa, Barcelona.
DAVIS MILES: (1926-1991) American Jazz Trumpeter. Bold blue ink signature 'Miles', adding alongside a musical note, to an oblong 5 x 3 white card. Autograph obtained in person by collector in Vienna, 1989. VG
Goerge Condo (1957) More sketches of Spain-For Miles Davis 3 1991 Etching hand-signed and numbered by pencil. Edition of 40 on paper. Sheet: 69 x 77 cm. Published by Poligrafa, Barcelona.
Steve Jobs had just returned to the struggling company, Apple Computer in 1997. Jobs and Lee Clow had collaborated back in 1984 to launch the MacIntosh. Now was the time to recover the sense of Appleâs place in the world of creative users. The TBWA Chiat/Day team said that Apple should be aligned with the creativity of personalities and people making an impact on the twentieth century. The "Think Different" phrase provided an opportunity to celebrate both the creativity of these people but also the distinctiveness of Apple in the computing world, responding to IBMâs historic campaign motto, "Think". The campaign was swiftly approved by Apple, then begun with the television commercial, which first ran on Sept. 28 1997, followed by the print ads, billboards and posters. (Source -Inspiration Room) To read more about this renowned campaign, click on this link to read a background article by Rob Siltanen who was the Creative Director for the campaign - https://www.forbes.com/sites/onmarketing/2011/12/14/the-real-story-behind-apples-think-different-campaign/#7bc50b3962ab. This poster is from the series issued by Apple in 1998 and it features Miles Davis. Miles Dewey Davis III (1926 - 1991) was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. In 2006, Davis was inducted into the Rock and Roll Hall of Fame,[10] which recognized him as "one of the key figures in the history of jazz. Rolling Stone described him as "the most revered jazz trumpeter of all time, not to mention one of the most important musicians of the 20th century, while Gerald Early called him inarguably one of the most influential and innovative musicians of that period. - Wikipedia This is an Original Poster , it is not a reproduction. The poster was printed on heavy weight paper and is in excellent condition. We guarantee the authenticity of all of our posters.
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