Artist Edward Sheriff Curtis, born in 1868, was an American photographer and ethnologist known for books and photographs of American Indian culture of the late 19th and early 20th centuries. Fascinated by photography in his teens, Curtis built his first camera shortly before moving to the Seattle area in 1887. His portrait of Chief Seattle's daughter won a contest gaining the attention of scientists launching expeditions to study Native tribes. Artist Edward Sheriff Curtis joined a number of scientific expeditions and made his career as an authority on Native American culture.
Renewed interest in the culture sparked a resurgence in the enthusiasm for Edward Sheriff Curtis photography. Many of Edward Curtis' photos for sale and his books are valued for their gritty documentation and preservation of the unspoiled culture of Native Americans. Find portrait photography for sale online and at auction to add to your art and photography collection.
Photographer: Edward S. Curtis (American, 1868 - 1952) - renowned photographer of the American West and the Native American Indian. Title: FIG. 45 Curtis Studio, (Edward S. Curtis and His Daughter Beth). Subject: PLATE 81 The Potter (Nampeyo) Hopi, CA Date Of Negative: 1906 Type Of Print: Authentic Sepia Toned Offset Lithographic Print. Date Of Print: 2015 Publisher: Prestel Gmbh & Co Paper: Medium weight rag type art paper, matte finish Print Origin: U.S.A. Approximate Image Size: 7.25 x 10 inches Mount Board Size: 20 x 16 | 16 x 14 | 14 x 11 inches, dependint on the size of the image Mount Board Color: Black Print Border: No - full bleed print. Condition Grade: Excellent Verso: Professionally dry mounted with Bienfang archival materials onto 4ply museum mat board.
Photographer: Edward S. Curtis (American, 1868 - 1952) - renowned photographer of the American West and the Native American Indian. Title: FIG. 45 Curtis Studio, (Edward S. Curtis and His Daughter Beth). Subject: PLATE 79 A Navaho Child, CA Date Of Negative: 1903 Type Of Print: Authentic Sepia Toned Offset Lithographic Print. Date Of Print: 2015 Publisher: Prestel Gmbh & Co Paper: Medium weight rag type art paper, matte finish Print Origin: U.S.A. Approximate Image Size: 5.25 x 7.5 inches Mount Board Size: 20 x 16 | 16 x 14 | 14 x 11 inches, dependint on the size of the image Mount Board Color: Black Print Border: No - full bleed print. Condition Grade: Excellent Verso: Professionally dry mounted with Bienfang archival materials onto 4ply museum mat board.
Photographer: Edward S. Curtis (American, 1868 - 1952) - renowned photographer of the American West and the Native American Indian. Title: FIG. 45 Curtis Studio, (Edward S. Curtis and His Daughter Beth). Subject: PLATE 78 Untitled (Young Southwest Child), CA Date Of Negative: 1903 Type Of Print: Authentic Sepia Toned Offset Lithographic Print. Date Of Print: 2015 Publisher: Prestel Gmbh & Co Paper: Medium weight rag type art paper, matte finish Print Origin: U.S.A. Approximate Image Size: 5.25 x 7.25 inches Mount Board Size: 20 x 16 | 16 x 14 | 14 x 11 inches, dependint on the size of the image Mount Board Color: Black Print Border: No - full bleed print. Condition Grade: Excellent Verso: Professionally dry mounted with Bienfang archival materials onto 4ply museum mat board.
Photographer: Edward S. Curtis (American, 1868 - 1952) - renowned photographer of the American West and the Native American Indian. Title: FIG. 45 Curtis Studio, (Edward S. Curtis and His Daughter Beth). Subject: PLATE 77 Mother and Child Asparoke, CA Date Of Negative: 1908 Type Of Print: Authentic Sepia Toned Offset Lithographic Print. Date Of Print: 2015 Publisher: Prestel Gmbh & Co Paper: Medium weight rag type art paper, matte finish Print Origin: U.S.A. Approximate Image Size: 5 x 7 inches Mount Board Size: 20 x 16 | 16 x 14 | 14 x 11 inches, dependint on the size of the image Mount Board Color: Black Print Border: No - full bleed print. Condition Grade: Excellent Verso: Professionally dry mounted with Bienfang archival materials onto 4ply museum mat board.
Photographer: Edward S. Curtis (American, 1868 - 1952) - renowned photographer of the American West and the Native American Indian. Title: FIG. 45 Curtis Studio, (Edward S. Curtis and His Daughter Beth). Subject: PLATE 75 Hastobiga. Navaho Medicine Man, CA Date Of Negative: 1904 Type Of Print: Authentic Sepia Toned Offset Lithographic Print. Date Of Print: 2015 Publisher: Prestel Gmbh & Co Paper: Medium weight rag type art paper, matte finish Print Origin: U.S.A. Approximate Image Size: 7 x 10 inches Mount Board Size: 20 x 16 | 16 x 14 | 14 x 11 inches, dependint on the size of the image Mount Board Color: Black Print Border: No - full bleed print. Condition Grade: Excellent Verso: Professionally dry mounted with Bienfang archival materials onto 4ply museum mat board.
Photographer: Edward S. Curtis (American, 1868 - 1952) - renowned photographer of the American West and the Native American Indian. Title: FIG. 45 Curtis Studio, (Edward S. Curtis and His Daughter Beth). Subject: PLATE 74 A Zuni Governor Date Of Negative: 1900 Type Of Print: Authentic Sepia Toned Offset Lithographic Print. Date Of Print: 2015 Publisher: Prestel Gmbh & Co Paper: Medium weight rag type art paper, matte finish Print Origin: U.S.A. Approximate Image Size: 7 x 10 inches Mount Board Size: 20 x 16 | 16 x 14 | 14 x 11 inches, dependint on the size of the image Mount Board Color: Black Print Border: No - full bleed print. Condition Grade: Excellent Verso: Professionally dry mounted with Bienfang archival materials onto 4ply museum mat board.
Photographer: Edward S. Curtis (American, 1868 - 1952) - renowned photographer of the American West and the Native American Indian. Title: FIG. 45 Curtis Studio, (Edward S. Curtis and His Daughter Beth). Subject: PLATE 14 Qabatika Girl Date Of Negative: 1907 Type Of Print: Authentic Sepia Toned Offset Lithographic Print. Date Of Print: 2015 Publisher: Prestel Gmbh & Co Paper: Medium weight rag type art paper, matte finish Print Origin: U.S.A. Approximate Image Size: 7.25 x 9.75 inches Mount Board Size: 20 x 16 | 16 x 14 | 14 x 11 inches, dependint on the size of the image Mount Board Color: Black Print Border: No - full bleed print. Condition Grade: Excellent Verso: Professionally dry mounted with Bienfang archival materials onto 4ply museum mat board.
Photographer: Edward S. Curtis (American, 1868 - 1952) - renowned photographer of the American West and the Native American Indian. Title: FIG. 45 Curtis Studio, (Edward S. Curtis and His Daughter Beth). Subject: PLATE 83 Nespilim Girl Date Of Negative: 1905 Type Of Print: Authentic Sepia Toned Offset Lithographic Print. Date Of Print: 2015 Publisher: Prestel Gmbh & Co Paper: Medium weight rag type art paper, matte finish Print Origin: U.S.A. Approximate Image Size: 7 x 9.75 inches Mount Board Size: 20 x 16 | 16 x 14 | 14 x 11 inches, dependint on the size of the image Mount Board Color: Black Print Border: No - full bleed print. Condition Grade: Excellent Verso: Professionally dry mounted with Bienfang archival materials onto 4ply museum mat board.
Photographer: Edward S. Curtis (American, 1868 - 1952) - renowned photographer of the American West and the Native American Indian. Title: FIG. 45 Curtis Studio, (Edward S. Curtis and His Daughter Beth). Subject: PLATE 96 Chief Joseph Nez Perce Date Of Negative: 1903 Type Of Print: Authentic Sepia Toned Offset Lithographic Print. Date Of Print: 2015 Publisher: Prestel Gmbh & Co Paper: Medium weight rag type art paper, matte finish Print Origin: U.S.A. Approximate Image Size: 7 x 9.75 inches Mount Board Size: 20 x 16 | 16 x 14 | 14 x 11 inches, dependint on the size of the image Mount Board Color: Black Print Border: No - full bleed print. Condition Grade: Excellent Verso: Professionally dry mounted with Bienfang archival materials onto 4ply museum mat board.
Photographer: Edward S. Curtis (American, 1868 - 1952) - renowned photographer of the American West and the Native American Indian. Title: FIG. 45 Curtis Studio, (Edward S. Curtis and His Daughter Beth). Subject: FIG. 21 Wapi Snake Priest Date Of Negative: 1900 Type Of Print: Authentic Sepia Toned Offset Lithographic Print. Date Of Print: 2015 Publisher: Prestel Gmbh & Co Paper: Medium weight rag type art paper, matte finish Print Origin: U.S.A. Approximate Image Size: 7 x 5 inches Mount Board Size: 20 x 16 | 16 x 14 | 14 x 11 inches, dependint on the size of the image Mount Board Color: Black Print Border: No - full bleed print. Condition Grade: Excellent Verso: Professionally dry mounted with Bienfang archival materials onto 4ply museum mat board.
Photographer: Edward S. Curtis (American, 1868 - 1952) - renowned photographer of the American West and the Native American Indian. Title: FIG. 45 Curtis Studio, (Edward S. Curtis and His Daughter Beth). Subject: PLATE 9 Nez Perce Babe Date Of Negative: 1900 Type Of Print: Authentic Sepia Toned Offset Lithographic Print. Date Of Print: 2015 Publisher: Prestel Gmbh & Co Paper: Medium weight rag type art paper, matte finish Print Origin: U.S.A. Approximate Image Size: 7 x 9.75 inches Mount Board Size: 20 x 16 | 16 x 14 | 14 x 11 inches, dependint on the size of the image Mount Board Color: Black Print Border: No - full bleed print. Condition Grade: Excellent Verso: Professionally dry mounted with Bienfang archival materials onto 4ply museum mat board.
Edward Sheriff Curtis (American, 1868-1952). "Qahatika Girl" photogravure, copyright 1907. Edition 194 of 228. Title, artist's name, date, and edition number printed below image. Artist's watermark at bottom of paper. Reprinted by Classic Gravure Company, Santa Fe, New Mexico, ca. 1980. An evocative photogravure by Edward Curtis, titled "Qahatika Girl." One of Curtis's most breathtaking and iconic portraits, the child gazes directly at the viewer, her large, dark eyes and smooth complexion crowned by a centrally-parted coiffure and wrapped in a light cloth that frames her face, focusing all attention on her haunting stare. The Qahatika inhabited one of the most unforgiving regions of the Arizona desert. Curtis was deeply impressed by their ability to thrive in such an arid and desolate environment. Size of print: 12.25" W x 17.5" H (31.1 cm x 44.4 cm); of paper: 17.75" W x 22.25" H (45.1 cm x 56.5 cm); of frame: 29.5" W x 35.5" H (74.9 cm x 90.2 cm) "Qahatika Girl" was part of Edward Curtis' epic 20 volume project to document Native Americans threatened by Westward expansion in the United States entitled "The North American Indian" (1907-1930) - a masterwork that experts have estimated would cost more than $35 million to create today. To learn more about Curtis' impressive undertaking, please read Gilbert King's article in Smithsonian Magazine. It opens as follows, with King brilliantly capturing Curtis' urgency and steadfast work ethic to document the indigenous peoples before expansion would potentially eclipse their cultures, "Year after year, he packed his camera and supplies - everything he'd need for months - and traveled by foot and by horse deep into the Indian territories. At the beginning of the 20th century, Edward S. Curtis worked in the belief that he was in a desperate race against time to document, with film, sound and scholarship, the North American Indian before white expansion and the federal government destroyed what remained of their natives' way of life. For thirty years, with the backing of men like J. Pierpont Morgan and former president Theodore Roosevelt, but at great expense to his family life and his health, Curtis lived among dozens of native tribes, devoting his life to his calling until he produced a definitive and unparalleled work, The North American Indian. The New York Herald hailed as 'the most ambitious enterprise in publishing since the production of the King James Bible.'" ("Edward Curtis' Epic Project to Photograph Native Americans" by Gilbert King - Smithsonian Magazine March 21, 2012) While Curtis has had his critics who have claimed that he romanticized the natives' existence, others have argued that he was ahead of his time and depicted them with dignity and respect. In her book entitled, "Shadow Catcher: The Life and Work of Edward S. Curtis" (Bison Books, 2005) Laurie Lawlor wrote, "When judged by the standards of his time, Curtis was far ahead of his contemporaries in sensitivity, tolerance and openness to Native American cultures and ways of thinking. He sought to observe and understand by going directly into the field." This photogravure was reprinted by Classic Gravure Company in Santa Fe, New Mexico. During a 1972 auction, Classic Gravure acquired the original copper plates of Curtis's work from Charles E. Lauriat & Company in Boston. The company soon planned a reprint of Curtis's work that would be significantly more grand and close to the original than previous reprints. Excitingly, the company was being encouraged in this endeavor by Curtis's daughters Florence and Beth. Beaumont Newhall of Eastman House and Fred Eggan, an anthropologist, were recruited to write new introductions. The quality of the planned Classic Gravure edition might be fairly compared to Curtis's. The larger images would be reproduced on handmade acid-free paper containing Edward Curtis's signature as watermark, the leather portfolios holding them were to be gold-stamped, letterpress printing on archival paper would comprise the text volumes. Provenance: private Louisville, Colorado, USA collection; ex-Solis collection, Denver, Colorado, USA, acquired September 6, 1998 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #189986
Edward Sheriff Curtis (American, 1868-1952). "Pavia - Taos" photogravure, 1905. Edition number 193 of 228. Title, date, artist's name, edition number, and artist's stamp beneath image. Reprinted by Classic Gravure Company, Santa Fe, New Mexico, ca. 1980. A vintage, limited edition, master print photograph, by Edward Curtis. This striking piece - entitled "Pavia - Taos" - presents the head and shoulders of a Native American woman in profile, draped in a white cloth as she looks right. This photogravure was part of Edward Curtis' epic 20 volume project to document Native Americans threatened by Westward expansion in the United States entitled "The North American Indian" (1907-1930) - a masterwork that experts have estimated would cost more than $35 million to create today. Size of photo: 6.25" W x 9" H (15.9 cm x 22.9 cm); of page: 10.25" W x 12.25" H (26 cm x 31.1 cm); of frame: 21.5" W x 25.5" H (54.6 cm x 64.8 cm) To learn more about Curtis' impressive undertaking, please read Gilbert King's article in Smithsonian Magazine. It opens as follows, with King brilliantly capturing Curtis' urgency and steadfast work ethic to document the indigenous peoples before expansion would potentially eclipse their cultures, "Year after year, he packed his camera and supplies - everything he'd need for months - and traveled by foot and by horse deep into the Indian territories. At the beginning of the 20th century, Edward S. Curtis worked in the belief that he was in a desperate race against time to document, with film, sound and scholarship, the North American Indian before white expansion and the federal government destroyed what remained of their natives' way of life. For thirty years, with the backing of men like J. Pierpont Morgan and former president Theodore Roosevelt, but at great expense to his family life and his health, Curtis lived among dozens of native tribes, devoting his life to his calling until he produced a definitive and unparalleled work, The North American Indian. The New York Herald hailed as 'the most ambitious enterprise in publishing since the production of the King James Bible.'" ("Edward Curtis' Epic Project to Photograph Native Americans" by Gilbert King - Smithsonian Magazine March 21, 2012) While Curtis has had his critics who have claimed that he romanticized the natives' existence, others have argued that he was ahead of his time and depicted them with dignity and respect. In her book entitled, "Shadow Catcher: The Life and Work of Edward S. Curtis" (Bison Books, 2005) Laurie Lawlor wrote, "When judged by the standards of his time, Curtis was far ahead of his contemporaries in sensitivity, tolerance and openness to Native American cultures and ways of thinking. He sought to observe and understand by going directly into the field." This photogravure was reprinted by Classic Gravure Company in Santa Fe, New Mexico. During a 1972 auction, Classic Gravure acquired the original copper plates of Curtis's work from Charles E. Lauriat & Company in Boston. The company soon planned a reprint of Curtis's work that would be significantly more grand and close to the original than previous reprints. Excitingly, the company was being encouraged in this endeavor by Curtis's daughters Florence and Beth. Beaumont Newhall of Eastman House and Fred Eggan, an anthropologist, were recruited to write new introductions. The quality of the planned Classic Gravure edition might be fairly compared to Curtis's. The larger images would be reproduced on handmade acid-free paper containing Edward Curtis's signature as watermark, the leather portfolios holding them were to be gold-stamped, letterpress printing on archival paper would comprise the text volumes. Provenance: private Louisville, Colorado, USA collection; ex-Solis collection, Denver, Colorado, USA, acquired September 6, 1998 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #189984
Edward Curtis (American, 1868-1952). "The Kiva Stairs - San Ildefonso" photogravure, ca. 1925. Title beneath image with "From Copyright Photograph 1925 by E. L. Curtis," and "Photogravure Suffolk Eng. Co. Cambridge, Mass." "Plate 584" above image. In this piece, titled "The Kiva Stairs - San Ildefonso," Curtis presents a single Native American male standing on the roof of a Pueblo ceremonial chamber known as a kiva, which is surrounded by parapets. Leaning against the stair's wall, the figure gazes right perhaps standing guard. This photogravure was part of Edward Curtis' epic 20 volume project to document Native Americans threatened by Westward expansion in the United States entitled "The North American Indian" (1907-1930) - a masterwork that experts have estimated would cost more than $35 million to create today. Size of image: 11.5" W x 15.25" H (29.2 cm x 38.7 cm); of page: 17.5" W x 21.75" H (44.4 cm x 55.2 cm); of frame: 20.25" W x 24.25" H (51.4 cm x 61.6 cm) The accompanying text for this plate reads as follows, "Pueblo ceremonial chambers are known as kivas (the Hopi name) or estufas (the name applied to them by the Spaniards under the misapprehension that they were sudatories). They are circular or rectangular, wholly or partly subterranean, or simply cells in the communal structure that forms a pueblo. The character of the underlying soil or rock was probably the factor that determined the degree to which a kiva was made subterranean. The one here illustrated is mostly underground, and has a walled stair leading to the roof, which is surrounded by a parapet. Similar structures have been found in excavating ruined pueblos." (See Volume XVII, illustration facing page 68.) To learn more about Curtis' impressive undertaking, please read Gilbert King's article in Smithsonian Magazine. It opens as follows, with King brilliantly capturing Curtis' urgency and steadfast work ethic to document the indigenous peoples before expansion would potentially eclipse their cultures, "Year after year, he packed his camera and supplieseverything hed need for monthsand traveled by foot and by horse deep into the Indian territories. At the beginning of the 20th century, Edward S. Curtis worked in the belief that he was in a desperate race against time to document, with film, sound and scholarship, the North American Indian before white expansion and the federal government destroyed what remained of their natives way of life. For thirty years, with the backing of men like J. Pierpont Morgan and former president Theodore Roosevelt, but at great expense to his family life and his health, Curtis lived among dozens of native tribes, devoting his life to his calling until he produced a definitive and unparalleled work, The North American Indian. The New York Herald hailed as 'the most ambitious enterprise in publishing since the production of the King James Bible.'" ("Edward Curtis Epic Project to Photograph Native Americans" by Gilbert King - Smithsonian Magazine March 21, 2012) While Curtis has had his critics who have claimed that he romanticized the natives' existence, others have argued that he was ahead of his time and depicted them with dignity and respect. In her book entitled, "Shadow Catcher: The Life and Work of Edward S. Curtis" (Bison Books, 2005) Laurie Lawlor wrote, "When judged by the standards of his time, Curtis was far ahead of his contemporaries in sensitivity, tolerance and openness to Native American cultures and ways of thinking. He sought to observe and understand by going directly into the field." This photograph was in the esteemed collection of Ginny Williams, a pioneering patron of the arts in Denver, Colorado. Sotheby's hosted a series of auctions featuring art and photography in the Ginny Williams Collection in June and July of 2020. Their press release began as follows, "Born in rural Virginia in 1927, Ginny moved to Denver, Colorado in the late 1950s with her husband, Carl Williams. An avid photographer herself, who studied with Austrian-American photojournalist and photographer Ernst Haas, her collecting journey began with classical figurative photography. Her passion and keen eye eventually prompted her to open her namesake gallery in Denver in the 1980s. While her passion for photography never waned, remaining a primary focus of both her gallery and private collection, her voracious curiosity quickly widened her curatorial focus. Over time, Ginny became increasingly courageous and experimental in her selections, venturing into Abstract Expressionism and Contemporary Art and following her artists themselves through gallery shows and museum exhibitions. As the years passed, Ginny became as much of a trailblazer as the artists she collected." Provenance: private Erie, Colorado, USA collection, acquired in the 1970s All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #189646
Edward S. Curtis (1868 - 1952) Ephemera Group of Six printed matter and half-tone reproduction Chief Joseph, ca. 1904 half-tone postcard Nez Perce, Plateau & Woodlands 5 3/16 x 3 1/4 in. (13.18 x 8.26 cm.) The North American Indian Lauriat Prospectus & Envelope, ca. 1935 letterpress, photogravure envelope: 12 5/8 x 9 9/16 in. (32.07 x 24.29 cm.) each print: 12 5/8 x 9 9/16 in. (32.07 x 24.29 cm.) The North American Indian Subscription Agreement (half-sheet), Worthington, Set #84, 1909 letterpress 8 11/16 x 7 7/8 in. (22.07 x 20 cm.) Royal Netherlands Geological Society Review, ca. 1910 letterpress 10 x 6 1/2 in. (25.40 x 16.51 cm.) Guildhall Library J.P. Morgan Gift and Reviews, ca. 1907 letterpress 12 x 9 1/2 in. (30.48 x 24.13 cm.) Chief "Lone Wolf", ca. 1914 halftone, postcard Kiowa, Great Plains 5 1/2 x 3 1/2 in. (13.97 x 8.89 cm.), mount: 7 7/8 x 5 1/2 in. (20 x 13.97 cm.)
Edward S. Curtis (1868 - 1952) Ephemera Group of Six printed matter The North American Indian Lauriat Prospectus & Envelope, ca. 1935 letterpress, photogravure envelope: 12 5/8 x 9 9/16 in. (32.07 x 24.29 cm.) each print: 12 5/8 x 9 9/16 in. (32.07 x 24.29 cm.) Application for Copyright - Photograph Published for Sale, ca. 1912 ephemera 3 1/4 x 6 in. (8.26 x 15.24 cm.) Scribner's - Vintage Article "Vanishing Indian Types", June 1906 halftone 9 3/8 x 13 1/4 in. (23.81 x 33.66 cm.) Royal Netherlands Geological Society Review, ca. 1910 letterpress 10 x 6.56 in. (25.40 x 16.67 cm.) The North American Indian Research Material with Holographic Notes, Haida, ca. 1915 ink, typewriter paper 11 x 8 1/2 in. (27.94 x 21.59 cm.) Zuni Girl, ca. 1904 half-tone postcard Zuni, Southwest 5 3/16 x 3 1/8 in. (13.18 x 7.94 cm.)
Edward S. Curtis (1868 - 1952) Group of Five Studio Works gelatin silver and hand-colored gelatin silver Untitled Cabinet Card (Family with Two Children), ca. 1892 gelatin silver cabinet card printed in lower margin: Imperial Studio Rothi and Curtis 713 Third St. Seattle, Wash This is a cabinet card from Curtis' first studio partnership with Rasmus Rothi in Seattle. 6 1/2 x 4 1/4 in. (16.51 x 10.80 cm.) Studio Portrait of a Young Woman, ca. 1925 gelatin silver, hand colored signed lower right: Curtis L.A 4 13/16 x 3 7/8 in. (12.22 x 9.84 cm.), frame: 7 1/4 x 6 3/16 in. (18.42 x 15.72 cm.) Studio Portrait of a Young Man, ca. 1925 gelatin silver, hand colored signed lower right: Curtis L.A inscribed on frame verso: EDWARD S. CURTIS STUDIO BILTMORE HOTEL LOS ANGELES 4 13/16 x 3 7/8 in. (12.22 x 9.84 cm.), frame: 7 1/4 x 6 3/16 in. (18.42 x 15.72 cm.) Edward S. Curtis, Clara Philips, Effie Grace Garst Wheeler (Daughter of John Garst), ca. 1887 gelatin silver 4 x 6 3/4 in. (10.16 x 17.15 cm.), mount: 5 1/4 x 8 1/4 in. (13.34 x 20.96 cm.) Studio Portrait of a Woman in Navy Attire, ca. 1908 gelatin silver 'border' print signed lower right: Curtis studio blind stamp lower left : THE CURTIS STUDIO SEATTLE 7 x 4 15/16 in. (17.78 x 12.54 cm.), paper: 10 9/16 x 6 15/16 in. (26.83 x 17.62 cm.)
Edward S. Curtis (1868 - 1952) Group of Four Studio Works gelatin silver Studio Portrait of a Girl (Seated), ca. 1925 gelatin silver signed in negative lower right: Curtis L.A. 6 1/2 x 4 1/2 in. (16.51 x 11.43 cm.), mount: 11 3/4 x 7 3/4 in. (29.85 x 19.69 cm.) Studio Portrait of a Girl (Standing), ca. 1925 gelatin silver signed in negative lower right: Curtis L.A. 6 1/2 x 4 1/2 in. (16.51 x 11.43 cm.), mount: 11 3/4 x 7 3/4 in. (29.85 x 19.69 cm.) Interior View of Seattle Studio Dressing Room, 1893 gelatin silver 9 3/8 x 7 5/8 in. (23.81 x 19.37 cm.) Untitled Cabinet Card (Young Gentleman), ca. 1893 gelatin silver cabinet card embossed in lower margin: Curtis & Guptil 614 Second St. Seattle, Wash This is a cabinet card from Curtis' second studio partnership with Thomas Henry Guptill in Seattle. 6 1/2 x 4 1/4 in. (16.51 x 10.80 cm.)
Edward S. Curtis (1868 - 1952) Northwest Coast Film Stills gelatin silver Film Still of "In The Land of The Head Hunters" (Motana and Whale), 1914 gelatin silver 6 x 8 in. (15.2 x 20.3 cm.), Frame: 16 5/8 x 20 5/8 x 3/4 in. (42.2 x 52.4 x 1.9 cm.) Film Still of "In The Land of The Head Hunters" (War Canoe with Masked Figure Approaching Shore), ca. 1914 gelatin silver 5 3/4 x 6 3/4 in. (14.6 x 17.1 cm.), Frame: 16 5/8 x 20 5/8 x 3/4 in. (42.2 x 52.4 x 1.9 cm.) Film Still of "In The Land of The Head Hunters" (Man Holding Heads), ca. 1914 gelatin silver 8 x 5 3/4 in. (20.3 x 14.6 cm.) Film Still of "In The Land of The Head Hunters" (Canoes Towing Dead Whale, Motana), ca. 1914 gelatin silver 5 7/8 x 7 7/8 in. (14.9 x 20 cm.) Two Film Stills from "In The Land of The Head Hunters" (Motana), ca. 1914 gelatin silver 8 x 5 1/2 in. (20.3 x 14 cm.) and 7 3/4 x 5 1/2 in. (19.7 x 14 cm.) Film Still of "In The Land of The Head Hunters" (Motana), ca. 1914 gelatin silver 7 7/8 x 4 7/8 in. (20 x 12.4 cm.) Film Still of "In The Land of The Head Hunters" (Motana and Whale), ca. 1914 gelatin silver 6 x 8 in. (15.2 x 20.3 cm.)
Edward S. Curtis (1868 - 1952) Dr. W. A. Shannon orotone on glass (goldtone) signed lower right: Curtis vintage frame inscribed: DR. W.A. SHANNON partial, original studio sticker at upper right on verso
Edward S. Curtis (1868 - 1952) Male Portrait orotone on glass (goldtone) signed in negative lower right: CURTIS contemporary 'batwing' style reproduction frame
Edward S. Curtis (1868 - 1952) Male Portrait orotone on glass (goldtone) signed in negative lower left: CURTIS contemporary 'batwing' style reproduction frame
Edward S. Curtis (1868 - 1952) Male Portrait orotone on glass (goldtone) signed in negative lower left: CURTIS featuring contemporary 'batwing' style reproduction frame
Edward S. Curtis (1868 - 1952) Hollywood Group of Four Gelatin Silver Prints gelatin silver and blue-toned gelatin silver 10 Commandments Film Still (Leatrice Joy and Richard Dixx), ca. 1923 gelatin silver, blue toned stamped on mount lower left: EDWARD S. CURTIS STUDIO BILTMORE HOTEL LOS ANGELES 13 1/2 x 10 1/2 in. (34.29 x 26.67 cm.), mount: 19 5/8 x 17 7/8 in. (49.85 x 45.40 cm.) 10 Commandments Film Still (Rod Larocq and Leatrice Joy), ca. 1923 gelatin silver, blue toned stamped on mount lower left: EDWARD S. CURTIS STUDIO BILTMORE HOTEL LOS ANGELES 10 1/2 x 13 5/8 in. (26.67 x 34.61 cm.), mount: 12 1/2 x 15 9/16 in. (31.75 x 39.53 cm.) Untitled (Girl by Pool), ca. 1923 gelatin silver, blue toned signed in negative at lower right: Curtis stamped on mount lower left: EDWARD S. CURTIS STUDIO BILTMORE HOTEL LOS ANGELES 13 1/2 x 10 1/8 in. (34.29 x 25.72 cm.), mount: 20 x 17 7/8 in. (50.80 x 45.40 cm.) Film Still from "The Arab", starring Roman Navarro, ca. 1924 gelatin silver signed lower right: Curtis L.A. double weight paper 9 5/16 x 7 5/16 in. (23.65 x 18.57 cm.), paper: 9 1/2 x 7 1/2 in. (24.13 x 19.05 cm.)
Edward S. Curtis (1868 - 1952) Gelatin Silver + Platinum Print Grouping gelatin silver and platinum Boarding the Canoe, 1910 gelatin silver 7 7/8 x 5 7/8 in. (20 x 14.92 cm.) Shaman and Patient, ca. 1915 gelatin silver 8 x 5 1/2 in. (20.3 x 14 cm.), Frame: 20 5/8 x 16 5/8 x 3/4 in. (52.4 x 42.2 x 1.9 cm.) Untitled (Hamasaka in Tluwulahu Costume and Tsunukwalahl - Qagyuhl), 1914 gelatin silver 7 x 5 11/16 in. (17.78 x 14.45 cm.) Ready for the Throw - Nunivak, ca. 1928 gelatin silver stamped verso: XX-54 Ready For The Throw, Nunivak / COPYRIGHT PHOTO BY E.S. CURTIS 6 x 7 7/8 in. (15.2 x 20 cm.), Sheet: 6 1/2 x 8 1/2 in. (16.5 x 21.6 cm.) Harriman Expedition - House Façade, 1899 gelatin silver 4 1/2 x 6 1/2 in. (11.4 x 16.5 cm.) Hidatsa Bull-boat, 1908 platinum signed lower right: Curtis copyright blind stamp lower left: COPYRIGHTED 1908 BY E.S. CURTIS in negative at lower left: X2803-08 5 3/4 x 7 5/8 in. (14.6 x 19.4 cm.), Mount: 6 1/2 x 8 1/8 in. (16.5 x 20.6 cm.)
Edward S. Curtis (1868 - 1952) Group of Three Photogravures photogravure Jicarilla Women photogravure on Holland Van Gelder titled in plate, lower left: JICARILLA WOMEN inscribed in plate, lower center: From Copyright Photograph 1904 by E.S. Curtis inscribed in plate, lower right: photogravure John Andrew & Son approx: 11 1/2 x 15 in. (29.2 x 38.1 cm.), sheet approx: 18 x 22 in. (45.7 x 55.9 cm.) The Announcement - Arikara photogravure on Holland Van Gelder titled in plate, lower left: THE ANNOUNCEMENT - ARIKARA inscribed in plate, lower center: From Copyright Photograph 1908 by E.S. Curtis inscribed in plate, lower right: photogravure John Andrew & Son approx: 15 x 11 1/2 in. (38.1 x 29.2 cm.), sheet approx: 22 x 18 in. (55.9 x 45.7 cm.) At the Ford - Cheyenne photogravure on Holland Van Gelder titled in plate, lower left: AT THE FORD - CHEYENNE inscribed in plate, lower center: From Copyright Photograph 1910 by E.S. Curtis inscribed in plate, lower right: photogravure John Andrew & Son approx: 11 1/2 x 15 in. (29.2 x 38.1 cm.), sheet approx: 18 x 22 in. (45.7 x 55.9 cm.)
Edward S. Curtis (1868 - 1952) Group of Four Southwest Photogravures photogravure The Primitive Artist - Paviotso photogravure on Holland Van Gelder titled in plate, lower left: THE PRIMITIVE ARTIST - PAVIOTSO inscribed in plate, lower center: From Copyright Photograph 1923 by E.S. Curtis inscribed in plate, lower right: photogravure Suffolk Eng. Co. Boston approx: 15 x 11 1/2 in. (38.1 x 29.2 cm.), sheet approx: 22 x 18 in. (55.9 x 45.7 cm.) The Water Carriers photogravure on Japanese gampi tissue titled in plate, lower left: THE WATER CARRIERS inscribed in plate, lower center: From Copyright Photograph 1921 by E.S. Curtis inscribed in plate, lower right: photogravure Suffolk Eng. Co. Boston approx: 11 1/2 x 15 in. (29.2 x 38.1 cm.), sheet approx: 18 x 22 in. (45.7 x 55.9 cm.) Mishongnovi photogravure on Japanese gampi tissue titled in plate, lower left: MISHONGNOVI inscribed in plate, lower center: From Copyright Photograph 1900 by E.S. Curtis inscribed in plate, lower right: photogravure Suffolk Eng. Co. Boston approx: 11 1/2 x 15 in. (29.2 x 38.1 cm.), sheet approx: 18 x 22 in. (45.7 x 55.9 cm.) Alhkidokihi - Navajo (Sand Painting) photogravure on Holland Van Gelder titled in plate, lower left: ALHKIDOKIHI - NAVAJO (SAND PAINTING) inscribed in plate, lower center: From Copyright Photograph 1907 by E.S. Curtis inscribed in plate, lower right: photogravure Suffolk Eng. Co. Boston approx: 11 1/2 x 15 in. (29.2 x 38.1 cm.), sheet approx: 18 x 22 in. (45.7 x 55.9 cm.)
Edward S. Curtis (1868 - 1952) Group of Five Portraits photogravure A Klamath Costume, 1923 photogravure on Holland Van Gelder titled in plate, lower left: A KLAMATH COSTUME inscribed in plate, lower center: From Copyright Photograph 1923 by E.S. Curtis 9 1/8 x 6 3/4 in. (23.2 x 17.1 cm.), frame: 16.1 x 13 5/8 x 3/4 in. (41 x 34.6 x 1.9 cm.) A Mixed-blood Coast Pomo, 1924 photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: A MIXED-BLOOD COAST POMO inscribed in plate, lower center: From Copyright Photograph 1924 by E.S. Curtis 7 1/2 x 5 1/2 in. (19.1 x 14 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) Zuñi Ornaments, 1903 photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: ZUÑI ORNAMENTS inscribed in plate, lower center: From Copyright Photograph 1903 by E.S. Curtis 7 1/2 x 5 1/2 in. (19.1 x 14 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) A Klamath Head-Dress, 1923 photogravure on Holland Van Gelder titled in plate, lower left: A KLAMATH HEAD-DRESS inscribed in plate, lower center: From Copyright Photograph 1923 by E.S. Curtis 7 1/2 x 5 1/2 in. (19.1 x 14 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) Tláhleelis - Koprino, 1914 photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: TLÁHLEELIS - KOPRINO inscribed in plate, lower center: From Copyright Photograph 1914 by E.S. Curtis 7 1/2 x 5 3/8 in. (19.1 x 13.7 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.)
Edward S. Curtis (1868 - 1952) Group of Five Photogravures photogravure Front Interior Posts of a Koskimo House photogravure on Japanese vellum titled in plate, lower left: FRONT INTERIOR POSTS OF A KOSKIMO HOUSE inscribed in plate, lower center: From Copyright Photograph 1914 by E.S. Curtis 9 1/8 x 7 in. (23.2 x 17.8 cm.), frame: 15 3/4 x 13 5/8 x 7/8 in. (40 x 34.6 x 2.2 cm.) Oyégi-Aye ("Frost Moving"), Santa Clara Governor, 1905 photogravure on Japanese vellum titled in plate, lower left: OYÉGI-AYE ("FROST MOVING"), SANTA CLARA GOVERNOR inscribed in plate, lower center: From Copyright Photograph 1905 by E.S. Curtis 7 1/2 x 5 1/2 in. (19.1 x 14 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) Ástanihkyi ("Come-Singing") - Blood, 1926 photogravure on Japanese vellum titled in plate, lower left: ÁSTANIHKYI ("COME-SINGING") - BLOOD inscribed in plate, lower center: From Copyright Photograph 1926 by E.S. Curtis 7 1/2 x 5 1/2 in. (19.1 x 14 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) The Octopus Catcher - Qagyuhl, 1914 photogravure on Japanese vellum titled in plate, lower left: THE OCTOPUS HUNTER - QAGYUHL inscribed in plate, lower center: From Copyright Photograph 1914 by E.S. Curtis 7 1/2 x 5 5/8 in. (19.1 x 14.3 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) Hupa Basket and Purses photogravure on Japanese gampi tissue mounted to Holland van Gelder titled in plate, lower left: HUPA BASKETS AND PURSES inscribed in plate, lower center: From Copyright Photograph 1923 by E.S. Curtis approx: 5 3/8 x 7 3/8 in. (13.7 x 18.7 cm.), sheet approx: 9 3/8 x 12 3/8 in. (23.8 x 31.4 cm.)
Edward S. Curtis (1868 - 1952) Northwest Group of Six Photogravures photogravure Átlumhl - Koskimo, 1914 photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: ÁTLUMHL - KOSKIMO* inscribed in plate, lower center: From Copyright Photograph 1914 by E.S. Curtis 7 1/2 x 5 1/2 in. (19.1 x 14 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) Wishham Handicraft, 1909 photogravure on Holland Van Gelder titled in plate, lower left: WISHHAM HANDICRAFT inscribed in plate, lower center: From Copyright Photograph 1909 by E.S. Curtis 5 3/8 x 7 3/8 in. (13.7 x 18.7 cm.), sheet approx: 9 3/8 x 12 3/8 in. (23.8 x 31.4 cm.) Salmon Fishing - Wishham, 1909 photogravure on Holland Van Gelder titled in plate, lower left: SALMON FISHING - WISHHAM inscribed in plate, lower center: From Copyright Photograph 1909 by E.S. Curtis 5 1/2 x 7 3/8 in. (14 x 18.7 cm.), sheet approx: 9 3/8 x 12 3/8 in. (23.8 x 31.4 cm.) Wishham Basket Worker, 1909 photogravure on Holland Van Gelder titled in plate, lower left: WISHHAM BASKET WORKER inscribed in plate, lower center: From Copyright Photograph 1909 by E.S. Curtis 5 3/8 x 7 3/8 in. (13.7 x 18.7 cm.), sheet approx: 9 3/8 x 12 3/8 in. (23.8 x 31.4 cm.) Kyétani - Wishham, 1910 photogravure on Holland Van Gelder titled in plate, lower left: KYÉTANI - WISHHAM inscribed in plate, lower center: From Copyright Photograph 1910 by E.S. Curtis 7 1/8 x 4 7/8 in. (18.1 x 12.4 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) Wishham Man, 1910 photogravure on Japanese vellum titled in plate, lower left: WISHHAM MAN inscribed in plate, lower center: From Copyright Photograph 1910 by E.S. Curtis 7 3/8 x 4 3/4 in. (18.7 x 12.1 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.)
Edward S. Curtis (1868 - 1952) Mothers and Children Group of Six Photogravures photogravure Pomo Mother and Child photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: POMO MOTHER AND CHILD inscribed in plate, lower center: From Copyright Photograph 1924 by E.S. Curtis 7 1/8 x 8 1/2 in. (18.1 x 21.6 cm.), frame: 13 3/4 x 15 1/4 x 7/8 in. (34.9 x 38.7 x 2.2 cm.) Flathead Mother, 1910 proof print titled in plate, lower left: FLATHEAD MOTHER inscribed in plate, lower center: From Copyright Photograph 1910 by E.S. Curtis 7 1/4 x 5 in. (18.4 x 12.7 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) A Little Oto photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: A LITTLE OTO inscribed in plate, lower center: From Copyright Photograph 1927 by E.S. Curtis approx: 7 1/4 x 5 in. (18.4 x 12.7 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) Umatilla Girl, 1910 photogravure on Holland Van Gelder titled in plate, lower left: UMATILLA GIRL inscribed in plate, lower center: From Copyright Photograph 1910 by E.S. Curtis 7 1/4 x 4 3/4 in. (18.4 x 12.1 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) Cheyenne Baby-Carrier, 1927 photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: CHEYENNE BABY-CARRIER inscribed in plate, lower center: From Copyright Photograph 1927 by E.S. Curtis 7 1/2 x 5 1/2 in. (19.1 x 14 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) Chukchansi Cradle-baskets, 1924 photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: CHUKCHANSI CRADLE-BASKETS inscribed in plate, lower center: From Copyright Photograph 1924 by E.S. Curtis 7 3/8 x 5 1/2 in. (18.7 x 14 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.)
Edward S. Curtis (1868 - 1952) Group of Six Ceremonial Photogravures photogravure Arikara Medicine Ceremony - Bear, Buffalo, and Night Men, 1908 photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: ARIKARA MEDICINE CEREMONY - BEAR, BUFFALO, AND NIGHT MEN inscribed in plate, lower center: From Copyright Photograph 1908 by E.S. Curtis 7 1/8 x 8 5/8 in. (18.1 x 21.9 cm.), frame: 14 1/8 x 15 1/2 x 7/8 in. (35.9 x 39.4 x 2.2 cm.) A "Catcher" Picking up a Snake, 1906 photogravure on Japanese vellum titled in plate, lower left: A "CATCHER" PICKING UP A SNAKE inscribed in plate, lower center: From Copyright Photograph 1906 by E.S. Curtis 7 1/2 x 5 1/8 in. (19.1 x 13 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) The Prayer, 1907 photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: THE PRAYER inscribed in plate, lower center: From Copyright Photograph 1907 by E.S. Curtis 7 3/8 x 5 1/2 in. (18.7 x 14 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) Atsina Crazy Dancers, 1908 photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: ATSINA CRAZY DANCERS inscribed in plate, lower center: From Copyright Photograph 1908 by E.S. Curtis 7 1/2 x 5 3/8 in. (19.1 x 13.7 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) Tsawatenok Tree Burial, 1914 photogravure on Holland Van Gelder titled in plate, lower left: TSAWATENOK TREE BURIAL inscribed in plate, lower center: From Copyright Photograph 1914 by E.S. Curtis 8 x 5 7/8 in. (20.3 x 14.9 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) Sun Dancers - Cheyenne, 1927 photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: SUN DANCERS-CHEYENNE inscribed in plate, lower center: From Copyright Photograph 1927 by E.S. Curtis 5 5/8 x 7 1/2 in. (14.3 x 19.1 cm.), sheet approx: 9 3/8 x 12 3/8 in. (23.8 x 31.4 cm.)
Edward S. Curtis (1868 - 1952) Group of Six Photogravures photogravure Gathering Hasen - Qahatika photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: GATHERING HASEN - QAHATIKA inscribed in plate, lower center: From Copyright Photograph 1907 by E.S. Curtis 8 7/8 x 6 5/8 in. (22.5 x 16.8 cm.), frame: 15 5/8 x 13 1/8 x 7/8 in. (39.7 x 33.3 x 2.2 cm.) Pomo Dance Costume, 1924 photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: POMO DANCE COSTUME inscribed in plate, lower center: From Copyright Photograph 1924 by E.S. Curtis 7 1/2 x 5 1/2 in. (19.1 x 14 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) Wishham Handicraft, 1909 photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: WISHHAM HANDICRAFT inscribed in plate, lower center: From Copyright Photograph 1909 by E.S. Curtis 5 3/8 x 7 3/8 in. (13.7 x 18.7 cm.), sheet approx: 9 3/8 x 12 3/8 in. (23.8 x 31.4 cm.) Preparing Cedar-Bark - Nakoaktok, 1914 photogravure on Japanese vellum titled in plate, lower left: PREPARING CEDAR-BARK - NAKOAKTOK inscribed in plate, lower center: From Copyright Photograph 1914 by E.S. Curtis 7 1/2 x 5 1/2 in. (19.1 x 14 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) In the Forest - Cayuse photogravure on Japanese vellum titled in plate, lower left: IN THE FOREST - CAYUSE inscribed in plate, lower center: From Copyright Photograph 1910 by E.S. Curtis approx: 5 1/2 x 7 3/8 in. (14 x 18.7 cm.), sheet approx: 9 3/8 x 12 3/8 in. (23.8 x 31.4 cm.) Mandan Bull-Boat, 1908 photogravure on Holland Van Gelder titled in plate, lower left: MANDAN BULL-BOAT inscribed in plate, lower center: From Copyright Photograph 1908 by E.S. Curtis 5 1/2 x 7 3/8 in. (14 x 18.7 cm.), sheet approx: 9 3/8 x 12 3/8 in. (23.8 x 31.4 cm.)
Edward S. Curtis (1868 - 1952) Group of Five Photogravures photogravure Dancing into the Medicine Lodge - Arikara photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: DANCING INTO THE MEDICINE LODGE - ARIKARA inscribed in plate, lower center: From Copyright Photograph 1908 by E.S. Curtis 6 1/2 x 8 1/2 in. (16.5 x 21.6 cm.), frame: 13 1/2 x 15 1/4 x 7/8 in. (34.3 x 38.7 x 2.2 cm.) Camp in the Forest - Kutenai, 1910 photogravure on Holland Van Gelder titled in plate, lower left: CAMP IN THE FOREST - KUTENAI inscribed in plate, lower center: From Copyright Photograph 1910 by E.S. Curtis 7 1/4 x 5 in. (18.4 x 12.7 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) Klickitat Basketry, 1909 photogravure on Holland Van Gelder titled in plate, lower left: KLICKITAT BASKETRY inscribed in plate, lower center: From Copyright Photograph 1909 by E.S. Curtis 5 3/8 x 7 1/4 in. (13.7 x 18.4 cm.), sheet approx: 9 3/8 x 12 3/8 in. (23.8 x 31.4 cm.) Holds the Eagle - Hidatsa, 1908 photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: HOLDS THE EAGLE - HIDATSA inscribed in plate, lower center: From Copyright Photograph 1908 by E.S. Curtis 7 3/8 x 4 3/4 in. (18.7 x 12.1 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) Cayuse Woman, 1910 photogravure on Holland Van Gelder titled in plate, lower left: CAYUSE WOMAN inscribed in plate, lower center: From Copyright Photograph 1910 by E.S. Curtis 7 1/4 x 5 3/8 in. (18.4 x 13.7 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.)
Edward S. Curtis (1868 - 1952) Group of Five Ceremonial Photogravures photogravure Singing to the Cedar - Arikara, 1908 photogravure on Japanese vellum titled in plate, lower left: SINGING TO THE CEDAR - ARIKARA inscribed in plate, lower center: From Copyright Photograph 1908 by E.S. Curtis 6 1/8 x 8 in. (15.6 x 20.3 cm.), frame: 13 3/8 x 15 x 7/8 in. (34 x 38.1 x 2.2 cm.) Nuhlimahla - Qagyuhl, 1914 photogravure on Japanese vellum titled in plate, lower left: NUHLIMAHLA - QAGYUHL inscribed in plate, lower center: From Copyright Photograph 1914 by E.S. Curtis 7 3/4 x 5 1/2 in. (19.7 x 14 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) Kalóqutsuis - Koskimo, 1914 photogravure on Japanese vellum titled in plate, lower left: KALÓQUTSUIS - KOSKIMO inscribed in plate, lower center: From Copyright Photograph 1914 by E.S. Curtis 8 x 4 7/8 in. (20.3 x 12.4 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) Twin Child Healer (b), 1914 photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: TWIN CHILD HEALER (b) inscribed in plate, lower center: From Copyright Photograph 1914 by E.S. Curtis 7 1/2 x 5 5/8 in. (19.1 x 14.3 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) A Burial Platform - Apsaroke, 1908 photogravure on Japanese vellum titled in plate, lower left: A BURIAL PLATFORM - APSAROKE inscribed in plate, lower center: From Copyright Photograph 1908 by E.S. Curtis 5 1/2 x 7 1/4 in. (14 x 18.4 cm.), sheet approx: 9 3/8 x 12 3/8 in. (23.8 x 31.4 cm.)
Edward S. Curtis (1868 - 1952) Great Plains Group of Five Photogravures photogravure Tipi Construction (B) photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: TIPI CONSTRUCTION (B) inscribed in plate, lower center: From Copyright Photograph 1907 by E.S. Curtis 7 x 8 1/2 in. (17.8 x 21.6 cm.), frame: 13 5/8 x 15 x 7/8 in. (34.6 x 38.1 x 2.2 cm.) Arapaho Youth, 1910 photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: ARAPAHO YOUTH inscribed in plate, lower center: From Copyright Photograph 1910 by E.S. Curtis 7 1/4 x 5 in. (18.4 x 12.7 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) Hidatsa Woman photogravure on Japanese vellum titled in plate, lower left: HIDATSA WOMAN inscribed in plate, lower center: From Copyright Photograph 1908 by E.S. Curtis approx: 7 1/4 x 5 in. (18.4 x 12.7 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) Blue Horse - Ogalala, 1907 photogravure on Japanese vellum titled in plate, lower left: BLUE HORSE - OGALALA inscribed in plate, lower center: From Copyright Photograph 1907 by E.S. Curtis 7 1/4 x 5 in. (18.4 x 12.7 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) Huka-Lowapi - "Work-Do Removes the Covering", 1907 photogravure on Japanese vellum titled in plate, lower left: HUKA-LOWAPI -"WORK-DO REMOVES THE COVERING" inscribed in plate, lower center: From Copyright Photograph 1907 by E.S. Curtis 5 3/8 x 7 3/8 in. (13.7 x 18.7 cm.), sheet approx: 9 3/8 x 12 3/8 in. (23.8 x 31.4 cm.)
Edward S. Curtis (1868 - 1952) Great Plains Group of Six Photogravures photogravure Not Grizzly-bear - Kutenai, 1910 photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: NOT GRIZZLY-BEAR - KUTANAI inscribed in plate, lower center: From Copyright Photograph 1910 by E.S. Curtis 8 3/4 x 5 3/4 in. (22.2 x 14.6 cm.), frame: 19 1/4 x 15 1/4 x 5/8 in. (48.9 x 38.7 x 1.6 cm.) Mandan Earthen Lodge photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: MANDAN EARTHEN LODGE inscribed in plate, lower center: From Copyright Photograph 1908 by E.S. Curtis 7 1/8 x 8 5/8 in. (18.1 x 21.9 cm.), frame: 13 3/4 x 15 1/8 x 7/8 in. (34.9 x 38.4 x 2.2 cm.) An Apsaroke Lodge photogravure on Japanese vellum titled in plate, lower left: AN APSAROKE LODGE inscribed in plate, lower center: From Copyright Photograph 1908 by E.S. Curtis approx: 7 1/2 x 5 5/8 in. (19.1 x 14.3 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) Author's Camp Among the Spokan, 1910 photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: AUTHOR'S CAMP AMONG THE SPOKAN inscribed in plate, lower center: From Copyright Photograph 1910 by E.S. Curtis 5 3/8 x 7 3/8 in. (13.7 x 18.7 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) Cheyenne Footwear, 1927 photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: CHEYENNE FOOTWEAR inscribed in plate, lower center: From Copyright Photograph 1927 by E.S. Curtis 7 1/2 x 5 5/8 in. (19.1 x 14.3 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) Tipi Construction (A), 1907 photogravure on Holland Van Gelder titled in plate, lower left: TIPI CONSTRUCTION (A) inscribed in plate, lower center: From Copyright Photograph 1907 by E.S. Curtis 5 3/8 x 7 1/4 in. (13.7 x 18.4 cm.), sheet approx: 9 3/8 x 12 3/8 in. (23.8 x 31.4 cm.)
Edward S. Curtis (1868 - 1952) Group of Five Portraits photogravure Ko-pin (Buffalo Mountain) - San Juan photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: KO-PIN (BUFFALO MOUNTAIN) - SAN JUAN inscribed in plate, lower center: From Copyright Photograph 1905 by E.S. Curtis 8 5/8 x 6 3/8 in. (21.9 x 16.2 cm.), frame: 20 x 16 1/8 x 3/4 in. (50.8 x 41 x 1.9 cm.) Hupa Female Shaman photogravure on Holland van Gelder titled in plate, lower left: HUPA FEMALE SHAMAN inscribed in plate, lower center: From Copyright Photograph 1923 by E.S. Curtis approx: 7 1/2 x 5 1/4 in. (19.1 x 13.3 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) Súqitlaá - Profile, 1915 photogravure on Holland Van Gelder titled in plate, lower left: SÚQITLAÁ - PROFILE inscribed in plate, lower center: From Copyright Photograph 1915 by E.S. Curtis 7 1/2 x 5 1/4 in. (19.1 x 13.3 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) Tsetsanu - Tewa, 1921 photogravure on Japanese vellum titled in plate, lower left: TSETSANU - TEWA inscribed in plate, lower center: From Copyright Photograph 1921 by E.S. Curtis 7 3/8 x 5 in. (18.7 x 12.7 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) Primitive Mojave, 1907 photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: PRIMITIVE MOHAVE inscribed in plate, lower center: From Copyright Photograph 1907 by E.S. Curtis approx: 7 1/2 x 5 1/2 in. (19.1 x 14 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.)
Edward S. Curtis (1868 - 1952) Group of Five Portraits photogravure Mandan Girl photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: MANDAN GIRL inscribed in plate, lower center: From Copyright Photograph 1908 by E.S. Curtis 9 1/8 x 6 3/8 in. (23.2 x 16.2 cm.), frame: 16 1/8 x 13 1/4 x 7/8 in. (41 x 33.7 x 2.2 cm.) Cayuse Youth photogravure on Japanese vellum titled in plate, lower left: CAYUSE YOUTH inscribed in plate, lower center: From Copyright Photograph 1910 by E.S. Curtis approx: 7 3/8 x 4 3/4 in. (18.7 x 12.1 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) Hidatsa Woman, 1908 photogravure on Japanese vellum titled in plate, lower left: HIDATSA WOMAN inscribed in plate, lower center: From Copyright Photograph 1908 by E.S. Curtis 7 3/8 x 4 3/4 in. (18.7 x 12.1 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) Hipáh - Mojave, 1907 photogravure on Holland Van Gelder titled in plate, lower left: HIPÁH - MOHAVE inscribed in plate, lower center: From Copyright Photograph 1907 by E.S. Curtis 7 3/8 x 4 3/4 in. (18.7 x 12.1 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) Qahatika Man, 1907 photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: QAHATIKA MAN inscribed in plate, lower center: From Copyright Photograph 1907 by E.S. Curtis 7 1/4 x 5 3/8 in. (18.4 x 13.7 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.)
Edward S. Curtis (1868 - 1952) Southwest Group of Six Photogravures photogravure Maricopa Group photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: MARICOPA GROUP inscribed in plate, lower center: From Copyright Photograph 1907 by E.S. Curtis 7 x 8 3/8 in. (17.8 x 21.3 cm.), frame: 13 5/8 x 15 1/8 x 7/8 in. (34.6 x 38.4 x 2.2 cm.) Hipa - Mojave photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: HIPA - MOHAVE inscribed in plate, lower center: From Copyright Photograph 1907 by E.S. Curtis approx: 7 1/4 x 5 3/8 in. (18.4 x 13.7 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) Gathering Cactus Fruit - Pima, 1907 photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: GATHERING CACTUS FRUIT - PIMA inscribed in plate, lower center: From Copyright Photograph 1907 by E.S. Curtis 7 1/4 x 5 3/8 in. (18.4 x 13.7 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) On a Walpi Housetop, 1921 photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: ON A WALPI HOUSETOP inscribed in plate, lower center: From Copyright Photograph 1921 by E.S. Curtis approx: 5 1/2 x 7 1/2 in. (14 x 19.1 cm.), sheet approx: 9 3/8 x 12 3/8 in. (23.8 x 31.4 cm.) Sikyaletstiwa - Shipaulovi Snake Chief, 1907 photogravure on Japanese vellum titled in plate, lower left: SIKYALETSTIWA - SHIPAULOVI SNAKE CHIEF inscribed in plate, lower center: From Copyright Photograph 1907 by E.S. Curtis 7 3/8 x 5 in. (18.7 x 12.7 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) Household Utensils, 1900 photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: HOUSEHOLD UTENSILS inscribed in plate, lower center: From Copyright Photograph 1900 by E.S. Curtis 5 1/2 x 7 3/8 in. (14 x 18.7 cm.), sheet approx: 9 3/8 x 12 3/8 in. (23.8 x 31.4 cm.)
Edward S. Curtis (1868 - 1952) Southwest Group of Six Photogravures photogravure Under the Cottonwoods - Navajo photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: UNDER THE COTTONWOODS - NAVAJO inscribed in plate, lower center: From Copyright Photograph 1904 by E.S. Curtis 7 1/4 x 8 3/4 in. (18.4 x 22.2 cm.), frame: 14 1/4 x 15 5/8 x 7/8 in. (36.2 x 39.7 x 2.2 cm.) Maternity Belt - Apache, 1907 photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: MATERNITY BELT - APACHE inscribed in plate, lower center: From Copyright Photograph 1907 by E.S. Curtis 7 1/4 x 5 3/8 in. (18.4 x 13.7 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) Mojave Still Life, 1907 photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: MOHAVE STILL LIFE inscribed in plate, lower center: From Copyright Photograph 1907 by E.S. Curtis approx: 5 1/2 x 7 1/2 in. (14 x 19.1 cm.), sheet approx: 9 3/8 x 12 3/8 in. (23.8 x 31.4 cm.) A Middle Mesa Albino, 1921 photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: A MIDDLE MESA ALBINO inscribed in plate, lower center: From Copyright Photograph 1921 by E.S. Curtis 7 1/4 x 4 7/8 in. (18.4 x 12.4 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) Hotavila, 1921 photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: HOTAVILA inscribed in plate, lower center: From Copyright Photograph 1921 by E.S. Curtis 4 3/8 x 7 3/8 in. (11.1 x 18.7 cm.), sheet approx: 9 3/8 x 12 3/8 in. (23.8 x 31.4 cm.) Hokak - Papago, 1907 photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: HOKAK - PAPAGO inscribed in plate, lower center: From Copyright Photograph 1907 by E.S. Curtis 7 1/4 x 4 5/8 in. (18.4 x 11.7 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.)
Edward S. Curtis (1868 - 1952) Southwest Group of Six Photogravures photogravure Primitive Apache Home photogravure on Japanese vellum titled in plate, lower left: PRIMITIVE APACHE HOME inscribed in plate, lower center: From Copyright Photograph 1903 by E.S. Curtis 7 1/8 x 8 3/8 in. (18.1 x 21.3 cm.), frame: 13 3/4 x 15 x 7/8 in. (34.9 x 38.1 x 2.2 cm.) Harvesting Cactus Fruit - Maricopa, 1907 photogravure on Japanese gampi tissue mounted to Holland Van Gelder titled in plate, lower left: HARVESTING CACTUS FRUIT - MARICOPA inscribed in plate, lower center: From Copyright Photograph 1907 by E.S. Curtis 7 3/8 x 5 3/4 in. (18.7 x 14.6 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) East Mesa Pottery, 1921 photogravure on Japanese vellum titled in plate, lower left: EAST MESA POTTERY inscribed in plate, lower center: From Copyright Photograph 1921 by E.S. Curtis 5 3/8 x 7 3/8 in. (13.7 x 18.7 cm.), sheet approx: 9 3/8 x 12 3/8 in. (23.8 x 31.4 cm.) By the Sycamore - Apache, 1906 photogravure on Japanese gampi tissue on contemporary mount titled in plate, lower left: BY THE SYCAMORE - APACHE inscribed in plate, lower center: From Copyright Photograph 1906 by E.S. Curtis 7 3/8 x 5 3/8 in. (18.7 x 13.7 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) Walathóma - Havasupai, 1907 photogravure on Japanese gampi tissue on contemporary mount titled in plate, lower left: WALATHÓMA - HAVASUPAI inscribed in plate, lower center: From Copyright Photograph 1907 by E.S. Curtis 7 1/4 x 5 3/8 in. (18.4 x 13.7 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.) Shilhné'ohli - Navajo, 1907 photogravure on Japanese vellum titled in plate, lower left: SHILHNÉ'OHLI - NAVAHO inscribed in plate, lower center: From Copyright Photograph 1907 by E.S. Curtis 6 1/8 x 5 in. (15.6 x 12.7 cm.), sheet approx: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm.)
Edward S. Curtis (1868 - 1952) Group of Five Photogravures photogravure Umatilla Maid photogravure on Japanese vellum titled in plate, lower left: UMATILLA MAID inscribed in plate, lower center: From Copyright Photograph 1910 by E.S. Curtis inscribed in plate, lower right: photogravure John Andrew & Son approx: 15 x 11 1/2 in. (38.1 x 29.2 cm.), sheet approx: 22 x 18 in. (55.9 x 45.7 cm.) In the Forest - Klamath photogravure on Japanese gampi tissue titled in plate, lower left: IN THE FOREST - KLAMATH inscribed in plate, lower center: From Copyright Photograph 1923 by E.S. Curtis inscribed in plate, lower right: photogravure Suffolk Eng. Co. Boston approx: 15 x 11 1/2 in. (38.1 x 29.2 cm.), sheet approx: 22 x 18 in. (55.9 x 45.7 cm.) Diegueno House at Campo photogravure on Japanese gampi tissue titled in plate, lower left: DIEGUENO HOUSE AT CAMPO inscribed in plate, lower center: From Copyright Photograph 1924 by E.S. Curtis inscribed in plate, lower right: photogravure Suffolk Eng. Co. Boston approx: 11 1/2 x 15 in. (29.2 x 38.1 cm.), sheet approx: 18 x 22 in. (45.7 x 55.9 cm.) A Diegueno Woman of Campo photogravure on Japanese vellum titled in plate, lower left: A DIEGUENO WOMAN OF CAMPO inscribed in plate, lower center: From Copyright Photograph 1924 by E.S. Curtis inscribed in plate, lower right: photogravure Suffolk Eng. Co. Boston approx: 11 1/2 x 15 in. (29.2 x 38.1 cm.), sheet approx: 18 x 22 in. (45.7 x 55.9 cm.) Wichita Grass-House photogravure on Japanese vellum titled in plate, lower left: WICHITA GRASS-HOUSE inscribed in plate, lower center: From Copyright Photograph 1927 by E.S. Curtis inscribed in plate, lower right: photogravure Suffolk Eng. Co. Boston approx: 11 1/2 x 15 in. (29.2 x 38.1 cm.), sheet approx: 18 x 22 in. (45.7 x 55.9 cm.)
Edward S. Curtis (1868 - 1952) Group of Three Photogravures photogravure Getting Water - Apache photogravure on Japanese vellum titled in plate, lower left: GETTING WATER - APACHE inscribed in plate, lower center: From Copyright Photograph 1903 by E.S. Curtis inscribed in plate, lower right: photogravure John Andrew & Son approx: 15 x 11 1/2 in. (38.1 x 29.2 cm.), sheet approx: 22 x 18 in. (55.9 x 45.7 cm.) Kalispel Scene photogravure on Japanese gampi tissue titled in plate, lower left: KALISPEL SCENE inscribed in plate, lower center: From Copyright Photograph 1910 by E.S. Curtis inscribed in plate, lower right: photogravure John Andrew & Son approx: 15 x 11 1/2 in. (38.1 x 29.2 cm.), sheet approx: 22 x 18 in. (55.9 x 45.7 cm.) Dip Netting in Pools - Wishham photogravure on Japanese gampi tissue titled in plate, lower left: DIP NETTING IN POOLS - WISHHAM inscribed in plate, lower center: From Copyright Photograph 1909 by E.S. Curtis inscribed in plate, lower right: photogravure John Andrew & Son approx: 15 x 11 1/2 in. (38.1 x 29.2 cm.), sheet approx: 22 x 18 in. (55.9 x 45.7 cm.)
Edward S. Curtis (1868 - 1952) Group of Three Photogravures photogravure A Hesquiat Maiden photogravure on Japanese vellum titled in plate, lower left: A HESQUIAT MAIDEN inscribed in plate, lower center: From Copyright Photograph 1915 by E.S. Curtis inscribed in plate, lower right: photogravure John Andrew & Son approx: 15 x 11 1/2 in. (38.1 x 29.2 cm.), sheet approx: 22 x 18 in. (55.9 x 45.7 cm.) The Whaler - Clayoquot photogravure on Japanese gampi tissue titled in plate, lower left: THE WHALER - CLAYOQUOT inscribed in plate, lower center: From Copyright Photograph 1915 by E.S. Curtis inscribed in plate, lower right: photogravure John Andrew & Son approx: 15 x 11 1/2 in. (38.1 x 29.2 cm.), sheet approx: 22 x 18 in. (55.9 x 45.7 cm.) A Mat House - Skokomish photogravure on Japanese gampi tissue titled in plate, lower left: A MAT HOUSE - SKOKOMISH inscribed in plate, lower center: From Copyright Photograph 1912 by E.S. Curtis inscribed in plate, lower right: photogravure John Andrew & Son approx: 11 1/2 x 15 in. (29.2 x 38.1 cm.), sheet approx: 18 x 22 in. (45.7 x 55.9 cm.)
Edward S. Curtis (1868 - 1952) Group of Three Photogravures photogravure Wishham Maid photogravure on Japanese gampi tissue titled in plate, lower left: WISHHAM MAID inscribed in plate, lower center: From Copyright Photograph 1909 by E.S. Curtis inscribed in plate, lower right: photogravure John Andrew & Son 14 5/8 x 17 5/8 in. (37.1 x 44.8 cm.), frame: 24 x 27 x 3/4 in. (61 x 68.6 x 1.9 cm.) Spearing Salmon - Wishham photogravure on Japanese gampi tissue titled in plate, lower left: SPEARING SALMON - WISHHAM inscribed in plate, lower center: From Copyright Photograph 1909 by E.S. Curtis inscribed in plate, lower right: photogravure John Andrew & Son approx: 11 1/2 x 15 in. (29.2 x 38.1 cm.), sheet approx: 18 x 22 in. (45.7 x 55.9 cm.) The Middle Columbia photogravure on Japanese gampi tissue titled in plate, lower left: THE MIDDLE COLUMBIA inscribed in plate, lower center: From Copyright Photograph 1910 by E.S. Curtis inscribed in plate, lower right: photogravure John Andrew & Son approx: 11 1/2 x 15 in. (29.2 x 38.1 cm.), sheet approx: 18 x 22 in. (45.7 x 55.9 cm.)
Edward S. Curtis (1868 - 1952) Group of Three Photogravures photogravure Cowichan Girl photogravure on Japanese gampi tissue titled in plate, lower left: COWICHAN GIRL inscribed in plate, lower center: From Copyright Photograph 1912 by E.S. Curtis inscribed in plate, lower right: photogravure John Andrew & Son approx: 15 x 11 1/2 in. (38.1 x 29.2 cm.), sheet approx: 22 x 18 in. (55.9 x 45.7 cm.) Suquamish Girl photogravure on Japanese vellum titled in plate, lower left: SQUAMISH GIRL inscribed in plate, lower center: From Copyright Photograph 1912 by E.S. Curtis inscribed in plate, lower right: photogravure John Andrew & Son approx: 15 x 11 1/2 in. (38.1 x 29.2 cm.), sheet approx: 22 x 18 in. (55.9 x 45.7 cm.) Cheyenne Costume photogravure on Holland Van Gelder titled in plate, lower left: CHEYENNE COSTUME inscribed in plate, lower center: From Copyright Photograph 1927 by E.S. Curtis inscribed in plate, lower right: photogravure Suffolk Eng. Co. Boston approx: 15 x 11 1/2 in. (38.1 x 29.2 cm.), sheet approx: 22 x 18 in. (55.9 x 45.7 cm.)
