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Doug Cranmer Sold at Auction Prices

Engraver, Painter

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  • DOUGLAS CRANMER ( Canadian 1927 - 2006 ) Kwakiutl Raven
    Apr. 27, 2024

    DOUGLAS CRANMER ( Canadian 1927 - 2006 ) Kwakiutl Raven

    Est: $250 - $350

    DOUGLAS CRANMER ( Canadian 1927 - 2006 ) Kwakiutl Raven

    Westbridge Fine Art Auction House
  • Doug Cranmer Bent Corner Box Cedar
    Aug. 25, 2022

    Doug Cranmer Bent Corner Box Cedar

    Est: $300 - $600

    Doug Cranmer (1927-2006 Kwakwaka'wakw) Bent Corner Box Cedar 5''x9.25''x9.25''. Carved and polychrome painted u-form bear motifs. Signed on bottom. Comes with original bio paper from The Quest, Banff Alberta Canada. A few scattered surface scratches. Overall excellent condition. Mid 20th century.

    MBA Seattle Auction LLC
  • Doug Cranmer untitled blue and black screenprint on burlap
    Sep. 05, 2021

    Doug Cranmer untitled blue and black screenprint on burlap

    Est: $100 - $200

    Born in Alert Bay in 1927, Doug Cranmer learned to carve directly from the previous generation of Kwakwaka’wakw carvers. When he was 10 months old he received the name of Kesu', meaning "wealth being carved". As a youth, Cranmer watched resident carver Arthur Shaughnessy at work and later received his first formal instruction from Master Carver, Mungo Martin. In 1959, Cranmer joined with renowned artist Bill Reid in constructing the Haida village which is now located on the ground of the UBC Museum of Anthropology. In 1970, he began teaching at the Gitanmaax School of Northwest Coast Art in design and carving. In 1976, Doug returned to Alert Bay to work on a memorial pole for his father, Dan Cranmer, and to contribute to the construction of the U’mista Cultural Centre. Although famous for his skill at carving, Cranmer was also an adept painter, and printmaker, creating pieces that challenged the established style in Northwest Coast art. He was an acknowledged Master Carver whose work is represented in many public and private collections, including the Canadian Museum of Civilization, the University of British Columbia Museum of Anthropology (MOA), the Vancouver Museum, the Royal British Columbia Museum in Victoria, BC, and the U’mista Cultural Centre in Alert Bay. In the fall of 2012 MOA had a comprehensive retrospection of his work. The show and accompanying publication, Kesu' The art and Life of Doug Cranmer, looked at the way in which Cranmer influenced contemporary Kwakwaka’wakw art and form, and how his work would come to both challenge and enliven it. Doug Cranmer's printed banners were included in the recent Vancouver Art Gallery exibition, Modern in the Making.

    4th Meridian Fine Art
  • Doug Cranmer untitled red and black totem on burlap
    Sep. 05, 2021

    Doug Cranmer untitled red and black totem on burlap

    Est: $100 - $200

    Born in Alert Bay in 1927, Doug Cranmer learned to carve directly from the previous generation of Kwakwaka’wakw carvers. When he was 10 months old he received the name of Kesu', meaning "wealth being carved". As a youth, Cranmer watched resident carver Arthur Shaughnessy at work and later received his first formal instruction from Master Carver, Mungo Martin. In 1959, Cranmer joined with renowned artist Bill Reid in constructing the Haida village which is now located on the ground of the UBC Museum of Anthropology. In 1970, he began teaching at the Gitanmaax School of Northwest Coast Art in design and carving. In 1976, Doug returned to Alert Bay to work on a memorial pole for his father, Dan Cranmer, and to contribute to the construction of the U’mista Cultural Centre. Although famous for his skill at carving, Cranmer was also an adept painter, and printmaker, creating pieces that challenged the established style in Northwest Coast art. He was an acknowledged Master Carver whose work is represented in many public and private collections, including the Canadian Museum of Civilization, the University of British Columbia Museum of Anthropology (MOA), the Vancouver Museum, the Royal British Columbia Museum in Victoria, BC, and the U’mista Cultural Centre in Alert Bay. In the fall of 2012 MOA had a comprehensive retrospection of his work. The show and accompanying publication, Kesu' The art and Life of Doug Cranmer, looked at the way in which Cranmer influenced contemporary Kwakwaka’wakw art and form, and how his work would come to both challenge and enliven it. Doug Cranmer's printed banners were included in the recent Vancouver Art Gallery exibition, Modern in the Making.

    4th Meridian Fine Art
  • Doug Cranmer "The Goats and Moon of Haida" green and black totem on burlap
    Sep. 05, 2021

    Doug Cranmer "The Goats and Moon of Haida" green and black totem on burlap

    Est: $100 - $200

    The Goats and Moon of Haida, green and black screenprint. Born in Alert Bay in 1927, Doug Cranmer learned to carve directly from the previous generation of Kwakwaka’wakw carvers. When he was 10 months old he received the name of Kesu', meaning "wealth being carved". As a youth, Cranmer watched resident carver Arthur Shaughnessy at work and later received his first formal instruction from Master Carver, Mungo Martin. In 1959, Cranmer joined with renowned artist Bill Reid in constructing the Haida village which is now located on the ground of the UBC Museum of Anthropology. In 1970, he began teaching at the Gitanmaax School of Northwest Coast Art in design and carving. In 1976, Doug returned to Alert Bay to work on a memorial pole for his father, Dan Cranmer, and to contribute to the construction of the U’mista Cultural Centre. Although famous for his skill at carving, Cranmer was also an adept painter, and printmaker, creating pieces that challenged the established style in Northwest Coast art. He was an acknowledged Master Carver whose work is represented in many public and private collections, including the Canadian Museum of Civilization, the University of British Columbia Museum of Anthropology (MOA), the Vancouver Museum, the Royal British Columbia Museum in Victoria, BC, and the U’mista Cultural Centre in Alert Bay. In the fall of 2012 MOA had a comprehensive retrospection of his work. The show and accompanying publication, Kesu' The art and Life of Doug Cranmer, looked at the way in which Cranmer influenced contemporary Kwakwaka’wakw art and form, and how his work would come to both challenge and enliven it. Doug Cranmer's printed banners were included in the recent Vancouver Art Gallery exibition, Modern in the Making.

    4th Meridian Fine Art
  • Attributed to Doug Cranmer untitled red and black totem on burlap
    Dec. 06, 2020

    Attributed to Doug Cranmer untitled red and black totem on burlap

    Est: $100 - $200

    Born in Alert Bay in 1927, Doug Cranmer learned to carve directly from the previous generation of Kwakwaka’wakw carvers. When he was 10 months old he received the name of Kesu', meaning "wealth being carved". As a youth, Cranmer watched resident carver Arthur Shaughnessy at work and later received his first formal instruction from Master Carver, Mungo Martin. In 1959, Cranmer joined with renowned artist Bill Reid in constructing the Haida village which is now located on the ground of the UBC Museum of Anthropology. In 1970, he began teaching at the Gitanmaax School of Northwest Coast Art in design and carving. In 1976, Doug returned to Alert Bay to work on a memorial pole for his father, Dan Cranmer, and to contribute to the construction of the U’mista Cultural Centre. Although famous for his skill at carving, Cranmer was also an adept painter, and printmaker, creating pieces that challenged the established style in Northwest Coast art. He was an acknowledged Master Carver whose work is represented in many public and private collections, including the Canadian Museum of Civilization, the University of British Columbia Museum of Anthropology (MOA), the Vancouver Museum, the Royal British Columbia Museum in Victoria, BC, and the U’mista Cultural Centre in Alert Bay. In the fall of 2012 MOA had a comprehensive retrospection of his work. The show and accompanying publication, Kesu' The art and Life of Doug Cranmer, looked at the way in which Cranmer influenced contemporary Kwakwaka’wakw art and form, and how his work would come to both challenge and enliven it.

    4th Meridian Fine Art
  • Attributed to Doug Cranmer "The Goats and Moon of Haida" green and black totem on burlap
    Dec. 06, 2020

    Attributed to Doug Cranmer "The Goats and Moon of Haida" green and black totem on burlap

    Est: $100 - $200

    The Goats and Moon of Haida, green and black screenprint. Born in Alert Bay in 1927, Doug Cranmer learned to carve directly from the previous generation of Kwakwaka’wakw carvers. When he was 10 months old he received the name of Kesu', meaning "wealth being carved". As a youth, Cranmer watched resident carver Arthur Shaughnessy at work and later received his first formal instruction from Master Carver, Mungo Martin. In 1959, Cranmer joined with renowned artist Bill Reid in constructing the Haida village which is now located on the ground of the UBC Museum of Anthropology. In 1970, he began teaching at the Gitanmaax School of Northwest Coast Art in design and carving. In 1976, Doug returned to Alert Bay to work on a memorial pole for his father, Dan Cranmer, and to contribute to the construction of the U’mista Cultural Centre. Although famous for his skill at carving, Cranmer was also an adept painter, and printmaker, creating pieces that challenged the established style in Northwest Coast art. He was an acknowledged Master Carver whose work is represented in many public and private collections, including the Canadian Museum of Civilization, the University of British Columbia Museum of Anthropology (MOA), the Vancouver Museum, the Royal British Columbia Museum in Victoria, BC, and the U’mista Cultural Centre in Alert Bay. In the fall of 2012 MOA had a comprehensive retrospection of his work. The show and accompanying publication, Kesu' The art and Life of Doug Cranmer, looked at the way in which Cranmer influenced contemporary Kwakwaka’wakw art and form, and how his work would come to both challenge and enliven it.

    4th Meridian Fine Art
  • Cranmer Douglas (1927) : Lithographie couleur,
    Jan. 25, 2016

    Cranmer Douglas (1927) : Lithographie couleur,

    Est: €150 - €180

    Cranmer Douglas (1927) : Lithographie couleur, "River Monster", signée dans la plaque en bas à droite, datée 1992, numérotée sur 125 exemplaires, dim: 64 x 84 cm

    Salle de Ventes Saint-Job
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