Ken Currie Paintings & Artwork for Sale | Ken Currie Art Value Price Guide

Aug. 13, 2024
§ KEN CURRIE (SCOTTISH 1960-)
Est: £4,000 - £6,000
KEN CURRIE (SCOTTISH 1960-) THE EMBATTLED CITY - 1984 Signed and inscribed with title and dated 1984 verso, conte and charcoal on paper 114cm x 93cm (44.75in x 36.5in) Flowers East, London, 1989; Private Collection; Sotheby's, May 2008, lot 235; where purchased by the present owner The current work was executed on hand-made paper created by Ken Currie and his friend Keith McIntyre who shared a studio on East Campbell Street in Glasgow, opposite the famous Barrowland Ballroom. McIntyre utilised pulped hospital bed sheets as the base material for this paper which lends this gritty image an extra dimension.Ken Currie’s early work is celebrated as a remarkable, modern interpretation of 19th century history painting fused with the revolutionary dynamism of pivotal twentieth century artistic movements. Currie studied at the Glasgow School of Art in the late 1970s and early '80s. Living in a city in the grip of immense poverty and decay, ruptured by sectarian violence and in an era which was witnessing the rise of a ‘New Right’, he turned to the figurative tradition to address the sense of existential crisis and undercurrent of brutality he perceived around him.Currie’s urge to record this zeitgeist produced its greatest results when he simultaneously imbued his art with his passion for community engagement. As the artist comments: ‘It was only through contact with my tutor, Alexander Moffat, that my work did not descend into the most mindless kind of nihilism… his belief in the centrality of the European figurative tradition provided essential support, putting me, along with other students* in touch with the vital moments of twentieth century painting… and that whole dynamic, revolutionary European culture that flourished between the wars.'1984, the year the two artworks offered here for sale were produced, was also the year he received a significant grant to make a film called ‘Glasgow 1984’ with a group of unemployed youth from the Cranhill Arts Project, using professional equipment. Currie was intensely engaged with filmmaking at this point, a medium which afforded him the perfect vehicle with which to produce community-engaged art. He had temporarily almost wholly abandoned painting at this point, finding filmmaking both hugely powerful but also an all-consuming endurance test. After the film was finally completed, he felt drawn to return to the looser medium of charcoal, “…retracing my steps stylistically to a time perhaps in my third year at art school”.In works such as ‘The Cripples’ (1984) and ‘The Embattled City’, the parallels with Weimar-era artists such as Backmann, Grosz, Dix and Kollwitz are clear to see. Visions of destruction, of war and annihilation, of malformity and insanity are shown unflinchingly. They are complex, theatrical compositions – a carefully choreographed chaos in which Currie brings his newly honed directorial eye to illustrate his fascination with recording the reverberations of Europe’s turbulent political history, past and present.
Lyon & Turnbull
Aug. 13, 2024
§ KEN CURRIE (SCOTTISH 1960-)
Est: £4,000 - £6,000
KEN CURRIE (SCOTTISH 1960-) THE CRIPPLES - 1989 Signed and inscribed with title and dated 1989 verso, conte, pencil and charcoal 95cm x 163cm (37.5in x 64in) Raab Boukamel Galleries, London; Galleri Christian Dam, Copenhagen; Private Collection; Sotheby's, May 2008, Lot 234; where purchased by the present ownerLiterature: Tom Normand, Ken Currie: Details of a Journey, 2002, p.46 The current work was executed on hand-made paper created by Ken Currie and his friend Keith McIntyre who shared a studio on East Campbell Street in Glasgow, opposite the famous Barrowland Ballroom. McIntyre utilised pulped hospital bed sheets as the base material for this paper which lends this gritty image an extra dimension.Ken Currie’s early work is celebrated as a remarkable, modern interpretation of 19th century history painting fused with the revolutionary dynamism of pivotal twentieth century artistic movements. Currie studied at the Glasgow School of Art in the late 1970s and early '80s. Living in a city in the grip of immense poverty and decay, ruptured by sectarian violence and in an era which was witnessing the rise of a ‘New Right’, he turned to the figurative tradition to address the sense of existential crisis and undercurrent of brutality he perceived around him.Currie’s urge to record this zeitgeist produced its greatest results when he simultaneously imbued his art with his passion for community engagement. As the artist comments: ‘It was only through contact with my tutor, Alexander Moffat, that my work did not descend into the most mindless kind of nihilism… his belief in the centrality of the European figurative tradition provided essential support, putting me, along with other students* in touch with the vital moments of twentieth century painting… and that whole dynamic, revolutionary European culture that flourished between the wars.'1984, the year the two artworks offered here for sale were produced, was also the year he received a significant grant to make a film called ‘Glasgow 1984’ with a group of unemployed youth from the Cranhill Arts Project, using professional equipment. Currie was intensely engaged with filmmaking at this point, a medium which afforded him the perfect vehicle with which to produce community-engaged art. He had temporarily almost wholly abandoned painting at this point, finding filmmaking both hugely powerful but also an all-consuming endurance test. After the film was finally completed, he felt drawn to return to the looser medium of charcoal, “…retracing my steps stylistically to a time perhaps in my third year at art school”.In works such as ‘The Cripples’ (1984) and ‘The Embattled City’, the parallels with Weimar-era artists such as Backmann, Grosz, Dix and Kollwitz are clear to see. Visions of destruction, of war and annihilation, of malformity and insanity are shown unflinchingly. They are complex, theatrical compositions – a carefully choreographed chaos in which Currie brings his newly honed directorial eye to illustrate his fascination with recording the reverberations of Europe’s turbulent political history, past and present.
Lyon & Turnbull
Apr. 30, 2024
§ KEN CURRIE (SCOTTISH 1960-)
Est: £1,000 - £1,500
KEN CURRIE (SCOTTISH 1960-) STUDY FOR 'THE STREET' - 1990 Signed with initials and inscribed ‘Ink Study 2, ’The Street', 28/2/90' lower left, ink and wash with pencil annotations to margin 45cm x 60cm (17.25in x 23.5in)
Lyon & Turnbull
Apr. 30, 2024
§ KEN CURRIE (SCOTTISH 1960-)
Est: £700 - £1,000
KEN CURRIE (SCOTTISH 1960-) STUDY FOR 'THE BATHERS' Ink and wash 30cm x 54cm (11.75in x 21.25in)
Lyon & Turnbull
Apr. 30, 2024
§ KEN CURRIE (SCOTTISH 1960-)
Est: £4,000 - £6,000
KEN CURRIE (SCOTTISH 1960-) MAN WITH TATTOOS - 1987 Signed lower right, signed and inscribed with title and dated 1987 verso, conte, pencil and pastel on paper 84cm x 58cm (33in x 23in) Exhibited: ‘The Vigorous Imagination’, Scottish National Gallery of Modern Art, 1987; ‘The Vigorous Imagination Then & Now’, The Fine Art Society, 2017 Born in 1960, Ken Currie graduated from the Glasgow School of Art in 1983. His work is typically dark and confrontational. Currie is highly aware of and influenced by the tradition of Western art, drawing inspiration from a variety of artists including Goya and Velazquez. Similarly to Francis Bacon, he is fascinated by the human face as a mechanism of expressing trauma, pain, and powerful psychological expression. His early work is heavily inspired by his childhood in Glasgow’s declining industrial landscape; observational of the different character architypes that were beginning to vanish, and politically critical of the Thatcherite policies which saw the city decay. This early imagery is unflinching and, like Howson, skirts the grotesque, yet it is also multilayered, even romanticised.
Lyon & Turnbull
Dec. 13, 2023
• KEN CURRIE (BRITISH B.1960)
Est: £1,500 - £2,500
• KEN CURRIE (BRITISH B.1960) HEAD OF A CRITIC signed, inscribed and dated No 73 "HEAD OF A CRITIC" 1990 / oil on wood / 35.5 x 46 cm / K. Currie 13/11/90 on the reverse oil on panel 46.5 x 35.5cm; 18 1/4 x 14in 57 x 46cm; 22 1/2 x 18in (framed) Property from a Private Collection, Chelsea Provenance Raab Boukamel Galleries Ltd, London Purchased from the above by the husband of the present owner in October 1994 Exhibited London, Riverside Studios, Ken Currie, 1991 (illustrated in the catalogue) Edinburgh, Talbot Rice University Art Gallery, Ken Currie, The Age of Uncertainty, 1991 Literature Corinna Lotz, 'Crucifixion of the Century', in The Times Higher Education Supplement, 27 September 1991, illustrated In her review of Currie's work in September 1991 Lotz comments how the artist: '...shows a world much more deeply symbolic. The inner core of meaning comes out of the human beings themselves, rather than being imposed on them, The figures are both more individualised and more anonymous. They are no longer specifically Scottish or Glaswegian, but tortured, suffering, doubting, brutal or brutalised, ugly, human creatures... In these disturbing works, we are made to confront the most painful and terrible experiences of our times.' (Lotz, ibid, 1991)
Olympia Auctions
Dec. 13, 2023
• KEN CURRIE (BRITISH B.1960)
Est: £1,000 - £1,500
• KEN CURRIE (BRITISH B.1960) THE WOMB OUT OF WHICH THAT CRAWLED IS FRUITFUL STILL signed, titled, inscribed and dated No 255 / "THE WOMB OUT OF WHICH THAT CRAWLED IS FRUITFUL STILL (STUDY)" 1994 / 23 x 31 cm/ oil and beeswax on map of Germany. / K. Currie on the reverse oil and beeswax on a map of Germany 30 x 22.5cm; 11 3/4 x 8 3/4in 57 x 47cm; 22 1/2 x 18 1/2in (framed) Property of a Lady, Chelsea Provenance Raab Boukamel Galleries Ltd, London Purchased from the above by the husband of the present owner in January 1995
Olympia Auctions
Oct. 11, 2023
KEN CURRIE (BRITISH B.1960)
Est: £400 - £600
KEN CURRIE (BRITISH B.1960) STUDY FOR MEMORIAL NO.1 bronze 39.5 x 30cm; 15 1/2 x 11 3/4in Property from a Private Collection, Chelsea
Olympia Auctions
Oct. 11, 2023
KEN CURRIE (BRITISH B.1960)
Est: £1,000 - £1,500
KEN CURRIE (BRITISH B.1960) THE JEW AND OTHER STORIES signed, titled, and inscribed with the measurements and the medium and dated 1993 on the reverse pastel, charcoal, oil pastel and beeswax on paper 31 x 23cm; 12 1/4 x 9in 57 x 47cm; 22 1/2 x 18 1/2in Property from a Private Collection, Chelsea Provenance Raab Boukamel Gallery, London Purchased from the above by the husband of the present owner.
Olympia Auctions
Jun. 28, 2023
§ KEN CURRIE (SCOTTISH B.1960)
Est: £300 - £500
KEN CURRIE (SCOTTISH B.1960) The Bathers 1992 signed, dated, titled and numbered 32/40 in pencil etching on wove published by the Glasgow Print Studio sheet 51 x 69cm framed ARR
Chiswick Auctions
Apr. 04, 2023
§ KEN CURRIE (SCOTTISH 1960-) THE REGIME - 1991
Est: £300 - £500
§ KEN CURRIE (SCOTTISH 1960-) THE REGIME - 1991 Etching, 30/40, signed, dated, inscribed and numbered in pencil to margin (the image 30.5cm x 20.5cm (12in x 8in))
Lyon & Turnbull
Apr. 04, 2023
§ KEN CURRIE (SCOTTISH 1960-) UNTITLED HEAD STUDY NO. 4 - 1994
Est: £1,000 - £1,500
§ KEN CURRIE (SCOTTISH 1960-) UNTITLED HEAD STUDY NO. 4 - 1994 Signed, titled and dated verso, oil and beeswax on canvas (30cm x 25cm (11.75in x 9.75in))
Lyon & Turnbull
Apr. 04, 2023
§ KEN CURRIE (SCOTTISH 1960-) HEAD OF AN IDIOT - 1991
Est: £2,000 - £3,000
§ KEN CURRIE (SCOTTISH 1960-) HEAD OF AN IDIOT - 1991 Signed, dated 19/1/91 and titled verso, oil on board (45cm x 34.5cm (17.75in x 13.5in))
Lyon & Turnbull
Apr. 04, 2023
§ KEN CURRIE (SCOTTISH 1960-) TORCH - 1994-5
Est: £4,000 - £6,000
§ KEN CURRIE (SCOTTISH 1960-) TORCH - 1994-5 Oil on linen (100cm x 78cm (39.25in x 30.75in))
Lyon & Turnbull
Feb. 22, 2023
§ KEN CURRIE (SCOTTISH B.1960)
Est: £400 - £600
KEN CURRIE (SCOTTISH B.1960) The Bathers 1992 signed, dated, titled and numbered 32/40 in pencil etching on wove published by the Glasgow Print Studio sheet 51 x 69cm framed ARR
Chiswick Auctions
Feb. 20, 2023
Ken Currie (North Shields 1960) - The Infermary Series: Nurse 22/6/92, 1992
Est: €800 - €1,000
Titled, dated and signed on the reverse: The Infermary Series: Nurse 22/6/92, 1992, K. Currie
Finarte
Oct. 20, 2022
KEN CURRIE (BRITISH, born 1960) 'The Ludicrous Situation' (1992) (together with a smaller etching 'Natural Disaster' (2))
Est: £400 - £600
KEN CURRIE (BRITISH, born 1960) 'The Ludicrous Situation' (1992) numbered 26/40, titled and signed in pencil etching 54 x 68.5cm (21 1/4 x 26 15/16in). together with a smaller etching 'Natural Disaster' (2)
Bonhams
Apr. 05, 2022
*Ken Currie (b.1960)
Est: £400 - £600
*Ken Currie (b.1960) *Ken Currie (b.1960) 'War Worries' etching and aquatint, signed 'K Currie', inscribed with title and numbered 13/40 in pencil sheet 68.5 x 51cm Provenance: RAAB Gallery. *Artist's Resale Right may apply to this lot. Condition report: Framed size: 80 x 62cm Not viewed out of glazed frame. Print has slipped in frame. Thunderbugs under glass and dirt on glass. Print appears to be in good condition.
Sworders
Apr. 07, 2021
§ KEN CURRIE (SCOTTISH B.1960) THE LUDICROUS SITUATION
Est: £400 - £600
§ KEN CURRIE (SCOTTISH B.1960) THE LUDICROUS SITUATION Etching, 14/40, signed and dated '91, numbered and inscribed with title in pencil to margin (69cm x 82cm (27in x 32in)) Footnote: Provenance: The Glasgow Print Studio
Lyon & Turnbull
Jan. 27, 2021
§ KEN CURRIE (SCOTTISH B.1960) THE LUDICROUS SITUATION
Est: £700 - £900
§ KEN CURRIE (SCOTTISH B.1960) THE LUDICROUS SITUATION Etching, 14/40, signed and dated '91, numbered and inscribed with title in pencil to margin (69cm x 82cm (27in x 32in)) Footnote: Provenance: The Glasgow Print Studio
Lyon & Turnbull
Jan. 27, 2021
§ KEN CURRIE (SCOTTISH B.1960) PATIENT - 1992
Est: £1,500 - £2,000
§ KEN CURRIE (SCOTTISH B.1960) PATIENT - 1992 Signed and dated 9/6/92 and inscribed with title verso, pastel and charcoal (48.5cm x 37cm (19in x 14.5in)) Footnote: Note: From the 'Infirmary Series: No. 1'
Lyon & Turnbull
Jan. 27, 2021
§ KEN CURRIE (SCOTTISH B.1960) MERCENARY - 1987
Est: £3,000 - £5,000
§ KEN CURRIE (SCOTTISH B.1960) MERCENARY - 1987 Signed lower right, signed and dated and inscribed with title verso, conte, pencil and pastel on paper (79cm x 54cm (31in x 21.25in)) Footnote: Provenance: Raab Boukamel Gallery, London
Lyon & Turnbull
Jan. 20, 2021
§ ◆ KEN CURRIE (SCOTTISH B.1960) A TREE OF LIBERTY - 1988
Est: £40,000 - £60,000
§ ◆ KEN CURRIE (SCOTTISH B.1960) A TREE OF LIBERTY - 1988 Signed, dated and inscribed verso, oil on canvas (212cm x 381cm (83.5in x 150in), unframed) Footnote: Note: The artist has noted verso that this work was commenced on 14/6/88 and completed 8/7/88. Ken Currie views his art as a political tool, a way of expressing his understanding of the world around him and suggesting new ways for society to evolve and adapt. His early paintings promote his ultimate goal of an egalitarian and just society and try to offer easily read and understood visual encapsulations of this vision. Currie entered the Glasgow School of Art in 1978, at that time the focus was very much on colour and sensuality as the focus on art yet as he developed in his talent, Currie felt that this approach didn’t suit his ultimate goals. So, with the support of teacher Sandy Moffat, he switched his focus, putting the content of the work, its meaning and ideas, first. He looked to the realist tradition established between the wars for inspiration, engaging with artist such as Otto Dix, George Grosz, Fernand Leger and Diego Riveria. In the early 1980s the focus of his work crystallised after a period working on community films about Glasgow and the deterioration of its shipbuilding industry. Currie had found his subject in the figures and landscapes of Glasgow heavy industry, particularly the shipyards and the shipbuilders who inhabited them. ‘The Tree of Liberty’ was painted in a period where utopian views had fallen out of favour, so Currie was going against the grain in this respect. Yet, this painting also dates from a time when large-scale figurative work was having a revival in contemporary Scottish art and so stylistically it would have felt very current. The late 1980s was a significant moment in Currie’s career, he was being widely recognised as a significant figure in the New Glasgow Boys movement and in general there was a strong interest in, and lots of attention being paid to, contemporary Scottish art. This was all encapsulated in his involvement in the landmark exhibition ‘The Vigorous Imagination,’ presented as part of the Edinburgh Festival in 1987 and celebrating the most interesting artists to have emerged in Scotland in the 1980s. ‘The Tree of Liberty’ was painted the following summer. The final work is monumental and undoubtedly of museum-quality, a landmark work from Currie in a significant moment of his career. It encapsulates his vision of the status quo being swept away to make room for a new approach based on freedom, justice and education. The fresh new way of life grows in the centre of the composition, studded with the jewels of its existence and the education that is its means. Everything is shifting around the central key figures, the workers and the shipbuilders, carrying the next generation on their backs as they labour for a better future. There are tools and flags, protests and emotions, some elements of violence and destruction required to encourage this fresh approach. Currie’s vision is vivid and bold, he paints with conviction and passion, with all the skills of his figuration and colour utilised to unleash this striking and hopeful new vision upon us.
Lyon & Turnbull
Oct. 14, 2020
Ken Currie (British, born 1960) Boys Night Out 274 x 213 cm. (107 7/8 x 83 7/8 in.)
Est: £40,000 - £60,000
Ken Currie (British, born 1960) Boys Night Out signed, dated and inscribed 'Ken Currie 1988/Boys Night Out/oil on canvas 7'x9' (verso) oil on canvas 274 x 213 cm. (107 7/8 x 83 7/8 in.) For further information on this lot please visit the Bonhams website
Bonhams
Feb. 18, 2020
§ KEN CURRIE (SCOTTISH B.1960) IN PRAISE OF LEARNING
Est: £200 - £300
Signed, dated '96 and inscribed 'PP' with title in pencil to margin, etching and aquatint (Dimensions: 30cm x 20.5cm (11.75in x 8in), plate size)
Lyon & Turnbull
Jan. 15, 2020
§ Ken Currie (Scottish B.1960) Vigil
Est: £500 - £700
Etching, 2005, signed, dated, titled and numbered 20/30 in pencil to margin (Dimensions: 26.5cm x 37.5cm (10.5in x 14.75in))
Lyon & Turnbull
Jan. 15, 2020
§ Ken Currie (Scottish B.1960) Untitled, Portrait
Est: £600 - £800
Etching and aquatint, 1/1, 2006, signed, dated and numbered in pencil to margin (Dimensions: 59cm x 50.5cm (23.25in x 20in), full sheet)
Lyon & Turnbull
Jan. 15, 2020
§ Ken Currie (Scottish B. 1960) Words of Power
Est: £4,000 - £6,000
Charcoal (Dimensions: 147cm x 95cm (58in x 37.5in))
Lyon & Turnbull
Aug. 15, 2019
[§] KEN CURRIE (SCOTTISH B.1960) STUDY FOR 'SCOTTISH STOICS' 55.5cm x 37.5cm (22in x 14.5in)
Est: £600 - £800
[§] KEN CURRIE (SCOTTISH B.1960) STUDY FOR 'SCOTTISH STOICS' Signed and inscribed with title and dated 1986 in pencil, ink and wash 55.5cm x 37.5cm (22in x 14.5in)
Lyon & Turnbull
Aug. 15, 2019
[§] KEN CURRIE (SCOTTISH B.1960) STATIONS NO.11, 2000 25cm x 25cm (9.75in x 9.75in)
Est: £1,000 - £1,500
[§] KEN CURRIE (SCOTTISH B.1960) STATIONS NO.11, 2000 Oil on paper 25cm x 25cm (9.75in x 9.75in)
Lyon & Turnbull
Jul. 25, 2019
* Currie (Ken, 1960-). The Regime, 1991
Est: £150 - £200
* Currie (Ken, 1960-). The Regime, 1991, etching with aquatint on thick Arches paper, signed, dated, titled and numbered 10/40, plate size 30.5 x 21 cm (12 x 8.25 ins), sheet size 68.5 x 51 cm (27 x 20 ins) (Qty: 1)
Dominic Winter Auctions
Jan. 22, 2019
[§] KEN CURRIE (SCOTTISH B.1960) UNION ORGANISER 76cm x 56cm (30in x 22in)
Est: £300 - £500
[§] KEN CURRIE (SCOTTISH B.1960) UNION ORGANISER Signed and inscribed with title in pencil to margin, numbered 16/20, lithograph, unframed 76cm x 56cm (30in x 22in)
Lyon & Turnbull
Aug. 16, 2018
[§] KEN CURRIE (SCOTTISH B.1960) COLLATERAL DAMAGE 41cm x 29cm (16in x 11.5in) (plate size)
Est: £400 - £600
[§] KEN CURRIE (SCOTTISH B.1960) COLLATERAL DAMAGE Signed and dated '91 and inscribed with title in pencil to margin, numbered 21/40, etching and aquatint 41cm x 29cm (16in x 11.5in) (plate size)
Lyon & Turnbull
Aug. 16, 2018
[§] KEN CURRIE (SCOTTISH B.1960) GALLOWGATE MAN WITH BATTERIES 81cm x 69cm (31.25in x 27in)
Est: £4,000 - £6,000
[§] KEN CURRIE (SCOTTISH B.1960) GALLOWGATE MAN WITH BATTERIES Signed, signed and dated 1987 and inscribed with title verso, conte with pencil and pastel 81cm x 69cm (31.25in x 27in)
Lyon & Turnbull
Apr. 18, 2018
[§] KEN CURRIE (SCOTTISH B.1960) BOILER ROOM 168cm x 99cm (68in x 39in)
Est: £3,000 - £5,000
[§] KEN CURRIE (SCOTTISH B.1960) BOILER ROOM Charcoal 168cm x 99cm (68in x 39in)
Lyon & Turnbull
Jan. 17, 2018
[§] KEN CURRIE (SCOTTISH B.1960) SIGNS AND SYMPTOMS 100cm x 78cm (39.5in x 30.75in)
Est: £6,000 - £8,000
[§] KEN CURRIE (SCOTTISH B.1960) SIGNS AND SYMPTOMS 1995-1996, signed, inscribed with title and dated verso, oil on canvas 100cm x 78cm (39.5in x 30.75in)
Lyon & Turnbull
Nov. 21, 2017
KEN CURRIE | Howl with the Wolves
Est: £10,000 - £15,000
conte pencil
Sotheby's
Nov. 21, 2017
KEN CURRIE | The Calton Activist
Est: £4,000 - £6,000
conte pencil and pastel
Sotheby's
Nov. 21, 2017
KEN CURRIE | Gallowgate Man with Torpedo Shrapnel
Est: £3,000 - £5,000
conte pencil and pastel
Sotheby's
Mar. 15, 2017
[§] KEN CURRIE (SCOTTISH B.1960) FROSTBITE 123cm x 91cm (48.5in x 37.75in)
Est: £3,000 - £5,000
[§] KEN CURRIE (SCOTTISH B.1960) FROSTBITE Signed and inscribed with title and dated 1999 verso, oil on canvas, unframed 123cm x 91cm (48.5in x 37.75in)
Lyon & Turnbull
Mar. 15, 2017
[§] KEN CURRIE (SCOTTISH B.1960) WHITE TERROR II 170cm x 96cm (67in x 37.75in)
Est: £3,000 - £5,000
[§] KEN CURRIE (SCOTTISH B.1960) WHITE TERROR II 1992, conte pencil on paper 170cm x 96cm (67in x 37.75in)
Lyon & Turnbull
Dec. 08, 2016
[§] KEN CURRIE (SCOTTISH B.1960) IDIOT BOY 100cm x 78cm (39.5in x 30.75in)
Est: £3,000 - £5,000
[§] KEN CURRIE (SCOTTISH B.1960) IDIOT BOY Signed, inscribed and dated 25/5/98 verso, oil and photographic silkscreen print on canvas 100cm x 78cm (39.5in x 30.75in)
Lyon & Turnbull
Nov. 30, 2016
*AR Ken Currie (British, born 1960)
Est: £20,000 - £30,000
*AR Ken Currie (British, born 1960) A Scottish Triptych: Nightshift, Departure, Saturdays 270 x 210 cm. (106 x 82.6 in.), 270 x 310 cm. (106 x 122 in.), 270 x 210 cm. (106 x 82.6 in.)
Bonhams
Nov. 22, 2016
KEN CURRIE | The Scottish Mercenaries
Est: £5,000 - £7,000
conte pencil and pastel
Sotheby's
Nov. 22, 2016
KEN CURRIE | Discovery
Est: £4,000 - £6,000
conte pencil and pastel
Sotheby's
Nov. 22, 2016
KEN CURRIE | The Woodcutter
Est: £4,000 - £6,000
conte pencil and pastel
Sotheby's
Oct. 12, 2016
* AR Ken Curie (born 1960) Study (Boy Laughing) titled, signed, and dated ‘K. Currie/2003’ to canvas
Est: £1,500 - £2,000
* AR Ken Curie (born 1960) Study (Boy Laughing) titled, signed, and dated ‘K. Currie/2003’ to canvas (verso) oil on canvas 30.5 x 25.5 cm. (12 x 10 1/16 in.)
Bonhams
Oct. 12, 2016
* AR Ken Curie (born 1960) Head with Beeswax titled, inscribed, dated and signed ‘1993/ K. Currie’ (
Est: £1,500 - £2,000
* AR Ken Curie (born 1960) Head with Beeswax titled, inscribed, dated and signed ‘1993/ K. Currie’ (on the backboard) pastel, charcoal, oil and beeswax on paper 49 x 36 cm. (19 5/16 x 14 3/16 in.)
Bonhams