Hendrik de (1560) Clerck Sold at Auction Prices

Hendrick de Clerck (Bruxelles 1570 - 1630) attribuito

Hendrick de Clerck (Bruxelles 1570 - 1630) attribuito Madonna dell'Annunciazione Olio su tavola 144,5 x 81 cm Molto interessante è il confronto con l'Annunciazione passata in asta presso la Bonhams di New York in data 27/01/2006, dove oltre alle caratteristiche fisionomiche della Madonna immutate nelle varie opere, troviamo la stessa ambientazione con la variazione del vaso di fiori spostato da sopra al tavolo ai piedi della Vergine. Fu allievo di Maerten de Vos, poi fece un lungo viaggio in Italia durato quattro anni, tra il 1586 ed il 1590, durante il quale ebbe modo di osservare e far propria l'arte Italiana del Quattro e Cinquecento, in particolare la lezione classicista partendo da Raffaello e arrivando ai Carracci. Nel 1606 fu eletto da Alberto d'Austria e Isabella d'Asburgo pittore di corte a Bruxelles. Frequentemente collaborò con altri artisti, soprattutto con Jan Brueghel il Vecchio, Denis van Alsloot e Abraham Govaerts, per i quali dipingeva soprattutto le figure di corredo. Dipinse pannelli decorativi per mobili o per studioli ai quali alternò la realizzazione di grandi pale d'altare per diverse chiese di Bruxelles. Hendrick de Clerck (Brussels 1570 - 1630) attributed Madonna of the Annunciation Oil on panel 144,5 x 81 cm Very interesting is the comparison with the Annunciation auctioned at Bonhams in New York on 01/27/2006, where in addition to the physiognomic characteristics of the Madonna unchanged in the various artworks, we find the same setting with the variation of the moved vase of flowers from above the table at the feet of the Virgin.

Hendrick de CLERCK Bruxelles, vers 1570 - 1630 Le Jugement de Pâris Plume et encre noire, lavis brun sur traits de crayon noir

Hendrick de CLERCK Bruxelles, vers 1570 - 1630 Le Jugement de Pâris Plume et encre noire, lavis brun sur traits de crayon noir (Petites pliures, petites taches, petit manque restauré à l'angle supérieur droit) Sans cadre The Judgment of Paris, pen, black ink and brown wash, by H. de Clerck h: 21,50 w: 38,70 cm Provenance : Collection particulière, Ile-de-France Commentaire : Il existait dans l'ancienne collection de l'archiduc Léopold Guillaume, un tableau représentant le " Jugement de Pâris " hautement considéré (voir : Vicomte Terlinden, " Hendrick de Clerck Le peintre de Notre-Dame de la chapelle 1570 ? -1630 " in Revue belge d'archéologie et histoire de l'art, XXI, 1952, pp.81 à 112). Ce tableau provient de la collection de l'Empereur Rodolphe II, puis passa dans celle de l'Archiduc Léopold Guillaume conservée au château de Massignan à l'Universalmsueum Joanneum de Gratz. Une autre version de ce dessin existe à la bibliothèque de l'Université de Erlangen-Nuremberg (H62/B1501). Estimation 4 000 - 6 000 €

Hendrick de Clerck, Adoration of the shepherds

Signed lower right: h. de clerck Hendrick De Clerck belonged to the late Mannerist generation of artists preceding Peter Paul Rubens and the Flemish Baroque; his output was strongly influenced by his contemporary Marten de Vos, of whom he was a pupil. Following the iconoclastic outbreaks of 1556, the artist was often commissioned new altarpieces for churches in and around Brussels, for which he adopted the clear visual language common in post-Tridentine Counter-Reformation art; he kept faithful to this style despite continuing to work through the early decades of the seventeenth-century, when the Baroque language was in full bloom. The present painting relates to other pieces of the same subject, which the artist visited often in this career: If a strong reference to the northern mannerism is clearly detectable, figures such as the bowing shepherd and the child blowing on the fire, refer to the Italian 16th century figurative culture (particularly evident is the reference to Bassano´s œuvre), which he learned during his Roman stay.

HENDERICK DE CLERCK (Bruxelles, 1570 circa ; 1630) e DENIS VAN AALSLOOT (Mechelen, 1570 circa ; Bruxelles, 1626)

Riposo durante la fuga in Egitto Datato 1611 in basso a destra Olio su tavola, cm 107X96,5 Provenienza: Mostyn Hall, collezione di Lord Mostyn Cornelyn, collezione Sig.ra GE Massey, 1962 Blackburn (Lancashire), collezione Alfred Carysforth Londra, Christie's, 29 giugno 1974, lotto 74 Londra, Leger Galleries Londra, Sotheby's, 7 dicembre 1994, lotto 23 Londra-Monaco di Baviera, Galleria Konrad O. Bernheimer, 1995 Vignola, collezione Bizzini Milano, Porro, 27 aprile 2004, lotto 314 Milano, Galleria Altomani Maastricht, Tefaf, 2005 Londra, Christie's, 7 dicembre 2005, lotto 15 Collezione privata Bibliografia: W. Laurenssen, s.v. van Alsloot, in: Allgemeines Künstler-Lexicon, II, Lipsia ; Monaco di Baviera 1992, pp. 649-652 J. de Maere e M. Wabbes, Illustrated Dictionary of Flemish 17th century Painters, Bruxelles 1993, p. 250 La tela è stata realizzata da Denis Van Aalsloot per quanto riguarda il paesaggio, mentre le figure sono di Henderick De Clerck. La scena descrive in primo piano il Riposo nella fuga in Egitto ma gli autori estendono la narrazione raffigurando sul fondale la Sacra Famiglia in cammino. L'immagine è caratterizzata da una intricata foresta, d'ispirazione bruegeliana, posta al margine di un paesaggio impervio, dove in lontananza si scorgono castelli e ponti. Il brano di figura spicca al centro del dipinto e si staglia sui tronchi di querce in virtù di una gamma cromatica squillante, simile a smalto. Per quanto riguarda il sodalizio tra i due maestri bisogna evidenziare che entrambi ricoprirono un ruolo significativo nella vita artistica fiamminga. Aalsloot fu infatti nominato pittore di corte nel 1599 dall'arciduca Alberto e dall'arciduchessa Isabella, anche se le notizie biografiche che lo riguardano sono scarne. Hendrick de Clerck fu anch'esso un artista di notevole fama e con Marten de Vos fu il maggiore esponente della cultura tardo manierista e italianizzante nei Paesi Bassi. Come sappiamo, il pittore è citato per la prima volta in un documento romano del 1587 concernente Francesco da Castello (G. Sapori, 1993, 87, pp. 77-90) ma la sua attività, oltre che nella Città Eterna, si svolse in tutto l'ambito territoriale dello Stato della Chiesa, particolarmente in Umbria. Si spiega così il carattere italianizzante e manieristico che connota la Sacra Famiglia, la cui stretta ascendenza raffaellesca è qui letta attraverso le opere di Giulio Romano, Raffaellino del Colle, Federico Zuccari e Marco Pino.

Hendrick de Clerck (Brüssel um 1560 - Brüssel 1630), circle of. St. Jerome.

Oil/copper. 23,5 x 30 cm. Zustand Min. rest. - Flemisch painter. C. was pupil of Marten de Vos. Since 1587 he worked in Rome. On recommendation of emporer Rudolph II he worked for the archdukes of Austria since 1594. In 1606 he became painter to the court in Brussels. Mus.: St. Petersburg (Hermitage), Paris (Louvre), Vienna (Kunsthist. Mus.), Amsterdam (Rijksmus.), Madrid (Prado), Rome, Brussels, Antwerp a. others. Lit.: AKL, Thieme-Becker, Bénézit.

HENDRICK DE CLERCK (ATTR.) JOHANNES DER TÄUFER IN DER WILDNIS

ATTRIBUTED TO HENDRICK DE CLERCK 1570 Brussels - 27 August 1630 Ibid JOHN THE BAPTIST IN THE WILDERNESS Oil on oak panel, two parallel inset sponki. 47,5 x 39 cm (F. 61 x 53 cm). Verso: Two old wax seals (uninterpreted) and old paper label with attribution to 'Roelant Savery'. Part. min. old rest. Frame. Provenance: European private collection. Zeichen(10)HENDRICK DE CLERCK (ATTR.) 1570 Brüssel - 27. August 1630 Ebenda JOHANNES DER TÄUFER IN DER WILDNIS Öl auf Eichenholztafel, zwei parallel verlaufende, eingelassene Rückseitensponki. 47,5 x 39 cm (R. 61 x 53 cm). Verso: Zwei alte Wachssiegel (ungedeutet) sowie altes Papierlabel mit der Zuweisung an Roelant Savery. Part. min. altrest. Rahmen. Provenienz: Europäische Privatsammlung.

HENDRICK DE CLERCK (1570-1629)

Saint Jerome. Canvas. The original painting by Hendrick de Clerck was sold at Christie's, London, 18.04.1997, lot 53. The original bears a monogram in the lower right corner and is painted on panel. The canvas of the present piece has practically the same measurement as the original panel, and shows a strong resemblance in quality to the prototype of De Clerck. Description FR Saint Gérôme pénitent. Toile. Le tableau original de Hendrick de Clerck, qui serait signé de son monogramme en bas à droite et avec les mêmes dimensions mais peint sur panneau, a été vendu chez Christie's Christie's, Londen, 18.04.1997, lot 53 Beschrijving NL Boetvaardige Hiëronymus. Doek. Het originele schilderij van Hendrick de Clerck dat rechtsonder gemonogrammeerd zou zijn, en quasi dezelfde afmetingen heeft maar wel op paneel is geschilderd, werd bij Christie's, Londen, 18.04.1997, lot 53 verkocht.

Roland Savery - (Landscape and Animals) - Attributed to and Hendrick de Clerck (approx. 1560-1630) - (figures), Adam and Eve at the Fall

Roelant Savery was a chamber painter of Rudolf II, in Prague. He is famous for his landscapes with numerous animals. The dense forest landscape with many animals in this image refers to his style. The light bodies of Adam and Eve stand out against the background of a dark forest. The blonde, seductively beautiful Eve faces the viewer in front, while the seated Adam is turned on his back. Eve, smiling, her eyes downcast, gives Adam an apple from the tree of knowledge that the snake offers her. The lion still lives here in paradise with other animals.

[FINE ARTS: MONOGRAPHS & REFERENCE WORK] [LOW COUNTRIES] POLITIEK & SCHILDERKUNST

Hendrick De Clerck (1560-1630) en de keizerlijke ambities van de aartshertogen Albrecht en Isabella. Katharina van Cauteren. Tielt, Lannoo, 2016. Cloth with dust jacket. Half title inscribed by the author to Taco Dibbits + Jakob Smits. Etser & lithograaf. Antwerp, De Gulden Roos, 1997. Cloth with DJ + Nederlandse kunst 1800-1900. Gijs van der Ham et al. Zwolle/Amsterdam, Waanders/Rijksmuseum, 2009. Cloth with DJ, shrinkwrapped - and 12 more. (total 15)

Hendrick de Clerck (Brüssel um 1560 - Brüssel 1630), circle of. St. Jerome.

Oil/copper, 23,5 x 30 cm, min. rest. - Provenance: Private collection Sweden. - Flemisch painter. C. was pupil of Marten de Vos. Since 1587 he worked in Rome. On recommendation of emporer Rudolph II he worked for the archdukes of Austria since 1594. In 1606 he became painter to the court in Brussels. Mus.: St. Petersburg (Hermitage), Paris (Louvre), Vienna (Kunsthist. Mus.), Amsterdam (Rijksmus.), Madrid (Prado), Rome, Brussels, Antwerp a. others. Lit.: AKL, Thieme-Becker, Bénézit.

HENDRICK DE CLERCK (BRUSSELS 1560-1630) - Noli Me Tangere

HENDRICK DE CLERCK (BRUSSELS 1560-1630) Noli Me Tangere signed with monogram 'HDC' (lower centre) oil on panel 30 x 38 1/2 in. (76.2 x 97.7 cm.)

Minerva and the Muses

CLERCK, HENDRICK DE Brussels 1570 - 1629 Circle Title: Minerva and the Muses. After the painting by de Clerck in the Berlin Gemäldegalerie. Technique: Oil on wood. Measurement: 63 x 87,5cm. Frame/Pedestal: Framed. Verso: Collection stamp on the panel. Provenance: Private ownership, Germany.

Hendrick de Clerck, um 1570 Brüssel – 1629, zug.

DER HEILIGE HIERONYMUS IN DER EINÖDE Öl auf Kupfer. 23,5 x 18,5 cm. Der Heilige in weißem Lendenschurz und rotem Umhang in Landschaft vor einem Felsen und einem Baum nach rechts kniend in Anbetung eines kleinen, aufgestellten Kreuzes mit dem Corpus Christi, auf das er ehrfürchtig blickt. In seiner rechten Hand hält er einen Stein, mit dem er sich zur Selbstzüchtigung auf die Brust schlägt. Am rechten Bildrand sind als typische Attribute des Kirchenvaters ein sitzender Löwe, ein aufgeschlagenes Buch und an einem Ast hängend sein roter Kardinalshut erkennbar. Die Darstellung des knienden heiligen Hieronymus in der Natur ist ein beliebtes Motiv, das sich bei Künstlern wie Ghirlandaio (1480), Leonardo da Vinci (um 1480) und bei Albrecht Dürer wiederfindet. (1220671) (18)

Hendrik de Clerck (Brussels c. 1560-1630) - The Baptism of Christ

Hendrik de Clerck (Brussels c. 1560-1630) The Baptism of Christ oil on panel 33 ¾ x 27 7/8 in. (85.7 x 70.8 cm.)

TABLEAUX

Huile sur cuivre "Le Christ en Salvator Mundi". Attribué à Hendrick de Clerck. Ecole flamande. Epoque: XVIIème. Dim.:18,5x14cm.

HENDRICK DE CLERCK (BRUSSELS CIRCA 1560-1630) Pentecost with inscription 'M. de Vos.'

HENDRICK DE CLERCK (BRUSSELS CIRCA 1560-1630) Pentecost with inscription 'M. de Vos.' (verso) black chalk, pen and two shades of brown ink, brown wash, the lower corners cut, watermark coat of arms with letter N, partial brown ink framing lines 13 1/2 x 10 in. (34.3 x 25.4 cm)

HENDRIK DE CLERCK | Canons Regular of St. Augustine

Pen and brown ink and wash over traces of black and red chalk, within partial brown ink framing lines, squared for transfer in black chalk; bears numbering in brown ink to the backing sheet: No 117 and an old attribution in black chalk: Augustin / Martin de Vos

Ecole flamande du début du XVIIe siècle Atelier de Hendrick de Clerck La Sainte Famille avec saint Augustin Huile sur panneau, parqu...

Ecole flamande du début du XVIIe siècle Atelier de Hendrick de Clerck La Sainte Famille avec saint Augustin Huile sur panneau, parqueté 'THE HOLY FAMILY WITH ST. AUGUSTINE', OIL ON PANEL, WORKSHOP OF H. DE CLERCK h: 34 w: 25 cm Provenance : Vente anonyme ; Londres, Sotheby's, 6 décembre 1989, n° 131 (comme Hendrick de Clerck) ; Acquis par les parents de l'actuel propriétaire auprès de la galerie d'Art Saint Honoré, Paris, le 10 avril 1990 (comme Hendrick de Clerck) ; Collection particulière du Sud de la France

CLERCK, HENDRIK DE AND BRUEGHEL, JAN the Younger (ATTRIBUTED)

CLERCK, HENDRIK DE AND BRUEGHEL, JAN the Younger (ATTRIBUTED) (c. 1560 Brussels 1630) (1601 Antwerp 1678) Allegory of the four elements. Oil on panel. 27.5 x 38.5 cm. Provenance: Swiss private collection. --------------- CLERCK, HENDRIK DE UND BRUEGHEL, JAN d. J. (ZUGESCHRIEBEN) (um 1560 Brüssel 1630) (1601 Antwerpen 1678) Allegorie der vier Elemente. Öl auf Holz. 27,5 x 38,5 cm. Provenienz: Schweizer Privatsammlung.

Attribué à Hendrick de Clerck(1560-1630)

Attribué à Hendrick de Clerck (1560-1630) Vierge de douleur Panneau de chêne, parqueté 34 × 24,5 cm Porte un monogramme en bas à droite HDC (liés) (Fente au panneau) Sans cadre

HENDRICK DE CLERCK

(Bruselas, 1570-1630). "El triunfo de David", óleo sobre lienzo, 75x106 cm. Se adjunta certificado del prof. Emilio Negro.

HENDRICK DE CLERCK (1570-1629)

HENDRICK DE CLERCK (1570-1629) Le Parnasse Huile sur panneau de chêne Soulèvements, écaillures, sans cadre Provenance : Vente Ader-Picard-Tajan le 4 novembre 1987 - Drouot, lot 106. Dimensions : 27 x 49 cm

Studio of Hendrick de Clerck (Brussels 1560/70-1630) Mars and Venus surprised by Vulcan, Cupid and Apollo oil on copper 18½ x 13 5/8 in. (47 x 34.6 cm.)

Hendrick de Clerck (Brussels before 1570-c. 1630)

Hendrick de Clerck (Brussels before 1570-c. 1630) The Rape of Europa signed with monogramm 'HDC' (lower right) oil on panel 20¾ x 29¾ in. (52.7 x 75.6 cm.)

Circle of Hendrick de Clerck (Brussels c.1560-1630)

Circle of Hendrick de Clerck (Brussels c.1560-1630) The Coronation of the Virgin oil on panel 104.3 x 73.5 cm.

Hendrick de Clerck (Brussels 1570-1630)

Hendrick de Clerck (Brussels 1570-1630) A group of female musicians traces of black chalk, pen and brown ink, brown wash, watermark encircled bird 10 7/8 x 8¼ in. (27.6 x 20.9 cm.), oval

HENDRICK DE CLERCK (1570-1630)

HENDRICK DE CLERCK (1570-1630) La destruction de l'armée du Pharaon plume et encre brune, lavis brun, traces de pierre noire, mise au carreau à la pierre noire, traces de filigrane 21,5 x 38,2 cm. (8 x 15 in.)

HENDRIK DE CLERCK Mariä Verkündigung

HENDRIK DE CLERCK Mariä Verkündigung Flämischer Künstler, um 1570-1630 Öl auf Eichenholz, 134 x 101 cm

Hendrick de CLERCK (Bruxelles 1570 - 1629)

Hendrick de CLERCK (Bruxelles 1570 - 1629) Bacchus, Vénus et Cérès Panneau de chêne, une planche, non parqueté 29 x 22,5 cm Monogrammé en bas à droite HDC

Studio of Hendrick de Clerck (Brussels 1560/70-1630)

Studio of Hendrick de Clerck (Brussels 1560/70-1630) Mars and Venus surprised by Vulcan, Cupid and Apollo oil on copper 18½ x 13 5/8 in. (47 x 34.6 cm.)

Hendrik de Clerck , Brussels before 1570 - 1630 The adoration of the shepherds oil on panel

signed and dated lower right: Hendrick. de.Clerck/ 1609. oil on panel

The Holy Family

Circle of Hendrik de Clerck (Brussels before 1670-1630) The Holy Family oil on panel 29.6 x 41.3 cm.

Hendrik de Clerck (? 1570-1630 Brussels)

The Madonna and Child in Glory oil on copper 7 7/8 x 4 1/4 in. (20 x 10.8 cm.)

f - HENDRIK DE CLERCK BRUSSELS BEFORE 1570 - 1630

THE CRUCIFIXION measurements note 106.2 by 73.5 cm.; 41 3/4 by 29 in. oil on oak panel

Hendrik de Clerck (?1571-1630 Brussels)

The Adoration of the Shepherds with the Annunciation to the Shepherds beyond inscribed 'ad [...] M...IIII Eminentissim [...]' (on the reverse) oil on copper 13 5/8 x 12 1/4 in. (34.6 x 31.1 cm.)

HENDRIK DE CLERCK BRUSSELS BEFORE 1570 - 1630

inscribed in brown ink, verso: M. du Vos pen and two shades of brown ink and wash over black chalk, the lower corners cut

HENDRIK DE CLERCK BRUSSELS BEFORE 1570 - 1630

inscribed in brown ink, verso: M. du Vos pen and two shades of brown ink and wash over black chalk, the lower corners cut Inv.nr. N 231

HENDRIK DE CLERCK BRUSSELS BEFORE 1570 - 1630

bears signature, lower right, in brown ink: H. de Cler...and date, verso: 1634 bears numberings, verso, in dark brown ink: No 28 H.de Clerq, and in red chalk: 6 2-15 bears inscription in an early hand in brown ink, verso (partly illegible and partly obscured by mount): Hendrick de Clerck. nota het Schildery van deze tekening berust tot/ B....dt in St.Bavo...., and another, on a label stuck to verso: het Schilderij/van de P P/te Gendt pen and brown ink and wash over traces of black chalk, within black ink framing lines, squared in black chalk for transfer Inv.nr. N 228

Hendrick de Clerck

Hendrick de Clerck Brussels circa 1570 - 1629 saint jerome in a landscape oil on panel 95.5 by 126 cm.; 37 1/2 by 49 1/2 in. The landscape is by another hand, close in style to De Clerck's frequent collaborator Denys van Alsloot.

Hendrik de Clerck (? 1570-1630 Brussels)

The Annunciation with monogram 'HDC' (lower left) oil on panel 491/8 x 38 in. (124.7 x 96.5 cm.) PROVENANCE The Rt. Hon. Godfrey Locker Lampson, P.C., M.P., Barlborough Hall, Nottinghamshire; Christie's, London, 31 January 1930, lot 121, as de Vos (81/2 gns. to Moore). NOTES Little is known about Hendrick de Clerck's training. One of the generation of late Flemish Mannerists immediately preceding Rubens, along with such artists as Otto van Veen and Abraham Janssens, he is recorded in Rome in 1587 working with his compatriot Frans van de Casteele. His style is close to that of Marten de Vos who was traditionally thought to have been his teacher, but he probably trained with Joos van Winghe in Italy. He returned to Brussels where he worked as a court painter to the governors of the southern Netherlands, where he was a member of the painters' guild. His eminent position within the guild was affirmed in 1594 when he was appointed court painter in Brussels, first to Archduke Ernest and after his death to the new Archduke, Albert and Isabella. That Hendrick de Clerck was a much sought after figure painter is also illustrated by his collaboration with Jan Breughel I for whom he painted the figures in landscapes.