Born Christo Javacheff in Bulgaria in 1935, artist Christo is known for his partnership with fellow artist Jeanne-Claude de Guillebon on several large-scale installations. Many of Christo’s paintings are from his early days in Paris, where he produced portraits and drawings on the street. Eventually, he experimented with found objects, and he and Jeanne-Claude began creating the large sculptures that would define their careers. Many Christo prints are primarily lithographs depicting his wrapped objects, from a pile of magazines to a Vespa to a portrait of Jeanne-Claude.
Christo and Jeanne-Claude acted as their own art dealers in the past, so it's possible to find Christo art prints for sale at reasonable prices. Fans of larger-than-life artwork can find unique creations with notable landscape prints for sale at Invaluable.
Technik: Fotografie des Originalentwurfs des Projektes, Signatur: unten links handsigniert 'Christo', Fotograph: Wolfgang Volz, Verlag: Schumacher Edition Fils, Düsseldorf, Maße: 70 x 50 cm, Zustand: stockfleckig und braune Schliere rechts oben
Artist: Christo and Jeanne-Claude, Bulgarian (1935 - 2020) Title: Wrapped Paris Review Year: 1982 Medium: Offset Lithograph, signed and numbered in pencil Edition: 126/250 Size: 36 x 24 in. (91.44 x 60.96 cm) Publisher: Paris Review Description: Image by Wolfgang Volz.
Artist: Christo and Jeanne-Claude, Bulgarian (1935 - 2020) Title: Running Fence Postcard Medium: Postcard, signed in marker Size: 4 x 6 in. (10.16 x 15.24 cm) Description: Image by Wolfgang Volz.
THE GATES PROJECT FOR CENTRAL PARK, NEW YORK CITY Color offset lithograph, 2002, signed in pencil, with full margins, framed. Image 16 3/8 x 14 3/4 inches; 416 x 375 mm. Frame 23 7/8 x 19 7/8 inches; 606 x 505 mm. Provenance: The Metropolitan Museum of Art, New York
WALL OF OIL BARRELS - IRON CURTAIN, RUE VISCONTI, PARIS, 1961-62 (SCHELLMANN 151) Color offset lithograph, 1990, on Fabriano paper, signed by both artists in orange crayon, printed by Richard Larsen, Copenhagen, published by Edition Blondal, Copenhagen, with full margins, framed. Image 24 3/4 x 19 1/4 inches; 629 x 489 mm. Sheet 35 x 24 inches; 889 x 610 mm. Frame 37 x 25 1/8 inches; 940 x 638 mm.
TEXAS MASTABA, PROJECT FOR 500,000 STACKED OIL DRUMS (SCHELLMANN 85) Color lithograph and screenprint with collage, 1976, on brown cardboard, signed and numbered 22/25 AP in pencil, a proof aside from the edition of 200, from America: The Third Century, printed by Styria Studio, New York, published by APC Editions, Chermayeff and Geismer Associates, New York, the full sheet, framed. Sheet 30 x 22 1/4 inches; 762 x 565 mm. Frame 30 1/4 x 23 1/4 inches; 768 x 591 mm.
WRAPPED MONUMENT TO LEONARDO, PROJECT FOR PIAZZA DELLA SCALA, MILAN Color offset lithograph, 1971, on wove paper, signed and numbered 63/99 in pencil, printed by Matthieu AG, published by Edition 999, Zurich, with full margins, unframed. Image 26 7/8 x 18 1/2 inches; 683 x 470 mm. Sheet 29 1/4 x 21 3/4 inches; 743 x 552 mm.
Serigrafia con acetato. (Due pezzi incernierate fronte e retro), cm. 70x55; es. 38/100. Firma e data in basso a destra; tiratura in basso a sinistra. Sul verso: etichetta con dati dell'opera. . 1968
CHRISTO & JEANNE-CLAUDE 1935 Gabrowo, Bulgaria bzw. Casablanca - 2020 bzw. 2009 New York City 'WRAPPED REICHSTAG' (1994) Colour offset with silver foil on light cardboard. Print size 35,5 x 55,5 cm, visible size 41 x 61 cm. (f. 66 x 85 cm). Signed in coloured pencil lower left. Mounted and framed behind glass (unopened). CHRISTO & JEANNE-CLAUDE 1935 Gabrowo, Bulgarien bzw. Casablanca - 2020 bzw. 2009 New York City 'WRAPPED REICHSTAG' (1994) Farboffset mit Silberfolie auf leichtem Karton. DM 35,5 x 55,5 cm, SM 41 x 61 cm. (R. 66 x 85 cm). Unten links mit Buntstift signiert. Im Passepartout und hinter Glas gerahmt (ungeöffnet). Bitte beachten Sie, dass bei diesem Objekt wegen der Abgeltung des gesetzlichen Folgerechts § 26 UrhG eine pauschale Umlage von 2% auf den Zuschlagpreis zu entrichten ist. Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG). Bitte beachten Sie, dass bei diesem Objekt wegen der Abgeltung des gesetzlichen Folgerechts § 26 UrhG eine pauschale Umlage von 2% auf den Zuschlagpreis zu entrichten ist. Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
CHRISTO & JEANNE-CLAUDE 1935 Gabrowo, Bulgaria bzw. Casablanca - 2020 bzw. 2009 New York City 'WRAPPED REICHSTAG' Colour offset lithograph on vellum. Print size 54 x 90 cm, visible size 99 x 69 cm. (f. 75 x 105,5 cm). Signed in blue coloured pencil lower right. Min. soiled under frame glass. Framed behind glass (unopened). CHRISTO & JEANNE-CLAUDE 1935 Gabrowo, Bulgarien bzw. Casablanca - 2020 bzw. 2009 New York City 'WRAPPED REICHSTAG' Farboffsetlithografie auf Velin. DM 54 x 90 cm, SM 99 x 69 cm. (R. 75 x 105,5 cm). Unten rechts mit blauem Buntstift signiert. Min. verschm. unter Rahmenglas. Hinter Glas gerahmt (ungeöffnet). Bitte beachten Sie, dass bei diesem Objekt wegen der Abgeltung des gesetzlichen Folgerechts § 26 UrhG eine pauschale Umlage von 2% auf den Zuschlagpreis zu entrichten ist. Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG). Bitte beachten Sie, dass bei diesem Objekt wegen der Abgeltung des gesetzlichen Folgerechts § 26 UrhG eine pauschale Umlage von 2% auf den Zuschlagpreis zu entrichten ist. Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
CHRISTO & JEANNE-CLAUDE 1935 Gabrowo, Bulgaria bzw. Casablanca - 2020 bzw. 2009 New York City 'WRAPPED REICHSTAG' Offset lithograph. Print size 62 x 69,5 cm, visible size 68,5 x 75 cm (f. 88 x 98 cm). Hand-signed in coloured pencil lower right. Streaking in upper area. Mounted and framed behind glass (unopened). Provenance: Rhenish private collection. CHRISTO & JEANNE-CLAUDE 1935 Gabrowo, Bulgarien bzw. Casablanca - 2020 bzw. 2009 New York City 'WRAPPED REICHSTAG' Offset Lithografie auf festem Papier. DM 62 x 69,5 cm, SM 68,5 x 75 cm (R. 88 x 98 cm). Unten rechts mit Buntstift handsigniert. Verso: Streifenbildung im oberen Bereich. Im Passepartout und hinter Glas gerahmt (ungeöffnet). Expertise: Rheinische Privatsammlung. Provenienz: 3,5 cm. Bitte beachten Sie, dass bei diesem Objekt wegen der Abgeltung des gesetzlichen Folgerechts § 26 UrhG eine pauschale Umlage von 2% auf den Zuschlagpreis zu entrichten ist. Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG). Bitte beachten Sie, dass bei diesem Objekt wegen der Abgeltung des gesetzlichen Folgerechts § 26 UrhG eine pauschale Umlage von 2% auf den Zuschlagpreis zu entrichten ist. Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
CHRISTO & JEANNE-CLAUDE 1935 Gabrowo, Bulgarien bzw. Casablanca - 2020 bzw. 2009 New York City 'WRAPPED REICHSTAG' (1995) Farboffset auf festem Papier mit sibernem Textilelement. DM 62 x 69 cm, SM 67,5 x 74,5 cm. (R. 91 x 98,5 cm). Unten rechts mit Bunstift signiert. Verso: Mit Klebeetikett bez. Part. minimalst stockfleckig (zu vernachlässigen). Im Passepartout und hinter Glas gerahmt (ungeöffnet). Bitte beachten Sie, dass bei diesem Objekt wegen der Abgeltung des gesetzlichen Folgerechts § 26 UrhG eine pauschale Umlage von 2% auf den Zuschlagpreis zu entrichten ist. Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG). Bitte beachten Sie, dass bei diesem Objekt wegen der Abgeltung des gesetzlichen Folgerechts § 26 UrhG eine pauschale Umlage von 2% auf den Zuschlagpreis zu entrichten ist. Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
chromolithograph, unnumbered 76 x 56 cm (sheet size), (unframed) Signed in red pencil lower left MACBA Publisher, Museo de Arte Contemporanea de Barcelona
chromolithograph, unnumbered 76 x 56 cm (sheet size), (unframed) Signed in black pencil lower left Publisher MACBA, Museo de Arte Contemporanea de Barcelona
Christo (Bulgarian, 1935-2020) The Pink Store Front, Project Project from Marginalia, 1980 lithograph and collage signed, dated, and numbered 23/30 AP in pencil 18 x 22 1/2 inches. This lot is located in Chicago.
(Gabrowo –2020 New York) "Lower Manhatten Wrapped Buildings Project for 2 Broadway 20 Exchange Place". Farblithographie mit Stoff, Schnur und Klebeband. 47/125. Unten rechts in Bleistift signiert. Mit Plexiglasrahmen umhüllt 103x66,5 cm. - Blatt minimst gebräunt. Ecken leicht bestossen. Plexiglasrahmen bestossen und mit Rissen.
"Wrapped Vespa" by Javacheff Christo, 2004 Unsigned Offset Lithograph. Paper size is 23.25 x 33 inches, with an image size of 19 x 31 inches. The Offset Lithograph is from an edition size of 1000 and is not framed. The condition was rated A: Mint. Additional details: This 2004 poster titled "Wrapped Vespa" by Christo, published by Dr. Fils Art Edition, is a unique and valuable collectible. Printed on heavy cover stock, it captures the essence of Christo's artistic vision and his ability to transform the ordinary into the extraordinary.
"Wrapped Reichstag" by Javacheff Christo, 1985 Unsigned Offset Lithograph. Paper size is 11.25 x 12 inches, with an image size of 7.25 x 8 inches. The Offset Lithograph is from an unknown edition size. and is currently framed. The condition was rated A: Mint. Additional details: This notecard, published in the mid-1980s by a French company, features a preliminary rendering of Christo's visionary concept for the Wrapped Reichstag in Berlin, depicting the landmark draped in fabric. It lends itself beautifully as a standalone artwork. Elegantly framed in a white wood frame with a 2-inch acid-free mat and UV-protective plexiglass, the presentation enhances the piece’s depth and ensures its archival preservation. A stunning tribute to Christo's monumental creativity, this notecard transforms into a compelling decorative statement.
"The Gates, Project for Central Park, New York City" by Javacheff Christo, 2003 Unsigned Offset Lithograph. Paper size is 8.75 x 12.75 inches, with an image size of 4 x 7.15 inches. The Offset Lithograph is from an unknown edition size. and is currently framed. The condition was rated A: Mint. Additional details: Original exhibition postcard from Christo and Jeanne-Claude's 'The Gates, Project for Central Park, New York City' of a drawing from 2003 in two parts. Framed in a white wood frame with a 2-inch acid-free mat and UV-plexi, the presentation enhances the artwork's depth while preserving its archival quality.
Wrapped Reichstag. 1994. Drei Drucke, jeweils Offset und Prägedruck auf leichtem Karton. Jeweils am unteren Blattrand mit blauem Wachsmalstift signiert: Christo. Blattmaß jeweils: 40,5 x 30,5 cm. Jeweils unter Glas gerahmt: 42 x 32 cm. Verso angehangen ein Auszug aus dem Stenographischen Bericht der 211. Sitzung des Deutschen Bundestages.
Christo 1935 - 2020 New York City. The Gates. Offset- Druck. Unten links handsigniert, im Druck signiert und datiert 2003, unten typografisch bezeichnet "Christo - The Gates Project for Central Park, XXVII, New York City. Collection Whitney Museum. Collage 2003, Photo: Wolfnagn Volz - Copyright Christo 2003 - Published and Distributed by Kunstverlag Schumacher GmbH Edition-Fils, Düsseldorf". Druckgröße ca. 79 x 130 cm. Hinter Glas gerahmt ca. 104 x 144 cm. Anbei Rechnung der Galerie Eberwein Freiburg von 2005 über DM 750,-. Kein Versand möglich, wir empfehlen gerne eine Spedition. Christo 1935 - 2020 New York City. The Gates. Offset print. Signed by hand lower left, signed and dated 2003 in the print, typographically inscribed ‘Christo - The Gates Project for Central Park, XXVII, New York City. Collection Whitney Museum. Collage 2003, Photo: Wolfnagn Volz - Copyright Christo 2003 - Published and Distributed by Kunstverlag Schumacher GmbH Edition-Fils, Düsseldorf’. Print size approx. 79 x 130 cm. Framed behind glass approx. 104 x 144 cm. Enclosed invoice from Galerie Eberwein Freiburg from 2005 for DM 750. No shipping possible, we are happy to recommend a forwarding agent.
Christo 1935 - 2020 New York City. Wrapped Trees VI. Offset- Druck. Unten links handsigniert, im Druck signiert und datiert 1998 sowie bezeichnet "Wrapped Reichstag (Project for the Foundation Beyeler and Berower Park, Riehen, Switzerland)", unten typografisch bezeichnet. Herausgegeben von SCHUMACHER EDITION Fils Düsseldorf, insgesamt 500 Exemplare. Druckgröße ca. 58 x 96 cm. Hinter Glas gerahmt ca. 72 x 103 cm. Anbei Rechnung der Galerie Eberwein Freiburg von 1999 über DM 950,-. Christo 1935 - 2020 New York City. Wrapped Trees VI. Offset print. Signed by hand lower left, signed and dated 1998 in the print and inscribed ‘Wrapped Reichstag (Project for the Foundation Beyeler and Berower Park, Riehen, Switzerland)’, typographically inscribed below. Published by SCHUMACHER EDITION Fils Düsseldorf, 500 copies in total. Print size approx. 58 x 96 cm. Framed behind glass approx. 72 x 103 cm. Enclosed invoice from Galerie Eberwein Freiburg from 1999 for DM 950.
Christo (1935-2020) und Jeanne-Claude (1935-2009), Verhüllter Reichstag, Projekt für Berlin, Farboffset mit Collage, unten links signiert, Maße: 38,3 x 57,1 cm. Guter, altersbedingter Zustand
Collage with pencil, enamel colour, chalk and adhesive tape on cardboard, mounted on wooden panel, in O. plexiglass frame. 1994. C. 36.5 x 57 cm. Signed and dated lower right. Signed once more and dated on the reverse of the frame.
Christo American, 1935-2020 Two Lower Manhattan Wrapped Buildings, Project for New York City color lithograph signed and numbered in pencil 'Christo P.A. 5/10'
CHRISTO (Gabrovo 1935-New York 2020) Christo and Jeanne-Claude project for the Arc de Triomphe 1970 Colour lithograph 48 x 66 cm Signature and edition on the right side: Christo, tir. 92/300 Excellent conditions
Christo & Jean Claude (Bulgarian, Moroccan 1935-2020/2009). Chicago Magazines, Wrapped. 1980. Several copies of Chicago Magazine wrapped in polyethylene with cord placed in Plexiglas shadow box. Handmade by Christo. Signed and numbered lower right. Edition 18/35. Plus 5 AP. Publisher: Museum of Contemporary Art, Chicago. 12 h x 9 ½ w x 2”d. Plexiglas box 17 ½ h x 14 ½ w x 4” d. Christo made this Edition as a gift to the MCA, which he had wrapped in 1969. In two small areas (3/4" diameter each) in the upper left quadrant, the polyethylene appears to have been slightly melted. Possibly inherent. [Together with] BURDON, David (20th century). “Christo.” New York: Harry N. Abrams, 1970. Pictorial cloth boards and dust jacket. With 320 illustrations, including 84 in full color. First edition.
Signed and dated 'Christo 61' on side on the fabric and signed and dated 'Christo 61' on underside of table. With accompanying artist's signed photo certificate dated 22.05.2018 The publications by Lawrence Alloway and David Bourdon are enclosed with the sculpture. At the end of the 1950’s, Christo began his iconic concealments that will define his entire artistic œuvre. Tables laden with wrapped objects pertain to his first works, including our work. ‘Package on a Table’ is thus one of the most significant, pioneering pieces of his early works. It comes from an exceptional provenance: John Trouillard and his wife Jacqueline ran the avant-garde gallery Ad Libitum in Antwerp from 1958 to 1972. With passion and a special instinct for artistic quality, the couple was doing pioneering work promoting artists such as Lucio Fontana, Niki de Saint-Phalle, Jean Tinguely, and Arman. The young Christo, who had only just started his career, was also supported by the Trouillards. In 1964, the gallery organised its first exhibition for the artist in Belgium where ‘Package on a Table’ was also shown. After the end of the exhibition, the work became the property of the gallery owners. In ‘Package on a Table’, the table and the objects are combined into an inseparable unit through the act of wrapping. While the piece of furniture remains recognisable in parts, the objects piled on top of it are entirely concealed. Their multi-levelled structure and the numerous nooks and edges form the basis for an organic landscape shaped by folds of fabric and complex lacings. Simultaneously, a conscious failure of the table’s function takes place – the table, built to be a piece of furniture, is relieved of its original task, the use as a table is permanently prevented, as is also the case with the wrapped bicycles, traffic signs or armchairs created by Christo shortly after. The particularity of Christo’s concealments lies in the autonomy of the wrapped objects – they stay anonymous and hidden and are relevant in their spatial presence without conveying any subtle messages. This contrasts with early surrealistic concealments that are sometimes viewed as forerunners of Christo’s works. In contrast to these, Christo was more interested in surfaces and outer appearance. He explored the geometry of objects with the aim to deliberately change and obscure them through the wrapping. The fabrics, films or tarpaulins used for wrapping create different, new geometric shapes and surfaces – turning these into the decisive element rather than the mystification of the content. ‘Here, too, the questions of content, utility and purpose are posed, but the obscurity of the interior forms renders them unanswerable and deflects our attention to the extremely subtle geometry of surfaces, the relations of area, volume and line.’ (Stephen S. Prokopoff, cited from: Matthias Koddenberg, Christo and Jean-Claude. Frühe Werke 1958-64, Bönen 2009, p. 87).
CHRISTO (VLADIMIROV JAVACHEFF) (Gabrowo 1935–2020 New York) Surrounded Islands, project for Biscayne Bay, Greater Miami, Florida (2 parts). 1987. Colour screenprint and collophone with tape, fabric and photo. 67/125. Signed in pencil lower right (first sheet): Christo, also described below: part I rep. part II. Sheet size each 40 × 38 cm on thin cardboard. Published by Edition Schellmann, Munich/New York. Printed by Domberger KG, Stuttgart (with the blindstamp). Exhibited: - Schellmann/Benecke, no. 132. * The full tax is charged on this item marked * in the auction catalogue, i.e. VAT is charged on the sum of the bid price plus the surcharge for those items. The VAT will be refunded to Purchasers providing a validly stamped export declaration. ------------------------------------------------- CHRISTO (VLADIMIROV JAVACHEFF) (Gabrowo 1935–2020 New York) Surrounded Islands, project for Biscayne Bay, Greater Miami, Florida (2-teilig). 1987. Farbserigrafie und Lichtdruck mit Klebeband, Faden und Foto. 67/125. Unten rechts (auf dem ersten Blatt) mit Bleistift signiert: Christo, sowie darunter bezeichnet: part I bzw. part II. Blattmass je 38 × 40 cm auf dünnem Karton. Erschienen bei Edition Schellmann, München/New York. Gedruckt bei Domberger KG, Stuttgart (mit dem Blindstempel). Ausstellung: - Schellmann/Benecke, Nr. 132. Dieses mit * (Asterisk) bezeichnete Objekte ist vollumfänglich mehrwertsteuerpflichtig, d. h. bei diesen Objekten wird die MWST auf den Zuschlagspreis plus Aufgeld berechnet. Käufer, die eine rechtsgültig abgestempelte Ausfuhrdeklaration vorlegen, erhalten die MWST rückvergütet.
CHRISTO (VLADIMIROV JAVACHEFF) (Gabrowo 1935–2020 New York) Wrapped Automobile (Project for 1950 Studebaker Champion, Series 9G Coupe). 2015. Colour screenprint with collage (fabric and thread). 101/200. Signed and dated in pencil upper right: Christo 2015. Sheet size 43.2 × 53 cm on thin board, on board. Published by the artist (verso with the copyright-stamp). Printed by Landfall Press, Santa Fe (verso with the stamp and the numbering: CHR-14-08). Exhibited: No longer in Schellmann/Benecke. * The full tax is charged on this item marked * in the auction catalogue, i.e. VAT is charged on the sum of the bid price plus the surcharge for those items. The VAT will be refunded to Purchasers providing a validly stamped export declaration. ------------------------------------------------- CHRISTO (VLADIMIROV JAVACHEFF) (Gabrowo 1935–2020 New York) Wrapped Automobile (Project for 1950 Studebaker Champion, Series 9G Coupe). 2015. Farbserigrafie mit Collage (Stoff und Zwirn). 101/200. Oben rechts mit Bleistift signiert und datiert: Christo 2015. Blattmass 43,2 × 53 cm auf festem Vélin, fest aufgelegt auf Karton. Erschienen beim Künstler (verso mit dem Copyright-Stempel). Gedruckt bei Landfall Press, Santa Fe (verso mit dem Stempel und der Nummerierung: CHR-14-08). Ausstellung: Nicht mehr bei Schellmann/Benecke. Dieses mit * (Asterisk) bezeichnete Objekte ist vollumfänglich mehrwertsteuerpflichtig, d. h. bei diesen Objekten wird die MWST auf den Zuschlagspreis plus Aufgeld berechnet. Käufer, die eine rechtsgültig abgestempelte Ausfuhrdeklaration vorlegen, erhalten die MWST rückvergütet.
This description has been translated automatically: Christo Javacheff (1935-2020) and Jeanne-Claude (1935-2009) The Gates: Central Park New York city, 2005 Original vintage poster Signed by the artists in the plate On thick paper 76 x 51 cm Photograph by Wolfgang Voltz, the only authorized photographer of their works. Information: Original edition made during the installation of the work in NY in 2005 Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Christo Javacheff (1935-2020) et Jeanne-Claude (1935-2009) The Gates : Central Park New York city, 2005 Affiche originale d'époque Signée par les artistes dans la planche Sur papier épais 76 x 51 cm Photographie de Wolfgang Voltz, le seul photographe autorisé de leurs oeuvres. Information : Edition originale réalisée lors de l'installation de l'oeuvre à NY en 2005 Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
This description has been translated automatically: Christo Javacheff (1935-2020) and Jeanne-Claude (1935-2009) Gates near Frozen Lake: Central Park New York, 2005 Original vintage poster Signed by the artists in the plate On thick paper 51×76 cm Photograph by Wolfgang Voltz, the only authorized photographer of their works. Information: Original edition made during the installation of the work in NY in 2005 Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Christo Javacheff (1935-2020) et Jeanne-Claude (1935-2009) Gates near Frozen Lake : Central Park New York, 2005 Affiche originale d'époque Signée par les artistes dans la planche Sur papier épais 51×76 cm Photographie de Wolfgang Voltz, le seul photographe autorisé de leurs oeuvres. Information : Edition originale réalisée lors de l'installation de l'oeuvre à NY en 2005 Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
(Gabrovo 1935 - New York 2020) "Wrapped Sylvette - Project for Picasso's Sylvette at Washington Square Village, New York" 1973 - 1974 silkscreen and photo collage 65x50 cm Signed and numbered 193/300 Bibliography Schellmann, 60 IT "Wrapped Sylvette - Project for Picasso's Sylvette at Washington Square Village, New York" 1973 - 1974 serigrafia e collage di fotografie cm 65x50 Firmato e numerato 193/300 Bibliografia Schellmann, 60
CHRISTO (1935-2020) ET JEANNE-CLAUDE (1935-2008) SURFACE D’EMPAQUETAGE, 1961 Peinture, laque et sable sur papier monté sur panneau Signé et daté ‘61’ en bas à gauche Paint, lacquer and sand on paper mounted on board; signed and dated ‘61’ lower left 55 X 68,5 CM • 21 5/8 X 27 IN.
