Giovanni (1616) Castiglione Paintings & Artwork for Sale | Giovanni (1616) Castiglione Art Value Price Guide

Nov. 14, 2024
Giovanni Benedetto Castiglione detto il Grechetto Temporalis Aeternitas
Est: €600 - €800
Etching, 178 x 257 mm. Bartsch XXI.25.27, Bellini 63. Printed on laid paper. Uniformly browned paper, with light stains in the lower right part, glued on paper support. Paper residues on the back. Otherwise, in good condition.
Bertolami Fine Art s.r.l.
Oct. 19, 2024
GIOVANNI BENEDETTO CASTIGLIONE, gen. IL GRECHETTO : Mann, einen kleinen mit Federn und Bändern geschmückten Turban tragend.
Est: €140 - €180
GIOVANNI BENEDETTO CASTIGLIONE, gen. IL GRECHETTO Genua 1616 - 1664 Mantua Mann, einen kleinen mit Federn und Bändern geschmückten Turban tragend. Radierung aus der Folge von Köpfen mit orientalischer Kopfbedeckung. Bartsch 33. Bellini (The Illustrated Bartsch) 4602.033. - Mit dem Namenszug und Bezeichnung „Genovese“ in der Platte. In brauner Feder bezeichnet „10“. Auf Bütten. Blatt: 10,1 x 8 cm. Unter Verlust des Plattenrandes beschnitten und alt aufgezogen. Schwach fleckig und mit braunen Farbspuren. Sammlung T. G. Ritter, Milan (nicht bei Lugt). [bg]
Winterberg-Kunst
Oct. 19, 2024
GIOVANNI BENEDETTO CASTIGLIONE, gen. IL GRECHETTO : Die Geburt Christi mit Gottvater und den Engeln.
Est: €600 - €750
GIOVANNI BENEDETTO CASTIGLIONE, gen. IL GRECHETTO Genua 1616 - 1664 Mantua Die Geburt Christi mit Gottvater und den Engeln. Radierung um 1647. Bartsch 7. Bellini (The Illustrated Bartsch) 4602.007. - Am Unterrand mit Bezeichnung von fremder Hand in brauner Feder. Mit dem Namenszug „Genovese/Castiglione“ sowie mit Bezeichnung in der Platte. Auf Bütten mit Wasserzeichen: Traube. 20,4 x 39,8 cm (Blatt). Meist mit winzigem Rädchen um die Einfassunglinie Mit wenigen schwachen Knickspuren, braunen Fleckchen, dünnen Papierstellen und winzigen Wurmlöchlein. Ränder mit vereinzelten winzigen Läsuren und linker Rand mit restaurierten Beschädigungen. [bg]
Winterberg-Kunst
May. 17, 2024
Giovanni Benedetto Castiglione (Il Grechetto) (1609 oder 1616 Genua - Mantua 1664 oder 1670) – Der Philosoph Diogenes sucht einen ehrenhaften Menschen
Est: €600 - €700
Etching on laid paper. (c. 1645). 22 x 31.3 cm (sheet size).
Karl & Faber
May. 16, 2024
Giovanni Benedetto Castiglione, called Grechetto, Draft for the composition "Pagan Sacrifice"
Est: €12,000 - €14,000
Certificate Timothy J. Standring, 13.2.2019. In this study, the Genoese painter Castiglione first laid down the figures with oil and an almost dry brush before adding pigment to the faces. As Timothy J. Standring noted in his report in 2019, this technique is rather atypical for him. Nevertheless, the stylistic similarities between the heads from the study and those from the "Heidnischen Opfer" (Zurich, private collection) suggest that the present work was created in preparation for the Zurich work. According to Standring, it is plausible that it was created around the middle or second half of the 1650s, when Castiglione was travelling between Rome, Genoa and Mantua.
Kunsthaus Lempertz KG
Apr. 24, 2024
Giovanni Benedetto Castiglione, called il Grechetto
Est: €30,000 - €40,000
(Genoa 1609/1616–1664/1670 Mantua) A satyr and flock near a herm, oil on canvas, 36 x 70.5 cm, framed Provenance: Private European collection We are grateful to Anna Orlando for endorsing the attribution of the present painting on the basis of a photograph. She dates this work to circa 1632–1633, during Giovanni Benedetto Castiglione’s first stay in Rome. Her written analysis accompanies this lot. The balanced arrangement of the figurative and landscape elements, as well as the dominating earthy ochre tones with highlights in blue, red and green are typical of Grechetto’s work. The horizontal composition of this painting relates to two similar works by Grechetto representing Circe and Ulysses and Juno with Io and Argus, both in private collections (see Anna Orlando, Gio. Benedetto Castiglione. Il Grechetto Genovese a Roma. Commitenza e opera, Genoa 2022, cat. nos. 4a, 4b, pp. 104–107). Despite the differing measurements, Orlando has suggested, that the three paintings may have been part of a series created for the decoration of a private room, such as a studiolo of one of his collectors. Giovanni Benedetto Castiglione was born in Genoa in 1609. During the 1620s he trained in the studio of Sinibaldo Scorza, as well as being influenced by the work of Giovanni Battista Paggi and Andrea de Ferrari, in an artistic climate heavily influenced by the Genoese sojourns of Rubens and Van Dyck. From 1632 he is documented with his brother Salvatore in Rome where within a brief period of time he was elected a member of the Accademia di San Luca. His exposure to Rome’s cultured circles, the influence of Nicolas Poussin’s painting evoking the ancient classical world, as well as his subsequent contact with the Neapolitan art world, in particular with Aniello Falcone and Andrea De Leone, were to be determining and transformative factors in Castiglione’s assimilation of the Baroque style. Subsequently he resided in Rome for a second time between 1647 and 1651. At the start of the 1650s Grechetto was summoned to the court of the Gonzaga where he worked for over a decade, also acting as an agent in the acquisition of paintings for the ducal collections. He died in Mantua in 1664.
Dorotheum
Apr. 18, 2024
GIOVANNI B. CASTIGLIONE The Nativity with God the Father and the Angels.
Est: $1,500 - $2,500
GIOVANNI B. CASTIGLIONE The Nativity with God the Father and the Angels. Etching, circa 1647. 205x400 mm; 8⅛x15⅞ inches, small margins. Initials countermark to an unidentified watermark. A very good impression with strong contrasts. Bartsch 22; Percy 18.
Swann Auction Galleries
Feb. 01, 2024
ATTRIBUTED TO GIOVANNI BENEDETTO CASTIGLIONE, IL GRECHETTO (1616-1670) Lot
Est: $3,000 - $5,000
ATTRIBUTED TO GIOVANNI BENEDETTO CASTIGLIONE, IL GRECHETTO (1616-1670) Lot and his daughters black chalk 6 ¾ x 8 ¼ in. (17 x 20.9 cm)
Christie's
Oct. 21, 2023
GIOVANNI BENEDETTO CASTIGLIONE, gen. IL GRECHETTO : Theseus findet die Waffen seines Vaters.
Est: €780 -
GIOVANNI BENEDETTO CASTIGLIONE, gen. IL GRECHETTO Genua 1616 - 1664 Mantua Theseus findet die Waffen seines Vaters. Bartsch 24. Bellini (TIB) 4602.024, III. - Mit dem Namenszug Castigliones sowie den Bezeichnungen „Io: Iac:mo Rossi form: Romae 1648“ und „alla Pace“ in der Platte. Auf Bütten. 30,2 x 20,3 cm. Links unterhalb der Platte in brauner Feder mit „2“ bezeichnet. Ca. 3,5-4 cm breite Ränder hauptsächlich in den Ecken gering unfrisch. [ms]
Winterberg-Kunst
Jul. 05, 2023
Giovanni Benedetto Castiglione (ambito)
Est: €4,000 - €6,000
Ariadne on the island of Naxos oil on canvas, cm. 29.5x38
Bolli & Romiti s.r.l
May. 25, 2023
Giovanni Benedetto Castiglione (Zugeschrieben) (1609 oder 1616 Genua - Mantua 1664 oder 1670) – Die Madonna erscheint zwei Heiligen (The Virgin appearing to two saints)
Est: €3,000 - €4,000
Pen in brown, brown wash, on laid paper with watermark "star hung with the initials GAA".
Karl & Faber
Mar. 14, 2023
GIOVANNI BENEDETTO CASTIGLIONE detto IL GRECHETTO
Est: €200 - €500
(Genova, 1609 - Mantova, 1664) Temporalis Aeternitas (Allegoria della transitorietà) Firmato Gio Benedetto e firmato 1655 in basso a sinistra Acquaforte su carta, cm 18,2X26 Provenienza: Genova, Giovanni Grasso Genova, collezione privata
Wannenes Art Auctions
Mar. 14, 2023
GIOVANNI BENEDETTO CASTIGLIONE detto IL GRECHETTO
Est: €200 - €500
(Genova, 1609 - Mantova, 1664) Baccanale davanti all'altare del dio Termine (1648 circa) Firmato G Benedetto Cast in basso a destra Acquaforte su carta, cm 23,9X19 Provenienza: Genova, Giovanni Grasso Genova, collezione privata Il soggetto, tradizionalmente interpretato come Baccanale davanti alla statua di Pan, è stato invece pubblicato dall'editore Giovan Giacomo de Rossi come Baccanale presso la statua del dio Termine. Il nome Termine era inizialmente associato a Giove, di cui 'Terminus' era uno degli epiteti. In seguito, Termine si affermò come divinità indipendente, il cui culto sarebbe stato iniziato da Tito Tazio e Numa Pompilio (VIII-VII secolo a.C.). Termine era considerato il custode dei confini delle terre dell'impero. I romani ritenevano sacre le pietre che segnavano un confine, perché abitate da questa divinità, oppure poste sotto la sua protezione. Il simulacro divino raffigurato nell'incisione è decorato con ghirlande, con cui i romani erano soliti adornare questi cippi.
Wannenes Art Auctions
Nov. 03, 2022
GIOVANNI B. CASTIGLIONE The Bodies of Saints Peter and Paul Hidden in the Catacomb.
Est: $1,500 - $2,500
GIOVANNI B. CASTIGLIONE The Bodies of Saints Peter and Paul Hidden in the Catacomb. Etching, circa 1647-51. 302x205 mm; 12x8 1/8 inches, thread margins. A superb, dark, richly-inked and early impression. Castiglione (1609-1664) was among the most original graphic artists of the 17th century, exchanging prints and ideas with his contemporary Rembrandt van Rijn, among others, as well as being one of the first artists to experiment significantly with the monotype technique. The ambitious composition of The Bodies of Saints Peter and Paul Hidden in the Catacomb reflects the influence of Rembrandt's luminous compositions in which Christian tales are transformed into something metaphysical. The subject derives from the Golden Legend of Jacobus de Voraigne, which suggests that the saints' bodies were cast into a well near the clandestine catacomb vault, seen here in Castiglione's dramatic rendering. The artist often etched such erudite subjects to advertise his art and prowess as a painter-philosopher to the literati in Rome and those on the grand tour. Provenance: Johann Andreas Boerner, Nuremberg, with his name and inscription in ink verso (Lugt 270). Bartsch 14; Percy 21.
Swann Auction Galleries
Mar. 12, 2022
GIOVANNI FRANCESCO CASTIGLIONE (SCHULE/UMKREIS) RASTENDE SOLDATEN UND BAUERN VOR DEM AUFBRUCH
Est: €600 - €1,200
GIOVANNI FRANCESCO CASTIGLIONE (SCHOOL/CIRCLE ) 1641 Genua - 1716 Mantua RESTING SOLDIERS AND PEASANTS BEFORE DEPARTURE Oil on canvas. 34 x 40,5 cm (F. 45 x 52 cm). Part. slightly damaged, old restored. Frame. Provenienz: Südrheinische Privatsammlung. Provenance: South Renish Private Collection. GIOVANNI FRANCESCO CASTIGLIONE (SCHULE/UMKREIS) 1641 Genua - 1716 Mantua RASTENDE SOLDATEN UND BAUERN VOR DEM AUFBRUCH Öl auf Leinwand. 34 x 40,5 cm (R. 45 x 52 cm). Part. leicht besch., altrest. Rahmen. Provenienz: Südrheinische Privatsammlung.
Hargesheimer Kunstauktionen Düsseldorf
Nov. 24, 2021
Giovanni Benedetto Castiglione (Umkreis) – Abraham auf dem Weg nach Kanaan (Abraham on the road to Canaan)
Est: €8,000 - €12,000
Oil on canvas, edges relined. (17th C.). 92.2 x 74.6 cm. Indistinctly signed lower right on the stone "Bo…" (?). Framed.
Karl & Faber
Sep. 18, 2021
Richard Earlom (nach Giovanni Benedetto Castiglione) "Orpheus". 1781.
Est: €100 - €120
Richard Earlom um 1742 London – 1822 ebenda Giovanni Benedetto Castiglione 1616 Genua – 1670 Mantua Schabkunstblatt auf festem Bütten mit Wasserzeichen (nicht aufgelöst). Unterhalb der Darstellung Mi. typografisch betitelt, li. künstlerbezeichnet "Castiglione Pinxit" und re. "Rich. Earlom Sculpsit.". Darunter Mi. ein Wappen, ortsbezeichnet, maßbezeichnet, ausführlich datiert "Sep. 1. 1781" und verlagsbezeichnet. Herausgegeben von John Boydell, Cheapside London.
Schmidt Kunstauktionen Dresden OHG
Jun. 05, 2021
Giovanni Benedetto Castiglione, Allegory of the Arts The Philosopher Diogenes
Est: €55,000 - €65,000
These two paintings were attributed to Giovanni Benedetto Castiglione following an analysis by Dr Anna Orlando, who described them as “two exquisite original works - squisite opere autografe” and dated them to the artist's mature phase. Following his artistic training in his home town of Genoa, Giovanni Benedetto Castiglione travelled widely throughout Italy, visiting Rome, Naples, Mantua and Venice. An innovative and talented artist, Castiglione invented the monotype technique and was a remarkable draughtsman. He was also versatile and cultivated, often choosing complex motifs, enigmatic allegorical depictions and mythological subjects for his works. These two paintings both reflect the artist's cultural interests, which were closely connected to Neo-Stoicism. The chosen subject expresses complex allegorical connections that interact in an almost philosophical dialogue. The allegory of the arts, which can be seen as a parallel to another of Grechetto's preferred subjects, is to be regarded as a reference to demiurgic artistic activity: Reality is changed and improved through “technè”; whereas Diogenes, who sought after the noble nature of human beings and in the end found only animals, embodies the unattainability of the desired ideal. The artist expresses a complex message in the way in which the two motifs interact with one another: Although the arts strive to change nature in order to create a refined and more dignified reality, Diogenes bears witness to the mundane and brutish nature of humankind, and thus to the impossibility of creating a better reality through intellectual activity.
Kunsthaus Lempertz KG
May. 06, 2021
GIOVANNI B. CASTIGLIONE Circe Changing Ulysses' Men into Beasts.
Est: $2,500 - $3,500
GIOVANNI B. CASTIGLIONE Circe Changing Ulysses' Men into Beasts. Etching, circa 1651. 220x311 mm; 8 5/8x12 1/4 inches, narrow margins. Second state (of 2), with the short diagonal scratch below the helmet lower center. Ex-collection Carl von Guerard (Lugt 1109, verso). A very good, well-inked impression with strong contrasts. Bartsch 22; Percy 23.
Swann Auction Galleries
Apr. 28, 2021
Attributed to Giovanni Benedetto Castiglione, (1616-1670, Italian), Peasants in a lush countryside, Oil on canvas laid to canvas, 36.5"
Est: $3,000 - $5,000
Attributed to Giovanni Benedetto Castiglione (1616-1670, Italian) Peasants in a lush countryside Oil on canvas laid to canvas Appears unsigned 36.5" H x 50.5" W
John Moran Auctioneers
Mar. 20, 2021
Castiglione, Temporalis Aeternitas (Four Scholars Amongst Ruins), 1645
Est: $300 - $500
Giovanni Benedetto Castiglione (Italian, 1609 - 1664) Temporalis Aeternitas (Four Scholars Amongst Ruins), 1645 etching, second state inscribed in plate: Nec sepulcra legens uereor / ne perdam memoriam titled and dated in plate on face of pedestal: TEMPORALIS / AETERNITAS / 1645 inscribed along bottom margin: Io: BeneD. Castilionus Pinxit. / Si stampano in Roma per Gio: Dom.co Rossi alla Pace all Insegna di Parigi Conlicenz a de Superiori 12 x 8 1/8 in. (30.48 x 20.64 cm.)
Santa Fe Art Auction
Jan. 28, 2021
GIOVANNI BENEDETTO CASTIGLIONE - The Raising of Lazarus
Est: £700 - £1,000
GIOVANNI BENEDETTO CASTIGLIONE The Raising of Lazarus etching, circa1650, on laid paper, with an indistinct countermark, a fine, early impression of the first state (of four), printing with intense...
Christie's
Nov. 12, 2020
GIOVANNI B. CASTIGLIONE Noah and the Animals Entering the Ark.
Est: $1,200 - $1,800
GIOVANNI B. CASTIGLIONE Noah and the Animals Entering the Ark. Etching, circa 1652. 210x403 mm; 8 1/4x16 inches, thread margins. Proprietary watermark. A very good, richly-inked impression of this large, scarce etching with strong contrasts. Bartsch 1; Percy 24.
Swann Auction Galleries
Oct. 27, 2020
Giovanni Benedetto Castiglione detto Il Grechetto FIGURE inchiostro e sanguigna su carta filigranata
Est: €600 - €1,000
Giovanni Benedetto Castiglione detto Il Grechetto FIGURE inchiostro e sanguigna su carta filigranata, cm 27x18 timbro di collezione L'opera presenta lacune della carta ricomposte lungo i margini. Piccole e diffuse macchie puntiformi.
Itineris
Sep. 12, 2020
RASTENDE SOLDATEN UND BAUERN VOR DEM AUFBRUCH
Est: €800 - €1,600
GIOVANNI FRANCESCO CASTIGLIONE (SCHOOL/CIRCLE ) 1641 Genua - 1716 Mantua RESTING SOLDIERS AND PEASANTS BEFORE DEPARTURE Oil on canvas. 34 x 40,5 cm (F. 45 x 52 cm). Part. slightly damaged, old restored. Frame. Provenienz: Südrheinische Privatsammlung. Provenance: South Renish Private Collection. GIOVANNI FRANCESCO CASTIGLIONE (SCHULE/UMKREIS) 1641 Genua - 1716 Mantua RASTENDE SOLDATEN UND BAUERN VOR DEM AUFBRUCH Öl auf Leinwand. 34 x 40,5 cm (R. 45 x 52 cm). Part. leicht besch., altrest. Rahmen. Provenienz: Südrheinische Privatsammlung.
Hargesheimer Kunstauktionen Düsseldorf
May. 21, 2020
GIOVANNI B. CASTIGLIONE Noah and the Animals Entering the Ark.
Est: $1,500 - $2,500
GIOVANNI B. CASTIGLIONE Noah and the Animals Entering the Ark. Etching, circa 1652. 210x403 mm; 8 1/4x16 inches, thread margins. Proprietary watermark. A very good, richly-inked impression of this large, scarce etching with strong contrasts. Bartsch 1; Percy 24.
Swann Auction Galleries
May. 10, 2020
Giovanni Castiglione (1617-1670) Italian, Etching
Est: $400 - $800
Etching by Giovanni Castiglione, an Italian Baroque artist, printmaker and draftsman from Genoa. He was also known as Il Grechetto, with possible dates of 1609 to 1665, and is credited with inventing the monotype printmaking technique. He was influenced by Van Dyck and Rubens, and you can see the influence of Rembrandt in the etching here. He had various run-ins with the law because he had a bad temperament, but that doesn't detract from the quality of this etching. He was known for portraits, landscapes, and historical scenes as well. The etching shows a man in a turban, with a beard and mustache, from the series of five subjects entitled "Great Studies of Heads from the Orient", circa 1640. Signed in the upper left with his native Genoa ("Genovese") under his name. The overall size is 14 1/2 x 12 1/2 in. wide and the sight size is 7 1/4 x 6 1/8 in. wide.
Sarasota Estate Auction
Dec. 06, 2019
Giovanni Bendedetto Castiglione
Est: €10 - €20
Giovanni Bendedetto Castiglione 1608 Genua - 1664 Mantua Entdeckung der Leichname der Heiligen Peter und Paul. Radierung auf Papier, beschnitten und stockfleckig. Signiert unten links in der Platte. 30 x 20,5 cm.
Auktionshaus Dr. Fischer
Nov. 03, 2019
Giovanni Benedetto Castiglione (detto il Grechetto), Il presunto ritrovamento dei corpi dei Santi Pietro e Paolo. 1647-1651.
Est: €400 - €800
Acquaforte. mm 294x202. Bellini (Castiglione), 57. Firmata sulla lastra in basso a sinistra. Ottima impressione nell'unico stato, su carta vergellata con filigrana lettere "F.L.".
Gonnelli Casa d'Aste
Oct. 30, 2019
Giovanni Benedetto Castiglione detto Il Grechetto FIGURE inchiostro e sanguigna su carta filigranata
Est: €800 - €1,200
Giovanni Benedetto Castiglione detto Il Grechetto FIGURE inchiostro e sanguigna su carta filigranata, cm 27x18 timbro di collezione L'opera presenta lacune della carta ricomposte lungo i margini. Piccole e diffuse macchie puntiformi.
LiveBid
Feb. 04, 2019
Giovanni Benedetto Castiglione (detto il Grechetto), Testa d'uomo nascosto da un cartiglio. 1645-1650.
Est: €380 - €760
Acquaforte. mm 112x82. Foglio: mm 118x87. TIB, 46/21, 46. Bellini (Castiglione), 37. Incisione facente parte della serie detta dei "piccoli ritratti". Ottima prova nel I stato su 2 prima della comparsa della scritta "Diuerces testes / du Benedet" entro il cartiglio. Carta vergellata priva di filigrana.
Gonnelli Casa d'Aste
Dec. 17, 2018
GIOVANNI BENEDETTO CASTIGLIONE, att. to
Est: €2,500 - €3,500
GIOVANNI BENEDETTO CASTIGLIONE, att. to (Genoa 1609 - Mantua 1664) NOAH'S ARK Oil on canvas, cm. 29,5 x 39,5 Gilded frame PROVENANCE Neapolitan family The small painting refers to the large painting with the same subject, located in Dresden, Gemäldegalerie. The canvas in question presents the episode narrated in the same way as the work in the museum; the pictorial quality is quite high even if the brush strokes appear more biting in the drapery and in the skin tones of Noah. It can be concluded that it could be a small replica made in the Castiglione workshop with the possibility of the intervention of the maestro himself. CONDITION OF THE PAINTING Late eighteenth-century re-lining. Spread integrative restorations on the pictorial surface GIOVANNI BENEDETTO CASTIGLIONE e bottega (Genova 1609 - Mantova 1664) L'ARCA DI NOÈ Olio su tela, cm. 29,5 x 39,5 Cornice dorata PROVENIENZA Famiglia napoletana Il piccolo dipinto ha come riferimento la grande tela che ha per tema lo stesso soggetto, ubicata a Dresda, Gemaldegalerie. La tela in questione presenta l'episodio narrato in maniera identica all'opera museale. La qualità pittorica è piuttosto alta anche se il pennello appare più graffiante sia nel panneggio, sia negli incarnati di Noè. Si può concludere che possa essere un piccola replica realizzata all'interno dlla bottega di Castiglione con la possibilità dell'intervento dello stesso maestro CONDIZIONI DEL DIPINTO Rintelo tardo settecentesco. Restauri integrativi sparsi sulla superficie pittoriche
Casa d'Aste Babuino
Jul. 04, 2018
GIOVANNI BENEDETTO CASTIGLIONE | Pastoral journey
Est: £30,000 - £50,000
Red-brown oil and point of the brush and red-brown wash within later framing lines in graphite; bears later numbering in graphite, lower right: 34263
Sotheby's
Jul. 03, 2018
Giovanni Benedetto Castiglione (detto il Grechetto) [alla maniera di], Cavaliere disarcionato e cavallo.
Est: €360 - €720
Pennello, tempera bruna e acquerello seppia su carta vergellata sottile color sabbia, apparentemente priva di filigrana. Al verso iscrizione di mano del collezionista Charles Gasc che assegna il foglio al Grechetto e a seguire dedica al proprio fratello Paul-Emile, infine la firma (Lugt 1068). In basso a sinistra al recto marchio sia di Charles (Lugt 543) che di Paul Emile Gasc (Lugt 1131).
Gonnelli Casa d'Aste
Jul. 03, 2018
Giovanni Benedetto Castiglione (detto il Grechetto), Testa. 1645-1650.
Est: €460 - €920
Acquaforte. mm 109x81. Foglio: mm 119x90. Bartsch, 45. Bellini (Castiglione), 36. Firmata sulla lastra in alto a sinistra " Gio. bE M.F.D (?)/CASTILIONVS/GENOVESE". Dalla serie di 16 incisioni detta dei Piccoli ritratti. Bellissima prova nell'unico stato, brillantemente inchiostrata e stampata con tonalità, su carta vergellata sottile priva di filigrana.
Gonnelli Casa d'Aste
Jul. 03, 2018
Giovanni Benedetto Castiglione (detto il Grechetto), La resurrezione di Lazzaro. 1647-1651.
Est: €400 - €800
Acquaforte. mm 225x316. Foglio: mm 230x321. TIB (Commentary), 46, 006. Bellini (Castiglione), 59. Nel margine bianco in basso a destra la scritta "GB (sovrapposti) CASTILIONE GENOVESE - P". Bella impressione nel III stato su 4, con ancora ben visibili le macchie di ossidazione nella parte destra, su carta vergellata con filigrana non identificabile.
Gonnelli Casa d'Aste
Oct. 09, 2017
Giovanni Benedetto Castiglione (detto il Grechetto), L'ingresso degli animali nell'arca. 1650-1655.
Est: €1,500 - €3,000
Acquaforte. mm 203x400. Foglio: 265x415. Bartsch, 10. TIB/46 (Commentary), 001. Bellini, 61. In basso a sinistra nella composizione il monogramma dell'artista e la firma "CASTILIONE / GEIEP" (GEnovese Invenit Et Pinxit) . Bellissima impressione nell'unico stato su carta vergellata con filigrana "fiore entro cerchio singolo".
Gonnelli Casa d'Aste
Oct. 09, 2017
Giovanni Benedetto Castiglione (detto il Grechetto), Lotto di due incisioni dalla serie detta dei Piccoli ritratti. 1645-1650.
Est: €200 - €400
1) Testa di vecchia volta a destra. Acquaforte. mm 110x82. Foglio: mm 116x87. Bellini (Castiglione), 25. 2) Testa di vecchia volta a sinistra. Acquaforte. mm 105x82. Foglio: mm 108x85. Bellini (Castiglione), 29. (2)
Gonnelli Casa d'Aste
May. 02, 2017
GIOVANNI B. CASTIGLIONE The Nativity with God the Father, the Dove of the Holy Spirit and Two Angels.
Est: $1,500 - $2,500
GIOVANNI B. CASTIGLIONE The Nativity with God the Father, the Dove of the Holy Spirit and Two Angels. Etching, circa 1647. 260x198 mm; 10 1/4x7 3/4 inches, wide margins. Lily over three mounds in a double circle with the letters A and N watermark (Heawood 1622, which dates to the mid-1600s). A superb, dark impression of this extremely scarce etching with very strong contrasts. With--Rachel Concealing Laban''s Idols, etching, circa 1635-40. 257x337 mm; 9 1/2x13 1/2 inches, wide margins. Second state (of 4). Lily over three mounds watermark (cf. Mannocci 12, which he dates from the 1640s). Ex-collection Colnaghi, London, with their inventory number in pencil, verso. A very good impression. Bartsch 11 and 4; Percy 6 and 3.
Swann Auction Galleries
Sep. 24, 2015
Giovanni Castiglione, (Italian, 1616-1670), Young Man Looking Down
Est: $500 - $700
Giovanni Castiglione (Italian, 1616-1670) Young Man Looking Down etching 4 1/2 x 3 1/4 inches.
Hindman
Oct. 18, 2014
Castiglione, Giovanni Benedetto
Est: - €450
Castiglione, Giovanni Benedetto (1616 Genua - Mantua 1670). Junge Frau mit Turban. Radierung auf feinem Papier um 1650. Plgr. 11,1 x 8,2 cm. Mit Rändchen unter Passep. mont. B. 47. TIB Comm 047 S 2 (v. 2). Brillanter zeitgenöss. Abdruck des II. Zustands nach Zerschneiden der Platten. - Am Oberrand etw. leimfl., sonst gut erhalten.
Kiefer Buch- und Kunstauktionen
Mar. 28, 2014
CASTIGLIONE, GIOVANNI BENEDETTO (Genua 1616 - 1670
Est: CHF400 - CHF600
CASTIGLIONE, GIOVANNI BENEDETTO (Genua 1616 - 1670 Mantua). Head of an Oriental in profile to the left. Etching, 18.3 x 14.8 cm. Engraved signature in the plate upper left: Castilionus Genovese. Bartsch 49. - Strong, deep black and even impression, cut mostly to the plate edge, which is visible in parts. With brown ink stains on left edge. Minor foxing. Overall fine condition. - Provenance: Collection of Earl of Dalhousie, Scotland, Lugt717a. CASTIGLIONE, GIOVANNI BENEDETTO (Genua 1616 - 1670 Mantua). Kopf eines Orientalen im Profil nach links. Radierung, 18,3 x 14,8 cm. Am oberen Rand links in der Platte gestochen signiert: Castilionus Genovese. Bartsch 49. - Kräftiger, tiefschwarzer und gleichmässiger Druck, überwiegend auf die Plattenkante geschnitten, diese stellenweise sichbar. Mit braunem Tintenklecks am linken Rand. Minim fleckig. Insgesamt in schöner Erhaltung. - Provenienz: Sammlung Earl of Dalhousie, Schottland, Lugt717a.
Koller Auctions
Sep. 20, 2013
Circle of CASTIGLIONE, GIOVANNI BENEDETTO(Genoa
Est: CHF1,000 - CHF1,500
Circle of CASTIGLIONE, GIOVANNI BENEDETTO (Genoa 1616 - 1670 Mantua), Landscape with travellers on mules, with herdsmen and herd. Brown chalk and brown wash, with oil paint. 32 x 45 cm. Framed. Provenance: - G. Vallardi (1784 -1863), Milan, Lugt 1223 CASTIGLIONE, GIOVANNI BENEDETTO (Genua 1616 - 1670 Mantua), Umkreis Landschaft mit Reisenden auf Maultieren, Hirten und Herde. Braune Kreide, braun laviert, Ölfarbe. 32 x 45 cm. Gerahmt. Provenienz: - G. Vallardi (1784 -1863), Mailand, Lugt 1223
Koller Auctions
Apr. 24, 2013
Giovanni Benedetto Castiglione detto il Grecchetto
Est: €900 - €1,200
Giovanni Benedetto Castiglione detto il Grecchetto (Genova 1616-1670 Mantua) The Supposed Finding of the Remains of Saints Peter and Paul, etching on laid paper, c. 1647-51, signed Castiglione Genovese/Inven. in the plate, 30 x 20,5 cm, with broad margins along platemarks, the upper margin with inscriptions in pencil and in pen and brown ink, mounted, unframed, Bartsch 14, (Sch) Specialist: Mag. Astrid-Christina Schierz
Dorotheum
Apr. 24, 2013
Giovanni Benedetto Castiglione detto il Grecchetto
Est: €900 - €1,200
Giovanni Benedetto Castiglione detto il Grecchetto (Genova 1616-1670 Mantua) Tobit Burying the Dead by Torchlight, etching on laid paper, 20,4 x 29,5 cm, with narrow margins along platemarks, mounted, unframed, Bartsch 5, (Sch) Specialist: Mag. Astrid-Christina Schierz
Dorotheum
Dec. 11, 2012
CASTIGLIONE Giovanni Benedetto (Attribué à) (Gènes 1616 - Mantoue 1670) Chien et chevreuil entourés d'animaux de basse-cour Huile sur toile. (rentoilage ; quelques restaurations). Haut. : 145 - Larg. : 184 cm. Voir la reproduction ci-dessus.
Est: €12,000 - €15,000
CASTIGLIONE Giovanni Benedetto (Attribué à) (Gènes 1616 - Mantoue 1670) Chien et chevreuil entourés d'animaux de basse-cour Huile sur toile. (rentoilage ; quelques restaurations). Haut. : 145 - Larg. : 184 cm. Voir la reproduction ci-dessus.
Rossini Maison de Ventes aux Enchères
Dec. 05, 2012
Giovanni Benedetto Castiglione (1616-1670)
Est: £700 - £1,000
Giovanni Benedetto Castiglione (1616-1670) The Genius of Castiglione (Bartsch 23; Percy E16; Bellini 56) etching, circa 1647, on laid paper, third (final) state, with the date '1648' and 'alla Pace' added to de Rossi's address, trimmed on or just outside the platemark, an unobtrusive horizontal central drying crease mainly visible verso, some coloured wash in the left and right of the image, otherwise generally in good condition P. 364 x 244 mm., S. 368 x 239 mm.
Christie's
Mar. 30, 2011
Giovanni Benedetto Castiglione dit Il Grechetto Gênes, 1616 - Mantoue, 1670 Sainte Catherine d'Alexandrie Sanguine et rehauts d'huil.
Est: €30,000 - €40,000
Giovanni Benedetto Castiglione dit Il Grechetto Gênes, 1616 - Mantoue, 1670 Sainte Catherine d'Alexandrie Sanguine et rehauts d'huile blanche, lavis brun 'SAINT CATHERINE OF ALEXANDRIA', RED CHALK AND WHITE HIGHLIGHTS, BROWN WASH, BY GIOVANNI BENEDETTO CASTIGLIONE h: 37,50 w: 26,70 cm Provenance : Ancienne collection Vallardi, son cachet (L.1223) en bas à gauche ; Chez Colnaghi, catalogue d'exposition, 1988, n°27, repr. ; Chez Jean-François Baroni, 28 mars-2 avril 2000, n°8, repr. Expositions : Londres, Galerie Colnaghi, 22 juin - 9 juillet 1988, n° 27 ; Paris, Galerie Jean-François Baroni, Salon du Dessin, 2000, n° 8 Commentaire : Le Grechetto passa sa jeunesse dans les ateliers prestigieux du mouvement génois : tout d'abord chez Paggi, puis à sa mort chez Ferrari et Scorza. Il part pour Rome au début des années 1630, où sa présence est attestée dès 1631. Il voyage alors dans toute l'Italie et y développe au contact des artistes de son époque son style atypique. A partir de 1639 il travaille principalement à Mantoue pour la cour des Gonzague. Grechetto utilise l'huile sur papier comme principal médium de ses dessins : il trempe ses pinceaux dans l'huile avant d'y imprégner des pigments de couleurs. Cette technique, qui s'inspire abondamment des dessins de Rubens et Van Dyck qu'il avait étudiés dans sa jeunesse, donne à ses feuilles une vivacité qui fait des dessins du Grechetto des œuvres sans équivalent.
Artcurial