Ulpiano Checa Sanz Paintings & Artwork for Sale | Ulpiano Checa Sanz Art Value Price Guide

Dec. 12, 2024
ULPIANO CHECA Y SANZ, (Colmenar de Oreja, Madrid, 1860 - Dax, France, 1916). "The courtship". Oil on canvas. Signed in the lower right corner. It has two patches on the back.
Est: €12,000 - €15,000
ULPIANO CHECA Y SANZ, (Colmenar de Oreja, Madrid, 1860 - Dax, France, 1916). "The courtship". Oil on canvas. Signed in the lower right corner. It has two patches on the back. Measurements: 54 x 73 cm; 83 x 102 cm (frame). Scene of classic appearance where the courtship between two mockingbirds is represented, as if it were a reverie, they are seated on a bench, in what seems to be an idyllic garden. Ulpiano Checa began his artistic training in 1873, at the School of Arts and Crafts in Madrid. In 1876 he went to the San Fernando Academy, where he became a disciple of Federico de Madrazo. When he finished, in 1884, he obtained a pension to study at the Spanish Academy in Rome. During his third year he sends a work that will earn him the first medal at the National Exhibition of 1887, and second at the Universal Exhibition of Vienna in 1888. At the end of 1887 he took up residence in Paris, where he exhibited regularly in the Salons, achieving success when his work was awarded in 1890. There he combines painting with his work as a graphic correspondent in "La Ilustración Española y Americana". At the beginning of the century he settled in the south of France, in Dax, where he remained until his death in 1916. It is important to highlight how Checa's work influenced the adventure films of Hollywood in the 50s and 60s. Film directors such as Stanley Kubrick ("Spartacus"), Mario Bonnard ("The Last Days of Pompeii"), Mervyn LeRoy ("Quo Vadis"), William Wyler ("Ben-Hur") or, more recently, Ridley Scott ("Gladiator") were inspired by his works for their set designs, costumes, mass movement studies and characterization of characters. In fact, he also influenced earlier filmmakers, since in the 1930s and 1940s his work showed directors the possibility of creating visual effects of depth and perspective unusual in cinema until then. During his lifetime, in 1901, he collaborated with Henry Sienkiewick on the set and costume design for the theatrical version of the novel "Quo Vadis". In fact, part of Checa's work is based on literature, especially this novel, "Ben-Hur" and "Les Miserables". Works by Ulpiano Checa are preserved in the Museo Municipal Ulpiano Checa de Colmenar de Oreja, the Museo del Prado, the Museo Nacional de Bellas Artes de Buenos Aires and the Museo de la Real Academia de Bellas Artes de San Fernando, among others. It has two patches on the reverse.
Setdart Auction House
Oct. 30, 2024
ULPIANO CHECA (Colmenar de Oreja, Madrid, 1860 - Dax, France, 1916). "Indian chief on horseback". Bronze. Signed. With seal of the founder Colin, Paris.
Est: €15,000 - €16,000
ULPIANO CHECA (Colmenar de Oreja, Madrid, 1860 - Dax, France, 1916). "Indian chief on horseback". Bronze. Signed. With seal of the founder Colin, Paris. Measurements: 40 x 55 x 20 cm. The one we present here is a passionate and expressive work starring an Indian chief on horseback. The animal of imposing anatomy gallops while its rider, who wears a long plume that falls on his back, looks at the horizon, raising his left hand to focus on his objective. The sculpture stands out for the laborious work of the horse, captured with a precision, naturalism and expressiveness that denote not only mastery on the part of the sculptor, but also a careful study of nature. Ulpiano Checa began his artistic training in 1873, at the School of Arts and Crafts in Madrid. In 1876 he went to the San Fernando Academy, where he was a disciple of Federico de Madrazo. When he finished, in 1884, he obtained a pension to study at the Spanish Academy in Rome. During his third year he sends a work that will earn him the first medal at the National Exhibition of 1887, and second at the Universal Exhibition of Vienna in 1888. At the end of 1887 he took up residence in Paris, where he exhibited regularly in the Salons, achieving success when his work was awarded a prize in 1890. There he combines painting with his work as a graphic correspondent in "La Ilustración Española y Americana". At the beginning of the century he settled in the south of France, in Dax, where he remained until his death in 1916. It is important to highlight how Checa's work influenced the adventure films of Hollywood in the 50s and 60s. Film directors such as Stanley Kubrick ("Spartacus"), Mario Bonnard ("The Last Days of Pompeii"), Mervyn LeRoy ("Quo Vadis"), William Wyler ("Ben-Hur") or, more recently, Ridley Scott ("Gladiator") were inspired by his works for their set designs, costumes, mass movement studies and characterization of characters. In fact, he also influenced earlier filmmakers, since in the 1930s and 1940s his work showed directors the possibility of creating visual effects of depth and perspective unusual in cinema until then. During his lifetime, in 1901, he collaborated with Henry Sienkiewick on the set and costume design for the theatrical version of the novel "Quo Vadis". In fact, part of Checa's work is based on literature, especially this novel, "Ben-Hur" and "Les Miserables". Works by Ulpiano Checa are preserved in the Museo Municipal Ulpiano Checa de Colmenar de Oreja, the Museo del Prado, the Museo Nacional de Bellas Artes de Buenos Aires and the Museo de la Real Academia de Bellas Artes de San Fernando, among others.
Setdart Auction House
Oct. 15, 2024
ULPIANO CHECA, (Colmenar de Oreja, Madrid, 1860 - Dax, France, 1916). "Lady enters fabrics". Oil on canvas. Signed in the lower left corner.
Est: €3,000 - €3,200
ULPIANO CHECA, (Colmenar de Oreja, Madrid, 1860 - Dax, France, 1916). "Lady enters fabrics". Oil on canvas. Signed in the lower left corner. Measurements: 26 x 15,50 cm; 45 x 35,50 cm (frame). Ulpiano Checa offers us a poetic and bucolic image inspired almost in the Classical Antiquity. A young woman seated among some canvases gives a glance to the spectator. Ulpiano Checa began his artistic training in 1873, at the School of Arts and Crafts in Madrid. In 1876 he went to the San Fernando Academy, where he became a disciple of Federico de Madrazo. When he finished, in 1884, he obtained a pension to study at the Spanish Academy in Rome. During his third year he sends a work that will earn him the first medal at the National Exhibition of 1887, and second at the Universal Exhibition of Vienna in 1888. At the end of 1887 he took up residence in Paris, where he exhibited regularly in the Salons, achieving success when his work was awarded a prize in 1890. There he combines painting with his work as a graphic correspondent in "La Ilustración Española y Americana". At the beginning of the century he settled in the south of France, in Dax, where he remained until his death in 1916. It is important to highlight how Checa's work influenced the adventure films of Hollywood in the 50s and 60s. Film directors such as Stanley Kubrick ("Spartacus"), Mario Bonnard ("The Last Days of Pompeii"), Mervyn LeRoy ("Quo Vadis"), William Wyler ("Ben-Hur") or, more recently, Ridley Scott ("Gladiator") were inspired by his works for their set designs, costumes, mass movement studies and characterization of characters. In fact, he also influenced earlier filmmakers, since in the 1930s and 1940s his work showed directors the possibility of creating visual effects of depth and perspective unusual in cinema until then. During his lifetime, in 1901, he collaborated with Henry Sienkiewick on the set and costume design for the theatrical version of the novel "Quo Vadis". In fact, part of Checa's work is based on literature, especially this novel, "Ben-Hur" and "Les Miserables". Works by Ulpiano Checa are preserved in the Museo Municipal Ulpiano Checa de Colmenar de Oreja, the Museo del Prado, the Museo Nacional de Bellas Artes de Buenos Aires and the Museo de la Real Academia de Bellas Artes de San Fernando, among others.
Setdart Auction House
Sep. 24, 2024
ULPIANO CHECA Y SAIZ Colmenar de Oreja, M (1860) / Dax (France) (1916) "Venetian Canal"
Est: €15,000 - €20,000
Oil on canvas Dedicated, signed and located in the lower left corner Measurements: 46.5 x 55 cm
Ansorena
Sep. 24, 2024
ULPIANO CHECA Y SAIZ Colmenar de Oreja, M (1860) / Dax (France) (1916) "Portico of San Marcos"
Est: €4,200 - €5,600
Oil on canvas Signed in the lower left corner Measurements: 57 x 39.5 cm
Ansorena
Sep. 12, 2024
Sacred Heart of Jesus in Flames - Ulpiano Checa Checa (1860-1916), 19th century Madrid school
Est: €2,500 - €3,500
Ulpiano Checa Checa (1860-1916), painter, sculptor, poster artist and illustrator from Madrid of the 19th century whose firm became the most sought-after in European art between the years 1890 and 1910. Bibliography: Catalog: Blanche Odin, Ulpiano Checa, La Rencontre , 1890-1916, Xavier Etcheandia and Bénédicte Magnin, Musée des Beaux-Arts Salies à Bagnères-de-Bigorre, Ville de Bagnères-de-Bigorre; Alzaga, Amaya (2017). «Les regards de Zacharie Astruc et Ulpiano Checa sur l'Espagne finiseculaire, héritiers du Romantisme. Provenance: important private collection from Seville.
Templum Fine Art Auctions
Jul. 25, 2024
Sacred Heart of Jesus in Flames - Ulpiano Checa Checa (1860-1916), 19th century Madrid school
Est: €2,500 - €3,500
Ulpiano Checa Checa (1860-1916), painter, sculptor, poster artist and illustrator from Madrid of the 19th century whose firm became the most sought-after in European art between the years 1890 and 1910. Bibliography: Catalog: Blanche Odin, Ulpiano Checa, La Rencontre , 1890-1916, Xavier Etcheandia and Bénédicte Magnin, Musée des Beaux-Arts Salies à Bagnères-de-Bigorre, Ville de Bagnères-de-Bigorre; Alzaga, Amaya (2017). «Les regards de Zacharie Astruc et Ulpiano Checa sur l'Espagne finiseculaire, héritiers du Romantisme. Provenance: important private collection from Seville.
Templum Fine Art Auctions
May. 28, 2024
CHECA Y SANZ, ULPIANO (1860 - 1916)
Est: -
Drawing in pencil and clarion on Bristol paper. Signed in the lower left corner.
Duran Arte y Subastas
May. 21, 2024
ULPIANO CHECA - En Misa
Est: -
ULPIANO CHECA Madrid 1860 - Dax, Francia 1916 En Misa Óleo sobre tabla Firmado Medidas 15,8 x 22 cm
Subastas Segre
Apr. 24, 2024
Ulpiano Checa and Sanz. Walking in Paris
Est: -
Oil on canvas. Signed in the lower right corner.
Duran Arte y Subastas
Feb. 06, 2024
ULPIANO CHECA Y SANZ (1860-1916)
Est: €3,000 - €5,000
ULPIANO CHECA Y SANZ (1860-1916) DEUX ESPAGNOLES À CHEVAL Huile sur toile Signée en bas à gauche Oil on canvas; signed lower left 60 X 92 CM • 23 5/8 X 36 1/4 IN.
Tajan
Jan. 24, 2024
Ulpiano Checa and Sanz. Paris in raining day
Est: -
Oil on canvas. Signed and dated (89) in the lower left corner.
Duran Arte y Subastas
Nov. 22, 2023
Ulpiano CHECA Y SANZ Colmenar de Oreja, 1860 - Dax, 1916 Course de char dans le circus maximus, à l'époque de la Rome antique Huile...
Est: €3,000 - €4,000
Ulpiano CHECA Y SANZ Colmenar de Oreja, 1860 - Dax, 1916 Course de char dans le circus maximus, à l'époque de la Rome antique Huile sur toile (Toile d'origine) Signée 'U. Checa' en bas à droite Une étiquette portant le numéro 108 en haut à gauche Chariot race in the circus maximus, during ancient Rome, oil on canvas, signed, by U. Checa y Sanz h: 34 w: 58 cm Estimation 3 000 - 4 000 €
Artcurial
Nov. 09, 2023
ULPIANO CHECA (Colmenar de Oreja, Madrid, 1860 - Dax, France, 1916). "The Procession. Oil on linen. Attached certificate of authenticity issued by Doña Monique Larran-Lange.
Est: €35,000 - €40,000
ULPIANO CHECA (Colmenar de Oreja, Madrid, 1860 - Dax, France, 1916). "The Procession. Oil on linen. Attached certificate of authenticity issued by Doña Monique Larran-Lange. It shows traces of gilding. It has faults and deficiencies in the canvas. Signed at intervals of one metre (approx). Measurements: 19.5 m x 0.55 m. In January 1893, L'Avenir de Bagnères-de-Bigorre devoted a report to the artist's move to the town where his wife has a holiday home: "... the studio, barely installed and already so crowded, with this procession unfolding, a living tapestry, along the wall, against a golden background. Checa amused himself by capturing some of the inhabitants of Bagnères and imagined a procession of the Blessed Sacrament with monks, priests, nuns, choirboys, pensioners and passers-by. He mixed the gothic with the modern, the cameramen in their modern costumes with the musicians in white trousers trimmed with red, wearing a gibbous hat topped with an aigrette. It is a high-spirited pochade, surprising in its colours, tones and animation. The resemblance of some of the best known characters of Bagnères is striking. The work is made up of 21 main groups and is signed at regular intervals. For almost twenty years, the Procession was a silent witness to Checa's work in the Pyrenees. When the painter's studio was demolished and replaced by a school in the 1960s, it was saved. Its interest lies in its intimate and familiar character. Ulpiano Checa offers us a poetic and bucolic image inspired by Classical Antiquity. A young man in robes, seated by the sea, gazes into the distance. Beside him rests an object that could well appear to be a lyre, which would turn our protagonist into Orpheus. This piece is the last remnant of the now defunct studio. As such, it was exhibited in 2001 at the Museo Ulpiano Checa in Colmenar de Oreja (Bayonne, 6 March 2002). Ulpiano Checa began his artistic training in 1873 at the School of Arts and Crafts in Madrid. In 1876 he moved to the San Fernando Academy, where he became a pupil of Federico de Madrazo. On completing his studies, in 1884, he obtained a grant to study at the Spanish Academy in Rome. During his third year he sent a work that won him the first medal at the National Exhibition of 1887 and the second at the Universal Exhibition in Vienna in 1888. At the end of 1887 he took up residence in Paris, where he exhibited regularly at the Salons, achieving success when his work was awarded a prize in 1890. There he combined painting with his work as a graphic correspondent for "La Ilustración Española y Americana". At the beginning of the century he settled in the south of France, in Dax, where he remained until his death in 1916. It is important to note how Checa's work influenced the adventure films of Hollywood in the 1950s and 1960s. Film directors such as Stanley Kubrick ("Spartacus"), Mario Bonnard ("The Last Days of Pompeii"), Mervyn LeRoy ("Quo Vadis"), William Wyler ("Ben-Hur") or, more recently, Ridley Scott ("Gladiator") were inspired by his works for their set designs, costumes, mass movement studies and characterisation of characters. In fact, he also influenced earlier filmmakers, since in the 1930s and 1940s his work showed directors the possibility of creating visual effects of depth and perspective hitherto unheard of in cinema. During his lifetime, in 1901, he collaborated with Henry Sienkiewick on the set and costume design for the theatrical version of the novel "Quo Vadis". In fact, part of Checa's work is based on literature, especially this novel, "Ben-Hur" and "Les Miserables". Works by Ulpiano Checa are kept in the Museo Municipal Ulpiano Checa in Colmenar de Oreja, the Museo del Prado, the Museo Nacional de Bellas Artes in Buenos Aires and the Museo de la Real Academia de Bellas Artes de San Fernando, among others.
Setdart Auction House
Nov. 04, 2023
Checa Y Sanz, Ulpiano
Est: -
Checa Y Sanz, Ulpiano 1860 Colmenar de Oreja - 1916 Dax Pyrenäenlandschaft. Signiert. Öl/Lwd./doubl., 73 x 60 cm.
Dusseldorfer Auktionshaus
Oct. 25, 2023
Ulpiano Checa y Sanz (Spanish, 1860-1916) La fantasia
Est: £15,000 - £20,000
Ulpiano Checa y Sanz (Spanish, 1860-1916) La fantasia signed 'V.Checa' (lower right) oil on canvas 54.5 x 81.5cm (21 7/16 x 32 1/16in).
Bonhams
Oct. 10, 2023
ULPIANO CHECA (Colmenar de Oreja, Madrid, 1860 - Dax, France, 1916). "Napoleon". Mixed technique on paper. Signed in the lower right corner.
Est: €1,800 - €2,000
ULPIANO CHECA (Colmenar de Oreja, Madrid, 1860 - Dax, France, 1916). "Napoleon". Mixed media on paper. Signed in the lower right corner. Size: 21.5 x 35 cm; 50 x 64 cm (frame). A group of young men on horseback dominate the scene, emphasising the presence of Napoleon who is raising his sword in the centre of the composition. To reflect the scene, the artist has used a concave composition that invites the viewer to become part of it, and within this general distribution of the elements of the painting, other more classical compositional resources can also be seen. It is worth mentioning that this use of distribution brings a great deal of dynamism to the image in harmony with the theme represented. In style and subject matter, we can appreciate the characteristic aesthetic of Ulpiano Checa, a painter gifted with a technical capacity for drawing and the right tones, but also with a notable inventiveness capable of transporting the contemporary viewer to other periods, imagined by the painter as in this particular case. All this is captured in the scene through the exaltation of the characters, the speed of the horses and the harmony of the bodies. Ulpiano Checa began his artistic training in 1873 at the School of Arts and Crafts in Madrid. In 1876 he went to the San Fernando Academy, where he became a pupil of Federico de Madrazo. On completing his studies, in 1884, he obtained a grant to study at the Spanish Academy in Rome. During his third year he sent a work that won him the first medal at the National Exhibition of 1887 and the second at the Universal Exhibition in Vienna in 1888. At the end of 1887 he took up residence in Paris, where he exhibited regularly at the Salons, achieving success when his work was awarded a prize in 1890. There he combined painting with his work as a graphic correspondent for "La Ilustración Española y Americana". At the beginning of the century he settled in the south of France, in Dax, where he remained until his death in 1916. It is important to note how Checa's work influenced the adventure films of Hollywood in the 1950s and 1960s. Film directors such as Stanley Kubrick ("Spartacus"), Mario Bonnard ("The Last Days of Pompeii"), Mervyn LeRoy ("Quo Vadis"), William Wyler ("Ben-Hur") and, more recently, Ridley Scott ("Gladiator") were inspired by his works for their set designs, costumes, mass movement studies and characterisation of characters. In fact, he also influenced earlier filmmakers, since in the 1930s and 1940s his work showed directors the possibility of creating visual effects of depth and perspective hitherto unheard of in cinema. During his lifetime, in 1901, he collaborated with Henry Sienkiewick on the set and costume design for the theatrical version of the novel "Quo Vadis". In fact, part of Checa's work is based on literature, especially this novel, "Ben-Hur" and "Les Miserables". Works by Ulpiano Checa are kept in the Museo Municipal Ulpiano Checa in Colmenar de Oreja, the Museo del Prado, the Museo Nacional de Bellas Artes in Buenos Aires and the Museo de la Real Academia de Bellas Artes de San Fernando, among others.
Setdart Auction House
Sep. 14, 2023
ULPIANO CHECA (Colmenar de Oreja, Madrid, 1860 - Dax, France, 1916). "Invasion of the Huns". Oil on canvas. Signed in the lower right corner. Titled on the back.
Est: €10,000 - €12,000
ULPIANO CHECA (Colmenar de Oreja, Madrid, 1860 - Dax, France, 1916). "The Hun invasion". Oil on canvas. Signed in the lower right corner. Titled on the back. Size: 48,5 x 79,5 cm; 79 x 111 cm (frame). A group of young men on horseback dominate the scene, emphasizing the presence of one of them who holds a lady dressed in pink whom he has abducted, a composition that is repeated in several works of the artist as the famous painting of the painter titled "The abduction of the Sabines" or "The abduction of Proserpina", which belongs to the collection of the Ulpiano Checa Museum. In this particular case, an inscription on the stretcher indicates that it may be a depiction of the Huns, a recurring theme in Checa's painting, who presented a work on the same subject at the Paris Salon in 1891. To depict the scene, the artist used a concave composition that invites the viewer to become part of it, and within this general distribution of the elements in the painting, other more classical compositional devices can also be seen. It is worth mentioning that this use of distribution brings a great deal of dynamism to the image in harmony with the theme represented. In style and subject matter, we can appreciate the characteristic aesthetic of Ulpiano Checa, a painter gifted with a technical capacity for drawing and the right tones, but also with a notable inventiveness capable of transporting the contemporary viewer to other periods, imagined by the painter as in this particular case. All this is captured in the scene through the exaltation of the public, the speed of the horses in the competition and the harmony of the bodies. Ulpiano Checa began his artistic training in 1873 at the Madrid School of Arts and Crafts. In 1876 he moved on to the San Fernando Academy, where he became a pupil of Federico de Madrazo. On completing his studies, in 1884, he obtained a grant to study at the Spanish Academy in Rome. During his third year he sent a work that won him the first medal at the National Exhibition of 1887 and the second at the Universal Exhibition in Vienna in 1888. At the end of 1887 he took up residence in Paris, where he exhibited regularly at the Salons, achieving success when his work was awarded a prize in 1890. There he combined painting with his work as a graphic correspondent for "La Ilustración Española y Americana". At the beginning of the century he settled in the south of France, in Dax, where he remained until his death in 1916. It is important to note how Checa's work influenced the adventure films of Hollywood in the 1950s and 1960s. Film directors such as Stanley Kubrick ("Spartacus"), Mario Bonnard ("The Last Days of Pompeii"), Mervyn LeRoy ("Quo Vadis"), William Wyler ("Ben-Hur") and, more recently, Ridley Scott ("Gladiator") were inspired by his works for their set designs, costumes, mass movement studies and characterisation of characters. In fact, he also influenced earlier filmmakers, since in the 1930s and 1940s his work showed directors the possibility of creating visual effects of depth and perspective hitherto unheard of in cinema. During his lifetime, in 1901, he collaborated with Henry Sienkiewick on the set and costume design for the theatrical version of the novel "Quo Vadis". In fact, part of Checa's work is based on literature, especially this novel, "Ben-Hur" and "Les Miserables". Works by Ulpiano Checa are kept in the Museo Municipal Ulpiano Checa in Colmenar de Oreja, the Museo del Prado, the Museo Nacional de Bellas Artes in Buenos Aires and the Museo de la Real Academia de Bellas Artes de San Fernando, among others.
Setdart Auction House
Jun. 14, 2023
ULPIANO CHECA Y SANZ (1860-1916) La belle andalouse à cheval
Est: €600 - €1,200
ULPIANO CHECA Y SANZ (1860-1916) La belle andalouse à cheval La belle andalouse à cheval Pastel sur papier signé en bas à droite Dimensions : 47 x 28 cm Le même modèle dans une composition similaire a été peint par l'artiste à l'huile et vendu chez Christie's à New-York en 2015.
Accademia Fine Art
Jun. 12, 2023
ULPIANO CHECA (Colmenar de Oreja, Madrid, 1860 - Dax, France, 1916). "A day at the races". Oil on canvas. Signed in the lower right corner.
Est: €20,000 - €25,000
ULPIANO CHECA (Colmenar de Oreja, Madrid, 1860 - Dax, France, 1916). "A Day at the Races". Oil on canvas. Signed in the lower right corner. Size: 46,5 x 65 cm; 80 x 99 x 11 cm (frame). The horse races, which have an important tradition in the European society, gave rise to a theme in itself that was practised throughout the 19th century. In this painting, Ulpiano Checa depicts an aristocratic lady enjoying the spectacle, while other members of the gentry sit by the fence. Ulpiano Checa began his artistic training in 1873 at the Madrid School of Arts and Crafts. In 1876 he went to the San Fernando Academy, where he became a pupil of Federico de Madrazo. On completing his studies, in 1884, he obtained a grant to study at the Spanish Academy in Rome. During his third year he sent a work that won him the first medal at the National Exhibition of 1887 and the second at the Universal Exhibition in Vienna in 1888. At the end of 1887 he took up residence in Paris, where he exhibited regularly at the Salons, achieving success when his work was awarded a prize in 1890. There he combined painting with his work as a graphic correspondent for "La Ilustración Española y Americana". At the beginning of the century he settled in the south of France, in Dax, where he remained until his death in 1916. It is important to note how Checa's work influenced the adventure films of Hollywood in the 1950s and 1960s. Film directors such as Stanley Kubrick ("Spartacus"), Mario Bonnard ("The Last Days of Pompeii"), Mervyn LeRoy ("Quo Vadis"), William Wyler ("Ben-Hur") and, more recently, Ridley Scott ("Gladiator") were inspired by his works for their set designs, costumes, mass movement studies and characterisation of characters. In fact, he also influenced earlier filmmakers, since in the 1930s and 1940s his work showed directors the possibility of creating visual effects of depth and perspective hitherto unheard of in cinema. During his lifetime, in 1901, he collaborated with Henry Sienkiewick on the set and costume design for the theatrical version of the novel "Quo Vadis". In fact, part of Checa's work is based on literature, especially this novel, "Ben-Hur" and "Les Miserables". Works by Ulpiano Checa are kept in the Museo Municipal Ulpiano Checa in Colmenar de Oreja, the Museo del Prado, the Museo Nacional de Bellas Artes in Buenos Aires and the Museo de la Real Academia de Bellas Artes de San Fernando, among others.
Setdart Auction House
Jun. 12, 2023
ULPIANO CHECA Y SANZ (Colmenar de Oreja, Madrid, 1860 - Dax, France, 1916). "Maghrebi Warriors". Oil on canvas. Signed in the lower left corner.
Est: €18,000 - €20,000
ULPIANO CHECA Y SANZ (Colmenar de Oreja, Madrid, 1860 - Dax, France, 1916). "Maghrebi Warriors". Oil on canvas. Signed in the lower left corner. Measurements: 46 x 65 cm; 73 x 92 cm (frame). A group of horsemen wrapped in white tunics burst into an Arab village, in whose architecture we seem to recognise the city of Fez. The galloping of the horses is animated by a tremendous brio. The din of the warriors contrasts with the peaceful life conveyed by the women hidden behind their veils and the old men sitting on the sand, oblivious to the newcomers. The Orientalist theme has here been treated by Ulpiano Checa with bold compositional ingenuity and using warm shades capable of fully immersing us in the Maghreb atmosphere. Ulpiano Checa began his artistic training in 1873 at the School of Arts and Crafts in Madrid. In 1876 he moved on to the San Fernando Academy, where he became a pupil of Federico de Madrazo. On completing his studies, in 1884, he obtained a grant to study at the Spanish Academy in Rome. During his third year he sent a work that won him the first medal at the National Exhibition of 1887 and the second at the Universal Exhibition in Vienna in 1888. At the end of 1887 he took up residence in Paris, where he exhibited regularly at the Salons, achieving success when his work was awarded a prize in 1890. There he combined painting with his work as a graphic correspondent for "La Ilustración Española y Americana". At the beginning of the century he settled in the south of France, in Dax, where he remained until his death in 1916. It is important to note how Checa's work influenced the adventure films of Hollywood in the 1950s and 1960s. Film directors such as Stanley Kubrick ("Spartacus"), Mario Bonnard ("The Last Days of Pompeii"), Mervyn LeRoy ("Quo Vadis"), William Wyler ("Ben-Hur") and, more recently, Ridley Scott ("Gladiator") were inspired by his works for their set designs, costumes, mass movement studies and characterisation of characters. In fact, he also influenced earlier filmmakers, since in the 1930s and 1940s his work showed directors the possibility of creating visual effects of depth and perspective hitherto unheard of in cinema. During his lifetime, in 1901, he collaborated with Henry Sienkiewick on the set and costume design for the theatrical version of the novel "Quo Vadis". In fact, part of Checa's work is based on literature, especially this novel, "Ben-Hur" and "Les Miserables". Works by Ulpiano Checa are kept in the Museo Municipal Ulpiano Checa in Colmenar de Oreja, the Museo del Prado, the Museo Nacional de Bellas Artes in Buenos Aires and the Museo de la Real Academia de Bellas Artes de San Fernando, among others.
Setdart Auction House
Jun. 12, 2023
ULPIANO CHECA (Colmenar de Oreja, Madrid, 1860 - Dax, France, 1916). "Thoughtful young man". Oil on canvas. Signed in the lower left corner.
Est: €4,000 - €5,000
ULPIANO CHECA (Colmenar de Oreja, Madrid, 1860 - Dax, France, 1916). "Thoughtful young man". Oil on canvas. Signed in the lower left corner. Measurements: 32,5 x 46,5 cm; 49 x 63 cm (frame). Ulpiano Checa offers us a poetic and bucolic image inspired in the Classical Antiquity. A young man in robes, seated by the sea, gazes into the distance. Beside him rests an object that could well appear to be a lyre, which would turn our protagonist into Orpheus. Ulpiano Checa began his artistic training in 1873 at the Madrid School of Arts and Crafts. In 1876 he enrolled at the San Fernando Academy, where he became a pupil of Federico de Madrazo. On completing his studies, in 1884, he obtained a grant to study at the Spanish Academy in Rome. During his third year he sent a work that won him the first medal at the National Exhibition of 1887 and the second at the Universal Exhibition in Vienna in 1888. At the end of 1887 he took up residence in Paris, where he exhibited regularly at the Salons, achieving success when his work was awarded a prize in 1890. There he combined painting with his work as a graphic correspondent for "La Ilustración Española y Americana". At the beginning of the century he settled in the south of France, in Dax, where he remained until his death in 1916. It is important to note how Checa's work influenced the adventure films of Hollywood in the 1950s and 1960s. Film directors such as Stanley Kubrick ("Spartacus"), Mario Bonnard ("The Last Days of Pompeii"), Mervyn LeRoy ("Quo Vadis"), William Wyler ("Ben-Hur") and, more recently, Ridley Scott ("Gladiator") were inspired by his works for their set designs, costumes, mass movement studies and characterisation of characters. In fact, he also influenced earlier filmmakers, since in the 1930s and 1940s his work showed directors the possibility of creating visual effects of depth and perspective hitherto unheard of in cinema. During his lifetime, in 1901, he collaborated with Henry Sienkiewick on the set and costume design for the theatrical version of the novel "Quo Vadis". In fact, part of Checa's work is based on literature, especially this novel, "Ben-Hur" and "Les Miserables". Works by Ulpiano Checa are kept in the Museo Municipal Ulpiano Checa in Colmenar de Oreja, the Museo del Prado, the Museo Nacional de Bellas Artes in Buenos Aires and the Museo de la Real Academia de Bellas Artes de San Fernando, among others.
Setdart Auction House
May. 24, 2023
Fantasia
Est: $7,000 - $9,000
Ulpiano Checa Spanish 1860-1916 Fantasia signed U. Checa (lower right) graphite and watercolor on paper, laid on card sheet: 21 ⅔ by 29 ½ in.; 55 by 75 cm framed: 30 ⅗ by 38 ¾ in.; 78 by 98.5 cm
Sotheby's
May. 10, 2023
ULPIANO CHECA Y SANZ Colmenar de Oreja, M (1860) / Dax (France) (1916) "Young model posing"
Est: €3,900 - €5,200
Oil on panel Signed in the lower left corner. On the back inscribed in pencil: "The model's room/studio" Measurements: 25.5 x 15.5 cm
Ansorena
Mar. 28, 2023
CZECH ULPIANO - Woman looking at the sea
Est: -
ULPIANO CHECA Madrid 1860 - Dax, France 1916 Woman looking at the sea Oil on canvas Signed Size 32 x 46.5 cm Origin: - Ansorena, Madrid, November 26, 1981
Subastas Segre
Feb. 22, 2023
ULPIANO CHECA Y SANZ Colmenar de Oreja, M (1860) / Dax (France) (1916) “Fleeing Warrior”, c. 1910
Est: €4,500 - €6,000
Oil on canvas Signed in the lower left corner. Measurements: 27 x 35 cm
Ansorena
Oct. 25, 2022
ULPIANO CHECA Madrid, 1860 - Dax, France, 1916 Draft horse tearing up the earth
Est: -
ULPIANO CHECA Madrid, 1860 - Dax, France, 1916 Draft horse tearing up the earth Oil on canvas attached to tablex Signed Measures 45.5 x 60.5 cm
Subastas Segre
Oct. 25, 2022
Ulpiano Checa y Sanz. Salomón e hija del Faraón
Est: -
Oil on canvas. Signed in the lower right corner. Canvas with some damage. To be examined by the buyer.
Duran Arte y Subastas
Oct. 21, 2022
ULPIANO CHECA Y SANZ (SPANISH, 1860-1916) Three Algerian Beauties at the We
Est: $50,000 - $70,000
ULPIANO CHECA Y SANZ (SPANISH, 1860-1916) Three Algerian Beauties at the Well oil on canvas 16 3/8 x 24 in. (41.6 x 61 cm.)
Christie's
Sep. 28, 2022
ULPIANO CHECA Y SANZ. Colmenar de Oreja, M (1860) / Dax (France) (1916). "Young model posing"
Est: €3,900 - €5,200
25.5 x 15.5 cm. Oil on panel. Signed on the lower left corner. On the back inscribed in pencil: "The model room / study".
Ansorena
Sep. 22, 2022
Ulpiano Checa y Sanz (1860-1916) Place de l'Opéra à Paris, huile sur toile,
Est: CHF10,000 - CHF15,000
Ulpiano Checa y Sanz (1860-1916) Place de l'Opéra à Paris, huile sur toile, signée et datée 89, 63x91,5 cm. Provenance: collection privée USA; vente Christie's, New York, 15 février 1994, lot 144; Richard Green, Londres, inv. no. RH 1995; acquis auprès du précédent; couple d'amateurs en Suisse
Geneve Encheres
Jul. 19, 2022
Ulpiano Checa Sanz. Flowers
Est: -
Oil on cardboard. Signed in the lower right corner. Acquired at Berkowitsch Auctions on June 6, 1974 (lot 232).
Duran Arte y Subastas
Jul. 17, 2022
Ulpiano Checa y Sanz (Spanish, 1860-1916), Untitled (sketches of ladies and carriages), watercolor and ink on paper, 15 1/2 x 10 3/4in (39.5 x 27.3cm)
Est: $800 - $1,200
Ulpiano Checa y Sanz (Spanish, 1860-1916) Untitled (sketches of ladies and carriages) watercolor and ink on paper signed lower right U. Checa
Andrew Jones Auctions
Jul. 05, 2022
Ulpiano CHECA Y SANZ (1860-1916) La fantasia
Est: €1,000 - €1,500
Ulpiano CHECA Y SANZ (1860-1916) La fantasia Gouache sur trait de plume et trait de fusain 42 x 65 cm Signé en bas à droite U Checa
Millon & Associes
Mar. 02, 2022
ULPIANO CHECA Y SANZ. Colmenar de Oreja, M (1860) / Dax (France) (1916). "Venetian Canal".
Est: €18,000 - €36,000
46,5 x 55 cm . Oil on canvas. Dedicated, signed and located in the lower left corner.
Ansorena
Mar. 02, 2022
ULPIANO CHECA Y SANZ. Colmenar de Oreja, M (1860) / Dax (France) (1916). "Young model posing".
Est: €7,500 - €15,000
25,5 x 15,5 cm. Oil on panel. Signed in the lower left corner. On the back inscribed in pencil: "El cuarto del modelo/ estudio".
Ansorena
Jan. 26, 2022
ULPIANO CHECA Y SANZ (SPANISH, 1860-1916)
Est: £25,000 - £35,000
ULPIANO CHECA Y SANZ (SPANISH, 1860-1916) La Place de l'Opera, Paris oil on canvas 24 3⁄4 x 36 in. (62.8 x 91.4 cm.)
Christie's
Nov. 25, 2021
Attributed to ULPIANO CHECA Y SANZ (Colmenar de Oreja, Madrid, 1860 - Dax, France, 1916). "Justice". Oil on canvas. Relined.
Est: €3,000 - €4,000
Attributed to ULPIANO CHECA Y SANZ (Colmenar de Oreja, Madrid, 1860 - Dax, France, 1916). "Justice". Oil on canvas. Relined. It presents faults in the polychrome, restorations and repins. Measurements: 88 x 65,5 cm. Allegory of justice in which the author presents us with a young woman dressed in a white tunic in the Roman way and Phrygian cap. In her right hand she holds the scales, while with the other she grasps a dagger. The highly symbolic scene is completed with a sumptuous interior on whose floor is a flag similar to that of the republic, and a wallpaper that decorates the room with numerous noble coats of arms. Ulpiano Checa began his artistic training in 1873, at the School of Arts and Crafts in Madrid. In 1876 he went to the San Fernando Academy, where he became a disciple of Federico de Madrazo. When he finished, in 1884, he obtained a pension to study at the Spanish Academy in Rome. During his third year he sends a work that will earn him the first medal at the National Exhibition of 1887, and second at the Universal Exhibition of Vienna in 1888. At the end of 1887 he took up residence in Paris, where he exhibited regularly in the Salons, achieving success when his work was awarded a prize in 1890. There he combines painting with his work as a graphic correspondent in "La Ilustración Española y Americana". At the beginning of the century he settled in the south of France, in Dax, where he remained until his death in 1916. It is important to highlight how Checa's work influenced the adventure films of Hollywood in the 50s and 60s. Film directors such as Stanley Kubrick ("Spartacus"), Mario Bonnard ("The Last Days of Pompeii"), Mervyn LeRoy ("Quo Vadis"), William Wyler ("Ben-Hur") or, more recently, Ridley Scott ("Gladiator") were inspired by his works for their scenery, costumes, study of mass movements and characterization of characters. In fact, he also influenced earlier filmmakers, since in the 1930s and 1940s his work showed directors the possibility of creating visual effects of depth and perspective unusual in cinema until then. During his lifetime, in 1901, he collaborated with Henry Sienkiewick on the set and costume design for the theatrical version of the novel "Quo Vadis". In fact, part of Checa's work is based on literature, especially this novel, "Ben-Hur" and "Les Miserables". Works by Ulpiano Checa are kept in the Museo Municipal Ulpiano Checa de Colmenar de Oreja, the Museo del Prado, the Museo Nacional de Bellas Artes de Buenos Aires and the Museo de la Real Academia de Bellas Artes de San Fernando, among others.
Setdart Auction House
Jun. 29, 2021
Ulpiano CHECA Y SANZ (1860-1916) Fantasia Huile su…
Est: €400 - €500
Ulpiano CHECA Y SANZ (1860-1916) Fantasia Huile sur panneau Signé en bas à gauche 23 x 14,5 cm Avec cadre : 33 x 25,5 cm Oil on panel, signed lower left, 9.1 x 5.7 in, with frame : 33 x 10 in
Osenat
Apr. 28, 2021
Ulpiano Checa y Sanz. The dawn
Est: -
Óleo sobre lienzo. Firmado en el ángulo inferior derecho. Algunas faltas de pintura en el lienzo. A examinar por el comprador.
Duran Arte y Subastas
Apr. 08, 2021
ULPIANO CHECA Y SANZ (1860 / 1916) "Venetian Canal"
Est: €22,500 - €30,000
Dedicated, signed and located in lower left corner
Ansorena
Jan. 27, 2021
ULPIANO CHECA Y SANZ 1860 / 1916
Est: €33,000 - €44,000
"The Abduction of the Savines" Signed in the lower right-hand corner Oil on canvas PAINTING S.XIX-XX
Ansorena
Dec. 14, 2020
Attributed to Ulpiano Checa (1860 - 1916), 19th Century "Barbarians"
Est: €3,000 - €3,500
Attributed to Ulpiano Checa (1860 - 1916), 19th Century "Barbarians" Oil on canvas 135 x 194 cm 3.000 - 3.500 €
Goya Subastas
Nov. 04, 2020
ULPIANO CHECA Y SANZ "The Abduction of Proserpine"
Est: €57,000 - €76,000
Signed in the lower right corner The sketch of this work dated 1888 is kept in the Ulpiano Checa Museum Reference bibliography: "Ulpiano Checa fantasia y movimiento" Exhibition September 2007, Museum of the Royal Academy of Fine Arts of San Fernando, Ulpiano Checa Museum .Oil on canvas
Ansorena
Jun. 24, 2020
ULPIANO CHECA Y SANZ - "Jarrón con flores"
Est: -
Firmado en el ángulo inferior izquierdo
Ansorena
Mar. 15, 2020
Ulpiano CHECA Y SANZ (1860-1916) Cavaliers à la sortie du château Aquarelle Signé en bas à gauche 44
Est: €1,500 - €2,500
Ulpiano CHECA Y SANZ (1860-1916) Cavaliers à la sortie du château Aquarelle Signé en bas à gauche 44 x 61 cm (à vue) Avec cadre : 53 x 68 cm Watercolour, signed lower left, 17 11/32 x 24 1/32 in With frame : 20 7/8 x 26 25/32 in
Osenat
Feb. 27, 2020
Ulpiano Checa y Sanz. The dawn
Est: -
CHECA Y SANZ, ULPIANO (1860 - 1916). "Crepúsculo". Óleo sobre lienzo. Firmado en el ángulo inferior derecho. 170 x 270 cm
Duran Arte y Subastas
Jan. 18, 2020
French Patinated Spelter Chariot Mantle Clock, c. 1890, of a Roman charioteer, after "Course Romaine" by Ulpiano Checa Y Sanz (1860-...
Est: $600 - $900
French Patinated Spelter Chariot Mantle Clock, c. 1890, of a Roman charioteer, after "Course Romaine" by Ulpiano Checa Y Sanz (1860-1916), the rider being pulled by two horses, the wheel of the chariot mounted with a time and strike clock with a black face and gilt Roman numeral chapter marks, on an integral base, with pendulum, H.- 18 in., W.- 16 1/2 in., D.- 8 1/2 in.
Crescent City Auction Gallery