Jacopo da Empoli Paintings & Artwork for Sale | Jacopo da Empoli Art Value Price Guide

Jul. 31, 2024
Jacopo Da Empoli, Italian 1551 - 1640, Study of a Child, Red Chalk
Est: $3,000 - $5,000
Jacopo Da Empoli Italian, 1551 - 1640 Study of a Child Red Chalk Bears label verso, Jacopo Chimenti, called Jacopo da Empoli. Provenance: Property from a Private Park Ave. Collection
Nye & Company
Jun. 29, 2023
Attributed to Jacopo Chimenti detto l'Empoli (1551 - 1640), The head of a putto
Est: £2,000 - £3,000
Property of a ladyAttributed to Jacopo Chimenti detto l'Empoli (1551 - 1640)The head of a puttoRed and black chalk on buff paperThis drawing is loosely based on a drawing by Pontormo now in the Uffizi, Florence (inv. 654EV), which is a study for the head of the Christ Child in the altarpiece of the Madonna and Saints in the church of the S. Michele-Visdomini, Florence (see Janet Cox-Rearick), The Drawings of Pontormo, New York 1981, pls. 36 and 43).Provenance: Drury-Lowe Collection, Locko Park; Sotheby's London, March 25th 1965, lot 47 (as Federigo Baroccio); Professor J. Isaacs; The Rev. Richard Bagley. Dimensions:10.75 in. (H) x 8.75 in. (W)We are grateful to Professor Carlo Falciani for the attribution to Jacopo Chimenti detto l'Empoli.
Sloane Street Auctions
Nov. 20, 2021
Jacopo (da Empoli) Chimenti, Adam and Eve with Cain and Abel
Est: €30,000 - €40,000
RefMas121121 This rather unusual pictorial motif showing the first "family" after their expulsion from paradise is based on Florentine prototypes of the early sixteenth century, namely the works of Fra Bartolomeo and Bacchiacca (active 1494-1557). Bacchiacca's "Eve with Cain and Abel" in the Philadelphia Museum of Art, created around 1516-1518, is the direct model for our painting. His work in turn was based on Perugino's "Apollo and Daphnis" in the Musée du Louvre - Perugino was Bacchiacca's teacher. The celebrated painter and draughtsman Jacopo Chimenti, called Jacopo da Empoli, spent his whole life in Florence. Accordingly, his artistic style draws heavily on the Renaissance and Mannerist painting of that city. Besides Bacciacca, Pontormo was an important source of inspiration for him, whose influence is particularly evident in the typology of the figures in our painting. A drawing by Jacopo da Empoli showing our subject was sold at Sotheby's London on 5th July, 2000.
Kunsthaus Lempertz KG
Nov. 03, 2021
JACOPO DA EMPOLI (Florence 1551-1640 Florence) A Fallen Soldier Attended by Two Figures.
Est: $3,000 - $5,000
JACOPO DA EMPOLI (Florence 1551-1640 Florence) A Fallen Soldier Attended by Two Figures. Red chalk on cream laid paper. 160x255 mm; 6 1/4x10 inches. Provenance: Private collection, Massachusetts. Empoli was an Italian Counter-Maniera (Counter-Mannerism) artist. Born in Florence as Jacopo Chimenti (Empoli being the birthplace of his father), he worked mostly in his native city. He apprenticed under Maso da San Friano. Like his contemporary Santi di Tito, he gravitated to a style often more crisp, less contorted and less crowded than Florentine mannerist predecessors like Vasari. After the 1620s, working in a manner atypical of Florentine artists at the time, he completed a series of exceptional still-life paintings.
Swann Auction Galleries
Dec. 08, 2020
Attributed to Jacopo Chimenti, called Jacopo da Empoli (Empoli 1554-1640)
Est: £2,000 - £3,000
Attributed to Jacopo Chimenti, called Jacopo da Empoli (Empoli 1554-1640) The Birth of Saint John the Baptist black chalk, pen and brown ink, brown wash, inscribed with an arched top 5 x 3 1/8 in. (12.7 x 8 cm)
Christie's
Nov. 14, 2020
Jacopo (da Empoli) Chimenti, Adam and Eve with Cain and Abel
Est: €70,000 - €90,000
This rather unusual pictorial motif showing the first "family" after their expulsion from paradise is based on Florentine prototypes of the early sixteenth century, namely the works of Fra Bartolomeo and Bacchiacca (active 1494-1557). Bacchiacca's "Eve with Cain and Abel" in the Philadelphia Museum of Art, created around 1516-1518, is the direct model for our painting. His work in turn was based on Perugino's "Apollo and Daphnis" in the Musée du Louvre - Perugino was Bacchiacca's teacher. The celebrated painter and draughtsman Jacopo Chimenti, called Jacopo da Empoli, spent his whole life in Florence. Accordingly, his artistic style draws heavily on the Renaissance and Mannerist painting of that city. Besides Bacciacca, Pontormo was an important source of inspiration for him, whose influence is particularly evident in the typology of the figures in our painting. A drawing by Jacopo da Empoli showing our subject was sold at Sotheby's London on 5th July, 2000.
Kunsthaus Lempertz KG
Jan. 21, 2020
Jacopo CHIMENTI da Empoli (Attrib.) (c.1554-1640) "Presentación de la virgen en el templo" óleo sobre lienzo 80x90 cm. Una atribución describe "la penúltima figura de la izquierda del espectador es el retrato del autor".
Est: €1,200 -
Jacopo CHIMENTI da Empoli (Attrib.) (C.1554-1640) "Presentation of the virgin in the temple" oil on canvas 80x90 cm. An attribution describes "the penultimate figure on the left of the viewer is the portrait of the author."
Arce Subastas
Oct. 01, 2019
Attributed to Jacopo da Empoli (1554-1640) Clotho 5 x 4.75in.
Est: £400 - £600
Attributed to Jacopo da Empoli (1554-1640) sanguine chalk Clotho Matthiesen Ltd label verso 5 x 4.75in.
Gorringes
Jul. 03, 2019
JACOPO CHIMENTI, CALLED JACOPO DA EMPOLI | Recto: Study of a young man wearing a cloak, his left hand on his hip and his right arm raised Verso: Study of a man wearing a hat and holding a sword in his left hand, with two
Est: £5,000 - £7,000
Red chalk within partial black chalk framing lines ( recto); Red and black chalk ( verso)
Sotheby's
Jul. 04, 2018
JACOPO CHIMENTI, CALLED JACOPO DA EMPOLI | Study of a boy
Est: £25,000 - £35,000
Pen and brown ink and wash over red and black chalk
Sotheby's
Jul. 03, 2018
JACOPO CHIMENTI, CALLED JACOPO DA EMPOLI (EMPOLI 1554-1640) An elegantly dressed youn
Est: £5,000 - £7,000
JACOPO CHIMENTI, CALLED JACOPO DA EMPOLI (EMPOLI 1554-1640) An elegantly dressed young man wearing a hat traces of black chalk, pen and brown ink, brown wash 11 3/8 x 5 3/4 in. (29 x 14.7 cm)
Christie's
Apr. 03, 2018
Studio of: Jacopo (da Empoli) Chimenti (ITALIAN, BORN CIRCA 1554–1640) oil on canvas, Saint Catherine of Alexandria, 41 x 32-1/4 inches
Est: $5,000 - $7,000
Studio of: Jacopo (da Empoli) Chimenti (ITALIAN, BORN CIRCA 1554–1640) oil on canvas, Saint Catherine of Alexandria, 41 x 32-1/4 inches
Bill Hood & Sons Arts & Antiques Auctions
Feb. 13, 2018
Jacopo di Chimenti da Empoli
Est: €5,000 - €7,000
Jacopo di Chimenti da Empoli (Firenze 1551-1640) LA CREAZI0NE DI ADAMO olio su tela, cm 194x148 al retro della tela e presente la scritta ' IO JACOPO DI CHIMENTI DA EMPOLI/DI ETA DI ANNI OTTANTADUE E MESI/UNO E GIORNI XII O DIPINTO E FINITO DETTO QUADRO A X DI GIUGNO' Bibliografia di riferimento A. Marabottini, Jacopo di Chimenti da Empoli, Roma, 1988, pp. 268-269, scheda 119 Il dipinto e menzionato da Alessandro Marabottini quale penultima opera nota di Jacopo da Empoli ormai ottantaduenne, come il pittore stesso sembra dichiarare nella scritta posta a tergo della tela. Nel deposito delle Gallerie fiorentine e conservata una Creazione di Adamo, dipinta per don Lorenzo de' Medici, di composizione identica al nostro e che medesimamente presentava, secondo l' inventario del 1825, l' iscrizione: " 1632 di mano di Jacopo da Empoli di eta 82" . Le consuete figure del pittore fiorentino, racchiuse entro un netto ed elegante contorno, si stagliano, nella tela qui offerta, al di sopra di un chiaro e luminoso fondale, a differenza dell' altra versione citata dove il Marabottini scorgeva un goffo tentativo di Jacopo di indirizzare la tavolozza verso tonalita piu scure, quasi preludendo ai risultati di Furini. Jacopo di Chimenti da Empoli (Firenze 1551-1640) creation of adam oil on canvas, cm 194x148 al retro della tela è presente la scritta "IO JACOPO DI CHIMENTI DA EMPOLI/DI ETA DI ANNI OTTANTADUE E MESI/UNO E GIORNI XII O DIPINTO E FINITO DETTO QUADRO A X DI GIUGNO" Bibliografia di riferimento A. Marabottini, Jacopo di Chimenti da Empoli, Roma, 1988, pp. 268-269, scheda 119 Il dipinto è menzionato da Alessandro Marabottini quale penultima opera nota di Jacopo da Empoli ormai ottantaduenne, come il pittore stesso sembra dichiarare nella scritta posta a tergo della tela. Nel deposito delle Gallerie fiorentine è conservata una Creazione di Adamo, dipinta per don Lorenzo de' Medici, di composizione identica al nostro e che medesimamente presentava, secondo l'inventario del 1825, l'iscrizione: "1632 di mano di Jacopo da Empoli di eta 82". Le consuete figure del pittore fiorentino, racchiuse entro un netto ed elegante contorno, si stagliano, nella tela qui offerta, al di sopra di un chiaro e luminoso fondale, a differenza dell'altra versione citata dove il Marabottini scorgeva un goffo tentativo di Jacopo di indirizzare la tavolozza verso tonalita piu scure, quasi preludendo ai risultati di Furini.
Pandolfini Casa d'Aste
Jan. 31, 2018
JACOPO CHIMENTI, CALLED JACOPO DA EMPOLI | Glaucus and Scylla
Est: $7,000 - $9,000
Pen and brown ink and reddish brown wash, over black and red chalk, heightened with white, squared for transfer in black chalk; bears old attribution in brown ink, verso: Hanibal Caracci and a further old attribution, verso: Caracci
Sotheby's
Jul. 05, 2017
JACOPO CHIMENTI, CALLED JACOPO DA EMPOLI | Study for a seated bishop holding a book
Est: £20,000 - £30,000
Pen and brown ink and blue wash, over black chalk, squared in red chalk for transfer; bears inventory numberings, verso, in the lower corners: E-121; a. 22, 4
Sotheby's
May. 02, 2017
ATTRIBUTED TO JACOPO CHIMENTI (Italy, 1551-1640, a
Est: $500 - $700
ATTRIBUTED TO JACOPO CHIMENTI (Italy, 1551-1640, also known as Jacopo Empoli), INK AND CRAYON ON LAID PAPER. Female saint seated on cloud holding the host (Communion bread) with a cross behind her and on the bottom right corner of the page a portrait of a bearded man in red crayon. Signed by a later hand "Empoli" lower left. Paper measures 11" x 8". In a wood frame, 22" x 18.75" overall. Provenance: by descent from Kirk Askew, owner of Durlacher Brothers Gallery, Manhattan, circa 1930's-1950's. Label on verso states: ex-collections of Baron Finalay - Landau, Florence and Theodore A. Heinrich, Canada.
O'Gallerie
Jul. 05, 2016
JACOPO CHIMENTI, CALLED JACOPO DA EMPOLI | A man standing, to right
Est: £2,000 - £3,000
Red chalk
Sotheby's
Jun. 15, 2016
ATTRIBUE A JACOPO CHIMENTI DIT JACOPO DA EMPOLI (1551 - 1640) LE REPAS À EMMAÜS
Est: €7,000 - €8,000
ATTRIBUE A JACOPO CHIMENTI DIT JACOPO DA EMPOLI (1551 - 1640) LE REPAS À EMMAÜS Toile Manques et soulèvements 122 X 160 CM - 48 X 62 15/16 IN. The Meal at Emmaus. Canvas.
Tajan
Apr. 29, 2015
ATTRIBUTED TO JACOPO CHIMENTI, CALLED JACOPO DA EMPOLI (Empoli circa 1554-1640 Florence) A standing youth leaning against a wall unframed
Est: -
ATTRIBUTED TO JACOPO CHIMENTI, CALLED JACOPO DA EMPOLI (Empoli circa 1554-1640 Florence) A standing youth leaning against a wall unframed
Bonhams
Feb. 12, 2015
Attribué à Jacopo CHIMENTI dit Jacopo da EMPOLI (1551-1640) Nature morte au chevreau, au lièvre et aux fromages Toile 118 x 83,5 cm ...
Est: €3,000 - €4,000
Attribué à Jacopo CHIMENTI dit Jacopo da EMPOLI (1551-1640) Nature morte au chevreau, au lièvre et aux fromages Toile 118 x 83,5 cm Porte au revers du châssis, une ancienne attribution à Jacopo da Empoli Restaurations anciennes
Tajan
Apr. 10, 2013
Attribué à Jacopo Chimenti dit Jacopo da Empoli (1551 - 1640) LE REPAS À EMMAÜS Toile 122 X 160 CM Manques et soulèvements
Est: €25,000 - €30,000
Attribué à Jacopo Chimenti dit Jacopo da Empoli (1551 - 1640) LE REPAS À EMMAÜS Toile 122 X 160 CM Manques et soulèvements
Tajan
Jan. 31, 2013
Circle of Jacopo Chimenti, called Jacopo da Empoli (Empoli 1554-1640)
Est: $2,500 - $3,500
Circle of Jacopo Chimenti, called Jacopo da Empoli (Empoli 1554-1640) The Coronation of the Virgin with Saints Francis and Anthony, inscribed in a cartouche with floral swags and an armorial device numbered 'P 9' black chalk, pen and brown ink, brown wash, squared in black chalk, the contours of the figures of the two saints partly incised for transfer (recto); partly blackened with chalk for transfer (verso) 16 3/8 x 11 1/8 in. (41.7 x 28.2 cm.)
Christie's
Jun. 23, 2011
Attribué à Jacopo Chimenti da EMPOLI (Emopli 1554
Est: €3,000 - €4,000
Attribué à Jacopo Chimenti da EMPOLI (Emopli 1554 - 1640) Etude de berger agenouillé "Pierre noire sur papier préparé en beige, traces de rehauts de" craie blanche 33 x 21 cm "Dessin doublé, pliures, petits trous restaurés et taches" On peut rapprocher notre dessin d'une autre étude de bergers préparatoire « L 'adoration des bergers avec saint André et saint "Borromée », conservé à Florence dans la chapelle Rossi, (voir" "Alessandro Marabottini, « L'Empoli », Del Luca edizioni de" "Arte, Rome, 1988, n°116 et 116 c)" "Provenance : ancienne collection John Du Pan, son cachet en" bas à droite (L.1440)
Millon & Associes
Apr. 13, 2011
Jacopo da Empoli (Florence 1551-1640), attributed
Est: €10,000 - €15,000
Jacopo da Empoli (Florence 1551-1640), attributed to
Dorotheum
Mar. 26, 2010
Jacopo Chimenti da EMPOLI - Etude pour la figure
Est: €25,000 - €30,000
Jacopo Chimenti da EMPOLI - Etude pour la figure de saint Nicolas
Piasa
Oct. 07, 2009
Attributed to Jacopo Chimenti, called Jacopo da Empoli (Empoli circa 1554-1640 Florence) Male nude with staff in a C17th Italian silvered and faux tortoiseshell cassetta frame with gilt gadrooned sight
Est: £4,000 - £6,000
Male nude with staff red chalk on paper 42 x 22.5cm (16 9/16 x 8 7/8in). in a C17th Italian silvered and faux tortoiseshell cassetta frame with gilt gadrooned sight
Bonhams
Nov. 10, 2007
JACOPO DA EMPOLI - zugeschrieben 1554 - Florenz - 1640
Est: €750 - €750
Stehender Junge, halb nach rechts gewandt. Federzeichnung in Braun. - 20,2 x 8,3 cm. Minimal stockfleckig und schwach gebräunt. Fein ausgeführte Arbeit, die einer Momentaufnahme gleicht. [sg]
Winterberg-Kunst
Apr. 25, 2007
A kneeling figure seen from behind, his arms raised
Est: £700 - £1,000
Jacopo Chimenti, called Jacopo da Empoli (Empoli 1554-1640) A kneeling figure seen from behind, his arms raised with number '28' black and white chalk, on blue-grey prepared paper, watermark eagle 11 5/8 x 8 1/8 in. (304 x 216 mm.)
Christie's
Apr. 24, 2007
Old Master Painting By:
Est: €40,000 - €70,000
Jacopo Chimenti called Empoli
Dorotheum
Mar. 22, 2007
Femme vêtue d'une robe et portant un voile, les mains jointes
Est: €3,000 - €5,000
Jacopo Chimenti da Empoli (Empoli 1554-1640) Femme vêtue d'une robe et portant un voile, les mains jointes craie noire, plume et encre brune, lavis brun, filigrane croix 197 x 146 mm.
Christie's
Jul. 06, 2006
JACOPO CHIMENTI, CALLED JACOPO DA EMPOLI FLORENCE 1551 - 1640
Est: £25,000 - £35,000
THE PROPERTY OF A GENTLEMAN A STILL LIFE OF DEAD GAME WITH A YOUNG MAN HOLDING UP A HARE measurements note 114 by 151.5 cm.; 44 7/8 by 59 3/4 in. oil on canvas NOTE Jacopo Chimenti, more commonly known as Jacopo da Empoli after the town from which his family came, was born in Florence in 1551 and was first apprenticed in Maso da San Friano's workshop there. He is principally known as a religious painter and was extremely active in Florence, particularly towards the end of the 16th century until his death in 1640. He is thought to have painted still lifes only from the 1620s or '30s and the earliest known still lifes are those dated 1621 and 1624 in the Galleria degli Uffizi, Florence, and that dated 1625 in the Molinari Pradelli collection, Bologna (A. Marabottini, Jacopo Chimenti da Empoli, Rome 1988, pp. 258-59, cat. nos. 107, 108, and 110 respecitvely, all reproduced). The present work, with its inclusion of the young man holding up the dead hare, is likely to date from the 1620s.
Sotheby's
Jan. 29, 2004
JACOPO CHIMENTI DA EMPOLI (ATTRIBUTED TO)
Est: $1,500 - $2,500
(Florence 1554-1640 Florence) Three Figure Studies. Black and white chalks on cream laid paper with a prepared brownish gray wash ground. 151x163 mm; 6x6 1/2 inches.
Swann Auction Galleries
Jan. 22, 2004
Jacopo Chimenti, called Jacopo da Empoli (Empoli 1554-1640)
Est: $6,000 - $8,000
The Adoration of the Shepherds black chalk, pen and brown ink, grey wash, squared in pen and brown ink on brown paper 12 3/4 x 10 1/4 in. (324 x 259 mm.)
Christie's
Jul. 10, 2001
Jacopo Chimenti, called Jacopo da Empoli (1554-1640)
Est: $14,100 - $21,150
A seated young man seen from behind, and a subsidiary study of part of his cloak black and white chalk on grey-green prepared paper 385 x 263 mm. PROVENANCE M. Canovas, his mark (not in Lugt) NOTES A study for the figure seated on the right of The Supper at Emmaus painted by Empoli in 1601 and now in the Church of S. Giuseppe Artigiano in Galluzzo near Florence, E. Testaferrata, Il Pontormo a Empoli, exhib. cat., Empoli, Chiesa di Santo Stefano degli Agostiniani, 1994, no. 31. Empoli painted another version of the same subject in 1609. Two other related drawings are in the Uffizi, one in pen and wash for the whole composition and another in chalk on prepared paper for the figure seated at the front left of the composition, E. Testaferrata, op. cit., nos. 32-3.
Christie's
Jul. 04, 1994
JACOPO CHIMENTI, CALLED JACOPO DA EMPOLI (1552-1640) THE HOLY FAMILY WITH ST. ANNE.
Est: -
Bears old attribution and numbering: Empoli 513. Pen and brown ink over black chalk. Squared in black chalk for transfer. 408 by 280 mm. This drawing was identified by Roberto Contini as the preparatory study for Empoli's painting in the church of Santa Caterina in Livorno.
Sotheby's