Francesco Codino Paintings & Artwork for Sale | Francesco Codino Art Value Price Guide

Dec. 06, 2024
Francesco Codino, oil on panel, c. 1625
Est: $5,000 - $7,000
Francesco Codino (German/Italian, 1590-1635), Still Life with Grapes and Peaches, no signature observed, 14"h x 20"w (sight), 21"h x 27"w (frame)
Millea Bros Ltd
May. 11, 2024
FRANCESCO CODINO, Natura morta con crostacei, Olio su tela
Est: €8,000 - €12,000
FRANCESCO CODINO (Francoforte 1590 - Lombardia 1635 ca.) Natura morta con crostacei Olio su tela Cornice in legno dorato. cm 71 x 86,5.
Benedetto Trionfante Auction House s.r.l
Jul. 07, 2023
Francesco Codino (attribuito a) (Francoforte, 1590 - Milano, 1631 ca) Natura morta con crostacei, funghi e conchiglie olio su tela cm 71x86; con cornice cm 90x105
Est: €9,500 - €11,000
Francesco Codino (attribuito a) (Francoforte, 1590 - Milano, 1631 ca) Natura morta con crostacei, funghi e conchiglie olio su tela cm 71x86; con cornice cm 90x105Immagini ad alta risoluzione disponibili su richiesta.
Gliubich Casa d'Aste
Jun. 01, 2020
Franz Codin known as Francesco Codino (Frankfurt, 1590 - Milan, after 1631). Still life of
Est: -
Franz Codin known as Francesco Codino (Frankfurt, 1590 - Milan, after 1631). Still life of shellfish. 71X86, oil paint on canvas. "This still life on two layers, disorganized, without a decorative arrangement but also with objects placed in an essential way seems to have an illustrative and educational character. The accurate definition of the physiological particular has an almost scientific character and may have been composed to be used to to obtain incisions school character. often Codin repeated parts of his compositions in other paintings that he was making, mixing them with other genres, deconstructing and structuring, inserted in some paintings, details of other pieces. This process was often adopted by several painters of the seventeenth century. in fact in our work some specimens such as crab, shrimp ect. often appear in his other compositions, so we can state that the attribution is probably certain. Moreover, even the palette is reflected in other paintings. the representational partition simple and archaic, in a manner apparent random mind, however succeeds tidy and pleasant, for coloristic not very varied but in keeping with the colors in the approach technically well arranged. Codin after an apprenticeship at the workshop of Daniel and Peter Soreau Binoit, moved to Lombardy, where he got to know Panfilo Nuvolone (Cremona, 1581 - Milan, 1651), his contemporary, and as he said spreading the kind of nature death. "STUDIO ASOR
ArtLaRosa
May. 26, 2020
Francesco Codino Franz Godin ( Francoforte 1590 ? - Milano ? notizie sino al 1631)
Est: €18,000 - €25,000
Natura morta con scoiattolo Olio su tavola Still life with squirrel Oil on panel Dimensioni 66,5x49.5 cm Opera dal sapore contemplativo ove le forme si realizzano grazie ad una luce tersa che fa brillare la preziosa alzatina e rimarca la trasparenza dei vetri. Gli oggetti, posizionati sul sobrio tavolo, sono minuziosamente descritti si esaltano nellÆoscuritÓ del fondo scuro, tra di essi uno scoiattolo Þ intento a mangiare una pesca. Il forte e positivo simbolismo della raffigurazione (uva/ricchezza, pesca/prosperitÓ, i bicchieri trasparenti e pieni/ purezza e positivitÓ, lÆoro dellÆalzatina/divinitÓ fino al piccolo roditore simbolo di fiducia e lungimiranza) fanno presumere che lÆopera sia stata realizzata come dono nuziale o comunque come importante gesto dÆomaggio e buon auspicio. Questa preziosissima tavola Þ conservata, nella collezione di provenienza, come opera dellÆartista fiammingo Frans Snyder. A nostro avviso lÆopera Þ tipica espressione milanese del Seicento e trova riferimenti stilistici con quanto realizzato da Fede Galizia, Panfilo Nuvolone. Questi riferimenti diventano puntuali e convincenti se la confrontiamo con la prodizione di un pittore tedesco attivo a Milano, ovvero con Frans Godin cioÞ Francesco Codino giunto nella cittÓ meneghina intorno al 1620. A suggellare ulteriormente lÆipotesi concorre la presenza del piccolo roditore. In effetti questo raro inserimento, deriva dallo scambio di reciproche influenze che ha avuto con Peter Binoit, assieme al quale fu allievo nellÆatelier di Daniel Soreau, prima di giungere in Italia.
Lucas Aste
May. 16, 2020
Franz Codin known as Francesco Codino (Frankfurt, 1590 - Milan, after 1631). Still life of
Est: -
Franz Codin known as Francesco Codino (Frankfurt, 1590 - Milan, after 1631). Still life of shellfish. 71X86, oil paint on canvas. "This still life on two layers, disorganized, without a decorative arrangement but also with objects placed in an essential way seems to have an illustrative and educational character. The accurate definition of the physiological particular has an almost scientific character and may have been composed to be used to to obtain incisions school character. often Codin repeated parts of his compositions in other paintings that he was making, mixing them with other genres, deconstructing and structuring, inserted in some paintings, details of other pieces. This process was often adopted by several painters of the seventeenth century. in fact in our work some specimens such as crab, shrimp ect. often appear in his other compositions, so we can state that the attribution is probably certain. Moreover, even the palette is reflected in other paintings. the representational partition simple and archaic, in a manner apparent random mind, however succeeds tidy and pleasant, for coloristic not very varied but in keeping with the colors in the approach technically well arranged. Codin after an apprenticeship at the workshop of Daniel and Peter Soreau Binoit, moved to Lombardy, where he got to know Panfilo Nuvolone (Cremona, 1581 - Milan, 1651), his contemporary, and as he said spreading the kind of nature death. "STUDIO ASOR
ArtLaRosa
Nov. 19, 2016
Francesco Codino, attributed to, Still Life with Fruit, Nuts, and a Throttle
Est: €15,000 - €20,000
This still life was first published by Dr. Nicosetta Roio. It can be stylistically grouped together with a number of works attributed to the North Italian painter Francesco Codini and dated to between 1612 and 1631. Prof. Dr. Gerhard Bott was able to identify this artist as being identical with the German Franz Godin. The similarity of the names and artistic style give a relatively clear indication that Codini and Godin were in fact the same person.Francesco Codino often painted from a lowered viewpoint, as in the present work, and his paintings were generally still lifes representing the same objects but in differing arrangements. The porcelain bowl with the moulded rim, the cherries, and the walnuts are to be found in many of his other compositions. The panel upon which this work is painted has been cut vertical to the grain of the wood as opposed to horizontally, and thus the rings of the tree are visible from the centre of the piece to the edges.We would like to thank Prof. Alberto Cottino for his attribution of this work to Francesco Codino upon examination of high resolution photographs.
Kunsthaus Lempertz KG
Apr. 29, 2015
FRANZ GODIN, CALLED FRANCESCO CODINO | Still life with grapes in a porcelain bowl, fruit in a gilt tazza and other objects
Est: £50,000 - £70,000
oil on poplar panel, with an unidentified brand on the reverse
Sotheby's
Sep. 23, 2009
17th C. BY FRANCESCO CODINO, ITALIAN, (1621-1624)
Est: $2,100 - $2,400
17th C. BY FRANCESCO CODINO, ITALIAN, (1621-1624) FRAMED OIL ON BOARD STILL LIFE OF FLOWERS, FRUIT, PARROTS, SMALL BIRDS AND SHELLS BY FRANCESCO CODINO, ITALIAN, (1621-1624). THIS STILL LIFE CELEBRATES THE GIFT OF MAN'S REDEMPTION SYMBOLIZED BY THE CHERRIES AND PARADISE. Height: 9 in. by Width: 9 1/2 in.
Lewis & Maese Antiques & Auctions
May. 06, 2009
FRAMED OIL ON BOARD STILL LIFE OF FLOWERS, FRUIT,
Est: $4,500 - $6,500
FRAMED OIL ON BOARD STILL LIFE OF FLOWERS, FRUIT, PARROTS, SMALL BIRDS AND SHELLS BY FRANCESCO CODINO, ITALIAN, (1621-1624). THIS STILL LIFE CELEBRATES THE GIFT OF MAN'S REDEMPTION SYMBOLIZED BY THE CHERRIES AND PARADISE THROUGH REDEMPTION REPRESENTED BY CONDITION REPORT: UNSIGNED FROM SCHOOL OF FRANCESCO CODINO. NO SIGNS OF OVER PAINTING OR DAMAGE, CONDITION VERY GOOD." Height: 9 in. by Width: 9 1/2 in.
Lewis & Maese Antiques & Auctions
Oct. 15, 2008
Franz Godin detto Francesco Codino (vermutlich
Est: €18,000 - €25,000
Franz Godin detto Francesco Codino (vermutlich Köln um 1590 - nach 1631 Italien) Mahlzeitstillleben mit einem Mäuschen, Öl auf Holz, 38,5 x 54,5 cm, gerahmt, (Wo)
Dorotheum
Jan. 26, 2007
FRANZ GODIN, CALLED FRANCESCO CODINO ACTIVE IN LOMBARDY IN 1621 STILL LIFE WITH FRUITS AND GAME 14 by 20 in.; 35.5 by 50.8 cm. oil on panel Literature & References: U. Bocchi, Naturaliter : nuovi contributi alla natura morta in Italia settentrionale
Est: $40,000 - $60,000
FRANZ GODIN, CALLED FRANCESCO CODINO ACTIVE IN LOMBARDY IN 1621 STILL LIFE WITH FRUITS AND GAME 14 by 20 in.; 35.5 by 50.8 cm. oil on panel Literature & References: U. Bocchi, Naturaliter : nuovi contributi alla natura morta in Italia settentrionale e Toscana tra XVII e XVIII secolo, Casalmaggiore 1998, pp. 32-34. Catalogue Note: The artistic personality of Francesco Codino, by whom less than thirty works are known, was first established by S. Bottari (Nature morte della scuola di Francoforte, 1964) who noted the stylistic affinities between Codino's still lifes and those of his northern contemporaries. He probably worked in the studios of both Soreau and Binoit in Hanau and Cologne, before emigrating to northern Italy in circa 1620.
Sotheby's
Jan. 25, 2007
FRANZ GODIN, CALLED FRANCESCO CODINO ACTIVE IN LOMBARDY IN 1621
Est: $40,000 - $60,000
STILL LIFE WITH FRUITS AND GAME measurements note 14 by 20 in.; 35.5 by 50.8 cm. oil on panel LITERATURE U. Bocchi, Naturaliter : nuovi contributi alla natura morta in Italia settentrionale e Toscana tra XVII e XVIII secolo, Casalmaggiore 1998, pp. 32-34. NOTE The artistic personality of Francesco Codino, by whom less than thirty works are known, was first established by S. Bottari (Nature morte della scuola di Francoforte, 1964) who noted the stylistic affinities between Codino's still lifes and those of his northern contemporaries. He probably worked in the studios of both Soreau and Binoit in Hanau and Cologne, before emigrating to northern Italy in circa 1620.
Sotheby's
Nov. 09, 2006
FRANCESCO CODINO (also known as Franz Godin) (Italian, active circa 1615-1635)
Est: $30,000 - $40,000
FRANCESCO CODINO (also known as Franz Godin) (Italian, active circa 1615-1635) A pair of still lifes with flowers, birds, and fruit, circa 1620s Oil on panel 15 x 21 inches (each) PROVENANCE: Newhouse Galleries, New York (as Paul Liegeois); Mr. and Mrs. F. Howard Walsh, Fort Worth, Texas; Walsh Family Art Trust This pair of paintings can be attributed to Francesco Codino (also called Franz Godin) who may have been born in the Southern Netherlands around 1590, and was active both in Hanau/Frankfurt and Lombardy. In 1619, he trained in the atelier of Daniel Soreau in Hanau, and by 1621 is recorded in Italy where he probably died. Codino painted several variants of the present composition containing the bowl of fruit, although the composition with the basket appears to be unique. Neither of the present works is listed in Codino's oeuvre catalogue by Gerhard Bott, Ein Stück von allerlei Blumenwerk - ein Stück von Früchten - zwei Stück auf Tuch mit Hecht. Die Stillebenmaler Soreau, Binoit, Codino und Marrell in Hanau und Frankfurt 1600-1650, Hanau, 2001, nor in the chapter on the artist (as Godin) in Gianluca e Ulisse Bocchi (ed.) Naturaliter. Nuovi contributi alla natura morta in Italia settentrionale e Toscana tra XVII e XVIII secolo, Casalmaggiore, 1998. Bott lists eight versions of the bowl composition, his WV.C. (Werkverzeichnis Codino) 9 - W.V.C. 16, including examples dated 1621, 1622, 1623 and 16(31). This pair of paintings represents a new addition to Codino's known oeuvre. We are grateful to Mr. Fred G. Meijer of the Rijksbureau voor Kunsthistorische Documentatie, The Hague, for attributing these still life paintings to Codino, and for his kind assistance in cataloguing this lot.
Heritage Auctions
Dec. 08, 2005
FRANZ GODIN, CALLED FRANCESCO CODINO ACTIVE IN LOMBARDY IN 1621
Est: £20,000 - £30,000
FRANZ GODIN, CALLED FRANCESCO CODINO ACTIVE IN LOMBARDY IN 1621 STILL LIFE OF SWEETMEATS ON A GILT TAZZA, A LEMON, A PEWTER PLATE WITH OLIVES, CAPERS AND A LEMON, A ROEMER, A BREAD-ROLL, SHRIMPS AND A CRAB, TOGETHER WITH A MOUSE, ALL UPON A TABLE-TOP measurements note 38.5 by 54.3 cm.; 15 1/8 by 21 3/8 in. oil on panel PROVENANCE Anonymous sale, Rome, Christie's, 18 June 2002, lot 754, where acquired by the present owner. NOTE The artistic personality of Francesco Codino, by whom less than thirty works are known, was first established by S. Bottari (Nature morte della scuola di Francoforte, 1964) who noted the stylistic affinities between Codino's still lifes and those of his northern contemporaries. Dr. Gerhard Bott, a copy of whose expertise accompanies this lot (dated 24 April 2003), has suggested that he trained in the studio of Daniel Soreau in Hanau and that of Peter Binoit in Cologne, before emigrating to northern Italy in circa 1620. To support this theory is the fact that the present composition derives from Peter Binoit's signed painting in the Galleria Sabaudia, Turin, though with minor adjustments (see G. Bott, Die Stillebenmaler Soreau, Binoit, Codino und Marrell in Hanau und Frankfurt 1600-1650, Hanau 2001, p. 210, cat. no. WV.B.44, reproduced). Codino is known to have painted this composition in at least five other variants, only one of which is signed with monogram (all reproduced in Bott, op. cit., pp. 214-5, cat. nos. WV.C.4-8). Painting versions seems to have been part of Codino's working practice, probably to meet the growing demand for his works: his Still life of grapes with a dead bird exists in three versions and his Still life of fruit in a porcelain bowl, dead birds and a vase of flowers in at least eight (ibid., p. 213, cat. nos. WV.C.1-3 and pp. 215-8, cat. nos. WV.C.9-16 respectively, all reproduced).
Sotheby's
Jul. 08, 2005
Francesco Codino (active Bergamo 1621)
Est: £20,000 - £30,000
Pears, a peach and grapes with a bluetit in a porcelain bowl on a ledge with dead finches, carnation heads, seedheads, and peaches oil on panel, laid on panel 15 1/2 x 21 3/8 in. (39.4 x 54.3 cm.)
Christie's
Jul. 08, 2005
Francesco Codino (active Bergamo 1621)
Est: £30,000 - £40,000
Peaches and plums in a tazza and a finch eating blackberries from a porcelain bowl with gilt handles and a façon-de-Venise vase with carnations and wallflowers, on a ledge with cherries, seedheads, pine needles and a butterfly oil on panel, laid on panel 15 1/2 x 21 3/8 in. (39.4 x 54.3 cm.)
Christie's
Oct. 01, 2003
[ Art Work ] Franz Godin called Francesco Codino Estimate:ÿE60.000- 70.000 EURO
Est: -
[ Art Work ] Franz Godin called Francesco Codino Estimate:ÿE60.000- 70.000 EURO
Dorotheum