Roz Chast Paintings & Artwork for Sale | Roz Chast Art Value Price Guide

Dec. 15, 2022
ROZ CHAST (1955-) (THE NEW YORKER) "The Ground Floor: Billy & Jimmy's Technology Stocks - 25¢ a Share."
Est: $1,000 - $1,500
ROZ CHAST (1955-) (THE NEW YORKER) "The Ground Floor: Billy & Jimmy's Technology Stocks - 25¢ a Share." Cartoon for The New Yorker, published May 31, 1999, page 32. Pen, ink, and wash on paper. 203x228 mm; 8x6 1/2 inches, on 12x9-inch sheet. Signed "R. Chast" in margin at lower right. Archivally framed to 18x14 inches. A certificate of authenticity dated March 28, 2001 signed by Robert Mankoff, President of The Cartoon Bank at The New Yorker, and a magazine tear sheet of the cartoon accompany the lot.
Swann Auction Galleries
Dec. 15, 2022
ROZ CHAST (1955- ) (THE NEW YORKER) "The Jukes and the Kallikaks Today."
Est: $1,200 - $1,800
ROZ CHAST (1955- ) (THE NEW YORKER) "The Jukes and the Kallikaks Today." Cartoon for The New Yorker, published June 8, 1987. Pen, ink, and wash, on paper. 140x154 mm; 286x224 mm; 11 1/4x8 3/4 inches, on 12x9-inch sheet. Signed "R. Chast" in margin at lower right. Hinged to board and archivally framed to 17 1/2x18 1/4 inches. A certificate of authenticity signed by Chast accompanies the lot.
Swann Auction Galleries
Dec. 15, 2022
ROZ CHAST (1955-) (THE NEW YORKER) "Proposed Health Care Plans for Dolls."
Est: $1,000 - $1,500
ROZ CHAST (1955-) (THE NEW YORKER) "Proposed Health Care Plans for Dolls." Cartoon for unknown publication, possibly The New Yorker.Watercolor, pen, and ink on paper. 152x208 mm; 6x8 1/4 inches, sheet. Signed "R. Chast" in lower right image, editorial note on verso.
Swann Auction Galleries
Jun. 24, 2021
ROZ CHAST (1954- ) “Rejected by the School of Hard Knocks." [NEW YORKER / CARTOONS]
Est: $1,000 - $1,500
ROZ CHAST (1954- ) "Rejected by the School of Hard Knocks." Cartoon for The New Yorker, published April 30, 1990, page 54. Pen, ink, wash, and collage on paper. 140x154 mm; 5 1/2x6 inches, on 12x9-inch sheet. Signed "R. Chast" in margin at lower right. Float mounted, matted, and archivally framed. A certificate of authenticity dated September 2, 2008 and signed by Sarah Walker-Martin (the Art Sales Manager of the Condé Nast Archive) and a printed copy of the magazine accompany the lot. Provenance: The New Yorker, 1990; Grapefruit Moon Gallery, August 2007; private collection.
Swann Auction Galleries
Jun. 24, 2021
ROZ CHAST (1955- ) "Margerie N. and her famous labor-intensive cake." [NEW YORKER / CARTOONS]
Est: $1,000 - $1,500
ROZ CHAST (1955- ) "Margerie N. and her famous labor-intensive cake." Cartoon for unknown publication, possibly The New Yorker. Pen, ink, and wash on paper. 150x115 mm; 6x4 1/2 inches, on 11 3/4x8 1/2-inch sheet. Signed "R. Chast" in lower right image, with artist's stamp on verso. Dated "6/[19]89" in graphite on verso. Hinged to board and archivally framed. A certificate of authenticity signed by Chast accompanies the lot.
Swann Auction Galleries
Jun. 17, 2021
CHAST, ROZ. BORN 1954. And one day, when he least expected it.... Original pen, ink and watercolor cartoon on 4 x 6 inch card, [New Canaan, CT, 2010],
Est: $800 - $1,200
CHAST, ROZ. BORN 1954. And one day, when he least expected it.... Original pen, ink and watercolor cartoon on 4 x 6 inch card, [New Canaan, CT, 2010], card marked 'Silvermine Guild Arts Center #490' on verso and signed 2 more times; together with 2 postcards from the 'Signed, Sealed & Delivered' exhibition at the Silvermine Center, one featuring an 'artwork information' sheet laid down to the verso, filed out and signed by Roz Chast. Popular New Yorker cartoonist Roz Chast has been named by Comics Alliance as one of twelve women cartoonists whose work is deserving of lifetime achievement recognition. This clever piece, which Chast herself describes as a work of 'pen, ink, watercolor and paranoia,' was donated to the Silvermine Guild Arts Center for an exhibition titled 'Signed, Sealed & Delivered.' All the artwork was postcard sized, and all was available for sale at a set price; buyers, however, did not know the name of the artist until after the sale was completed, which is why this piece is only signed on the reverse. For further information on this lot please visit the Bonhams website
Bonhams
Jan. 28, 2021
ROZ CHAST (1955- ) New York City Bus. [CARTOONS / NEW YORKER CARTOONIST / PYSANKA EGG]
Est: $1,000 - $1,500
ROZ CHAST (1955- ) New York City Bus. Pysanka egg, circa 2010. Additional Video Mixed media, including eggshell, dye, and polyurethane. Approximately 57x42 mm; 2 1/4x1 3/4 inches. Signed "R. Chast" in lower portion of egg. In 2003, Roz Chast began experimenting with an unconventional approach to pysanky, a Ukrainian folk art form of colorful and intricately decorated eggshells that is said to date from pagan times. Foregoing conventional vegetal and geometric motifs, Chast adorns her eggs with the types of "Grade A" witticisms and neuroses typically found in her cartoons for The New Yorker. Chast utilizes specialty tools to create her eggs: a Blas-fix is used to bore a hole in the egg and pump out the insides; a kistka, a drawing implement that dispenses melted beeswax; jars full of colored dye; and a candle with which to heat the wax in the kistka and, later, to burn it off the shell. Rather than plugging the egg's drainage hole with wax, Chast leaves it open. In an interview with Carol Kino for The New York Times on November 26, 2004, Chast explained her reasoning: "I have this paranoia that if I totally seal up the egg, and there's a little tiny bit of egg business inside, it's going to rot and build up horrible gases and then the egg will explode. Better be safe than sorry."
Swann Auction Galleries
Jan. 28, 2021
Roz Chast - A Visit from the Relatives
Est: $100 - $200
Lot 80 Roz Chast American (20th Century) A Visit from the Relatives screenprint pencil signed lower right, numbered PP image: 10 1/4 x 13 1/2 inches sheet: 17 x 20 inches Provenance: From a New Jersey collection
Capsule Gallery Auction
Jul. 16, 2020
ROZ CHAST. Coffee and Confinement. [NEW YORKER CARTOONIST]
Est: $500 - $750
ROZ CHAST. Coffee and Confinement. Pysanka egg, circa 2010. Mixed media, including eggshell, dye, and polyurethane. Approximately 57x42 mm; 2 1/4x1 3/4 inches. Signed "R. Chast" in lower portion of egg. In 2003, Roz Chast began experimenting with an unconventional approach to pysanky, a Ukrainian folk art form of colorful and intricately decorated eggshells that is said to date from pagan times. Foregoing conventional vegetal and geometric motifs, Chast adorns her eggs with the types of "Grade A" witticisms and neuroses typically found in her cartoons for The New Yorker. Chast utilizes specialty tools to create her eggs: a Blas-fix is used to bore a hole in the egg and pump out the insides; a kistka, a drawing implement that dispenses melted beeswax; jars full of colored dye; and a candle with which to heat the wax in the kistka and, later, to burn it off the shell. Rather than plugging the egg's drainage hole with wax, Chast leaves it open. In an interview with Carol Kino for The New York Times on November 26, 2004, Chast explained her reasoning: "I have this paranoia that if I totally seal up the egg, and there's a little tiny bit of egg business inside, it's going to rot and build up horrible gases and then the egg will explode. Better be safe than sorry."
Swann Auction Galleries
Jul. 16, 2020
ROZ CHAST. "Forbidden Words of Childhood." [NEW YORKER CARTOONIST]
Est: $500 - $750
ROZ CHAST. "Forbidden Words of Childhood." Pysanka egg, circa 2010. Mixed media, including eggshell, dye, and polyurethane. Approximately 57x42 mm; 2 1/4x1 3/4 inches. Signed "R. Chast" in lower portion of egg. In 2003, Roz Chast began experimenting with an unconventional approach to pysanky, a Ukrainian folk art form of colorful and intricately decorated eggshells that is said to date from pagan times. Foregoing conventional vegetal and geometric motifs, Chast adorns her eggs with the types of "Grade A" witticisms and neuroses typically found in her cartoons for The New Yorker. Chast utilizes specialty tools to create her eggs: a Blas-fix is used to bore a hole in the egg and pump out the insides; a kistka, a drawing implement that dispenses melted beeswax; jars full of colored dye; and a candle with which to heat the wax in the kistka and, later, to burn it off the shell. Rather than plugging the egg's drainage hole with wax, Chast leaves it open. In an interview with Carol Kino for The New York Times on November 26, 2004, Chast explained her reasoning: "I have this paranoia that if I totally seal up the egg, and there's a little tiny bit of egg business inside, it's going to rot and build up horrible gases and then the egg will explode. Better be safe than sorry."
Swann Auction Galleries
Nov. 20, 2018
Roz Chast American, b. 1954 Last Fifty Pages, 2000
Est: $500 - $700
Roz Chast American, b. 1954 Last Fifty Pages, 2000 Signed R. Chast (lr) Ink and wash on paper 12 x 9 inches Unframed Provenance: Julie Saul Gallery, New York C The Patricia and Donald Oresman Collection
DOYLE Auctioneers & Appraisers
Nov. 20, 2018
Roz Chast American, b. 1954 Horror, 2004
Est: $600 - $800
Roz Chast American, b. 1954 Horror, 2004 Signed R. Chast (lr), dated Jan 04 and inscribed indistinctly (lc) Watercolor and ink on paper 11 7/8 x 9 inches Unframed Provenance: Julie Saul Gallery, New York C The Patricia and Donald Oresman Collection
DOYLE Auctioneers & Appraisers
Apr. 19, 2008
COLLECTIBLES - ROZ CHAST CARTOON
Est: $200 - $600
ROZ CHAST CARTOON Original artist signed "Roz Chast" cartoon, "Bad Mom cards, collect the entire Set!", nine panels depicting Bad Moms, e.g., "#17 Gloria B. - Promised to take daughter to the mall after school and then didn't", originally appeared in "New Yorker Magazine", February 26, 1996.
Willis Henry Auctions Inc.
Sep. 22, 2002
Roz Chast (20th Century) American GARDEN PARTY OF THE BLITHE SPIRITS 1982, color lithograph , on layered sheets with hidden images, signed in pencil, from the numbered edition of 80, sheet 30.5 x 22 . 5in.
Est: $200 - $300
Roz Chast (20th Century) American GARDEN PARTY OF THE BLITHE SPIRITS 1982, color lithograph , on layered sheets with hidden images, signed in pencil, from the numbered edition of 80, sheet 30.5 x 22 . 5in.
Clark's Fine Art & Auctioneers Inc.