Loading Spinner

Daniele da Volterra Sold at Auction Prices

Painter, Sculptor

See Artist Details

0 Lots

Sort By:

Categories

Auction Date

Seller

Seller Location

Price Range

to
  • P. JOURDY (1805-1856), Portrait of Daniele da VOLTERRA, Lithography
    Mar. 22, 2025

    P. JOURDY (1805-1856), Portrait of Daniele da VOLTERRA, Lithography

    Est: €150 - €200

    Paul Jourdy (1805 Dijon - 1856 Paris): Portrait of Daniele da VOLTERRA (1509 Volterra, Tuscany - 1566 Rome), Italian painter and sculptor, 19th century, Lithography Technique: Lithography on China paper, rolled-on on Paper Inscription: Signed and inscribed in the stone Date: 19th century Keywords: 19th century, Romanticism, Portraits, Italy, Size: Paper: 49,5 cm x 32,5 cm (19,5 x 12,8 in), Depiction: 31,0 cm x 24,5 cm (12,2 x 9,6 in)

    Fichter Kunsthandel
  • S. MULINARI (*1741) after VOLTERRA (*1509), Sitting boy, 1778, Etching
    Jan. 25, 2025

    S. MULINARI (*1741) after VOLTERRA (*1509), Sitting boy, 1778, Etching

    Est: €450 - €600

    Stefano Mulinari (1741 Florence - 1790 ibid.) after Daniele da Volterra (1509 Volterra - 1566 Rom): Sitting boy, 1778, Etching Technique: Etching on Paper Inscription: Lower middle signed: "SM.inci:/Di Daniello Ricciarelli Volterrano Discepolo del Peruzzi/nato nel 1509. visse anni 57.", oben rechts nummeriert: "49.". Date: 1778 Description: Etching after a drawing by Daniele da Volterra (actually Daniele Ricciarelli) from the series of 50 etchings after drawings from the Uffizi "Istoria Pratica dell' Incominciamento, e Progressi della Pittura", published in Florence in 1778. Source: Istoria Pratica dell' Incominciamento, e Progressi della Pittura | print suite Keywords: Printmaking, Etching, Boy, Drawing, Florence, Nudity, 18th century, Baroque, People, Germany, Size: Paper: 48,8 cm x 38,6 cm (19,2 x 15,2 in), Plate: 37,9 cm x 24,1 cm (14,9 x 9,5 in)

    Fichter Kunsthandel
  • After VOLTERRA (*1509), Crucifixion, around 1850, Lithography
    Oct. 26, 2024

    After VOLTERRA (*1509), Crucifixion, around 1850, Lithography

    Est: €60 - €100

    After Daniele da Volterra (1509 Volterra - 1566 Rom): Crucifixion, c. 1850, Lithography Technique: Lithography on Paper Date: c. 1850 Description: Crucifixion", colour lithograph after a work by Daniel de Volterra (1503 -1566) (actually Daniele Ricciarelli). From the series: Pictures of the Romanesque School (Ecole Florentine). Text information (In French by Chabert) in the format of the art sheet. Keywords: 19th century, Romanticism, Biblical, France, Size: Paper: 48,2 cm x 32,5 cm (19 x 12,8 in), Depiction: 42,2 cm x 30,5 cm (16,6 x 12 in)

    Fichter Kunsthandel
  • J. STRIXNER (*1782) after VOLTERRA (*1509), Cross removal, around 1808, Lithography with pen
    May. 25, 2024

    J. STRIXNER (*1782) after VOLTERRA (*1509), Cross removal, around 1808, Lithography with pen

    Est: €135 - €225

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Daniele da Volterra (1509 Volterra - 1566 Rom): Cross removal, c. 1808, Lithography with pen Technique: Lithography with pen on Paper Inscription: At the lower part signed in the printing plate: "Dan: de Voltera | N: Strixner del:". Date: c. 1808 Description: Johann Nepomuk Strixner was a German draughtsman and printmaker who made a name for himself particularly through the print reproduction of old hand drawings. Around 1808, he worked together with the inventor of lithography, Aloys Senefelder, on the publication of a series of lithographic reproductions after Albrecht Dürer. In 1809, he enrolled at the Academy in Munich, where he deepened the technical skills he had already learnt in engraving and lithography through intensive study. He was particularly interested in the works of the Old Masters. Between 1808 and 1815, together with Johann Nepomuk Strixner, he published an extensive series of lithographs after Old Master drawings. This multifaceted work emphasises the full skill of the two artists, who copied the drawings onto the stone with a sensitive eye and convey a good impression of the original work in their reproductions. A characteristic feature of many of the sheets is the basis of a discreetly coloured clay plate with scratched-out areas, presumably intended to imitate the white heightening and different paper colours of the originals. Piloty and Strixner used the technique of lithography in all its facets and always endeavoured to give their reprints the same delicacy and depth that characterise the hand drawings of the Old Masters. Keywords: Lithograph series, Old Masters, Study, Jesus Christ, Cross, Martyrdom, Passion, Mary, Nicodemus, Golgotha, Jerusalem, 19th century, Romanticism, Religious, Italy, Size: Paper: 17,7 cm x 13,1 cm (7 x 5,2 in), Depiction: 9,5 cm x 6,6 cm (3,7 x 2,6 in)

    Fichter Kunsthandel
  • MARBLE BUST OF MICHELANGELO BY FOLLOWER OF DANIELE RICCIARELLI known as DANIELE DA VOLTERRA follower of
    Mar. 19, 2024

    MARBLE BUST OF MICHELANGELO BY FOLLOWER OF DANIELE RICCIARELLI known as DANIELE DA VOLTERRA follower of

    Est: €1,500 - €2,500

    DANIELE RICCIARELLI detto DANIELE DA VOLTERRA, seguace di (Volterra 1509 - Roma 1566) BUSTO DI MICHELANGELO Scultura in marmo bianco statuario, cm. 51 x 40 x 23 Base circolare La scultura è copia del busto conservato alla Galleria dell’Accademia di Firenze nella Galleria dei Prigioni CONDITION REPORT Mancanza al finale della barba con macchia scura, sbeccature

    Casa d'Aste Babuino
  • OIL PAINTING BY DANIELE RICCIARELLI known as DANIELE DA VOLTERRA, area of
    Feb. 07, 2024

    OIL PAINTING BY DANIELE RICCIARELLI known as DANIELE DA VOLTERRA, area of

    Est: €2,000 - €2,500

    DANIELE RICCIARELLI detto DANIELE DA VOLTERRA, ambito di (Volterra 1509 - Roma 1566) RITRATTO DI MICHELANGELO Olio su tela, cm. 62 x 47 Cornice dorata PROVENIENZA Famiglia romana Il ritratto di Michelangelo maturo inquadrato sul profilo destro, deriva dal celebre modello attribuito a Daniele Ricciarelli, detto Daniele da Volterra o 'Braghettone', suo allievo e amico (New York, Metropolitan Museum of Art). Questi codificò il ritratto ufficiale del grande artista, noto attraverso le versioni attribuite a Giulio Mazzoni (collezione privata), Marcello Venusti (Firenze, Casa Buonarroti), Jacopino del Conte e numerose altre di autori ignoti del XVI secolo (Pinacoteca Capitolina; Castel Giuliano, collezione Patrizi; Museo di Grenoble; etc.). Uno studio approfondito sul tema della ritrattistica michelangiolesca è fornito da Andrea Donati, in 'Ritratto e figura nel manierismo a Roma', San Marino 2010, pp. 259-297 CONDITION REPORT Rintelo novecentesco. Restauri adiacenti al bordo della spalla destra, una zona di restauro nel fondo a destra della composizione

    Casa d'Aste Babuino
  • J. STRIXNER (*1782) after VOLTERRA (*1509), Cross removal, around 1808, Lithography with pen
    Dec. 30, 2023

    J. STRIXNER (*1782) after VOLTERRA (*1509), Cross removal, around 1808, Lithography with pen

    Est: €135 - €225

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Daniele da Volterra (1509 Volterra - 1566 Rom): Cross removal, c. 1808, Lithography with pen Technique: Lithography with pen on Paper Inscription: At the lower part signed in the printing plate: "Dan: de Voltera | N: Strixner del:". Date: c. 1808 Description: Johann Nepomuk Strixner was a German draughtsman and printmaker who made a name for himself particularly through the print reproduction of old hand drawings. Around 1808, he worked together with the inventor of lithography, Aloys Senefelder, on the publication of a series of lithographic reproductions after Albrecht Dürer. In 1809, he enrolled at the Academy in Munich, where he deepened the technical skills he had already learnt in engraving and lithography through intensive study. He was particularly interested in the works of the Old Masters. Between 1808 and 1815, together with Johann Nepomuk Strixner, he published an extensive series of lithographs after Old Master drawings. This multifaceted work emphasises the full skill of the two artists, who copied the drawings onto the stone with a sensitive eye and convey a good impression of the original work in their reproductions. A characteristic feature of many of the sheets is the basis of a discreetly coloured clay plate with scratched-out areas, presumably intended to imitate the white heightening and different paper colours of the originals. Piloty and Strixner used the technique of lithography in all its facets and always endeavoured to give their reprints the same delicacy and depth that characterise the hand drawings of the Old Masters. Keywords: Lithograph series, Old Masters, Study, Jesus Christ, Cross, Martyrdom, Passion, Mary, Nicodemus, Golgotha, Jerusalem, 19th century, Romanticism, Religious, Italy,

    Fichter Kunsthandel
  • Attrib. to Pieter de Kempener (1503-1580), the descent from the cross, Mannerism, oil on canvas 49 x 43 cm. (19.2 x 16.9 in.)
    Oct. 04, 2023

    Attrib. to Pieter de Kempener (1503-1580), the descent from the cross, Mannerism, oil on canvas 49 x 43 cm. (19.2 x 16.9 in.)

    Est: €4,000 - €6,000

    Attrib. to Pieter de Kempener (1503-1580), the descent from the cross, Mannerism, oil on canvas The work in Mannerism style has, according to the label on the back, been attributed to Daniele da Volterra Ricciarelli (1509-1566), who has an almost identical composition known in fresco (SS. Trinita dei Monti church in Rome). The curator of the Antwerp Museum of Fine Arts recognizes however the hand of a Northern Mannerism painter, more specifically, the one of Pieter de Kempener. Provenance: according to the label on the verso of the stretcher part of the Yates collection until 1871, and until 1928 the T. Greg Dowson collection.

    Carlo Bonte Auctions
  • After VOLTERRA (*1509), Crucifixion, around 1850, Lithography
    Sep. 23, 2023

    After VOLTERRA (*1509), Crucifixion, around 1850, Lithography

    Est: €60 - €100

    After Daniele da Volterra (1509 Volterra - 1566 Rom): Crucifixion, c. 1850, Lithography Technique: Lithography on Paper Date: c. 1850 Description: Crucifixion", colour lithograph after a work by Daniel de Volterra (1503 -1566) (actually Daniele Ricciarelli). From the series: Pictures of the Romanesque School (Ecole Florentine). Text information (In French by Chabert) in the format of the art sheet. Keywords: 19th century, Romanticism, Biblical, France,

    Fichter Kunsthandel
  • Attrib. to Daniele da Volterra Ricciarelli (1509-1566), the descent from the cross, oil on canvas 49 x 43 cm. (19.2 x 16.9 in.)
    May. 23, 2023

    Attrib. to Daniele da Volterra Ricciarelli (1509-1566), the descent from the cross, oil on canvas 49 x 43 cm. (19.2 x 16.9 in.)

    Est: €8,000 - €12,000

    Attrib. to Daniele da Volterra Ricciarelli (1509-1566), the descent from the cross, oil on canvas Provenance: according to the label on the verso of the stretcher part of the Yates collection until 1871, and until 1928 the T. Greg Dowson collection.

    Carlo Bonte Auctions
  • RICCIARELLI Daniele da Volterra (1509 - 1566) Huile sur toile marouflée sur toile "La Déposition de
    Jan. 18, 2022

    RICCIARELLI Daniele da Volterra (1509 - 1566) Huile sur toile marouflée sur toile "La Déposition de

    Est: €700 - €900

    RICCIARELLI Daniele da Volterra (1509 - 1566) Huile sur toile marouflée sur toile "La Déposition de Croix". Suiveur de Daniele da Volterra Ricciarelli. Portant au dos de la toile la marque E.C. 207. Ecole italienne. Epoque : XVIIème. Provenance abbaye Saint-Gérard de Brogne en Belgique. Dim.:+/-95x741cm.

    Vanderkindere
  • KREUZABNAHME (BOZETTO)
    Mar. 13, 2021

    KREUZABNAHME (BOZETTO)

    Est: €1,500 - €3,000

    RefOld4321 DANIELE DA VOLTERRA (LATE SCHOOL) ('ACTUALLY DANIELE RICCIARELLII') 1509 Volterra (Tuscany) - 1566 Rom DESCENT FROM THE CROSS (BOZETTO) Oil on canvas (old relined). 44,5 x 29,5 cm (F. 59 x 44,5 cm). Verso: On the canvas old collection number: '359'. Part. min. old restored. Frame. Provenance: Private Collection Northern Germany

    Hargesheimer Kunstauktionen Düsseldorf
  • ITALIAN SCHOOL, 16th c. -- VOLTERRA, Daniele da (1509-1566)? (Repentant Saint Mary Magdalene
    Jun. 17, 2020

    ITALIAN SCHOOL, 16th c. -- VOLTERRA, Daniele da (1509-1566)? (Repentant Saint Mary Magdalene

    Est: €450 - €600

    ITALIAN SCHOOL, 16th c. -- VOLTERRA, Daniele da (1509-1566)? (Repentant Saint Mary Magdalene). Drawing in pencil. 185 x 274 mm. Signed "Daniel de Voltere" in lower left corner. On v°: 3 small anatomical studies in pencil (in the same hand?). Watermark: circle w. hammer and anvil, Fabriano in Italy (15th - 17th c.).

    Burgersdijk & Niermans
  • Attributed to Daniele da Volterra (Italian, 1509-1566) A DRUNKARD BEING CARRIED BY HIS COMPANIONS ...
    Mar. 13, 2019

    Attributed to Daniele da Volterra (Italian, 1509-1566) A DRUNKARD BEING CARRIED BY HIS COMPANIONS ...

    Est: £200 - £300

    Attributed to Daniele da Volterra (Italian, 1509-1566)A DRUNKARD BEING CARRIED BY HIS COMPANIONSPen and ink and brown washes, circular55 x 52mm

    Sworders
  • DANIELE RICCIARELLI, CALLED DANIELE DA VOLTERRA | Recto: A sheet of male nude studies for the apostles in a Resurrection Verso: Seven male nude studies for the same
    Jul. 04, 2018

    DANIELE RICCIARELLI, CALLED DANIELE DA VOLTERRA | Recto: A sheet of male nude studies for the apostles in a Resurrection Verso: Seven male nude studies for the same

    Est: £12,000 - £15,000

    Black chalk ( recto and verso); some squaring in black chalk on the figures on the lower part of the sheet ( recto and verso)

    Sotheby's
  • Oficina do séc. XVII, Retábulo sobre madeira
    May. 23, 2018

    Oficina do séc. XVII, Retábulo sobre madeira

    Est: €3,000 - €6,000

    Segundo original de Daniele da Volterra (1509-1566) - Oficina do séc. XVIIAssumpção de Nossa SenhoraRetábulo sobre madeiraDim. aprox.: 188 x 105 cm.

    Palácio do Correio Velho
  • AFTER DANIELE DA VOLTERRA (1509-1566): BUST OF A MICHELANGELO
    Oct. 29, 2016

    AFTER DANIELE DA VOLTERRA (1509-1566): BUST OF A MICHELANGELO

    Est: $400 - $800

    AFTER DANIELE DA VOLTERRA (1509-1566): BUST OF A MICHELANGELO Carved alabaster, with cloak over shoulders, buttoned shirt. 13 3/4 x 7 3/4 in. Estate of Paul and Clara Kellner

    STAIR
  • Daniele Ricciarelli, called Daniele da Dido reclining, asleep b
    Sep. 27, 2016

    Daniele Ricciarelli, called Daniele da Dido reclining, asleep b

    Est: £100,000 - £150,000

    Daniele Ricciarelli, called Daniele da Dido reclining, asleep black chalk, watermark crossbow in a circle (Briquet 749, Lucca, 1548), unframed 13 x 18 1/8 in. (33.2 x 45.9 cm.)

    Christie's
  • CIRCLE OF DANIELE DA VOLTERRA (1509-1566), HEAD OF CHRIST
    May. 01, 2016

    CIRCLE OF DANIELE DA VOLTERRA (1509-1566), HEAD OF CHRIST

    Est: $700 - $900

    CIRCLE OF DANIELE DA VOLTERRA (1509-1566), HEAD OF CHRIST Painted terracotta; the head with crown of thorns, parted hair and beard, gazing upward to the right, on waisted wood stand. 7 and 11 in. Property from Salander-O'Reilly Galleries, Inc.

    STAIR
  • DANIELE DA VOLTERRA, eigentl. DANIELE RICCIARELLI - zugeschrieben, Volterra 1509 - 1566 Rom: Männliche Akte. Studienblatt mit weiteren Aktdarstellungen (teils in Bleistift) verso.
    Apr. 23, 2016

    DANIELE DA VOLTERRA, eigentl. DANIELE RICCIARELLI - zugeschrieben, Volterra 1509 - 1566 Rom: Männliche Akte. Studienblatt mit weiteren Aktdarstellungen (teils in Bleistift) verso.

    Est: €1,200 - €1,500

    DANIELE DA VOLTERRA, eigentl. DANIELE RICCIARELLI - zugeschrieben Volterra 1509 - 1566 Rom Männliche Akte. Studienblatt mit weiteren Aktdarstellungen (teils in Bleistift) verso. Lavierte Federzeichung in Graubraun. Verso mit alter Zuschreibung in brauner Feder. Auf Pergament. 28,2 x 21,6 cm. Gering fleckig und mit rötlichen Farbspuren. Ränder mit vereinzelten winzigen Fehlstellen bzw. Einrissen. [ms]

    Winterberg-Kunst
  • VOLTERRA, DANIELE DA (NACHFOLGER)(Volterra 1509 -
    Sep. 17, 2012

    VOLTERRA, DANIELE DA (NACHFOLGER)(Volterra 1509 -

    Est: CHF1,000 - CHF1,500

    VOLTERRA, DANIELE DA (NACHFOLGER) (Volterra 1509 - 1566 Rom) Kreuzabnahme Christi. Öl auf Leinwand. 128 x 100 cm. Die Komposition des Gemäldes greift diejenige eines Frescos von Daniele da Volterra auf, das sich in der Orsini-Kapelle der Kirche Santa Trinità dei Monti in Rom befindet und sich spiegelverkehrt zu unserem Gemälde präsentiert. Der Künstler unseres Gemäldes kannte entweder das Fresco in Rom oder den Kupferstich des Jahres 1710 von Nicolas Doringny, der eine Kopie zu Volterras Fresco darstellt und sich im British Museum in London befindet (Reg. Nr.: V,1.119). Es wird vermutet, dass die ursprüngliche Komposition Volterras in Anlehnung an eine Zeichnung Michelangelos geschaffen wurde.

    Koller Auctions
Lots Per Page: