Daniele (1597) Crespi Paintings & Artwork for Sale | Daniele (1597) Crespi Art Value Price Guide

Feb. 20, 2025
ATTRIBUTED TO DANIELE CRESPI (BUSTO ARSIZIO,1590 /1597 - MILAN,1630)
Est: €2,000 - €4,000
Attributed to Daniele Crespi (Busto Arsizio,1590 /1597 - Milan,1630) “Saint Peter of Alcantara”. Oil on canvas. Re-lined. 97,5 x 75 cm. Deep psychological portrait of the Franciscan saint, Peter of Alcantara. He lived in the 16th century and was fundamental in the reforms made within his order. In this century, he was also the spiritual advisor of Saint Teresa of Avila, a Spanish mystic of great religious importance in the 16th and 17th centuries. The loose brown tunic that the saint wears is recognizable as the Franciscan habit, the order to which he belonged, always accompanied by a cord with three knots alluding to the Franciscans' vows of poverty, obedience and chastity. He is depicted in the act of writing his “Treatises on Prayer and Meditation”, a text in which he sets out the principles on which he believed religious life should be based. He therefore decided to found the branch of Franciscans “of strict observance”. We see him, portrayed here with an extremely thin face with marked cheekbones, directing his gaze to the Holy Spirit, who, in the form of a dove, accompanies him from above. His presence demonstrates the illumination that the saint received from heaven. Teresa of Avila, an admirer of the Saint's way of life, wrote a great deal about him, asked him for spiritual advice and confessed to him, as well as referring in her writings to the occasions on which he had appeared to her. She affirmed that he had “the world at his feet”, which is why he is sometimes represented with his feet resting on a sphere, symbol of the world. He died on October 28, 1562 in Arenas de San Pedro, Avila. Gregory XV beatified him in 1622 and Clement IX canonized him in April 1669.
La Suite Subastas
Jun. 18, 2024
DANIELE CRESPI (attr. a)
Est: €1,000 - €2,000
(Busto Arsizio, 1598 - Milano, 1630) Testa di carattere Olio su tavola, cm 44,5X36 Provenienza: Vienna, Dorotheum, 20 ottobre 2015, lotto 255 Il dipinto presenta caratteri di stile e scrittura che consentono alcuni confronti con le opere di Daniele Crespi (Busto Arsizio, 1598 ; Milano, 1630) e in modo particolare con il profilo del San Tommaso visibile nella tela raffigurante l'Incredulità di San Tommaso di collezione privata (cfr. Neilson, p. 61, n. 60, Tav. XIX). Un altro interessante raffronto è possibile con la testa di Apostolo raffigurata nel San Giovanni Battista che addita Cristo custodita nella chiesa di San Giovanni Battista a Busto Arsizio (cfr. Neilson, pp. 26-28, fig. 17). Queste opere, databili ai primi anni del terzo decennio, suggeriscono altresì la cronologia della tavola qui presentata. Bibliografia di riferimento: N. Ward Neilson, Daniele Crespi, Soncino 1996, ad vocem
Wannenes Art Auctions
Mar. 20, 2024
Daniele CRESPI Busto Arsizio, 1598 - Milan, 1638 Le chef décollé de sainte Catherine d'Alexandrie Huile sur toile
Est: €20,000 - €30,000
Daniele CRESPI Busto Arsizio, 1598 - Milan, 1638 Le chef décollé de sainte Catherine d'Alexandrie Huile sur toile Saint Catherine of Alexandria, oil on canvas, by D. Crespi h: 49,50 w: 58 cm Commentaire : Œuvre saisissante et d'une iconographie rare, ce chef coupé de Saint Catherine nous offre une vision de la Sainte bien différente des scènes de martyres, de son mariage mystique avec le Christ Enfant ou des Sacra conversazione au sein desquelles elle prend place dans la peinture italienne. Son auteur Daniele Crespi, identifié par Francesco Frangi, est un des plus grands peintres de la peinture lombarde du premier Seicento. Formé par son parent, le plus célèbre Giovanni Battista Crespi, dit Il Cerano, au sein de l'Accademia Ambrogiana vers 1620-21, Daniele reste célèbre pour ses sujets de prédilection macabres ou ses scènes de la passion du Christ. Il fait partie de cette génération de peintres actifs entre les deux grandes pestes qui frappèrent le Nord de l'Italie, celle de 1576 et celle de 1630, et inévitablement son œuvre est marquée par ces atmosphères dramatiques au sein desquelles sa famille et ses proches évoluèrent, perdant la vie pour beaucoup d'entre eux (25% de la population d'Italie du Nord succombe à la seconde grande vague de peste de 1630). Notre toile, découverte dans un état de conservation parfait et rarissime, illustre les différents attributs de la Sainte mais révèle surtout l'immense talent que possède Daniele Crespi pour représenter la mort dans sa vérité la plus crue. L'artiste a traité de façon extrêmement similaire une tête de Saint Jean-Baptiste dans un tableau présenté en vente publique en 2024 et de dimensions proches1. Sur notre toile, le sang s'est vidé du chef de la Sainte et déjà la peau livide commence à devenir blafarde, tirant sur les verts. Les yeux et les lèvres sont traités avec de subtils accents de violine et pourtant un seul effet domine : la sérénité de l'attitude d'une Sainte martyrisée ayant accepté l'idée de la mort. 1 - Vente anonyme ; Londres, Sotheby's, 4 décembre 2024, lot 190 (La tête de Saint Jean-Baptiste, Huile sur panneau de peuplier, 30 x 53,5 cm.) Nous remercions Francesco Frangi de nous avoir aimablement suggéré cette attribution d'après une photographie dans un courriel en date du 2 février 2024. Estimation 20 000 - 30 000 €
Artcurial
Feb. 02, 2024
Recto: The Madonna and Child adored by three Saints Verso: A compositional study
Est: $3,000 - $4,000
Italian Drawings from a Private Collection, USA Daniele Crespi 1597 - 1630 Recto: The Madonna and Child adored by three Saints Verso: A compositional study Pen and brown ink and wash over black chalk (recto); pen and brown ink (verso); inscribed in brown ink, verso: Sig. Paolo Frac... 295 by 208 mm; 11 ⅝ by 8¼ in.
Sotheby's
Dec. 08, 2023
DANIELE CRESPI (BUSTO ARSIZIO 1598-1630 MILAN) - David with the head of Goliath
Est: £15,000 - £20,000
DANIELE CRESPI (BUSTO ARSIZIO 1598-1630 MILAN) David with the head of Goliath oil on panel 23 7⁄8 x 16 in. (60.8 x 40.5 cm.)
Christie's
Dec. 05, 2023
DANIELE CRESPI (BUSTO ARSIZIO 1597/1600 - MILANO 1630)
Est: €5,000 - €7,000
Daniele Crespi (Busto Arsizio 1597/1600 - Milano 1630) Ritratto maschile Olio su tela 65 x 49 cm Le influenze artistiche che formarono Crespi furono il manierismo accademico di Camillo Procaccini, quello patetico ed espressionista del Cerano ed il realismo crudo di Pier Francesco Mazzucchelli, detto il Morazzone. Daniele Crespi fece evolvere un linguaggio personale che denota una certa eleganza, probabilmente derivata dall'osservazione delle opere di Andrea De Ferrari, Rubens e Van Dyck, mitigatrice delle esuberanze barocche. Le sue prime opere risalgono al 1619, come la Decollazione del Battista nella cappella di S.Giovanni e l'Adorazione dei magi in Sant'Alessandro in Zebedia. Seguirono la decorazione della cappella dell'Annunciata nella basilica di Sant'Eustorgio e la tele per la chiesa di San Protaso ad Monachos, ora in San Giovanni a Busto Arsizio. I migliori risultati del Crespi sono rappresentati dal Digiuno di san Carlo Borromeo (Milano, chiesa di Santa Maria della Passione) e dal Ciclo di San Bruno nella Certosa di Garegnano. Inoltre Daniele Crespi è stato un notevole ritrattista. Fra le sue opere più importanti di tal genere si annoverano l'Autoritratto degli Uffizi (1627), il ritratto di Manfredo Settala della Pinacoteca Ambrosiana, il ritratto del chirurgo Enea Fioravanti del Castello Sforzesco, il ritratto di Antonio Olgiati della Collezione Koelliker a Milano, il Ritratto di gentiluomo con barba e il Ritratto di giovane della Collezione Borromeo, Isola Bella, Stresa. Daniele Crespi (Busto Arsizio 1597/1600 - Milan 1630) Male Portrait Oil on canvas 65 x 49 cm
Lucas Aste
Nov. 15, 2023
DANIELE CRESPI (BUSTO ARSIZIO 1598-1630 MILAN) Portrait d'un homme, en bust
Est: €40,000 - €60,000
DANIELE CRESPI (BUSTO ARSIZIO 1598-1630 MILAN) Portrait d'un homme, en buste huile sur panneau 47 x 37,7 cm. (18 ½ x 14 7⁄8 in.)
Christie's
Sep. 28, 2023
Daniele Crespi, 1598 Busto in Arsizio – 1630 Mailand, zugeschrieben
Est: €5,500 - €7,000
HEILIGE FAMILIE MIT ENGELN Öl auf Leinwand. Doubliert. 85,5 x 114 cm. In gekehltem Holzrahmen. In großzügig angelegtem Format das den unteren Bildraum einnehmende Christuskind, das in seiner liegenden Position eine leicht aufsteigende Diagonale zeichnet. Auf dieses blickend Maria ein Ehrentuch haltend, neben ihr Josef seine Hände kreuzlings auf die Brust legend. Hinter ihnen fünf teils musizierende Engel. In den Wolken kleiner Riss. (1370196) (13)
Hampel Fine Art Auctions
Feb. 21, 2023
Daniele Crespi (Busto Arsizio 1600 ca. - Milano 1630) attribuito
Est: €4,000 - €6,000
Daniele Crespi (Busto Arsizio 1600 ca. - Milano 1630) attribuito Salomè con la testa di San Giovanni Battista Olio su tela 63 x 75 cm L'opera va riferita al dipinto della Fototeca Zeri: http://catalogo.fondazionezeri.unibo.it/scheda/opera/48166/Crespi%20Daniele%2C%20Salome%20con%20la%20testa%20di%20san%20Giovanni%20Battista. Daniele Crespi (Bust Arsizio c. 1600 - Milan 1630) attributed Salome with the head of Saint John the Baptist Oil on canvas 63 x 75 cm The artwork refers to this painting, Fototeca Zeri website: http://catalogo.fondazionezeri.unibo.it/scheda/opera/48166/Crespi%20Daniele%2C%20Salome%20con%20la%20testa%20di%20san%20Giovanni%20Battista.
Lucas Aste
Jan. 26, 2023
DANIELE CRESPI (BUSTO ARSIZIO 1598-1630 MILAN) Study of an arm (recto); Ana
Est: $4,000 - $6,000
DANIELE CRESPI (BUSTO ARSIZIO 1598-1630 MILAN) Study of an arm (recto); Anatomical studies (verso) black chalk (recto); pen and brown ink (verso), on blue paper 16 3/4 x 10 3/4 in. (42.5 x 27.1 cm)
Christie's
May. 24, 2022
Attribuito a Daniele Crespi (Busto Arsizio 1597/1600 - Milano 1630)
Est: €6,000 - €9,000
Attribuito a Daniele Crespi (Busto Arsizio 1597/1600 - Milano 1630) Ritratto maschile inserito in importante cornice Olio su tela 44,5 x 33,5 cm Si ringrazia il Prof. Michele Danieli per aver indicato l’attribuzione. Le influenze artistiche che formarono Daniele Crespi sono il manierismo accademico di Camillo Procaccini, quello patetico ed espressionista del Cerano ed il realismo crudo di Pier Francesco Mazzucchelli, detto il Morazzone. Crespi fa evolvere un linguaggio personale che denota una certa eleganza, probabilmente derivata dall’osservazione delle opere di Andrea De Ferrari, Rubens e Van Dyck, mitigatrice delle esuberanze barocche. Le sue prime opere risalgono al 1619, come la Decollazione del Battista nella cappella di S. Giovanni e l'Adorazione dei magi in Sant'Alessandro in Zebedia. Seguirono la decorazione della cappella dell'Annunciata nella basilica di Sant'Eustorgio e le tele per la chiesa di San Protaso ad Monachos, ora in San Giovanni a Busto Arsizio. I migliori risultati del Crespi sono rappresentati dal Digiuno di san Carlo Borromeo (Milano, chiesa di Santa Maria della Passione) e dal Ciclo di San Bruno nella Certosa di Garegnano. Inoltre Daniele Crespi è stato un notevole ritrattista. Fra le sue opere più importanti di tale genere si annoverano l'Autoritratto degli Uffizi (1627), il ritratto di Manfredo Settala della Pinacoteca Ambrosiana, il ritratto del chirurgo Enea Fioravanti del Castello Sforzesco, il ritratto di Antonio Olgiati della Collezione Koelliker a Milano, il ritratto di gentiluomo con barba e il ritratto di giovane della Collezione Borromeo, Isola Bella, Stresa. Oltre a queste opere, un confronto edificante può esser fatto con il Ritratto di gentiluomo dell’Accademia Linguistica di Belle arti di Genova, oppure gli altri ritratti della collezione Koelliker che Francesco Frangi ha pubblicato in “Maestri del ‘600 e ‘700 Lombardo”, nella collezione Koelliker. Attributed to Daniele Crespi (Busto Arsizio 1597/1600 - Milan 1630) Male portrait in an important frame Oil on canvas 44,5 x 33,5 cm We have to thank Prof. Michele Danieli for indicating the attribution.
Lucas Aste
May. 20, 2022
Entourage de Daniele CRESPI (1598/99-1630) Christ in the Garden of Olives
Est: €300 - €500
Entourage de Daniele CRESPI (1598/99-1630) Christ in the Garden of Olives Pen, brown ink Ambito di Daniele CRESPI Gesù nel Giardino degli Ulivi Penna, inchiostro marrone 24 x 12,3 cm Le Christ au Jardin des Oliviers Plume, encre brune Ambito di Daniele CRESPI Gesù nel Giardino degli Ulivi Penna, inchiostro marrone 24 x 12,3 cm
Pierre Bergé & Associés
Jan. 19, 2022
Attribuito a Daniele CRESPI (1598-1630)
Est: €300 - €500
Attribuito a Daniele CRESPI (1598-1630) Study of a monk with joined hands, seen in profile Black stone on blue counter-collared paper Traces of inscription in lower right corner Attribué à Daniele CRESPI (1598-1630) Étude de moine les mains jointes, vu de profil Pierre noire sur papier bleu contrecollé Trace d'inscription en bas à droite H_24,2 cm L_16,4 cm Studio di monaco con le mani giunte, visto di profilo Pietra nera su carta azzurra controcollata Tracce d'iscrizione in basso a destra Attribué à Daniele CRESPI (1598-1630) Étude de moine les mains jointes, vu de profil Pierre noire sur papier bleu contrecollé Trace d'inscription en bas à droite H_24,2 cm L_16,4 cm
Pierre Bergé & Associés
Nov. 09, 2021
OIL PAINTING BY DANIELE CRESPI, workshop of
Est: €2,000 - €3,000
DANIELE CRESPI, bottega di ( Busto Arsizio 1597/1600 - Milano 1630) CRISTO DEPOSTO DALLA CROCE Olio su tela, cm. 134 x 99 PROVENIENZA Famiglia romana Il dipinto si può assegnare alla bottega di Daniele Crespi, quale replica della deposizione conservata al Museo di Belle Arti di Budapest CONDIZIONI DEL DIPINTO Rintelo novecentesco. Punti di restauro sparsi sul fondo CORNICE Cornice in legno dorato con bordi a palmette, del XVIII secolo
Casa d'Aste Babuino
Sep. 14, 2021
Daniele Crespi (Busto Arsizio 1597/1600 - Milano 1630) attribuito - attributed
Est: €8,000 - €12,000
Daniele Crespi (Busto Arsizio 1597/1600 - Milano 1630) attribuito - attributed Ritratto maschile inserito in importante cornice Olio su tela Male portrait in an important frame Oil on canvas 44,5 x 33,5 cm Si ringrazia il Prof. Michele Danieli per ave
Lucas Aste
Dec. 09, 2020
Daniele Crespi (1598-1630), Étude de figure, vers 1620, plume et encre brune sur papier, annoté au verso "Palma", 13x9 cm
Est: CHF600 - CHF800
Daniele Crespi (1598-1630), Étude de figure, vers 1620, plume et encre brune sur papier, annoté au verso "Palma", 13x9 cm Daniele Crespi (1598-1630), Étude de figure, vers 1620, plume et encre brune sur papier, marque de la collection Polakovits (l. 3561), annotée "Palma" au verso, 13x9 cmAttribution : Jacopo Negretti, dit Palma il Giovane (annotation ancienne)Provenance: Mathias Polakovits,1921-1987, (l.3561)
Piguet Hôtel des Ventes | Genève
Dec. 08, 2020
Daniele Crespi, Il Cerano (Busto Arsizio 1598-1630 Milan) The Virgin and C
Est: £4,000 - £6,000
Daniele Crespi, Il Cerano (Busto Arsizio 1598-1630 Milan) The Virgin and Child with a kneeling saint, with related studies of the same traces of black chalk, pen and brown ink, brown wash, heightened with white (partly oxidized), on light brown paper 5 ½ x 7 1/8 in. (13.9 x 18.2 cm)
Christie's
Jun. 19, 2020
DANIELE CRESPI
Est: CHF2,000 - CHF3,000
DANIELE CRESPI (Busto Arsizio, Varese 1598 - 1630 Milan) The Last Supper. Pen and brown ink, brush and brown and grey ink, black chalk. The framing line in black chalk. 16.5 x 19 cm. Framed. --------------- DANIELE CRESPI (Busto Arsizio, Varese 1598 - 1630 Mailand) Das letzte Abendmahl. Feder in Braun, Pinsel in Braun und Grau, schwarze Keide. Die Einfassungslinie mit schwarzer Kreide. 16,5 x 19 cm. Gerahmt.
Koller Auctions
Jul. 03, 2019
Attribué à Daniele CRESPI (1597 - 1630) Portrait d’un ecclésiastique
Est: €1,500 - €2,000
Attribué à Daniele CRESPI (1597 - 1630) Portrait d’un ecclésiastique Toile 48,5 x 36,5 cm 1 500 - 2 000 € CANVAS; 19 X 14.1 IN.
Leclere - Maison de ventes
Jul. 02, 2019
Daniele Crespi, il Cerano (Busto Arsizio 1598 – 1630 Milan) An old man addressing a younger man, a soldier behind pen and brown and grey ink on blue paper 11 ¼ x 7 5/8 in. (28.4 x 19.2 cm)
Est: £7,000 - £10,000
Daniele Crespi, il Cerano (Busto Arsizio 1598 – 1630 Milan) An old man addressing a younger man, a soldier behind with inscription ‘N.5.’ pen and brown and grey ink on blue paper 11 ¼ x 7 5/8 in. (28.4 x 19.2 cm)
Christie's
May. 30, 2018
DANIELE CRESPI (attr. a)
Est: €4,000 - €6,000
(Busto Arsizio, 1598 - Milano, 1630) Testa di carattere Olio su tavola, cm 45X36 Il dipinto presenta caratteri di stile e scrittura che consentono di eseguire alcuni interessanti confronti con le opere di Daniele Crespi (Busto Arsizio, 1598 - Milano, 1630) e in modo particolare con il profilo del San Tommaso visibile nella tela raffigurante la 'Incredulità di San Tommaso' (fig.1) di collezione privata (cfr. Neilson, p. 61, n. 60, Tav. XIX). Un altro interessante raffronto è possibile con la testa di Apostolo raffigurata nel 'San Giovanni Battista che addita Cristo' custodita nella chiesa di San Giovanni Battista a Busto Arsizio (cfr. Neilson, pp. 26-28, fig. 17). Queste opere, databili ai primi anni del terzo decennio, suggeriscono altresì la cronologia della nostra tavola. Bibliografia di riferimento: N. Ward Neilson, 'Daniele Crespi', Soncino 1996, ad vocem
Wannenes Art Auctions
Aug. 09, 2017
ATTRIBUTED TO DANIELE CRESPI, (ITALIAN 1598-1630), STUDY OF A MAN SEEN FROM BEHIND
Est: $400 - $600
ATTRIBUTED TO DANIELE CRESPI (italian 1598-1630) STUDY OF A MAN SEEN FROM BEHIND with: STUDY OF A KNEE verso, charcoal heightened with white chalk on blue-green paper Sheet size: 11 3/8 x 7 1/2 in. (28.9 x 19.4cm) provenance: Freeman''s, sale of October 11, 2012, lot 72. Private Collection, Philadelphia, Pennsylvania.
Freeman's | Hindman
Apr. 27, 2017
DANIELE CRESPI (1598-1630), ENTOURAGE Portrait d’Homme
Est: €2,500 - €3,500
DANIELE CRESPI (1598-1630), ENTOURAGE Portrait d’Homme Huile sur toile rentoilée Dimensions : 36 x 27 cm
Accademia Fine Art
Dec. 15, 2016
Pietà.
Est: €16,000 - €22,000
CRESPI DANIELE (1598 - 1630) Pietà. Olio su tela. Cm 100,00 x 140,00. L'opera è accompagnata da un expertise di Egidio Martini. Il dipinto è opera di Daniele Crespi, che fece parte di quel gruppo di pittori lombardi della seconda metà del Seicento, tra c
Capitolium Art
Nov. 20, 2015
Drawings
Est: €2,000 - €3,000
Daniele Crespi (Busto Arsizio, 1598 – Milano, 1630), attribuito a, “Cristo deposto sorretto da angelo”, matita nera su carta grigia, H mm 355x200
Gregory's Casa d'Aste
Sep. 17, 2014
CRESPI, DANIELE (UMKREIS)(um 1590 - 1630
Est: CHF700 - CHF900
CRESPI, DANIELE (UMKREIS) (um 1590 - 1630 Mailand) Porträt eines Edelmannes mit Halskrause. Öl auf Leinwand. 30,8 x 24,8 cm. Gutachten: Prof. Lodovico Magugliani, 1965.
Koller Auctions
Jul. 05, 2013
DANIELE CRESPI
Est: £3,000 - £4,000
BUSTO ARSIZIO CIRCA 1597 - 1630 MILAN ST. CATHERINE OF SIENA RECEIVING COMMUNION FROM CHRIST Pen and brown ink and wash heightened with white over black chalk, squared in red chalk; bears pencil attribution on the mount, not in Skippe's hand: Francesco Curradi 229 by 163 mm
Sotheby's
May. 16, 2013
Attribué à Daniele CRESPI (Busto Arsizio 1598 - Milan 1630) Scène de charité Plume et encre brune, lavis brun 20,5 x 14,5 cm Annoté ...
Est: €2,000 - €3,000
Attribué à Daniele CRESPI (Busto Arsizio 1598 - Milan 1630) Scène de charité Plume et encre brune, lavis brun 20,5 x 14,5 cm Annoté « Carracci » en bas à droite Petits accidents Annoté au verso « dessin original d’Augustin Carracci / de la collection du chevalier Azara » Cachet violet au verso en cyrillique
Tajan
Jul. 04, 2012
DANIELE CRESPI
Est: £5,000 - £6,000
BUSTO ARSIZIO CIRCA 1597 - 1630 MILAN RECTO: DESIGN FOR A SPANDREL WITH SEVERAL PUTTI VERSO: TWO ANGELS Red chalk and point of the brush and grey wash (recto and verso); bears old attribution in pen and brown ink top right: del Cambiagio; some old accounts in pen and brown ink (verso) 301 by 242 mm
Sotheby's
Mar. 29, 2012
ATTRIBUE A DANIELE CRESPI (MILAN 1597/1600-1630)
Est: €700 - €1,000
ATTRIBUE A DANIELE CRESPI (MILAN 1597/1600-1630) La Flagellation (recto); Croquis (verso) plume et encre brune (recto); sanguine (verso), non encadré 170 x 102 mm.
Christie's
Feb. 18, 2012
Three drawings
Est: €1,500 - €1,800
Crespi Daniele Busto Arsizio/Varese 1589 - Mailand 1630 attr. Three drawings Pen a. pencil drawings, 15 x 10 to 11 cm, mounted on cardboard, min. dam., unframed.
Auktionshaus Stahl
Dec. 08, 2011
CRESPI, DANIELE (1590-1630 Mailand), zugeschrieben
Est: - €700
CRESPI, DANIELE (1590-1630 Mailand), zugeschrieben Karthäuser-Mönche. Zwei Bleistiftstudien. Papier. Bez. 11,5 x 6 cm. Alte R. (53345)
Leo Spik
Jan. 26, 2011
ATTRIBUTED TO DANIELE CRESPI
Est: $6,000 - $8,000
ATTRIBUTED TO DANIELE CRESPI BUSTO ARSIZIO CIRCA 1597 - 1630 MILAN THE HERMIT SAINTS PAUL AND ANTHONY Black chalk and gray and brown wash, heightened with white, on blue-green paper; bears inscription in brown ink, lower left: titiano 281 by 223 mm; 11 by 8 3/4 in
Sotheby's
Jan. 26, 2011
DANIELE CRESPI
Est: $7,000 - $9,000
DANIELE CRESPI BUSTO ARSIZIO CIRCA 1597 - 1630 MILAN SAINT CATHERINE OF ALEXANDRIA DISPUTING WITH THE PHILOSOPHERS, EMPEROR MAXENTIUS ENTHRONED BEHIND Pen and black ink over red chalk; inscribed in pen and black ink: Pompeo and ottavio 152 by 230 mm; 6 by 9 in
Sotheby's
Jun. 08, 2010
DANIELE CRESPI
Est: €12,000 - €16,000
DANIELE CRESPI BUSTO ARSIZIO CIRCA 1597 - 1630 MILAN RESURREZIONE DI CRISTO olio su tavola, senza cornice 43 x 28 cm
Sotheby's
Apr. 29, 2010
DANIELE CRESPI
Est: £20,000 - £30,000
DANIELE CRESPI BUSTO ARSIZIO CIRCA 1597 - 1630 MILAN THE MADONNA AT PRAYER oil on panel 63.2 by 48.5 cm.; 24 7/8 by 19 1/8 in.
Sotheby's
Oct. 28, 2009
Circle of Daniele Crespi (Busto Arsizio 1598-1630 Milan) The Virgin Annunciate
Est: £500 - £700
The Virgin Annunciate oil on canvas 60.4 x 42cm (23 3/4 x 16 9/16in).
Bonhams
Sep. 18, 2009
ATTRIBUTED TO DANIELE CRESPI (ca. 1590 - 1630,
Est: CHF800 - CHF1,200
ATTRIBUTED TO DANIELE CRESPI (ca. 1590 - 1630, Milan). Christ on the Mount of Olives with sleeping disciples. Black chalk, brown wash. Framing line in black pen. Old inscription in pencil, verso: Antonio da Coregio. 20.7 x 16.1 cm. Framed. Provenance: - Gallery Kurt Meissner, Zurich - Private collection, Switzerland CRESPI, DANIELE (um 1590 - 1630 Mailand), zugeschrieben. Christus am Ölberg mit den schlafenden Jüngern. Schwarzer Kreide, braun laviert. Die Einfassungslinie mit schwarzer Feder. Verso mit Bleistift ältere Bezeichnung: Antonio da Coregio. 20,7 x 16,1 cm. Gerahmt. Provenienz: - Galerie Kurt Meissner, Zürich - Privatbesitz Schweiz
Koller Auctions
Jul. 08, 2009
Daniele Crespi (Busto Arsizio 1598-1630 Milan)
Est: £15,000 - £25,000
Daniele Crespi (Busto Arsizio 1598-1630 Milan) The Resurrection of Raymond Diocrès inscribed 'iusto Dei iudicio jiudicato suma iusto del udicio .uicato suma' black chalk, pen and brown ink, brown wash, heightened with white, squared in black chalk, and inscribed with an arched top 8¾ x 8 5/8 in. (22.1 x 22 cm.)
Christie's
Mar. 27, 2009
CRESPI, DANIELE
Est: CHF1,500 - CHF2,000
CRESPI, DANIELE (ca. 1590 -1630, Milan), attr. Christ on the Mount of Olives with sleeping disciples. Black chalk, brown wash. Framing line in black pen. Older inscription in pencil, verso: Antonio da Coregio. 20.7 x 16.1 cm. Framed. Provenance: - Gallery Kurt Meissner, Zurich - Private collection Switzerland CRESPI, DANIELE (um 1590 - 1630 Mailand), zugeschrieben Christus am Ölberg mit den schlafenden Jüngern. Schwarzer Kreide, braun laviert. Die Einfassungslinie mit schwarzer Feder. Verso mit Bleistift ältere Bezeichnung: Antonio da Coregio. 20,7 x 16,1 cm. Gerahmt. Provenienz: - Galerie Kurt Meissner, Zürich - Privatbesitz Schweiz
Koller Auctions
Jan. 28, 2009
Daniele Crespi , Busto Arsizio circa 1597 - 1630 Milan sheet of figure studies Pen and brown ink; on the verso a fragment of a study of a kneeling male nude
Est: $7,000 - $9,000
Pen and brown ink; on the verso a fragment of a study of a kneeling male nude
Sotheby's
Jul. 09, 2008
- Daniele Crespi , Busto Arsizio circa 1597 - 1630 Milan sheet of figure studies Pen and brown ink; on the verso a fragment of a study of a kneeling male nude
Est: £1,597 - £1,630
Pen and brown ink; on the verso a fragment of a study of a kneeling male nude
Sotheby's
Dec. 05, 2007
Daniele Crespi Busto Arsizio circa 1597 - 1630 Milan , Saint Bartholomew oil on panel
Est: £40,000 - £60,000
oil on panel
Sotheby's
May. 18, 2006
DANIELE CRESPI BUSTO ARSIZIO CIRCA 1597 - 1630 MILAN
Est: $30,000 - $50,000
BAPTISM OF CHRIST measurements note 15 1/4 by 11 3/4 in.; 38.7 by 29.9 cm. oil on canvas NOTE The present work would appear to be a bozzetto or ricordo of the Baptism by Crespi in the Pinacoteca di Brera, Milan (see N.W. Neilson, Daniele Crespi, Soncino 1996, p. 37. cat. no. 20, reproduced plate XXVIII). The Brera altarpiece was commissioned for the Bonfanti chapel in Santa Maria della Grazie, Monza where it remained until 1810. Most recent scholarship has dated it to late in the artist's career, between 1628-30 (see Neilson op. cit.) and a similar date for the present painting seem reasonable.
Sotheby's
Jan. 26, 2006
DANIELE CRESPI BUSTO ARSIZIO CIRCA 1597 - 1630 MILAN
Est: $200,000 - $300,000
CAIN KILLING ABEL measurements note 72 1/2 by 49 5/8 in.; 184 by 126 cm. oil on canvas PROVENANCE Possibly Count Giovanni Francesco Arese, Milan, 18th century (see note above). LITERATURE A. Morandotti, "Giuseppe Vermiglio Caino e Abele," in Dipinti Lombardi del Seicento. Collezione Koelliker, Milan 2004, pp. 66-68, reproduced (as by a follower of Daniele Crespi, but seen prior to cleaning). NOTE This striking image, depicting the struggle between Cain and Abel, is an early work of the artist, datable to circa 1618/20. Its recent cleaning has allowed its assesment as an autograph work by the artist; Nancy Ward Neilson has confirmed the present canvas to an early work of the artist (in a document dated November 24, 2005). Despite his short career (the artist died in his early 30's), Crespi's pictoral style developed markedly, and drew on a wide spectrum of sources. This Cain and Abel shows traits of his work in the last years of the second decade of the 17th Century, with lingering mannerist traces of the influence of Cerano and Giulio Cesare Procaccini. Neilson has suggested that it is part of a group of drawings and paintings wherein Crespi was working through issues of anatomy and movement, and all are related in their sense of dynamism. Included in this group are two drawings of anatomical studies in the Ambrosiana (see G. Bora, "Ruolo e significato del disegno di Daniele Crespi," in Fra Rinascimento manierismo e realtà, Florence 1984, p. 158, figs. 1, 4 -5) as well as a drawing in a private collection (N. Ward Neilson, Daniele Crespi, Soncino 1996, p. 85, D36, reproduced, fig. 61A). These studies are not necessarily preparatory for the present canvas, but appear to show Crespi working through issues that he faced with the compostion. A lost painting by Crespi of the Martyrdom of St. Bartholomew, known through copies, demonstrates similar concerns (see Ward Neilson, op. cit., p. 71, no. A11, reproduced, fig. 86B). A painting of this subject by Daniele Crespi was listed in the Arese collection, with similar measurements; a later addition of about 8 centimeters to the bottom of the canvas was removed in the recent restoration which brings the size listed in the Arese inventory quite close to the present measurements. However, a crude print of the compositon of 1795 varies from the present canvas signifcantly, so this provenance can only be speculative. We are grateful to Dr. Nancy Ward Neilson for providing the information outlined in this catalogue note.
Sotheby's
Jan. 26, 2001
DANIELE CRESPI (Busto Arsizio 1590-1630 Milan)
Est: $25,000 - $35,000
Salome with the head of Saint John the Baptist oil on canvas 541/4 x 42 in. (137.7 x 106.7 cm.) PROVENANCE Anon. Sale, Sotheby's, New York, 20 May 1993, lot 249, as Milanese School, early 17th Century. LITERATURE N. Ward Nielson, Daniele Crespi, Soncino, 1996, p. 66, no. 84 and p. 93, plate I. NOTES Ward Nielson ( loc. cit. ) records that the attribution of the present painting to Daniele Crespi was first suggested by Edoardo Testori. She suggests that on stylistic grounds it should probably be placed among the earliest known works by the artist -- the profiles of Salome and the soldier resemble those of the angels in the altarpiece, executed in 1619, in the Chapel of Saint Antony Abbott in the church of S. Vittore al Corpo, Milan. She further notes the existence of a sheet of related drawings in a private collection ( op. cit., no. D36).
Christie's