Clarence Chatterton Paintings & Artwork for Sale | Clarence Chatterton Art Value Price Guide

Oct. 13, 2024
Clarence K. Chatterton (Am. 1880-1973), Inlet at Ogunquit, Maine, c. 1925, Oil on canvas, framed
Est: $15,000 - $25,000
Clarence K. Chatterton (Am. 1880-1973) Inlet at Ogunquit, Maine, c. 1925 Oil on canvas, framed Signed l.l., MME Fine Art label on backing verso 28" x 36" actual, 37 3/4" x 45 3/4" framed
Barridoff Auctions
Oct. 01, 2024
Hillcrest Road
Est: $8,000 - $12,000
Property from a Private Collection, Palm Beach, Florida Clarence K. Chatterton 1880 - 1973 Hillcrest Road signed C.K. Chatterton (lower left); signed C.K. Chatterton, titled and dated 3/3/1936 (on the tacking edge) oil on canvas 30 by 44 in. 76.2 by 111.7 Executed on March 3 1936.
Sotheby's
Aug. 17, 2024
Clarence Chatterton (Am. 1880-1973), Nubble Lighthouse, c. 1930, Oil on canvas, framed
Est: $3,000 - $5,000
Clarence Chatterton (Am. 1880-1973) Nubble Lighthouse, c. 1930 Oil on canvas, framed Signed l.l., exhibition label on frame verso 16 1/8" x 20 1/8" actual, 22" x 26 1/8" framed
Barridoff Auctions
Jun. 13, 2024
CLARENCE KERR CHATTERTON, American 1880-1973, "Glenham", oil on board, 12 x 16 in. (30.5 x 40.6 cm.), Frame: 18 x 1 1/2 x 22 in. (45.7 x 3.8 x 55.9 cm.)
Est: $1,500 - $2,500
CLARENCE KERR CHATTERTON American, 1880-1973 "Glenham" oil on board signed lower right "C.K. Chatterton", titled and signed on the reverse
Shannon's
Jun. 04, 2024
Clarence K. Chatterton (American, 1880–1973) - Street Scene
Est: $1,000 - $1,500
Clarence K. Chatterton (American, 1880–1973) - Street Scene Signed ‘C.K. Chatterton’ bottom left, oil on board 16 x 20 in. (40.6 x 50.8cm) Provenance Private Collection, Massachusetts.
Freeman's | Hindman
Dec. 14, 2023
Clarence Kerr Chatterton (1880 - 1973) American
Est: $800 - $1,200
Clarence Kerr Chatterton (1880 - 1973) Oil on Canvas ,Signed , measures 18" x 24" , w/ frame 21.5" x 28"
Cutler Bay Auctions
Jun. 06, 2023
Clarence K. Chatterton (American, 1880–1973) Afternoon on the Rocks
Est: $2,500 - $4,000
Signed 'C.K. Chatterton' lower right, oil on canvas. 28 x 36 in. (71.1x91.4cm) Provenance Estate of the Artist. ACA Galleries, New York, New York. Acquired directly from the above. Private Collection, New Jersey. Private Estate, New Jersey.
Freeman's | Hindman
Mar. 25, 2023
CLARENCE CHATTERTON AMERICAN 1880-1973
Est: $1,200 - $1,800
Village in Autumn, oil on canvas, unframed: 24 x 30 in (60.1 x 76 cm), framed: 27 1/2 x 33 1/2 in (70 x 85.1 cm) ,signed lower right
Trinity International Auctions & Appraisals, LLC
Nov. 13, 2022
Clarence Kerr Chatterton (1880 - 1973) American
Est: $500 - $5,000
Clarence Kerr Chatterton (1880 - 1973) Oil on Canvas ,Signed , measures 18" x 24" , w/ frame 21.5" x 28"
Cutler Bay Auctions
Oct. 11, 2022
Clarence Kerr Chatterton (1880 - 1973) American
Est: $3,500 - $4,500
Clarence Kerr Chatterton (1880 - 1973) Oil on Canvas ,Signed , measures 18" x 24" , w/ frame 21.5" x 28"
Cutler Bay Auctions
Jun. 04, 2022
Clarence K Chatterton, New York (1880 - 1973), House at the Shore, watercolor on paper, 14"H x 20"W
Est: $500 - $700
Clarence K Chatterton New York, (1880 - 1973) House at the Shore watercolor on paper signed lower right. Biography from the Archives of askART: Clarence K. Chatterton, impressionist* painter and teacher was born in Newburgh, New York, September 19th, 1880. He studied at the New York School of Art* under Luis Mora, Robert Henri, Kenneth Hayes Miller and William Merritt Chase. During his life he credited Robert Henri with having the greatest influence on his artistic career and one can clearly see similarities in their work of every-day scenes, straight forwardness, bold approach and strong color. Clarence Chatterton exhibited with Henri's disciples at the MacDowell Club, one of a few exhibition spaces available to the "new" group of "rebellious" social realist* artists working at the turn of the century. Chatterton said of Henri: "Over and over again Henri would say that he cared nothing for the technical proficiency we had been taught by previous masters. To those of us who were technically clever, this was baffling and occasionally galling, for he often praised awkward drawings by beginners and remained silent when staring at the work of good craftsman. The idea and the emotion were all important, the manner of conveying them negligible. Today this is commonplace; 60 years ago it was revolutionary." At one such exhibition Chatterton sent along a painting to be hung, and on the back was another work he rejected as sub-par. Upon seeing the work, the now legendary artist George Bellows (who was hanging the show) called him up and said "Chat, we all like the one on the back better! In fact, we think it's the best thing in the show, can we turn the canvas? Naturally he did not object to such a request from so well a respected artist as Bellows, and "it has remained so turned ever since." From 1915-1948 Chatterton was Professor Emeritus of Art and artist-in-residence at Vassar College in Poughkeepsie, New York. He was considered somewhat of a pioneer in this regard as few other artists were in such a position, especially considering that Vassar was strictly an all-girls school at the time. There Chatterton established the Department of Applied Arts, and this "credited" department was to become an early model of instruction similar to that found in the dedicated art schools of the time. This did not come easy as there were objections from some of the faculty in giving academic credit to such a class. One member stated: "we might as well give credit for a course in plumbing." Nevertheless he prevailed in bringing forth a curriculum that was both revolutionary in content and ahead of its time. Many of the 3000 students he was credited with teaching went on to become successful members of the art world. In 1925 Chatterton had his first one-man exhibit at the Wildenstein Gallery. This was particularly noteworthy due to the fact that his show hung with the first New York showing of Parisien painter Toulouse Lautrec, and remarkably Chatterton held his own against the noted Frenchman and was awarded a second showing at Wildenstein. He was the first American to ever have exhibited at the aforementioned gallery. He chose as his subject matter, "small town USA," a subject he would pursue for the rest of his career. He was also known for genre, portraits, landscapes, harbors, streets, parks and beaches. He painted mostly in the Hudson Valley and Maine. His bold, forthright approach to painting complimented the strong sentiment he displayed in his work for rural America. A critic for The New York Times stated: "Mr. Chatterton's point of view is characterized by certain serene enjoyment of actualities that amount almost to a philosophy of life. His pictures of New England villages and streets, of meadows and trees and white meeting houses induce something of the same reaction that one gets from reading Thoreau and Emerson. His manner of setting down his reactions has the integrity of his point of view which is characterized by directness and candor." His paintings combine a Plein-Air* painting tradition with Social Realism content displayed "with forthrightness about homely subject matter" a sort of social impressionist if you will. Exhibition venues include Macbeth Gallery* in New York, 1927, one-man in 1931,34 and 36; the Pennsylvania Academy of Fine Art; Toledo Museum of Art; Art Museum of St. Louis; Montclair Art Museum; University of Minnesota; National Academy of Design*; Rochester Memorial Art Gallery; Brooklyn Museum; Rhode Island School of Design*; World's Fair; Chicago Art Institute; Carnegie international Exhibition; National Exhibition of American Art, Rockefeller Center; Chapellier Gallery; Corcoran Gallery, Washington, DC; Golden Gate Expo., San Francisco and others. He was a member of the Salmagundi Club*; Chicago Watercolor Club and others. He won numerous awards including Isidor prize, Salmagundi Club, 1913. In 1910, his painting the Snow Clad Town was included in the first showing of United States Art in South America. In 1926 his painting Clinton Square Newburgh was selected for the Tri-National Exhibit sent abroad under sponsorship of Wildenstein Gallery. He died in New Paltz, NY July 2nd, 1973. Sources: Blake Benton Fine Art Peter Hastings Falk, Editor, Who Was Who in American Art * For more in-depth information about these terms and others, see AskART.com Glossary http://www.askart.com/AskART/lists/Art_Definition.aspx
Ripley Auctions
Feb. 27, 2022
CLARENCE KERR CHATTERTON (NY, 1880-1973)
Est: $1,500 - $2,500
"Grey Rock", oil on canvas, signed lower left, titled on frame verso, in gold painted ogee frame with cream liner, OS: 30" x 40", SS: 21" x 31", cleaned and retouched.
Thomaston Place Auction Galleries
Dec. 08, 2021
Clarence Kerr Chatterton, Summer House
Est: $3,000 - $5,000
Clarence Kerr Chatterton Summer House 1926 oil on paper laid to board 17 h × 24 w in (43 × 61 cm) Signed to lower left 'CK Chatterton'. Provenance: ACA Galleries, New York | Nardin Fine Arts, Ltd., Cross River, NY | Private Collection condition: Work is in good overall condition. Area of linear accretion to upper and lower right quadrants. Very minor area of inpainting to upper left corner visible under UV examination. Work presents well. Framed without glazing measuring 26 x 32 inches.
Rago Arts and Auction Center
Oct. 16, 2021
CLARENCE KERR CHATTERTON (AMERICAN, 1880-1973)
Est: $4,000 - $7,000
CLARENCE KERR CHATTERTON (AMERICAN, 1880-1973) Main Street- Beacon, N.Y. Oil on board, signed lower left. Heavy impasto cityscape with throngs of shoppers, a horse-drawn carriage in the street. Gilt frame, title plaque to center. Provenance: Salmagundi Club Thumb-Box Exhibition (identification label to verso, undated but likely 1910-1920) Sight: 8.25" height, 10.5" width; frame: 15" height, 17.5" width
Selkirk Auctioneers & Appraisers
May. 01, 2021
Clarence Chatterton , New York (1880-1973) , The White Church, 1920
Est: $2,000 - $3,000
Clarence Chatterton New York (1880-1973) The White Church, 1920, oil on canvas, signed lower right, framed. 24 x 30 inches This painting has not been lined. It has been viewed under u.v. light and there is no evidence of inpaint. There is some cracking at the right edge (near the stretcher), and there is a stretcher line at the left edge. Overall, very good condition.
Link Auction Galleries
Nov. 19, 2020
CLARENCE KERR CHATTERTON, American (1880-1973), Caldwell Farm, 1911, oil on board, signed lower right "C.K. Chatterton", 12 x 16 inc...
Est: $2,000 - $3,000
CLARENCE KERR CHATTERTON American (1880-1973) Caldwell Farm, 1911 oil on board, signed lower right "C.K. Chatterton" 12 x 16 inches Provenance: Chapellier Galleries, New York City, New York; A.C.A. Galleries, New York City, New York; Private Collection, New York. Other Notes: tags: oil painting, American Impressionist, American Impressionism
Shannon's
Mar. 14, 2020
Clarence Chatterton, New York (1880-1973), The White Church, 1920, oil on canvas, 24 x 30 inches
Est: $3,000 - $5,000
signed lower right, framed.
Link Auction Galleries
Oct. 24, 2019
CLARENCE KERR CHATTERTON, American (1880-1973), Circus Scene, oil on canvas, signed "C.K. Chatterton" lower left, 16 x 20 1/4 inches
Est: $15,000 - $25,000
CLARENCE KERR CHATTERTON American (1880-1973) Circus Scene oil on canvas, signed "C.K. Chatterton" lower left 16 x 20 1/4 inches Provenance: Clayton-Liberatore, New York, New York; Private Collection, New York. Other Notes: Tags: oil painting, listed artist, 20th century, listed artist
Shannon's
Oct. 24, 2019
CLARENCE KERR CHATTERTON, American (1880-1973), The Beach at Ogunquit, oil on board, signed "C.K. Chatterton" lower left, 8 x 10 inc...
Est: $4,000 - $6,000
CLARENCE KERR CHATTERTON American (1880-1973) The Beach at Ogunquit oil on board, signed "C.K. Chatterton" lower left 8 x 10 inches Provenance: A Connecticut estate. Other Notes: A label from Mongerson Wunderlich Galleries, Chicago, Illinois is on the reverse. Tags: oil paintings, Maine, New England, beach scene, listed artist, 20th century, American Impressionism
Shannon's
Oct. 24, 2019
CLARENCE KERR CHATTERTON, American (1880-1973), The Beach at Ogunquit, oil on board, signed "C.K. Chatterton" lower right, 8 x 10 in...
Est: $4,000 - $6,000
CLARENCE KERR CHATTERTON American (1880-1973) The Beach at Ogunquit oil on board, signed "C.K. Chatterton" lower right 8 x 10 inches Provenance: A Connecticut estate. Other Notes: A label from Mongerson Wunderlich Galleries, Chicago, Illinois is on the reverse. Tags: oil paintings, Maine, New England, beach scene, listed artist, 20th century, American Impressionism
Shannon's
Jul. 27, 2019
Clarence Chatterton, New York (1880-1973), The White Church, 1920, oil on canvas, 24 x 30 inches
Est: $4,000 - $6,000
Clarence Chatterton New York (1880-1973) The White Church, 1920, oil on canvas, signed lower right, framed. 24 x 30 inches
Link Auction Galleries
Feb. 09, 2019
Clarence Chatterton, New York (1880-1973), The White Church, 1920, oil on canvas, 24 x 30 inches
Est: $7,000 - $10,000
Clarence Chatterton New York (1880-1973) The White Church, 1920, oil on canvas, signed lower right, framed. 24 x 30 inches
Link Auction Galleries
Dec. 09, 2018
CLARENCE K. CHATTERTON, (AMERICAN 1880-1973), "NUBBLE LIGHTHOUSE" (YORK CLIFFS, MAINE)
Est: $2,500 - $4,000
CLARENCE K. CHATTERTON (american 1880-1973) "NUBBLE LIGHTHOUSE" (YORK CLIFFS, MAINE) Signed 'C.K. Chatterton' bottom right; also titled, located, signed and inscribed 'Vassar College' on bottom stretcher verso, oil on canvas 28 1/8 x 36 in. (71.4 x 91.4cm) Executed circa 1921. provenance: A.C.A. Galleries, New York, New York. Acquired directly from the above in 1987. Private Collection, Philadelphia, Pennsylvania.
Freeman's | Hindman
Oct. 10, 2018
Clarence Kerr Chatterton American, 1880-1973 A Summer's Day - Ogunquit
Est: $5,000 - $7,000
Clarence Kerr Chatterton American, 1880-1973 A Summer's Day - Ogunquit Signed C.K. CHATTERTON (ll) Oil on canvas 22 x 36 inches (55.9 x 91.5 cm) C Estate of Anne P. Dean
DOYLE Auctioneers & Appraisers
Sep. 14, 2018
Clarence Chatterton Oil Impressionist Scene,
Est: $200 - $400
artist painting a female study, on canvas, image area 20" X 24", well listed artist, 1880-1973.
Richard D. Hatch & Associates
Jun. 14, 2018
CLARENCE K. CHATTERTON View of a Church.
Est: $2,500 - $3,500
CLARENCE K. CHATTERTON View of a Church. Oil on canvas. 545x457 mm; 21 1/2x17 5/8 inches. Signed in oil, lower left recto. Ex-collection The Madison Gallery, Atlanta, with the label on the frame back; private collection, Vermont.
Swann Auction Galleries
Mar. 28, 2018
CLARENCE K. CHATTERTON | Hudson River Boats
Est: $10,000 - $15,000
oil on board
Sotheby's
Mar. 24, 2018
Clarence Kerr Chatterton (American/New York)
Est: $1,500 - $2,500
Clarence Kerr Chatterton (American/New York, 1880-1973), "Morning in the Hudson", 1912, oil on canvas, signed lower right, titled, signed, dated and "Koch Galleries, Mobile, AL" label en verso, 12 in. x 18 in., framed. Provenance: Koch Galleries, Mobile, AL, 1989
Neal Auction Company
Feb. 10, 2018
Clarence Chatterton, New York (1880-1973), The White Church, 1920, oil on canvas, 24 x 30 inches
Est: $10,000 - $15,000
Clarence Chatterton New York (1880-1973) The White Church, 1920, oil on canvas, signed lower right, framed. 24 x 30 inches
Link Auction Galleries
Nov. 01, 2017
Clarence Chatterton (1880-1973)
Est: $3,000 - $5,000
Clarence Chatterton (1880-1973)
Ashcroft and Moore
Aug. 05, 2016
CLARENCE KERR CHATTERTON, New York, 1880-1973, Figures by a lake., Oil on board, 16" x 20". Framed 23" x 27".
Est: $2,500 - $3,500
CLARENCE KERR CHATTERTON New York, 1880-1973 Figures by a lake. Signed lower right "C.K. Chatterton". Note: According to a descendant of the artist, the figures in this image are the artist's mother, Julia Lendrum Chatterton, and his daughter, also named Julia. Oil on board, 16" x 20". Framed 23" x 27".
Eldred's
May. 03, 2016
Clarence Kerr Chatterton American, 1880-1973 The Pond
Est: $6,000 - $8,000
Clarence Kerr Chatterton American, 1880-1973 The Pond Signed C. K. Chatterton (ll); inscribed in pencil The Pond / C.K. Chatterton/Vassar College, Poughkeepsie, N.Y. on the stretcher Oil on canvas 28 x 36 inches C Estate of Patricia M. De Bary
DOYLE Auctioneers & Appraisers
Apr. 28, 2016
CLARENCE KERR CHATTERTON, American (1880-1973), Preparing the Dory, oil on canvas, signed lower right., 24 x 36 inches
Est: $8,000 - $12,000
CLARENCE KERR CHATTERTON American (1880-1973) Preparing the Dory oil on canvas, signed lower right. 24 x 36 inches Provenance: Lepore Fine Arts, Newburyport, Massachusetts. Exhibitions: "Realism in the 20th Century American Paintings" The Ogunquit Museum of American Art, August 18 - September 30, 1997.
Shannon's
Mar. 09, 2016
Clarence Kerr Chatterton American, 1880-1973 Maine Afternoon, 1922
Est: $1,000 - $1,500
Clarence Kerr Chatterton American, 1880-1973 Maine Afternoon, 1922 Signed C.K. Chatterton (ll); inscribed as titled and signed by / C. K Chatterton on the reverse; dated 1922 on an old label affixed to the reverse Oil on board 16 x 20 inches C Estate of Patricia M. De Bary
DOYLE Auctioneers & Appraisers
Aug. 05, 2015
Clarence Kerr CHATTERTON (1880-1973) American artist painting
Est: $2,000 - $4,000
Clarence Kerr CHATTERTON (1880-1973) American artist oil on board painting. 23” H x 27” W including frame. Shipping in USA is $ 65.00. International bidders ask before bid.
Antiques Supermarket
Jun. 24, 2015
Attributed to Clarence Kerr CHATTERTON (1880-1973) watercolor
Est: $200 - $300
Attributed to Clarence Kerr CHATTERTON (1880-1973) watercolor, signed. 14 1/2" H x 21 3/4” W including frame. Shipping in USA is $ 45.00. International bidders ask for shipping before bid.
Antiques Supermarket
Apr. 29, 2015
Clarence K. Chatterton
Est: $2,000 - $3,000
Clarence K. Chatterton Am. 1880-1973 Stone Cliffs Signed "C.K. Chatterton" u.r. Oil on board 12 x 16 in. 30.5 x 40.6 cm Property of Charles V. Murray, Winston-Salem, North Carolina Provenance: Label verso: Salmagundi Art Club (illegible) verso Good condition, good appearance, no apparent restoration when examined with a black light
Barridoff Auctions
Mar. 14, 2015
Clarence Kerr Chatterton (NY, 1880-1973), New England Village
Est: $1,000 - $2,000
gouache on paper, signed and dated at lower left "C. K. Chatterton / '06," matted and framed under glass. SS 12 x 15 in.; DOA 18.5 x 21 in.
Leland Little Auctions
Feb. 25, 2015
Clarence Kerr CHATTERTON (1880-1973) American artist
Est: $200 - $300
Clarence Kerr CHATTERTON (1880-1973) American artist painting, signed. 14 1/4" H x 21 7/8" W. Shipping in USA is $ 45.00. International bidders ask for shipping before bid.
Antiques Supermarket
Aug. 10, 2013
O/C 'Kennebunkport Cottage' by C. K. Chatterton
Est: $800 - $1,000
Medium: Oil Support: Canvas Artist: Clarence Kerr Chatterton Artist Dates: (1880 - 1973) Country of Origin: America Title & Description: Painting depicts a cottage in Kennebunkport Maine. Signed lower left. Stretcher is inscribed "Kennebunkport, Me." Signature: "C.K. Chatterton" Date of Work: 20th Century Frame: Period Work Size: 14" H x 18" W Frame Size: 18.5" H x 22.5" W x 1" D Weight: 3.4 pounds Condition: Edge lined. Artist Biography: Clarence K. Chatterton, impressionist* painter and teacher was born in Newburgh, New York, September 19th, 1880. He studied at the New York School of Art* under Luis Mora, Robert Henri, Kenneth Hayes Miller and William Merritt Chase. During his life he credited Robert Henri with having the greatest influence on his artistic career and one can clearly see similarities in their work of every-day scenes, straight forwardness, bold approach and strong color. Clarence Chatterton exhibited with Henri's disciples at the MacDowell Club, one of a few exhibition spaces available to the "new" group of "rebellious" social realist* artists working at the turn of the century. Chatterton said of Henri: "Over and over again Henri would say that he cared nothing for the technical proficiency we had been taught by previous masters. To those of us who were technically clever, this was baffling and occasionally galling, for he often praised awkward drawings by beginners and remained silent when staring at the work of good craftsman. The idea and the emotion were all important, the manner of conveying them negligible. Today this is commonplace; 60 years ago it was revolutionary." At one such exhibition Chatterton sent along a painting to be hung, and on the back was another work he rejected as sub-par. Upon seeing the work, the now legendary artist George Bellows (who was hanging the show) called him up and said "Chat, we all like the one on the back better! In fact, we think it's the best thing in the show, can we turn the canvas? Naturally he did not object to such a request from so well a respected artist as Bellows, and "it has remained so turned ever since." From 1915-1948 Chatterton was Professor Emeritus of Art and artist-in-residence at Vassar College in Poughkeepsie, New York. He was considered somewhat of a pioneer in this regard as few other artists were in such a position, especially considering that Vassar was strictly an all-girls school at the time. There Chatterton established the Department of Applied Arts, and this "credited" department was to become an early model of instruction similar to that found in the dedicated art schools of the time. This did not come easy as there were objections from some of the faculty in giving academic credit to such a class. One member stated: "we might as well give credit for a course in plumbing." Nevertheless he prevailed in bringing forth a curriculum that was both revolutionary in content and ahead of its time. Many of the 3000 students he was credited with teaching went on to become successful members of the art world. In 1925 Chatterton had his first one-man exhibit at the Wildenstein Gallery. This was particularly noteworthy due to the fact that his show hung with the first New York showing of Parisien painter Toulouse Lautrec, and remarkably Chatterton held his own against the noted Frenchman and was awarded a second showing at Wildenstein. He was the first American to ever have exhibited at the aforementioned gallery. He chose as his subject matter, "small town USA," a subject he would pursue for the rest of his career.He was also known for genre, portraits, landscapes, harbors, streets, parks and beaches. He painted mostly in the Hudson Valley and Maine. His bold, forthright approach to painting complimented the strong sentiment he displayed in his work for rural America. A critic for The New York Times stated: "Mr. Chatterton's point of view is characterized by certain serene enjoyment of actualities that amount almost to a philosophy of life. His pictures of New England villages and streets, of meadows and trees and white meeting houses induce something of the same reaction that one gets from reading Thoreau and Emerson. His manner of setting down his reactions has the integrity of his point of view which is characterized by directness and candor." His paintings combine a Plein-Air* painting tradition with Social Realism content displayed "with forthrightness about homely subject matter" a sort of social impressionist if you will. Exhibition venues include Macbeth Gallery* in New York, 1927, one-man in 1931,34 and 36; the Pennsylvania Academy of Fine Art; Toledo Museum of Art; Art Museum of St. Louis; Montclair Art Museum; University of Minnesota; National Academy of Design*; Rochester Memorial Art Gallery; Brooklyn Museum; Rhode Island School of Design*; World's Fair; Chicago Art Institute; Carnegie international Exhibition; National Exhibition of American Art, Rockefeller Center; Chapellier Gallery; Corcoran Gallery, Washington, DC; Golden Gate Expo., San Francisco and others. He was a member of the Salmagundi Club*; Chicago Watercolor Club and others. He won numerous awards including Isidor prize, Salmagundi Club, 1913. In 1910, his painting the Snow Clad Town was included in the first showing of United States Art in South America. In 1926 his painting Clinton Square Newburgh was selected for the Tri-National Exhibit sent abroad under sponsorship of Wildenstein Gallery. He died in New Paltz, NY July 2nd, 1973. Meta: painting, art
Louis J. Dianni, LLC
Jun. 13, 2013
CLARENCE KERR CHATTERTON Caldwell Fram.
Est: $3,000 - $5,000
CLARENCE KERR CHATTERTON Caldwell Fram. Oil on artist's board. 300x400 mm; 12x16 inches. Signed in oil, lower right recto. With a preliminary pencil sketch, verso. Ex-collection Chapellier Galleries, New York, with the label verso.
Swann Auction Galleries
May. 18, 2013
†Clarence Kerr Chatterton (1880-1973), "Morning on the Hudson," 1912, oil on canvas, signed l.r., titled and dated verso, framed, H.-..
Est: $2,500 - $3,500
Clarence Kerr Chatterton (1880-1973), "Morning on the Hudson," 1912, oil on canvas, signed l.r., titled and dated verso, framed, H.- 12 1/4 in., W.- 18 in.
Crescent City Auction Gallery
May. 08, 2013
Clarence K. Chatterton American, 1880-197 Island Bridge
Est: $8,000 - $12,000
Clarence K. Chatterton American, 1880-197 Island Bridge Signed C. K. Chatterton (ll) Oil on canvas 26 1/4 x 42 inches Provenance: Macbeth Gallery, New York Exhibited: Chicago, IL, Art Institute of Chicago, n.d. Providence, RI, Rhode Island School of Design Museum, n.d. C Property of a Greenwich Village Collector
DOYLE Auctioneers & Appraisers
Apr. 25, 2013
CLARENCE KERR CHATTERTON, American (1880-1973), Tugboat on the Hudson, watercolor and gouache on board, signed lower left and dated...
Est: $3,000 - $5,000
CLARENCE KERR CHATTERTON American (1880-1973) Tugboat on the Hudson watercolor and gouache on board, signed lower left and dated 1912. 17 3/4 x 24 1/4 Provenance: Private collection, New York.
Shannon's
Apr. 22, 2013
Clarence Kerr Chatterton American, 1880-1973 Students on Stairs, Vassar College
Est: $2,000 - $3,000
Clarence Kerr Chatterton American, 1880-1973 Students on Stairs, Vassar College Signed C. K. Chatterton (lr) Oil on canvasboard 14 7/8 x 9 3/8 inches C
DOYLE Auctioneers & Appraisers
Apr. 04, 2012
Clarence Kerr Chatterton American, 1880-1973 Summer in Ogunquit Signed C. K. CHATTERTON (ll) Oil on canv...
Est: $8,000 - $12,000
Clarence Kerr Chatterton American, 1880-1973 Summer in Ogunquit Signed C. K. CHATTERTON (ll) Oil on canvas 24 x 36 inches Provenance: A.C.A. Galleries, NY C
DOYLE Auctioneers & Appraisers
Mar. 25, 2012
CLARENCE KERR CHATTERTON, (American, 1880-1973), A ROCKY PASTURE, oil on canvas;
Est: $2,000 - $4,000
CLARENCE KERR CHATTERTON (American, 1880-1973) A ROCKY PASTURE oil on canvas; signed C.K. Chatterton, l.l.; 18 x 24 inches; together with THE CHARCOAL SKETCH OF A ROCKY PASTURE, inscribed on verso To Annie Pardee with love from Judy Chatterton Van de Water, April 29, 1976, sight: 10 3/4 x 16 1/4 inches Provenance: Private Massachusetts Collection, by descent; The sketch was a gift from the artist's daughter to the painting's owner in 1976
Grogan & Company
Feb. 15, 2012
Two (2) Mid 20th Century American J. C. Van de Water (Daughter of Renowned Artist Clarence Kerr Chatterton American (1880-1973)) Oils on Canvas "Untitled". Signed Lower Left. Good Condition or Better. Each Measures 10-1/2 Inches Tall and 14 Inches
Est: $500 - $700
Two (2) Mid 20th Century American J. C. Van de Water (Daughter of Renowned Artist Clarence Kerr Chatterton American (1880-1973)) Oils on Canvas "Untitled". Signed Lower Left. Good Condition or Better. Each Measures 10-1/2 Inches Tall and 14 Inches Wide, Frame Measures 13-1/2 Inches Tall and 16-3/4 Inches Wide. Shipping $58.00
Kodner Galleries