Jacob Cornelisz. Paintings & Artwork for Sale | Jacob Cornelisz. Art Value Price Guide

Dec. 05, 2024
Jacob Robyn and Cornelis Danckerts, Nieuw Aerdsch Pleyn
Est: $2,000 - $3,000
Jacob Robyn and Cornelis Danckerts Nieuw Aerdsch Pleyn c. 1700, [dated 1696] engraving with hand-coloring 25 h x 22.5 w in (63 x 57 cm) This double-page engraved map, published in Amsterdam, contains the world in a single circle of the world on one sheet. North America is shown with one large Great Lake, and New York is still labeled "Nieu Nederland" although the name was changed in 1664. The corner pieces were likely created by Jacob Harrewyn, and "greatly enhance the north polar projection adopted by Robyn," (Shirley 582). Provenance: Collection of Dr. Bernard Rubin, Chicago Literature: Shirley 582 This work will ship from Chicago, Illinois.
Rago Arts and Auction Center
May. 17, 2024
Oostsanen, Jacob Cornelisz. van (±1470-1533). Christ and the captain of Kafernaum.
Est: €500 - €700
Oostsanen, Jacob Cornelisz. van (±1470-1533). Christ and the captain of Kafernaum. Woodcut, ±1520, 11x7,8 cm., monogrammed in the block. - Trimmed on/ just outside the borderline. = Hollstein 15, 2nd state of 2 (with the text on verso). Part of the Small Passion series. SEE ILLUSTRATION PLATE CXXIII.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Oct. 01, 2021
JACOB CORNELISZ. VAN OOSTSANEN
Est: CHF600 - CHF800
JACOB CORNELISZ. VAN OOSTSANEN (also van Amsterdam; Oostzaan 1470 – 1533 Amsterdam) The Last Supper, 1511/14. From the series, The Great Passion Woodcut. Monogrammed centre bottom in the plate (ligature): IMVA. 23.5 cm (round). Bartsch 7; Hollstein 73, probably IV; The New Hollstein 22 II (of II, without date). – Clear, even and somewhat fainter impression with border. Without the ornamental and figurative frame with text, which was printed from a separate plate. Verso with older annotations in pencil and a few remains of an old mount. Overall good condition. Very rare. --------------- JACOB CORNELISZ. VAN OOSTSANEN (auch van Amsterdam; Oostzaan 1470 – 1533 Amsterdam) Das letzte Abendmahl, 1511/14. Aus der Folge der "Grossen Passion". Holzschnitt. Im Druckstock unten mittig mongrammiert (ligiert): IMVA. 23,5 cm (im Rund). Bartsch 7; Hollstein 73, wohl IV; The New Hollstein 22 II (von II, ohne die Datierung). - Klarer, gleichmässiger, etwas schwächerer Druck mit der Einfassungslinie. Ohne den ornamentalen und figuralen Rahmen mit Text, der von einem separaten Stock gedruckt wurde. Verso mit älteren Annotationen in Bleistift und wenigen Resten alter Montierung. Insgesamt in guter Erhaltung. - Sehr selten.
Koller Auctions
Jan. 29, 2015
MANNER OF JACOB CORNELISZ VAN OOSTANEN, (DUTCH 1477-1533), DOUBLE PORTRAIT: URSULA VAN EGMONT AND OTTO VAN EGMONT OF DELFT
Est: $2,000 - $3,000
MANNER OF JACOB CORNELISZ VAN OOSTANEN (dutch 1477-1533)/span DOUBLE PORTRAIT: URSULA VAN EGMONT AND OTTO VAN EGMONT OF DELFT Inscribed extensively verso, oil on panel with arch top set in a polychrome frame Sight size 11 3/8 x 8 in. (29.1 x 20.3cm) provenance: /spanPrivate Collection, Virginia.
Freeman's | Hindman
Jul. 03, 2013
Jacob Cornelisz. van Oostsanen, called Jacob van Amsterdam (Oostsanen 1472-1533 Amsterdam)
Est: -
Jacob Cornelisz. van Oostsanen, called Jacob van Amsterdam (Oostsanen 1472-1533 Amsterdam) The Mass of Saint Gregory inscribed 'GREGORIV' (centre left, on the altar cloth) oil on panel 9¾ x 27 in. (24.8 x 68.6 cm.) with the inventory stamp of a crown over a 'V'[?] and inventory no. 224 (on the reverse)
Christie's
Oct. 31, 2011
Jacob Cornelisz. van Oostsanen Oostsanen 1465-1470
Est: €800 - €1,200
Jacob Cornelisz. van Oostsanen Oostsanen 1465-1470 - ? 1533 The death of Christ on the cross Coloured woodcut with gold details on paper, 12.5 x 8.7 cm Unclearly annotated u.r. and l.m. Monogrammed l.l. Reverse side: Hand written Latin text concerning the Passion Added: Old document with a description by Art Galery Borzo, Den Bosch. Provenance: - Art Galery Borzo, Den Bosch. - Private collection. - Auction Sotheby's Amsterdam, 8 December 1997, lot 337. - Private collection, The Netherlands. N.B.: The woodcut can be dated to circa 1520/1521.
AAG Auctioneers
Apr. 19, 2007
Jacob and Esau
Est: $150,000 - $200,000
Jacob Cornelisz. van Oostsanen, called Jacob van Amsterdam Oostsanen c. 1472/7-c. 1533 Amsterdam Jacob and Esau oil on panel 16½ x 12 3/8 in. 41.9 x 31.3 cm.
Christie's
Dec. 07, 2005
JACOB CORNELISZ. VAN OOSTSANEN OOSTSANEN CIRCA 1470 - 1533 AMSTERDAM
Est: £200,000 - £300,000
JACOB CORNELISZ. VAN OOSTSANEN OOSTSANEN CIRCA 1470 - 1533 AMSTERDAM THE PROPERTY OF A GENTLEMAN PORTRAIT OF JAN GERRITZ. VAN EGMOND VAN DE DIJENBORGH, BUST-LENGTH WEARING A BLACK FUR-TRIMMED COAT, HOLDING A POMANDER, SEEN WITHIN AN ARCHED DECORATED EMBRASURE, A LANDSCAPE BEYOND measurements note 37.2 by 27.4 cm.; 14 5/8 by 10 3/4 in. charged with the sitter's coat-of-arms upper centre oil on oak panel PROVENANCE Private collection, Germany; Bought by the present owner..... EXHIBITED Kassel, Staatliche Museen, Gemäldegalerie, on loan (inv. L. 1105). NOTE The sitter was in several years elected Burgomaster of Alkmaar, and in 1490 assumed the Office of Guardian of the fortifications at Nieuwburg in Oudorp that had been built by Graf Floris V. He died on 25 March 1523 and is buried in the Groote Kerk in Alkmaar, where his gravestone bears the same armorial crest that surmounts the present portrait: of the Egmond and Heerman van Oegstgeest families. His sister Jodoca van Egmond van Nijenborgh and her husband Augustijn van Teylingen are portrayed as donors in Van Oostsanen's triptych of the Virgin and Child in Berlin, Gemäldegalerie. This portrait appears to have been unknown to Jane Louise Carroll when she compiled a catalogue raisonné of Oostsanen's paintings as part of her doctoral dissertation submitted in 1987 (J.L. Carroll, The paintings of Jacob Cornelisz. van Oostsanen (1472?-1533), Ph.D. dissertation, University of North Carolina at Chapel Hill, 1987). Carroll lists three other versions, all very similar (idem, pp. 272-6, nos. 33-35): in Amsterdam, Rijksmuseum; in Paris, Musée du Louvre; and in a private collection, last seen in public with Colnaghi, London, in 1980-1. The latter picture would appear to be very similar to the present one, and is also cut off at the top, but is slightly larger. Carroll dates them all circa 1518, while scholars before him have suggested earlier dates: Hoogewerff thought no later than 1510, Friedländer suggested circa 1513, and Belonje circa 1515. Carroll's suggestion that the architectural framework and roughly-painted distant landscape in the other versions are the work of workshop assistants, would also seem to be the case here.
Sotheby's
Jul. 10, 2002
Jacob Cornelisz. van Oostsanen, called Jacob van Amsterdam (Osstsanen? c. 1472/7-c. 1533 Amsterdam)
Est: $312,000 - $468,000
The Adoration of the Magi dated '1520' (upper centre, on the pediment) oil on panel 33 x 213/4 in. (83.9 x 55.2 cm.) PROVENANCE Private Collection, Amsterdam, 1935. R. von Kaufmann, Berlin. Sommerguth Collection, Berlin, by 1975. LITERATURE M.J. Friedl„nder, Early Netherlandish Painting, XI, Leiden, 1975, pp. 57 and 114, under no. 239, as dated 1520. NOTES This is an autograph replica of the central panel of a triptych of The Adoration of the Magi formerly in the collection of Prince Wied, Neuwied (see M.J. Friedl„nder, op. cit., no. 291, figs. 128-9), which is dated 1517 in the same location. A further replica, dated 1536, is recorded by Friedl„nder as having been on the Paris art market in 1929 ( loc. cit. ). The quality of the present work remains extremely high, for example in the delicate handling of the drapery of the Magi - particularly the gilded robe of Caspar - the gentle and sympathetic expressions of the principal figures and the strength of the artist's perspective. Although Jacob's first dated works are from 1507 (the Noli me Tangere in Schloss Wilhelmshohe, Kassel, and the series of woodcuts of The Life of the Virgin, Holstein nos. 83-9), he had obviously established some success and prosperity by that date, having been able to purchase a house in 1500. The linear and patterned style of Jacob's early work suggest that the young artist may have trained as a goldsmith or woodcut designer; however, from around the time of the Neuwied triptych, his style softened, and the present work is an example of that newer approach, perhaps reflecting the influence of Jacob's contemporary, Cornelis Engelbrechtsz.
Christie's
Jul. 10, 2002
Jacob Cornelisz. van Oostanen called Jacob van Amsterdam (Oostsanen? c. 1472/7-before 1533 Amsterdam)
Est: $31,200 - $46,800
The Mass of Saint Gregory inscribed 'GREGORIU' (on the altar cloth) oil on panel 93/4 x 26 7/8 in. (24.8 x 68.3 cm.) inventory stamp of a Crown over a V (?) and inv. no. 224 (on the reverse) PROVENANCE In an English 19th Century collection, to be judged from the labels on the reverse, including one sale catalogue beginning 'Jean Mabeuse...' with Cassirer, Amsterdam, 1929. Anon. Sale [The Property of a Lady], Christie's, London, 17 December 1999, lot 34 (unsold). LITERATURE M. J. Friedl„nder, Early Netherlandish Painting, XII, Jan van Scorel and Pieter Coeck van Aelst, with comments and notes by H. Pauwels and G. Lemmens, assisted by M. Gierts and A.-M. Hess, 1975, p. 118, no. 281, pl. 149. EXHIBITION Amsterdam, Rijksmuseum, Tentoonstelling van oude Kunst, 1929, no. 29. Amsterdam, Rijksmuseum, 1958, no. 38 (label on the reverse). NOTES Dated by Friedl„nder to circa 1512.
Christie's