Equipo Cronica Paintings & Artwork for Sale | Equipo Cronica Art Value Price Guide

Mar. 26, 2025
Chronicle Team. National Still Life
Est: -
CRÓNICA TEAM.- "NATIONAL STILL LIFE" Nueva Órbita Collection. B.: Ed. Gustavo Gili, 1972. Numbered in pencil on the bottom left corner, limited to 200, and signed in pencil on the right. The work is presented in the form of a folding folder, with a tab in the form of a rear foot for display. Attached is a copy of: LLORENS, Tomás "EQUIPO CRÓNICA" Nueva Órbita Collection. B.: Gustavo Gili, 1972. 8th, cover with flaps. 109 pgs. + 1 h. Profusely illustrated.
Duran Arte y Subastas
Mar. 25, 2025
Chronicle Team. EP Collection
Est: -
Lot consisting of 6 EPs with covers designed by Equipo Crónica between 1968 and 1969. Complete collection of Raimon (Quan Te'n vas T'ho Devia, Canço de les mans - La nit, El País Basc - D'un temps, d'un pais, Cantarem la vida - Si emor, Cançó de la mare - Diguem No and Ovidi Montllor (Història d'un amic - Gola seca - La fàbrica palilac - Cançó d'amor)
Duran Arte y Subastas
Mar. 25, 2025
EQUIPO CRÓNICA. RAFAEL SOLBES Y MANOLO VALDÉS. LA SEÑORITA VANGUARDIA. SERIGRAFÍA.
Est: €1,500 - €2,000
Equipo Crónica. Rafael Solbes (Valencia, 1940-1981) y Manolo Valdés (Valencia, 1942) La Señorita Vanguardia. Serigrafía sobre papel Super Alfa de Guarro. Firmada y numerada 20/75 a lápiz. Edita Galería Maeght, Barcelona, 1981. Bibliografía. Reproducido en el libro: “Equipo Crónica. Catalogación Obra gráfica y múltiples 1965-1982”, por Michèlle Dalmace-Rpgnon. Nº 98. Pág.: 121. Edita Museo de Bellas Artes de Bilbao. 1988. 74 x 55 cm. Sin enmarcar.
Aletheia Subastas
Mar. 18, 2025
Equipo Crónica (Valencia, 1964 - 1981). Untitled. Ink on paper. Invitation to the exhibition "La partida de billar" at Sala Luzan (Zaragoza), 1978. Signed by Manolo Valdés (Valencia, 1942) and Rafael Solbes (Valencia, 1940 - 1981).
Est: €1,400 - €1,600
Equipo Crónica (Valencia, 1964 - 1981). Untitled. Ink on paper. Invitation to the exhibition "La partida de billar" at Sala Luzan (Zaragoza), 1978. Signed by Manolo Valdés (Valencia, 1942) and Rafael Solbes (Valencia, 1940 - 1981). Measurements: 23,5 x 39 cm. Invitation to the exhibition "La partida de billar" in the Luzan room of the Caja de Ahorros de la Immaculada (Zaragoza) in 1978. The invitation is intervened by the artists Manolo Valdés and Rafael Solbes. Equipo Crónica, or Crónicas de la Realidad, was a group of Spanish painters active between 1964 and 1981. It was founded by Manolo Valdés, Juan Antonio Toledo, who soon left the group, and Rafael Solbes, whose death in 1981 put an end to the project. The historian and critic Tomás Llorens was also a member of the group. He explains the theoretical bases of the Equipo in a text entitled "La distanciación de la Distanciación" (The Distancing of Distanciation). Likewise, the three painters signed a manifesto in 1965, where they defined themselves as a working group with collective methods and supra-individual goals. Equipo Crónica moved away from the prevailing informalism to cultivate a figurative painting, closely linked to pop-art. Fed up with introspection, these artists went out into the street and observed the world around them, a society of incipient industrialization and tourists. Their style involved a unique blend of realism, criticism, pop, pictorial quotations, anachronisms and bittersweet pastiches. The group produced paintings, sculptures and engravings, and used to work in series, which allowed them to analyze the same subject with different variations. Equipo Crónica starts from a very simple language, with monochrome and repeated images, very close to contemporary media, especially newspaper photographs. There are works by Equipo Crónica in the IVAM in Valencia, the Reina Sofía Museum in Madrid, the MACBA in Barcelona, the Juan March Foundation and the Patio Herreriano Museum in Valladolid, among others. In 2007 an exhibition dedicated to Equipo Crónica was organized at the Museo de Arte Abstracto in Cuenca.
Setdart Auction House
Mar. 18, 2025
Equipo Crónica (Valencia, 1964 - 1981). Untitled. Ink on paper. Invitation to the exhibition "La partida de billar" at Sala Luzan (Zaragoza), 1978. Signed by Manolo Valdés (Valencia, 1942) and Rafael Solbes (Valencia, 1940 - 1981).
Est: €1,400 - €1,600
Equipo Crónica (Valencia, 1964 - 1981). Untitled. Ink on paper. Invitation to the exhibition "La partida de billar" at Sala Luzan (Zaragoza), 1978. Signed by Manolo Valdés (Valencia, 1942) and Rafael Solbes (Valencia, 1940 - 1981). Measurements: 23,5 x 39 cm. Invitation to the exhibition "La partida de billar" in the Luzan room of the Caja de Ahorros de la Immaculada (Zaragoza, 1978). The invitation is intervened by the artists Manolo Valdés and Rafael Solbes. Equipo Crónica, or Crónicas de la Realidad, was a group of Spanish painters active between 1964 and 1981. It was founded by Manolo Valdés, Juan Antonio Toledo, who soon left the group, and Rafael Solbes, whose death in 1981 put an end to the project. The historian and critic Tomás Llorens was also a member of the group. He explains the theoretical basis of the Equipo in a text entitled "La distanciación de la Distanciación" (The Distancing of Distanciation). Likewise, the three painters signed a manifesto in 1965, where they defined themselves as a working group with collective methods and supra-individual goals. Equipo Crónica moved away from the prevailing informalism to cultivate a figurative painting, closely linked to pop-art. Fed up with introspection, these artists went out into the street and observed the world around them, a society of incipient industrialization and tourists. Their style involved a unique blend of realism, criticism, pop, pictorial quotations, anachronisms and bittersweet pastiches. The group produced paintings, sculptures and engravings, and used to work in series, which allowed them to analyze the same subject with different variations. Equipo Crónica starts from a very simple language, with monochrome and repeated images, very close to contemporary media, especially newspaper photographs. There are works by Equipo Crónica in the IVAM in Valencia, the Reina Sofía Museum in Madrid, the MACBA in Barcelona, the Juan March Foundation and the Patio Herreriano Museum in Valladolid, among others. In 2007 an exhibition dedicated to Equipo Crónica was organized at the Museo de Arte Abstracto in Cuenca.
Setdart Auction House
Mar. 18, 2025
EQUIPO CRÓNICA (Valencia, 1964 - 1981). "Morning Edition", 1979. Oil on thick cardboard. Signed and dated in the lower right corner. Provenance: Maeght Gallery, Paris.
Est: €20,000 - €22,000
EQUIPO CRÓNICA (Valencia, 1964 - 1981). "Morning Edition", 1979. Oil on thick cardboard. Signed and dated in the lower right corner. Provenance: Maeght Gallery, Paris. Work referenced in the catalog raisonné by M. Dalmace "Equipo Crónica: cataloguing, graphic and multiple works (1965 - 1982)". Attached certificate of authenticity issued by Manolo Valdés, member of Equipo Crónica. Measurements: 105 x 76 cm; 109 x 80 cm (frame). "Edición Matinal", from 1979, is a work in which Equipo Crónica (Rafael Solbes and Manolo Valdés) moves away from its use of pop imagery to investigate other aspects of art history, especially in certain constructivist and post-minimalist tendencies, relating a type of patchwork art with the evocation of the pages of a newspaper. In this way the political critique is more veiled than in other works. The title "Morning Edition" suggests a reference to newspapers and visual communication, which could link the work to Russian Constructivism's interest in mass media and graphic design. Although visually it does not have the satirical charge of his most iconic pieces, the use of muted tones and a rigid structure could be interpreted as a metaphor for the Spanish political transition in those years, marked by uncertainty and the precarious and deceptive recomposition of the country after Franco's dictatorship. Likewise, this work is an important link in the trajectory of the artist duo, close to the turning point in which Manolo Valdés will continue his solo artistic career. Thus, we can also interpret that it departs from the narrative pop imaginary to enter into a more open formal and conceptual exploration, anticipating Valdés' interest in texture, composition and materiality in his individual career. Equipo Crónica, or Crónicas de la Realidad, was a group of Spanish painters active between 1964 and 1981. It was founded by Manolo Valdés, Juan Antonio Toledo, who soon left the group, and Rafael Solbes, whose death in 1981 put an end to the project. The historian and critic Tomás Llorens was also a member of the group. He explains the theoretical bases of the Equipo in a text entitled "La distanciación de la Distanciación" (The Distancing of Distanciation). Likewise, the three painters signed a manifesto in 1965, where they defined themselves as a working group with collective methods and supra-individual goals. Equipo Crónica moved away from the prevailing informalism to cultivate a figurative painting, closely linked to pop-art. Fed up with introspection, these artists went out into the street and observed the world around them, a society of incipient industrialization and tourists. Their themes critically analyzed the political situation in Spain, as well as the History of Art, for which they were inspired by classic works such as Picasso's "Guernica" or Velázquez's "Las Meninas". Their style was a unique blend of realism, criticism, pop, pictorial quotations, anachronisms and bittersweet pastiches. In contrast to the grandiose and picturesque image of Spain that Franco's regime wanted to project abroad, Equipo Crónica focused on a darker and more somber image of the country, always resorting to irony. Starting from their own direct style, with clear images that everyone could read, they tried to make a "chronicle of reality", a sort of social realism but using current visual systems. The group produced paintings, sculptures and engravings, and used to work in series, which allowed them to analyze the same subject with different variations. Equipo Crónica starts from a very simple language, with monochrome and repeated images, very close to contemporary media, especially newspaper photographs. There are works by Equipo Crónica in the IVAM in Valencia, the Reina Sofía Museum in Madrid, the MACBA in Barcelona, the Juan March Foundation and the Patio Herreriano Museum in Valladolid, among others. In 2007 an exhibition dedicated to Equipo Crónica was organized at the Museo de Arte Abstracto in Cuenca.
Setdart Auction House
Feb. 26, 2025
Chronicle Team. National Tavern
Est: -
English: CRÓNICA TEAM.- "NACIONAL STILL LIFE" Nueva Órbita Collection. B.: Ed. Gustavo Gili, 1972. Ex. numbered in pencil of limited edition of 200, on the bottom left corner, and signed in pencil on the right. The work is presented in the form of a fold-out folder, with a tab in the form of a foot on the back for display. Attached is a copy of: LLORENS, Tomás "CRÓNICA TEAM" Nueva Orbita Collection. B.: Gustavo Gili, 1972. 8th, cover with flaps. 109 pgs. + 1 h. Profusely illustrated.
Duran Arte y Subastas
Feb. 25, 2025
Chronicle Team (After). The Antechamber
Est: -
Offset reproduction on paper. Printed by the Juan March Foundation.
Duran Arte y Subastas
Feb. 25, 2025
Equipo Crónica. Sartre's Myth
Est: -
Silkscreen on die-cut paper. Published by 33, Valencia, 1967 Printed by Ibero-Suiza Bibliography: - TOMÁS FARRÉ, Facundo.: Chronicle Team in the IVAM Collection. IVAM. Valencia, 2006. Page 9- Cat. No.: 9. 20.3 x 14.5 cm
Duran Arte y Subastas
Feb. 25, 2025
Equipo Crónica. Ma Jolie
Est: -
Silkscreen on Guarro paper. Signed in pencil in the lower right corner. Numbered in pencil (PA - Artist's Proof) in the lower left corner. Edition of 75 copies. Published by Galería Maeght, Barcelona. Bibliography: - DALMACE-ROGNON, Michèlle: Equipo Crónica. Cataloging of Graphic Works and Multiples 1965-1982. Ed. Museo de Bellas Artes de Bilbao, 1988, No. 94. Page 117.
Duran Arte y Subastas
Feb. 25, 2025
Equipo Crónica. Juego Peligroso
Est: -
Silkscreen on Arches paper. Signed in pencil in the lower right corner. Numbered (38/300) in the lower left corner. Published by Galería Sen, Madrid. Bibliography: - DALMACE-ROGNON, Michèlle: Equipo Crónica. Cataloging of Graphic Works and Multiples 1965-1982. Ed. Museo de Bellas Artes de Bilbao, 1988, No. 26. Page 49.
Duran Arte y Subastas
Feb. 11, 2025
EQUIPO CRÓNICA. RAFAEL SOLBES Y MANOLO VALDÉS. DÍA DE LLUVIA. SERIGRAFÍA.
Est: €1,800 - €2,000
Equipo Crónica. Rafael Solbes (Valencia, 1940-1981) y Manolo Valdés (Valencia, 1942) Día de lluvia. Serigrafía sobre papel Super Alfa de Guarro. Firmada y numerada H.C. VIII/XV a lápiz. Edita Galería Maeght, Barcelona, 1981. Bibliografía. Reproducido en el libro: “Equipo Crónica. Catalogación Obra gráfica y múltiples 1965-1982”, por Michèlle Dalmace-Rpgnon. Nº 97. Pág.: 120. Edita Museo de Bellas Artes de Bilbao. 1988. 74 x 55 cm. Sin enmarcar.
Aletheia Subastas
Jan. 28, 2025
Chronicle Team. Dangerous Game
Est: -
Silkscreen on Arches paper. Signed in pencil in the lower right corner. Numbered (108/300) in the lower left corner. Published by Galería Sen, Madrid. Bibliography: - DALMACE-ROGNON, Michèlle: Equipo Crónica. Cataloging Graphic Works and Multiples 1965-1982. Ed. Museo de Bellas Artes de Bilbao, 1988, No. 26. Page 49.
Duran Arte y Subastas
Jan. 16, 2025
EQUIPO CRÓNICA (Valencia, 1964 – 1981). Original negatives. 1972 Signed by the members of Equipo Crónica. Sizes: 20.5 x 27 cm (larger celluloid); 29.5 x 59 cm (frame); 29.5 x 111 cm.
Est: €7,000 - €8,000
CRONICA TEAM (Valencia, 1964 - 1981). Original negatives. 1972 Signed by the members of Equipo Crónica. Sizes: 20.5 x 27 cm (larger celluloid); 29.5 x 59 cm (frame); 29.5 x 111 cm. Equipo Crónica was a group of Spanish painters active between 1964 and 1981. It was founded by Manolo Valdés, Juan Antonio Toledo, who soon left the group, and Rafael Solbes, whose death in 1981 put an end to the project. The historian and critic Tomás Llorens was also a member of the group, and he explains the theoretical basis of Equipo in a text entitled "La distanciación de la Distanciación" ("The Distancing of Distanciation"). The three painters also signed a manifesto in 1965, in which they defined themselves as a working group with collective methods and supra-individual aims. Equipo Crónica moved away from the prevailing informalism to cultivate figurative painting, closely linked to pop art. Fed up with introspection, these artists took to the streets and observed the world around them, a society of incipient industrialisation and tourists. Their style was a unique blend of realism, criticism, pop, pictorial quotations, anachronisms and bittersweet pastiches. The group produced paintings, sculptures and prints, and tended to work in series, which allowed the same subject to be analysed in different variations. Equipo Crónica started from a very simple language, with monochrome and repeated images, very close to contemporary media, especially newspaper photographs. There are works by Equipo Crónica in the IVAM in Valencia, the Museo Reina Sofía in Madrid, the MACBA in Barcelona, the Fundación Juan March and the Museo Patio Herreriano in Valladolid, among others. In 2007 an exhibition dedicated to Equipo Crónica was organised at the Museo de Arte Abstracto in Cuenca.
Setdart Auction House
Dec. 18, 2024
Equipo Crónica (Valencia, 1964 - 1981). "Nude descending the stairs", 1971. Silkscreen on paper, H.C. copy. Signed and justified. Publisher Gustavo Gili, Barcelona.
Est: €2,500 - €3,000
Equipo Crónica (Valencia, 1964 - 1981). "Nude descending the stairs", 1971. Silkscreen on paper, H.C. copy. Signed and justified. Publisher Gustavo Gili, Barcelona. Measurements: 100 x 70 cm. To the mythical "Nude descending the stairs" by Duchamp, Equipo Crónica places a band on the chest where its colors show the Spanish flag. In addition, they dispense with the original background and introduce their own context showing a palatial interior. Equipo Crónica, or Crónicas de la Realidad, was a group of Spanish painters active between 1964 and 1981. It was founded by Manolo Valdés, Juan Antonio Toledo, who soon left the group, and Rafael Solbes, whose death in 1981 put an end to the project. The historian and critic Tomás Llorens was also a member of the group. He explains the theoretical basis of the Equipo in a text entitled "La distanciación de la Distanciación" (The Distancing of Distanciation). Likewise, the three painters signed a manifesto in 1965, where they defined themselves as a working group with collective methods and supra-individual goals. Equipo Crónica moved away from the prevailing informalism to cultivate a figurative painting, closely linked to pop-art. Fed up with introspection, these artists went out into the street and observed the world around them, a society of incipient industrialization and tourists. Their style involved a unique blend of realism, criticism, pop, pictorial quotations, anachronisms and bittersweet pastiches. The group produced paintings, sculptures and engravings, and used to work in series, which allowed them to analyze the same subject with different variations. Equipo Crónica starts from a very simple language, with monochrome and repeated images, very close to contemporary media, especially newspaper photographs. There are works by Equipo Crónica in the IVAM in Valencia, the Reina Sofía Museum in Madrid, the MACBA in Barcelona, the Juan March Foundation and the Patio Herreriano Museum in Valladolid, among others. In 2007 an exhibition dedicated to Equipo Crónica was organized at the Museo de Arte Abstracto in Cuenca.
Setdart Auction House
Dec. 10, 2024
Equipo Crónica. Propellers
Est: -
Silkscreen on paper. Signed and dated (66) in the lower right corner. Numbered (PA - Artist's Proof) in the lower left corner. Published by Equipo Crónica, Valencia.
Duran Arte y Subastas
Dec. 10, 2024
Equipo Crónica. Ho Chi Min
Est: -
Silkscreen on paper. Signed and dated (67) in the lower right corner. Numbered (PA) in the lower left corner. Edited by Equipo Crónica. Bibliography: - DALMACE-ROGNON, Michèlle: Equipo Crónica. Cataloging Graphic Works and Multiples 1965-1982. Bilbao Fine Arts Museum, 1988, No. 11. Page 40.
Duran Arte y Subastas
Nov. 19, 2024
EQUIPO CRÓNICA. SERIGRAFÍA.
Est: €1,500 - €2,000
Equipo Crónica. Rafael Solbes (Valencia, 1940-1981) y Manolo Valdés (Valencia, 1942) La Señorita Vanguardia. Serigrafía sobre papel Super Alfa de Guarro. Firmada y numerada 20/75 a lápiz. Edita Galería Maeght, Barcelona, 1981. Bibliografía. Reproducido en el libro: “Equipo Crónica. Catalogación Obra gráfica y múltiples 1965-1982”, por Michèlle Dalmace-Rpgnon. Nº 98. Pág.: 121. Edita Museo de Bellas Artes de Bilbao. 1988. 74 x 55 cm. Sin enmarcar.
Aletheia Subastas
Oct. 01, 2024
EQUIPO CRONICO
Est: CHF700 - CHF1,200
(Spanische Künstlergruppe aktiv von 1964–1981) "Petit Modele". 1974. Farbserigrafie. P.A. Unten rechts bezeichnet: "Equipo Cronica". Blattgrösse 74,6x54,2 cm. Gerahmt. - Blatt leicht gebräunt, wenig fleckig und leichter oberflächlicher Abrieb. Lichtrand. Ränder und Ecken leicht bestossen. Verso stärker fleckig.
Schuler Auktionen
Oct. 01, 2024
EQUIPO CRONICO
Est: CHF600 - CHF1,000
(Spanische Künstlergruppe aktiv von 1964–1981) "El constructor". 1971. Farbserigafie. P.A. Unten rechts bezeichnet: "Equipo Cronica". Blattgrösse 74,5x54,5 cm. Gerahmt. - Blatt leicht gebräunt, oberflächliche Kratzer und fleckig. Hellerer Lichtrand. Ränder und Ecken minimst bestossen. Verso stärker fleckig.
Schuler Auktionen
Sep. 24, 2024
Equipo Crónica Spanish Baroque
Est: -
Screen printing on Super Alfa paper. Signed in pencil in the lower right corner. Numbered (PA 15/XXV) in the lower left corner. Edited by Equipo Crónica. Bibliography: - DALMACE-ROGNON, Michèlle: Equipo Crónica. Cataloging of Graphic Works and multiples 1965-1982. Museum of Fine Arts of Bilbao, 1988, No. 15. Page 38.
Duran Arte y Subastas
Sep. 18, 2024
EQUIPO CRONICO
Est: CHF700 - CHF1,200
(Spanische Künstlergruppe aktiv von 1964–1981) "Petit Modele". 1974. Farbserigrafie. P.A. Unten rechts bezeichnet: "Equipo Cronica". Blattgrösse 74,6x54,2 cm. Gerahmt. - Blatt leicht gebräunt, wenig fleckig und leichter oberflächlicher Abrieb. Lichtrand. Ränder und Ecken leicht bestossen. Verso stärker fleckig.
Schuler Auktionen
Sep. 18, 2024
EQUIPO CRONICO
Est: CHF600 - CHF1,000
(Spanische Künstlergruppe aktiv von 1964–1981) "El constructor". 1971. Farbserigafie. P.A. Unten rechts bezeichnet: "Equipo Cronica". Blattgrösse 74,5x54,5 cm. Gerahmt. - Blatt leicht gebräunt, oberflächliche Kratzer und fleckig. Hellerer Lichtrand. Ränder und Ecken minimst bestossen. Verso stärker fleckig.
Schuler Auktionen
Sep. 10, 2024
Equipo Crónica (Valencia, 1964 - 1981). "Nude descending the stairs", 1971. Silkscreen on paper, H.C. copy. Signed and justified. Publisher Gustavo Gili, Barcelona.
Est: €2,500 - €3,000
Equipo Crónica (Valencia, 1964 - 1981). "Nude descending the stairs", 1971. Silkscreen on paper, H.C. copy. Signed and justified. Publisher Gustavo Gili, Barcelona. Measurements: 100 x 70 cm. To the mythical "Nude descending the stairs" by Duchamp, Equipo Crónica places a band on the chest where its colors show the Spanish flag. In addition, they dispense with the original background and introduce their own context showing a palatial interior. Equipo Crónica, or Crónicas de la Realidad, was a group of Spanish painters active between 1964 and 1981. It was founded by Manolo Valdés, Juan Antonio Toledo, who soon left the group, and Rafael Solbes, whose death in 1981 put an end to the project. The historian and critic Tomás Llorens was also a member of the group. He explains the theoretical basis of the Equipo in a text entitled "La distanciación de la Distanciación" (The Distancing of Distanciation). Likewise, the three painters signed a manifesto in 1965, where they defined themselves as a working group with collective methods and supra-individual goals. Equipo Crónica moved away from the prevailing informalism to cultivate a figurative painting, closely linked to pop-art. Fed up with introspection, these artists went out into the street and observed the world around them, a society of incipient industrialization and tourists. Their style involved a unique blend of realism, criticism, pop, pictorial quotations, anachronisms and bittersweet pastiches. The group produced paintings, sculptures and engravings, and used to work in series, which allowed them to analyze the same subject with different variations. Equipo Crónica starts from a very simple language, with monochrome and repeated images, very close to contemporary media, especially newspaper photographs. There are works by Equipo Crónica in the IVAM in Valencia, the Reina Sofía Museum in Madrid, the MACBA in Barcelona, the Juan March Foundation and the Patio Herreriano Museum in Valladolid, among others. In 2007 an exhibition dedicated to Equipo Crónica was organized at the Museo de Arte Abstracto in Cuenca.
Setdart Auction House
Sep. 10, 2024
Equipo Crónica (Valencia, 1964 - 1981). "El Guernica". 1971 Silkscreen on paper, copy 82/100. Signed and numbered in pencil.
Est: €1,600 - €2,000
Equipo Crónica (Valencia, 1964 - 1981). "El Guernica". 1971 Silkscreen on paper, copy 82/100. Signed and numbered in pencil. Measurements: 75 x 55 cm; 81 x 61 cm (frame). Equipo Crónica, or Crónicas de la Realidad, was a group of Spanish painters active between 1964 and 1981. It was founded by Manolo Valdés, Juan Antonio Toledo, who soon left the group, and Rafael Solbes, whose death in 1981 put an end to the project. The historian and critic Tomás Llorens was also a member of the group. He explains the theoretical basis of the Equipo in a text entitled "La distanciación de la Distanciación" (The Distancing of Distanciation). Likewise, the three painters signed a manifesto in 1965, where they defined themselves as a working group with collective methods and supra-individual aims. Equipo Crónica moved away from the prevailing informalism to cultivate a figurative painting, closely linked to pop-art. Fed up with introspection, these artists went out into the street and observed the world around them, a society of incipient industrialization and tourists. Their themes critically analyzed the political situation in Spain, as well as the History of Art, for which they were inspired by classic works such as Picasso's "Guernica" or Velázquez's "Las Meninas". Their style was a unique blend of realism, criticism, pop, pictorial quotations, anachronisms and bittersweet pastiches. In contrast to the grandiose and picturesque image of Spain that Franco's regime wanted to project abroad, Equipo Crónica focused on a darker and more somber image of the country, always resorting to irony. Starting from their own direct style, with clear images that everyone could read, they tried to make a "chronicle of reality", a sort of social realism but using current visual systems. The group produced paintings, sculptures and engravings, and used to work in series, which allowed them to analyze the same subject with different variations. Equipo Crónica starts from a very simple language, with monochrome and repeated images, very close to contemporary media, such as the newspaper photo. From there, after the turning point of "Latin Lover" in 1966, the members of the group gradually enriched their language to put it at the service of political satire. Demystifying and decontextualizing the works of classic Spanish masters such as Velázquez, Goya or El Greco, they made their figures appear (the gentleman with his hand on his chest, the Duchess of Alba, etc.) as images in newspapers or advertisements, inaugurating buildings or among washing machines and express pots. There are works by Equipo Crónica in the IVAM in Valencia, the Reina Sofía Museum in Madrid, the MACBA in Barcelona, the Juan March Foundation and the Patio Herreriano Museum in Valladolid, among others. In 2007 an exhibition dedicated to Equipo Crónica was organized at the Museo de Arte Abstracto in Cuenca.
Setdart Auction House
Jun. 13, 2024
EQUIPO CRÓNICA (Valencia, 1964 - 1981). "Color chart". Lithograph, copy 25/100. Signed and justified by hand.
Est: €1,200 - €1,600
EQUIPO CRÓNICA (Valencia, 1964 - 1981). "Color chart". Lithograph, copy 25/100. Signed and justified by hand. Measurements: 50 x 69,5 cm. The Equipo Crónica, or Crónicas de la Realidad, was a group of Spanish painters active between 1964 and 1981. It was founded by Manolo Valdés, Juan Antonio Toledo, who soon left the group, and Rafael Solbes, whose death in 1981 put an end to the project. The historian and critic Tomás Llorens was also a member of the group. He explains the theoretical basis of the Equipo in a text entitled "La distanciación de la Distanciación" (The Distancing of Distanciation). Likewise, the three painters signed a manifesto in 1965, where they defined themselves as a working group with collective methods and supra-individual goals. Equipo Crónica moved away from the prevailing informalism to cultivate a figurative painting, closely linked to pop-art. Fed up with introspection, these artists went out into the street and observed the world around them, a society of incipient industrialization and tourists. Their style was a unique blend of realism, criticism, pop, pictorial quotations, anachronisms and bittersweet pastiches. There are works by Equipo Crónica in the IVAM in Valencia, the Reina Sofía Museum in Madrid, the MACBA in Barcelona, the Juan March Foundation and the Patio Herreriano Museum in Valladolid, among others. In 2007 an exhibition dedicated to Equipo Crónica was organized at the Museo de Arte Abstracto in Cuenca.
Setdart Auction House
Jun. 13, 2024
Equipo Crónica (Valencia, 1964 - 1981). "El telegrama, Homenaje a Viñes", Serie un lugar, una fecha, una imagen. 1976 Silkscreen on Super Alfa paper by Guarro, issue 6/75. Signed and justified by hand.
Est: €2,200 - €2,400
Equipo Crónica (Valencia, 1964 - 1981). "El telegrama, Homenaje a Viñes", Serie un lugar, una fecha, una imagen. 1976 Silkscreen on Super Alfa paper by Guarro, issue 6/75. Signed and justified by hand. Measurements: 73 x 103 cm, 75.50 x 105.50 cm (frame). Equipo Crónica, or Crónicas de la Realidad, was a group of Spanish painters active between 1964 and 1981. It was founded by Manolo Valdés, Juan Antonio Toledo, who soon left the group, and Rafael Solbes, whose death in 1981 put an end to the project. The historian and critic Tomás Llorens was also a member of the group. He explains the theoretical basis of the Equipo in a text entitled "La distanciación de la Distanciación" (The Distancing of Distanciation). Likewise, the three painters signed a manifesto in 1965, where they defined themselves as a working group with collective methods and supra-individual goals. Equipo Crónica moved away from the prevailing informalism to cultivate a figurative painting, closely linked to pop-art. Fed up with introspection, these artists went out into the street and observed the world around them, a society of incipient industrialization and tourists. Their style was a unique blend of realism, criticism, pop, pictorial quotations, anachronisms and bittersweet pastiches. There are works by Equipo Crónica in the IVAM in Valencia, the Reina Sofía Museum in Madrid, the MACBA in Barcelona, the Juan March Foundation and the Patio Herreriano Museum in Valladolid, among others. In 2007 an exhibition dedicated to Equipo Crónica was organized at the Museo de Arte Abstracto in Cuenca.
Setdart Auction House
May. 28, 2024
EQUIPO CRÓNICA (1963 - 1981)
Est: -
Silkscreen on die-cut paper. Published by 33, Valencia, 1967 Printed by Ibero-Suiza Bibliography: - TOMÁS FARRÉ, Facundo.: Equipo Crónica in the IVAM Collection. IVAM. Valencia, 2006. Page 9- Cat. No.: 9.
Duran Arte y Subastas
May. 28, 2024
EQUIPO CRÓNICA (1963 - 1981)
Est: -
Screen printing on Guarro paper. Signed in pencil in the lower right corner. Numbered in pencil (PA - Artist's Proof) in the lower left corner. Edition of 75 copies. Edited by Galería Maeght, Barcelona. Bibliography: - DALMACE-ROGNON, Michèlle: Equipo Crónica. Cataloging of Graphic Works and multiples 1965-1982. Ed. Museum of Fine Arts of Bilbao, 1988, No. 94. Page 117.
Duran Arte y Subastas
May. 21, 2024
EQUIPO CRÓNICA - El Jugador de Cartas
Est: -
EQUIPO CRÓNICA Rafael Solbes y Manolo Valdés, 1964-1981 El Jugador de Cartas. 1981 Serigrafía sobre papel Super Alfa de Guarro Firmada a lápiz Numerada 18/250 Medidas 62 x 82 cm Edita Equipo Crónica, Valencia 1981 BIBLIOGRAFÍA Michèlle Dalmace-Rognon, "Equipo Crónica. Catalogación Obra gráfica y múltiples 1965-1982", Ed. Museo de Bellas Artes de Bilbao 1988, nº 96. Pág. 119
Subastas Segre
May. 21, 2024
EQUIPO CRÓNICA - Con Bandera (Serie Negra)
Est: -
EQUIPO CRÓNICA Rafael Solbes y Manolo Valdés, 1964-1981 Con Bandera (Serie Negra). 1975 Serigrafía sobre papel Arches Firmada a lápiz H.C. (hors commerce); de una edición de 100 ejemplares Medidas 72,5 x 54 cm Edita Galería Juana Mordó, Madrid y Galería Yves Riviere 1975 BIBLIOGRAFÍA Michèlle Dalmace-Rognon, "Equipo Crónica. Catalogación Obra gráfica y múltiples 1965-1982", Ed. Museo de Bellas Artes de Bilbao 1988, nº 53. Pág. 76
Subastas Segre
May. 21, 2024
EQUIPO CRÓNICA - La Calle
Est: -
EQUIPO CRÓNICA Rafael Solbes y Manolo Valdés, 1964-1981 La Calle. 1978 Serigrafía sobre papel de Acuarela Firmada a lápiz y fechada 1978 P.A. (prueba de artista) II/XV Medidas 70 x 56 cm Edita Equipo Crónica, Valencia 1979 BIBLIOGRAFÍA Michèlle Dalmace-Rognon, "Equipo Crónica. Catalogación Obra gráfica y múltiples 1965-1982", Ed. Museo de Bellas Artes de Bilbao 1988, nº 69. Pág. 92
Subastas Segre
May. 21, 2024
EQUIPO CRÓNICA - Ma Jolie
Est: -
EQUIPO CRÓNICA Rafael Solbes y Manolo Valdés, 1964-1981 Ma Jolie. 1981 Serigrafía sobre papel Super Alfa de Guarro Firmada a lápiz Numerada 2/75 Medidas 77,5 x 54 cm Edita Galería Maeght, Barcelona 1981 BIBLIOGRAFÍA Michèlle Dalmace-Rognon, "Equipo Crónica. Catalogación Obra gráfica y múltiples 1965-1982", Ed. Museo de Bellas Artes de Bilbao 1988, nº 94. Pág. 117
Subastas Segre
Apr. 24, 2024
Chronicle Team. Propellers
Est: -
Screen printing on paper. Signed and dated (66) in the lower right corner. Numbered (PA - Artist's Proof) in the lower left corner. Edited by Equipo Crónica, Valencia.
Duran Arte y Subastas
Mar. 20, 2024
Equipo Crónica. The balls
Est: -
Lithograph on Arches paper. Signed in the lower right corner. Numbered (97/100) in the lower left corner. Adhesive mark in the lower left corner. Belonging to the "El Billar" series. Edited by Galería Maeght, Barcelona.
Duran Arte y Subastas
Mar. 20, 2024
Equipo Crónica. Abanico
Est: -
Screen printing on dirty paper. Signed in the lower right corner. Numbered (9/75) in the lower left corner. Edited by the Yerba Gallery, Murcia. Bibliography: - DALMACE-ROGNON, Michèlle: Equipo Crónica. Cataloging Graphic works and multiples 1965-1982. Museum of Fine Arts of Bilbao. Bilbao, 1988. No. 102 Page 125.
Duran Arte y Subastas
Mar. 05, 2024
EQUIPO CRÓNICA (Valencia, 1964 - 1981). "Ma Jolie", 1981. Silkscreen, issue 28/75. Signed and justified by hand.
Est: €1,200 - €1,500
EQUIPO CRÓNICA (Valencia, 1964 - 1981). "Ma Jolie", 1981. Silkscreen, issue 28/75. Signed and justified by hand. Measurements: 78 x 54 cm. Equipo Crónica, or Crónicas de la Realidad, was a group of Spanish painters active between 1964 and 1981. It was founded by Manolo Valdés, Juan Antonio Toledo, who soon left the group, and Rafael Solbes, whose death in 1981 put an end to the project. The historian and critic Tomás Llorens was also a member of the group. He explains the theoretical basis of the Equipo in a text entitled "La distanciación de la Distanciación" (The Distancing of Distanciation). Likewise, the three painters signed a manifesto in 1965, where they defined themselves as a working group with collective methods and supra-individual goals. Equipo Crónica moved away from the prevailing informalism to cultivate a figurative painting, closely linked to pop-art. Fed up with introspection, these artists went out into the street and observed the world around them, a society of incipient industrialization and tourists. Their style was a unique blend of realism, criticism, pop, pictorial quotations, anachronisms and bittersweet pastiches. There are works by Equipo Crónica in the IVAM in Valencia, the Reina Sofía Museum in Madrid, the MACBA in Barcelona, the Juan March Foundation and the Patio Herreriano Museum in Valladolid, among others. In 2007 an exhibition dedicated to Equipo Crónica was organized at the Museo de Arte Abstracto in Cuenca.
Setdart Auction House
Feb. 21, 2024
Chronicle Team. Sartre's Myth
Est: -
Silkscreen on die-cut paper. Published by 33, Valencia, 1967 Printed by Ibero-Suiza Bibliography: - TOMÁS FARRÉ, Facundo.: Equipo Crónica in the IVAM Collection. IVAM. Valencia, 2006. Page 9- Cat. No.: 9. 20.3 x 14.5 cm
Duran Arte y Subastas
Feb. 21, 2024
Chronicle Team. Solana in Paris
Est: -
Screen printing on Arches paper. Signed and dated (1976) in the lower right corner. Numbered (5/75) in the lower left corner. Edited by Val i 30. Taller Ibero-Suiza, Valencia. Provenance: - Helga de Alvear Gallery, Madrid (Stamp on the back). - Private collection. Bibliography: - DALMACE-ROGNON, Michèlle: Equipo Crónica. Cataloging Graphic works and multiples 1965-1982. Museum of Fine Arts of Bilbao. Bilbao, 1988. Page 83. Cat. No.: 60.
Duran Arte y Subastas
Feb. 21, 2024
EQUIPO CRONICA (1964 - 1981) - CONDE DUNQUE DE OLIVARES, 1971
Est: €20,000 - €30,000
EQUIPO CRONICA (1964 - 1981). CONDE DUNQUE DE OLIVARES, 1971. edition and signature at the base, ex. 21/25. BIBLIOGRAPHY: Equipo Crònica. Catalog raisonné, edited by M. Dalmace, Publisher IVAM Center Julio Gonzalez, 2001, p. 147. PROVENANCE: Ivo Misani Collection, Milan; Eredi Mladen Music, Cremona; Private collection. small defects.. 50,00 x 105,00 x 27,00 cm.
Capitolium Art
Jan. 24, 2024
Chronicle Team. Sartre's Myth
Est: -
Silkscreen on die-cut paper. Published by 33, Valencia, 1967 Printed by Ibero-Suiza Bibliography: - TOMÁS FARRÉ, Facundo.: Equipo Crónica in the IVAM Collection. IVAM. Valencia, 2006. Page 9- Cat. No.: 9. 20.3 x 14.5 cm
Duran Arte y Subastas
Jan. 24, 2024
Chronicle Team. HE
Est: -
Screen printing on cardboard. Signed in the lower left corner. Numbered (48/75) in the lower left corner. Folds in the paper. Edited by Galería Maeght, Barcelona. Bibliography: - DALMACE-ROGNON, Michèlle.: Equipo Crónica. Cataloging Graphic works and multiples 1965-1982. Museum of Fine Arts of Bilbao. Bilbao, 1988. Page 93. Cat. No.: 70.
Duran Arte y Subastas
Jan. 24, 2024
Chronicle Team. Point and Line on the green
Est: -
Screen printing on cardboard. Signed in the lower right corner. Numbered (49/75) in the lower left corner. Edited by Galería Maeght, Barcelona. Bibliography: - DALMACE-ROGNON, Michèlle.: Equipo Crónica. Cataloging Graphic works and multiples 1965-1982. Museum of Fine Arts of Bilbao. Bilbao, 1988. Page 95. Cat. No.: 72.
Duran Arte y Subastas
Jan. 24, 2024
Chronicle Team. The game of billiards
Est: -
Screen printing on paper. Signed in the lower right corner. Numbered (EA - Epreuve d'Artiste) in the lower left corner. Edited by Galería Maeght, Barcelona.
Duran Arte y Subastas
Jan. 24, 2024
Chronicle Team. the painter and the Model
Est: -
Screen printing on cardboard. Signed and dated (1976) in the lower right corner. Numbered (31/75) in the lower left corner. Lost in the lower central part. Edited by Galería 42, Barcelona. Bibliography: - DALMACE-ROGNON, Michèlle.: Equipo Crónica. Cataloging Graphic works and multiples 1965-1982. Museum of Fine Arts of Bilbao. Bilbao, 1988. Page 88. Cat. No.: 65.
Duran Arte y Subastas
Jan. 24, 2024
Chronicle Team. Black Series
Est: -
Folder with 5 silkscreens on Arches paper. Signed in the lower right corner. Numbered (22/70) in the lower left corner. Edited by Yves Rivière, Paris and Juana Mordó Gallery, Madrid. Bibliography: - DALMACE-ROGNON, Michèlle.: Equipo Crónica. Cataloging Graphic works and multiples 1965-1982. Museum of Fine Arts of Bilbao. Bilbao, 1988. Pages. 72-76. Cat. No.: 49-53.
Duran Arte y Subastas
Dec. 27, 2023
Chronicle Team. Sartre's Myth
Est: -
Silkscreen on die-cut paper. Published by 33, Valencia, 1967 Printed by Ibero-Suiza Bibliography: - TOMÁS FARRÉ, Facundo.: Equipo Crónica in the IVAM Collection. IVAM. Valencia, 2006. Page 9- Cat. No.: 9.
Duran Arte y Subastas
Dec. 18, 2023
EQUIPO CRÓNICA (Valencia, 1964 - 1981) "Count-Duke of Olivares"
Est: €900 - €1,200
EQUIPO CRÓNICA (Valencia, 1964 - 1981) "Count-Duke of Olivares" Polichromed polyester sculpture Signed E. Crónica 51 x 14 x 21 cm 900 - 1.200 €
Bayeu Subastas