Jim Cummins Sold at Auction Prices

Painter, Photographer

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  • Jim Cummins (I, Braineater), Untitled (Faces) enamel on board
    May. 05, 2024

    Jim Cummins (I, Braineater), Untitled (Faces) enamel on board

    Est: $1,500 - $2,000

    Jim Cummins (I, Braineater), Untitled (Faces) enamel on board. An aspiring fine artist, Jim Cummins designed gig flyers for the Mount Lehman Grease Band (which included Art Bergmann) in the mid-1970s. By 1977/78 he was devouring the new punk records coming out of New York and London along with his pals Art Bergmann of the Shmorgs and John Armstrong of the Monitors. Cummins moved to Vancouver to be closer to the downtown arts scene and began visiting clubs like the Quadra and Windmill. At first, he documented the vibrant scene in photographs, but soon made the leap from documenter to performer. Jim Cummins recruited his musician friends and called the band I, Braineater (aka the Braineaters). This all-star ensemble debuted in 1979, and released a debut 7-inch EP housed in a colour silkscreened envelope. This lineup was temporary, however. For his next band, Jim drafted two individuals from the gallery/art school scene: bassist-singer Trevor Jones-Arntzen and conga player Ivo Zenatta. The absence of a full drumkit challenged their punk rock audiences; but the unusual instrumentation focused attention on the trio’s original, hard-to-describe music. Journalist Alex Varty came closest when he described them as “Baroque Rockabilly Futurists.” Trevor Jones-Arntzen later launched a solo career). Jim’s next edition of I, Braineater was based on a core duo with Steve Laviolette (RIP), a versatile multi-instrumentalist. In 1984 Jim formed another version of I, Braineater with drummer Andy Graffiti. Les sez: Jim Cummins was the conduit from the punk scene to the punk-friendly gay and discotheque venues. Immediately recognized by the older generation of the Vancouver art scene — Allan Wood and Bill Featherstone were fans from the first — Cummins was constantly marketing himself and thus was able to make a living from his art. Still, secure in his position in Vancouver, he never made the move to New York and true international stardom. Cummins blended the punk and glam scenes in the iconic I, Braineater.

    4th Meridian Fine Art
  • Jim (I, Braineater) Cummins, Canadian (1955-), Snow White, acrylic on canvas, image: 30 x 30 in. w/frame: 40 x 40 in.
    Jan. 24, 2024

    Jim (I, Braineater) Cummins, Canadian (1955-), Snow White, acrylic on canvas, image: 30 x 30 in. w/frame: 40 x 40 in.

    Est: $400 - $600

    Jim (I, Braineater) Cummins Canadian, (1955-) Snow White acrylic on canvas

    Maynards Fine Art & Antiques
  • Jim (I, Braineater) Cummins, Canadian (1955-), a round skim board with wavy stripes and ovoids, 28 3/4 in. (73 cm.)
    Jan. 24, 2024

    Jim (I, Braineater) Cummins, Canadian (1955-), a round skim board with wavy stripes and ovoids, 28 3/4 in. (73 cm.)

    Est: $100 - $150

    Jim (I, Braineater) Cummins Canadian, (1955-) a round skim board with wavy stripes and ovoids signed and dated 2018

    Maynards Fine Art & Antiques
  • Jim (I, Braineater) Cummins, Canadian (1955-), Devil Doll-Orange, acrylic on board, 12 x 12 in. (30.5 x 30.5 cm.)
    Jan. 24, 2024

    Jim (I, Braineater) Cummins, Canadian (1955-), Devil Doll-Orange, acrylic on board, 12 x 12 in. (30.5 x 30.5 cm.)

    Est: $200 - $300

    Jim (I, Braineater) Cummins Canadian, (1955-) Devil Doll-Orange acrylic on board signed and dated 2018

    Maynards Fine Art & Antiques
  • Jim (I, Braineater) Cummins, Canadian (1955-), Devil Doll-Green, acrylic on board, 12 x 12 in. (30.5 x 30.5 cm.)
    Jan. 24, 2024

    Jim (I, Braineater) Cummins, Canadian (1955-), Devil Doll-Green, acrylic on board, 12 x 12 in. (30.5 x 30.5 cm.)

    Est: $200 - $300

    Jim (I, Braineater) Cummins Canadian, (1955-) Devil Doll-Green acrylic on board signed and dated 2018

    Maynards Fine Art & Antiques
  • Jim (I, Braineater) Cummins, Canadian (1955-), Devil Doll-Pink, acrylic on board, 12 x 12 in. (30.5 x 30.5 cm.)
    Jan. 24, 2024

    Jim (I, Braineater) Cummins, Canadian (1955-), Devil Doll-Pink, acrylic on board, 12 x 12 in. (30.5 x 30.5 cm.)

    Est: $200 - $300

    Jim (I, Braineater) Cummins Canadian, (1955-) Devil Doll-Pink acrylic on board signed and dated 2018

    Maynards Fine Art & Antiques
  • Jim (I, Braineater) Cummins, Canadian (1955-), Devil Doll-Pink (Round), acrylic on board, 14 1/8 in. (35.9 cm.) d.
    Jan. 24, 2024

    Jim (I, Braineater) Cummins, Canadian (1955-), Devil Doll-Pink (Round), acrylic on board, 14 1/8 in. (35.9 cm.) d.

    Est: $200 - $300

    Jim (I, Braineater) Cummins Canadian, (1955-) Devil Doll-Pink (Round) acrylic on board signed and dated 2015

    Maynards Fine Art & Antiques
  • Jim (I, Braineater) Cummins, Canadian (1955-), Devil Doll-Black and White (Square), acrylic on board, 13 1/2 x 13 1/4 in. (34.3 x 33.7 cm.)
    Jan. 24, 2024

    Jim (I, Braineater) Cummins, Canadian (1955-), Devil Doll-Black and White (Square), acrylic on board, 13 1/2 x 13 1/4 in. (34.3 x 33.7 cm.)

    Est: $200 - $300

    Jim (I, Braineater) Cummins Canadian, (1955-) Devil Doll-Black and White (Square) acrylic on board signed and dated 2018

    Maynards Fine Art & Antiques
  • Jim (I, Braineater) Cummins, Canadian (1955-), Devil Doll-Blue, acrylic on board, 12 x 12 in. (30.5 x 30.5 cm.)
    Jan. 24, 2024

    Jim (I, Braineater) Cummins, Canadian (1955-), Devil Doll-Blue, acrylic on board, 12 x 12 in. (30.5 x 30.5 cm.)

    Est: $200 - $300

    Jim (I, Braineater) Cummins Canadian, (1955-) Devil Doll-Blue acrylic on board signed and dated 2018

    Maynards Fine Art & Antiques
  • Jim (I, Braineater) Cummins, Canadian (1955-), Devil Doll-Yellow, acrylic on board, 12 x 12 in. (30.5 x 30.5 cm.)
    Jan. 24, 2024

    Jim (I, Braineater) Cummins, Canadian (1955-), Devil Doll-Yellow, acrylic on board, 12 x 12 in. (30.5 x 30.5 cm.)

    Est: $200 - $300

    Jim (I, Braineater) Cummins Canadian, (1955-) Devil Doll-Yellow acrylic on board signed

    Maynards Fine Art & Antiques
  • Jim (I, Braineater) Cummins, Canadian (1955-), Alice, acrylic on board, 18 3/4 x 15 1/8 in. (47.6 x 38.4 cm.)
    Jan. 24, 2024

    Jim (I, Braineater) Cummins, Canadian (1955-), Alice, acrylic on board, 18 3/4 x 15 1/8 in. (47.6 x 38.4 cm.)

    Est: $250 - $350

    Jim (I, Braineater) Cummins Canadian, (1955-) Alice acrylic on board signed and dated 2016

    Maynards Fine Art & Antiques
  • Jim (I, Braineater) Cummins, Canadian (1955-), Blond with Blue Eyes, acrylic on canvas, 40 x 30 in. (101.6 x 76.2 cm.)
    Jan. 24, 2024

    Jim (I, Braineater) Cummins, Canadian (1955-), Blond with Blue Eyes, acrylic on canvas, 40 x 30 in. (101.6 x 76.2 cm.)

    Est: $500 - $700

    Jim (I, Braineater) Cummins Canadian, (1955-) Blond with Blue Eyes acrylic on canvas signed and dated 2017

    Maynards Fine Art & Antiques
  • Jim (I, Braineater) Cummins, Canadian (1955-), a round skim board decorated with Tigress design, 28 3/4 in. (73 cm.) d.
    Aug. 24, 2023

    Jim (I, Braineater) Cummins, Canadian (1955-), a round skim board decorated with Tigress design, 28 3/4 in. (73 cm.) d.

    Est: $100 - $150

    Jim (I, Braineater) Cummins Canadian, (1955-) a round skim board decorated with Tigress design signed and dated '05

    Maynards Fine Art & Antiques
  • Jim (I, Braineater) Cummins, Canadian (1955-), Dreamy Pink Lady, acrylic on board, 17 3/4 x 14 3/4 in. (45.1 x 37.5 cm.)
    Aug. 24, 2023

    Jim (I, Braineater) Cummins, Canadian (1955-), Dreamy Pink Lady, acrylic on board, 17 3/4 x 14 3/4 in. (45.1 x 37.5 cm.)

    Est: $250 - $350

    Jim (I, Braineater) Cummins Canadian, (1955-) Dreamy Pink Lady acrylic on board

    Maynards Fine Art & Antiques
  • Jim (I, Braineater) Cummins, Canadian (1955-), Devil Doll-Orange, acrylic on board, 12 x 12 in. (30.5 x 30.5 cm.)
    Aug. 24, 2023

    Jim (I, Braineater) Cummins, Canadian (1955-), Devil Doll-Orange, acrylic on board, 12 x 12 in. (30.5 x 30.5 cm.)

    Est: $200 - $300

    Jim (I, Braineater) Cummins Canadian, (1955-) Devil Doll-Orange acrylic on board signed and dated 2018

    Maynards Fine Art & Antiques
  • Jim (I, Braineater) Cummins, Canadian (1955-), Pinkie, acrylic on board, 24 x 24 in. (61 x 61 cm.)
    Aug. 24, 2023

    Jim (I, Braineater) Cummins, Canadian (1955-), Pinkie, acrylic on board, 24 x 24 in. (61 x 61 cm.)

    Est: $300 - $500

    Jim (I, Braineater) Cummins Canadian, (1955-) Pinkie acrylic on board signed and dated 2012

    Maynards Fine Art & Antiques
  • Jim Cummins (I. Braineater), Canadian (1955-), Two Blue Cats, acrylic on board, 13 3/4 x 11 in. (34.9 x 27.9 cm)
    Jun. 29, 2022

    Jim Cummins (I. Braineater), Canadian (1955-), Two Blue Cats, acrylic on board, 13 3/4 x 11 in. (34.9 x 27.9 cm)

    Est: $200 - $300

    Jim Cummins (I. Braineater) Canadian (1955-) two blue cats acrylic on board signed and dated 2002 13 3/4 x 11 in. (34.9 x 27.9 cm)

    Maynards Fine Art & Antiques
  • I, Braineater (Jim Cummins) Untitled "Roadster" Enamel paint on panel, signed I, Braineater, 2008
    May. 01, 2022

    I, Braineater (Jim Cummins) Untitled "Roadster" Enamel paint on panel, signed I, Braineater, 2008

    Est: $2,000 - $3,000

    Jim Cummins was a veteran of the same Langley/Surrey/White Rock scene that spawned the Shmorgs and Monitors. An aspiring fine artist, he also designed gig flyers for the Mount Lehman Grease Band (which included Art Bergmann) in the mid-1970s. By 1977/78 he was devouring the new punk records coming out of New York and London along with his pals Art Bergmann of the Shmorgs and John Armstrong of the Monitors. Cummins moved to Vancouver to be closer to the downtown arts scene and began visiting clubs like the Quadra and Windmill. At first, he documented the vibrant scene in photographs, but soon made the leap from documenter to performer. Jim Cummins recruited his musician friends and called the band I, Braineater (aka the Braineaters). This all-star ensemble debuted in 1979, and released a debut 7-inch EP housed in a colour silkscreened envelope. This lineup was temporary, however. For his next band, Jim drafted two individuals from the gallery/art school scene: bassist-singer Trevor Jones-Arntzen and conga player Ivo Zenatta. The absence of a full drumkit challenged their punk rock audiences; but the unusual instrumentation focused attention on the trio’s original, hard-to-describe music. Journalist Alex Varty came closest when he described them as “Baroque Rockabilly Futurists.” Trevor Jones-Arntzen later launched a solo career). Jim’s next edition of I, Braineater was based on a core duo with Steve Laviolette (RIP), a versatile multi-instrumentalist. In 1984 Jim formed another version of I, Braineater with drummer Andy Graffiti. Les sez: Jim Cummins was the conduit from the punk scene to the punk-friendly gay and discotheque venues. Immediately recognized by the older generation of the Vancouver art scene — Allan Wood and Bill Featherston were fans from the first — Cummins was constantly marketing himself and thus was able to make a living from his art. Still, secure in his position in Vancouver, he never made the move to New York and true international stardom. Cummins blended the punk and glam scenes in the iconic I, Braineater.

    4th Meridian Fine Art
  • Jim Cummins (I, Braineater), Canadian (1955-), Two Blue Cats, acrylic on board, 13 3/4 x 11 in. (34.9 x 27.9 cm)
    Feb. 23, 2022

    Jim Cummins (I, Braineater), Canadian (1955-), Two Blue Cats, acrylic on board, 13 3/4 x 11 in. (34.9 x 27.9 cm)

    Est: $200 - $300

    Jim Cummins (I, Braineater) Canadian (1955-) two blue cats acrylic on board signed 13 3/4 x 11 in. (34.9 x 27.9 cm)

    Maynards Fine Art & Antiques
  • Jim Cummins (I, Braineater), Untitled (Blockhead) signed Jim Cummins, 1991
    Aug. 22, 2021

    Jim Cummins (I, Braineater), Untitled (Blockhead) signed Jim Cummins, 1991

    Est: $2,000 - $3,000

    Jim Cummins was a veteran of the same Langley/Surrey/White Rock scene that spawned the Shmorgs and Monitors. An aspiring fine artist, he also designed gig flyers for the Mount Lehman Grease Band (which included Art Bergmann) in the mid-1970s. By 1977/78 he was devouring the new punk records coming out of New York and London along with his pals Art Bergmann of the Shmorgs and John Armstrong of the Monitors. Cummins moved to Vancouver to be closer to the downtown arts scene and began visiting clubs like the Quadra and Windmill. At first, he documented the vibrant scene in photographs, but soon made the leap from documenter to performer. Jim Cummins recruited his musician friends and called the band I, Braineater (aka the Braineaters). This all-star ensemble debuted in 1979, and released a debut 7-inch EP housed in a colour silkscreened envelope. This lineup was temporary, however. For his next band, Jim drafted two individuals from the gallery/art school scene: bassist-singer Trevor Jones-Arntzen and conga player Ivo Zenatta. The absence of a full drumkit challenged their punk rock audiences; but the unusual instrumentation focused attention on the trio’s original, hard-to-describe music. Journalist Alex Varty came closest when he described them as “Baroque Rockabilly Futurists.” Trevor Jones-Arntzen later launched a solo career). Jim’s next edition of I, Braineater was based on a core duo with Steve Laviolette (RIP), a versatile multi-instrumentalist. In 1984 Jim formed another version of I, Braineater with drummer Andy Graffiti. Les sez: Jim Cummins was the conduit from the punk scene to the punk-friendly gay and discotheque venues. Immediately recognized by the older generation of the Vancouver art scene — Allan Wood and Bill Featherston were fans from the first — Cummins was constantly marketing himself and thus was able to make a living from his art. Still, secure in his position in Vancouver, he never made the move to New York and true international stardom. Cummins blended the punk and glam scenes in the iconic I, Braineater.

    4th Meridian Fine Art
  • I, Braineater (Jim Cummins) Untitled "Roadster" Enamel paint on panel, signed I, Braineater, 2008
    Aug. 22, 2021

    I, Braineater (Jim Cummins) Untitled "Roadster" Enamel paint on panel, signed I, Braineater, 2008

    Est: $2,000 - $3,000

    Jim Cummins was a veteran of the same Langley/Surrey/White Rock scene that spawned the Shmorgs and Monitors. An aspiring fine artist, he also designed gig flyers for the Mount Lehman Grease Band (which included Art Bergmann) in the mid-1970s. By 1977/78 he was devouring the new punk records coming out of New York and London along with his pals Art Bergmann of the Shmorgs and John Armstrong of the Monitors. Cummins moved to Vancouver to be closer to the downtown arts scene and began visiting clubs like the Quadra and Windmill. At first, he documented the vibrant scene in photographs, but soon made the leap from documenter to performer. Jim Cummins recruited his musician friends and called the band I, Braineater (aka the Braineaters). This all-star ensemble debuted in 1979, and released a debut 7-inch EP housed in a colour silkscreened envelope. This lineup was temporary, however. For his next band, Jim drafted two individuals from the gallery/art school scene: bassist-singer Trevor Jones-Arntzen and conga player Ivo Zenatta. The absence of a full drumkit challenged their punk rock audiences; but the unusual instrumentation focused attention on the trio’s original, hard-to-describe music. Journalist Alex Varty came closest when he described them as “Baroque Rockabilly Futurists.” Trevor Jones-Arntzen later launched a solo career). Jim’s next edition of I, Braineater was based on a core duo with Steve Laviolette (RIP), a versatile multi-instrumentalist. In 1984 Jim formed another version of I, Braineater with drummer Andy Graffiti. Les sez: Jim Cummins was the conduit from the punk scene to the punk-friendly gay and discotheque venues. Immediately recognized by the older generation of the Vancouver art scene — Allan Wood and Bill Featherston were fans from the first — Cummins was constantly marketing himself and thus was able to make a living from his art. Still, secure in his position in Vancouver, he never made the move to New York and true international stardom. Cummins blended the punk and glam scenes in the iconic I, Braineater.

    4th Meridian Fine Art
  • Jim Cummins (I, Braineater), Untitled (Faces)
    Jan. 24, 2021

    Jim Cummins (I, Braineater), Untitled (Faces)

    Est: $1,000 - $1,500

    Jim Cummins was a veteran of the same Langley/Surrey/White Rock scene that spawned the Shmorgs and Monitors. An aspiring fine artist, he also designed gig flyers for the Mount Lehman Grease Band (which included Art Bergmann) in the mid-1970s. By 1977/78. he was devouring the new punk records coming out of New York and London along with his pals Art Bergmann of the Shmorgs and John Armstrong of the Monitors. Cummins moved to Vancouver to be closer to the downtown arts scene and began visiting clubs like the Quadra and Windmill. At first, he documented the vibrant scene in photographs, but soon made the leap from documenter to performer. Jim Cummins recruited his musician friends and called the band I, Braineater (aka the Braineaters). This all-star ensemble debuted in 1979, and released a debut 7-inch EP housed in a colour silkscreened envelope. This lineup was temporary, however. For his next band, Jim drafted two individuals from the gallery/art school scene: bassist-singer Trevor Jones-Arntzen and conga player Ivo Zenatta. The absence of a full drumkit challenged their punk rock audiences; but the unusual instrumentation focused attention on the trio’s original, hard-to-describe music. Journalist Alex Varty came closest when he described them as “Baroque Rockabilly Futurists.” Trevor Jones-Arntzen later launched a solo career). Jim’s next edition of I, Braineater was based on a core duo with Steve Laviolette (RIP), a versatile multi-instrumentalist. In 1984 Jim formed another version of I, Braineater with drummer Andy Graffiti. Les sez: Jim Cummins was the conduit from the punk scene to the punk-friendly gay and discotheque venues. Immediately recognized by the older generation of the Vancouver art scene — Allan Wood and Bill Featherstone were fans from the first — Cummins was constantly marketing himself and thus was able to make a living from his art. Still, secure in his position in Vancouver, he never made the move to New York and true international stardom. Cummins blended the punk and glam scenes in the iconic I, Braineater.

    4th Meridian Fine Art
  • Jim Cummins (I, Braineater), Canadian (1955-), Bully for Bugs, acrylic on canvas, 30 x 30 in. (76.2 x 76.2 cm)
    Oct. 30, 2020

    Jim Cummins (I, Braineater), Canadian (1955-), Bully for Bugs, acrylic on canvas, 30 x 30 in. (76.2 x 76.2 cm)

    Est: $300 - $500

    Jim Cummins (I, Braineater) Canadian (1955-) bully for bugs acrylic on canvas signed and dated 94 30 x 30 in. (76.2 x 76.2 cm)

    Maynards Fine Art & Antiques
  • Jim Cummins (I, Braineater), Canadian (1955-), Bully for Bugs, acrylic on canvas, 30 x 30 in. ( 76.2 x 76.2 cm)
    Jul. 24, 2020

    Jim Cummins (I, Braineater), Canadian (1955-), Bully for Bugs, acrylic on canvas, 30 x 30 in. ( 76.2 x 76.2 cm)

    Est: $400 - $600

    Jim Cummins (I, Braineater) Canadian (1955-) bully for bugs acrylic on canvas signed and dated 94 30 x 30 in. ( 76.2 x 76.2 cm)

    Maynards Fine Art & Antiques
  • Jim Cummins (I, Braineater), Untitled (Faces)
    May. 31, 2020

    Jim Cummins (I, Braineater), Untitled (Faces)

    Est: $1,000 - $1,500

    Jim Cummins was a veteran of the same Langley/Surrey/White Rock scene that spawned the Shmorgs and Monitors. An aspiring fine artist, he also designed gig flyers for the Mount Lehman Grease Band (which included Art Bergmann) in the mid-1970s. By 1977/78. he was devouring the new punk records coming out of New York and London along with his pals Art Bergmann of the Shmorgs and John Armstrong of the Monitors. Cummins moved to Vancouver to be closer to the downtown arts scene and began visiting clubs like the Quadra and Windmill. At first, he documented the vibrant scene in photographs, but soon made the leap from documenter to performer. Jim Cummins recruited his musician friends and called the band I, Braineater (aka the Braineaters). This all-star ensemble debuted in 1979, and released a debut 7-inch EP housed in a colour silkscreened envelope. This lineup was temporary, however. For his next band, Jim drafted two individuals from the gallery/art school scene: bassist-singer Trevor Jones-Arntzen and conga player Ivo Zenatta. The absence of a full drumkit challenged their punk rock audiences; but the unusual instrumentation focused attention on the trio’s original, hard-to-describe music. Journalist Alex Varty came closest when he described them as “Baroque Rockabilly Futurists.” Trevor Jones-Arntzen later launched a solo career). Jim’s next edition of I, Braineater was based on a core duo with Steve Laviolette (RIP), a versatile multi-instrumentalist. In 1984 Jim formed another version of I, Braineater with drummer Andy Graffiti. Les sez: Jim Cummins was the conduit from the punk scene to the punk-friendly gay and discotheque venues. Immediately recognized by the older generation of the Vancouver art scene — Allan Wood and Bill Featherstone were fans from the first — Cummins was constantly marketing himself and thus was able to make a living from his art. Still, secure in his position in Vancouver, he never made the move to New York and true international stardom. Cummins blended the punk and glam scenes in the iconic I, Braineater.

    4th Meridian Fine Art
  • Jim Cumins (I. Braineater), Canadian (1955- ), Untitled- Figures, oil on board, 60 1/4 x 48 in. (153 x 121.9 cm)
    Jul. 24, 2019

    Jim Cumins (I. Braineater), Canadian (1955- ), Untitled- Figures, oil on board, 60 1/4 x 48 in. (153 x 121.9 cm)

    Est: $500 - $700

    signed

    Maynards Fine Art & Antiques
  • Jim Cumins (I. Braineater), Canadian (1955- ), Untitled- Figures, oil on board, 60 1/4 x 48 in. (153 x 121.9 cm)
    Jul. 10, 2019

    Jim Cumins (I. Braineater), Canadian (1955- ), Untitled- Figures, oil on board, 60 1/4 x 48 in. (153 x 121.9 cm)

    Est: $500 - $700

    signed

    Maynards Fine Art & Antiques
  • I. Braineater (Jim Cummins) Enamel on Paper
    May. 12, 2019

    I. Braineater (Jim Cummins) Enamel on Paper

    Est: $50 - $100

    Large scale brightly colored figure in enamel on paper. Signed I. Braineater and dated '82 lower right. Very brittle with tears and some paper loss. 80.5" x 37" unframed.

    District Auction
  • Jim Cumins (I. Braineater), Canadian (1955- ), Untitled- Figures, oil on board, 60 1/4 x 48 in. (153 x 121.9 cm)
    Jan. 30, 2019

    Jim Cumins (I. Braineater), Canadian (1955- ), Untitled- Figures, oil on board, 60 1/4 x 48 in. (153 x 121.9 cm)

    Est: $700 - $900

    signed

    Maynards Fine Art & Antiques
  • Jim Cumins (I. Braineater), Canadian (1955- ), Untitled- Figures, oil on board, 60 1/4 x 48 in. (153 x 121.9 cm)
    Oct. 31, 2018

    Jim Cumins (I. Braineater), Canadian (1955- ), Untitled- Figures, oil on board, 60 1/4 x 48 in. (153 x 121.9 cm)

    Est: $800 - $1,200

    signed

    Maynards Fine Art & Antiques
  • Jim Cummins (20th/21st Century) Time to Leave
    Jan. 27, 2014

    Jim Cummins (20th/21st Century) Time to Leave

    Est: €200 - €300

    Jim Cummins (20th/21st Century) Time to Leave limited edition print signed & numbered 1/1 signed lower right & dated '09 h:57.50  w:37.50 cm.

    Morgan O'Driscoll
  • Jim Cummins (AKA I. Braineater) Canadian (1955- )
    May. 05, 2010

    Jim Cummins (AKA I. Braineater) Canadian (1955- )

    Est: $1,000 - $1,500

    Jim Cummins (AKA I. Braineater) Canadian (1955- ) UNTITLED, BLACK & WHITE FACE oil on canvas signed and dated 2007 72 x 60 in.

    Maynards Fine Art & Antiques
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