Francesco (1727) Casanova Paintings & Artwork for Sale | Francesco (1727) Casanova Art Value Price Guide

Dec. 12, 2024
Francesco Casanova 1727 Londra-1803 Mödling Scontri di cavalleria
Est: €6,000 - €8,000
Scontri di cavalleria coppia di dipinti cm 19,5X25,5 olio su rame Collezione privata, Roma
Cambi Casa d'Aste
Dec. 04, 2024
Francesco Casanova (1727-1803)
Est: €240 - €480
Francesco Casanova (1727-1803), elegant horse rider in landscape. Oil on canvas. 55 x 56 cm. See the paravent at Fountainbleu from the same subject.
Deutsch Auktionen
Nov. 29, 2024
Francesco-Giuseppe Casanova (Italian, 1727 - 1802), Military scene
Est: £500 - £700
Francesco-Giuseppe Casanova (Italian, 1727 - 1802) Military Scene Brown ink on paper, with pencil indications Old gallery labels verso Dimensions: (Frame) 20.5 in. (H) x 17.5 in. (W) (Paper) 17 in. (H) x 14 in. (W)
Sloane Street Auctions
Nov. 04, 2024
Francesco Casanova (1727 - 1803/attr.) - Scene from the Russian-Austrian Ottoman War 1787 - 1792
Est: -
Öl auf Leinwand (krakeliert) und Keilrahmen, unsigniert. Im Vordergrund ein osmanischer Bogenschütze zu Pferd und ein Würdenträger, links am Bildrand ein weiterer berittener Soldat vor einer Festung. Am rechten Bildrand sitzend eine rastende Figur. Bildmaße 24 x 30 cm. Vergoldete Bildleisten und ebonisierter Holzrahmen mit vs. aufgelegter Plakette "Cassanova". Rahmenmaße 37,5 x 43,5 cm. Francesco Casanova, Bruder des legendären Abenteurers Giacomo sowie des Malers Giovanni Casanova, studierte in Venedig, Parma und Paris, wurde 1763 Lehrer an der Pariser Akademie und eiferte in der Schlachtenmalerei seinem Vorbild Jacques Courtois (1621 - 1675) nach. Zu seinen Auftraggebern zählte u.a. die russische Zarin Katharina II. die Große, für die er mehrere Schlachtenbilder aus den Russisch-Türkischen Kriegen schuf, u.a. "Die Erstürmung der Festung Oczakow" 1788. Aufgrund seines aufwendigen Lebensstils verstarb er 1803 verarmt in Österreich. Condition: II - III
Hermann Historica GmbH
Sep. 19, 2024
Francesco-Giuseppe Casanova (Italian, 1727 - 1802), Military scene
Est: £600 - £800
Francesco-Giuseppe Casanova (Italian, 1727 - 1802) Military Scene Brown ink on paper, with pencil indications Old gallery labels verso Dimensions: (Frame) 20.5 in. (H) x 17.5 in. (W) (Paper) 17 in. (H) x 14 in. (W)
Sloane Street Auctions
May. 15, 2024
Francesco Giuseppe Casanova (Italy, 1727-1802), Battle Scene, brown wash on paper, 12 1/4 x 30 3/4in (31 x 78cm)
Est: $300 - $500
Francesco Giuseppe Casanova (Italy, 1727-1802) Battle Scene brown wash on paper signed lower right F. Casanova.
Andrew Jones Auctions
Mar. 20, 2024
Francesco Casanova, zugeschrieben Cavalry battle
Est: €6,500 - €7,000
Francesco Casanova, zugeschrieben 1727 London - 1802 Brühl b. Wien Cavalry battle Oil auf canvas. 158 x 176 cm. Restored. Damaged. Der Schlachtenmaler Francesco Casanova war Bruder des Malers Giovanni Battista Casanova und des bekannten Schriftstellers und Abenteurers Giacomo Casanova. In Venedig aufgewachsen, erhielt er seine erste künstlerische Ausbildung in Parma bei Francesco Simonini. 1751 zog er nach Paris, wo er mit Unterbrechungen in Dresden, mehr als 20 Jahre blieb und von Diderot ein "grand peintre" genannt wurde. 1783 zog der Künstler nach Wien, wo er bis zu seinem Tode verweilte. Vorbilder für seine Gemälde waren Jacques Courtois und Philips Wouwerman. Expertise Didier Bodart, Rom, 10. Mai 2004 (in Kopie).
Neumeister
Oct. 17, 2023
Francesco Casanova (1727 - 1803/attr.) - Scene from the Russian-Austrian Ottoman War 1787 - 1792
Est: -
Öl auf Leinwand (krakeliert) und Keilrahmen, unsigniert. Im Vordergrund ein osmanischer Bogenschütze zu Pferd und ein Würdenträger, links am Bildrand ein weiterer berittener Soldat vor einer Festung. Am rechten Bildrand sitzend eine rastende Figur. Bildmaße 24 x 30 cm. Vergoldete Bildleisten und ebonisierter Holzrahmen mit vs. aufgelegter Plakette "Cassanova". Rahmenmaße 37,5 x 43,5 cm. Francesco Casanova, Bruder des legendären Abenteurers Giacomo sowie des Malers Giovanni Casanova, studierte in Venedig, Parma und Paris, wurde 1763 Lehrer an der Pariser Akademie und eiferte in der Schlachtenmalerei seinem Vorbild Jacques Courtois (1621 - 1675) nach. Zu seinen Auftraggebern zählte u.a. die russische Zarin Katharina II. die Große, für die er mehrere Schlachtenbilder aus den Russisch-Türkischen Kriegen schuf, u.a. "Die Erstürmung der Festung Oczakow" 1788. Aufgrund seines aufwendigen Lebensstils verstarb er 1803 verarmt in Österreich. Condition: II - III
Hermann Historica GmbH
Sep. 18, 2023
Francesco Casanova (London, 1727 – Vorderbrühl, 1803), Rest at the Fountain
Est: €4,000 - €6,000
At the bottom, the acronym FC indicates the author, Francesco Casanova, brother of the famous Giacomo. Francesco Casanova was a student of Francesco Guardi, Antonio Joli and Francesco Simonini in Venice. He was one of the most fashionable landscape painters and battalists in eighteenth-century Europe. He worked in Paris, Dresden and many other places; always appreciated for his highly elegant tone. He mixed the Venetian tradition with the French Rococo, by Antoine Watteau and Honoré Fragonard. This painting compares well with the works made for the royal manufacture of Beauvais in France in the mid-eighth decade of the eighteenth century. The painting represents a genre scene, with a noble and elegant company caught paused at a fountain during a falcon hunt. A gentleman in a blue doublet with two hunting dogs turns to a lady with a hunting falcon on his arm. The other three people are servants. A rider lets his horse drink from the well. A hunter sits on a white horse and a servant kneels in front of the couple. The elegant couple is highlighted in the picture by the bright colours and the lighting, while the servants are integrated into the surroundings in terms of colour. The painting shines in every way; in composition, colouring and a lively brushwork. Monogrammed FC in the lower center
Fine Antiques Prague s.r.o.
Aug. 26, 2023
FRANCESCO CASANOVA (England, Italy, 1727-1802), (A meeting on a woodland path), circa 1770s, oil on panel, named verso (with additional words unclear), 40 x 54cm, 55 x 68cm overall.
Est: $3,000 - $5,000
FRANCESCO CASANOVA (England, Italy, 1727-1802), (A meeting on a woodland path), circa 1770s, oil on panel, named verso (with additional words unclear), 40 x 54cm, 55 x 68cm overall. Casanova was born in London, where his parents, Zanetta Farussi, an actress, and Gaetano Casanova, an actor and dancer, had a theatrical engagement. It was rumoured that his father was actually the Prince of Wales (who shortly after became King George II). They returned to Venice when he was still young and, after his father's death in 1733, he and his siblings were placed in the care of the Grimani family His career began in the workshops of Giovanni Antonio Guardi, a very unpleasant time for him, according to the memoirs of his brother Giacomo. Later, he moved to the studios of Antonio Joli, who was a set designer for the theatres owned by the Grimanis. This was also, apparently, unsatisfactory and he took up studies with the battle painter, Francesco Simonini. In 1751, upon his brother Giovanni's advice, he went to Paris and became an apprentice of Charles Parrocel.
Leski Auctions Pty Ltd
Jul. 05, 2023
Francesco-Guiseppe Casanova (Italian 1727-1802) Military Scene
Est: £2,000 - £3,000
Francesco-Guiseppe Casanova (Italian 1727-1802) Military Scene Brown ink with pencil indications 32cm x 24.5cm Provenance: Purchased Wildenstein & Co, 147 New Bond Street, London, 25th September 1987.
The Pedestal
Jun. 29, 2023
Francesco Casanova, 1727 London – 1802 Vorderbrühl, Wien, zugeschrieben
Est: €2,000 - €3,000
JAGDGESELLSCHAFT BEI DER RAST AN EINEM BRUNNEN Öl auf Leinwand, im Hochoval. 34 x 28 cm. Mittig unten auf Stein monogrammiert „F.C.“ In Prunkrahmen. Vor einer von Bäumen flankierten Steinwand mit einem Figurenrelief hat sich darunter an einem barocken Brunnen eine vornehme Gesellschaft zur Rast und zur Tränkung ihrer Pferde niedergelassen. Rechtsseitig eine sitzende elegante junge Frau, die auf ihrer linken Hand einen Jagdfalken hält, im Gespräch mit einem eleganten, ihr gegenübersitzenden Herren mit zwei Jagdhunden. Linksseitig mit Ausblick in die weite Landschaft unter hohem sommerlichen Himmel zwei Männer mit Pferden, von denen eines gerade aus dem Brunnenbecken trinkt. Liebevolle harmonische Darstellung. Anmerkung: Der bekannte Schlachtenmaler war der jüngere Bruder des Abenteurers und Schriftstellers Giacomo Casanova (1725-1798). Der Maler war Schüler von Francesco Guardi (1712-1793) und studierte bei Francesco Simonini (1686-um 1755) in Parma. (13619316) (18)
Hampel Fine Art Auctions
Jun. 29, 2023
Italienischer Meister des 17. Jahrhunderts
Est: €15,000 - €20,000
SCHLACHTENGETÜMMEL Öl auf Leinwand. Altdoubliert. 158 x 176 cm. Ungerahmt. Beigegeben eine Expertise von Didier Bodart, Rom, vom 10. Mai 2004, das Werk Francesco Casanova (1727 – 1802) zuschreibend, in Kopie. In großem Format zeigt sich ein Reitergefecht in heftiger Auseinandersetzung in teils geharnischten Körpern und teils zu Boden gegangenen Reitern und Pferden. Leinwand horizontal vernäht, exemplarisch gereinigt. Besch. Literatur: Vgl. B. de Lances, A propos de la découverte d‘un tableau de F. - J. Casanova: La Bataille de Rocroi, In: Bulletin de la Société de l‘histoire de l‘art francais, 1933, S. 160 – 164. R. Abirached, Le frère de Casanova, In: L‘Oeil, Nr. 97, Januar 1963, S. 52 – 57. C. G. Marcus, Francesco Casanova, peintre européen, In: Art et curiosité, 1970. (1361633) (13) Italian School, 17th century BATTLE SCENE Oil on canvas. Old relining. 158 x 176 cm. Accompanied by an expert’s report by Didier Bodart, Rome, dated 10 May 2004, in copy.
Hampel Fine Art Auctions
Jun. 27, 2023
OIL PAINTING BY FRANCESCO CASANOVA (?)
Est: €2,000 - €3,000
FRANCESCO CASANOVA (?) (Londra 1727 - Brühl-Vienna 1802) L'INDOVINO Olio su tela, cm. 59 x 72, 5 PROVENIENZA Dimora di illustre architetto romano PUBBLICAZIONI Brigitte Kuhn Der landschafts und Schlachtenmaler Francesco Casanova in 'Wiener jahrbuch fur kunstgeschichte', band XXXVII, Wien-Koln-Graz 1984 Il mondo di Giacomo Casanova. Un veneziano in Europa 1725-1798, cat. mostra, Venezia 1998, p. 5 Il dipinto dal soggetto piuttosto divertente, giunge a noi con una attribuzione tradizionale e due pubblicazioni sopra citate a Giacomo Casanova. Comunque vi sono anche delle relazioni stilistiche con il pittore Pietro Domenico Olivero il quale sovente affrontava tematiche cosiddette 'di genere'. Una in particolare rintracciata nell'archivio fotografico della fondazione Federico Zeri che ha per soggetto un indovino raffigurato in una piazza tra la folla e le cui cifre stilistiche potrebbero suggerire una ulteriore ipotesi attributiva a favore del pittore torinese CONDIZIONI DEL DIPINTO Rintelo ottocentesco. Restauro per linea orizzontale nel cielo fra i due caseggiati in alto. Ulteriore restauro sopra la fontana sulla destra CORNICE Cornice veneziana in legno dorato con ricami vegetali, del XVIII secolo
Casa d'Aste Babuino
May. 23, 2023
Francesco-Guiseppe Casanova (Italian 1727-1802) Military Scene
Est: £3,000 - £5,000
Francesco-Guiseppe Casanova (Italian 1727-1802) Military Scene Brown ink with pencil indications 32cm x 24.5cm Provenance: Purchased Wildenstein & Co, 147 New Bond Street, London, 25th September 1987.
The Pedestal
May. 18, 2023
FRANCESCO CASANOVA (attr. a)
Est: €2,000 - €3,000
(Londra, 1727 ; Vorderbrühl, 1803) Scontro tra cavallerie turche e cristiane Olio su tela, cm 76,5X101 Provenienza: Milano, collezione privata Il dipinto raffigura uno scontro tra cavallerie turche ed europee. I caratteri di stile e scrittura ne collocano l'esecuzione attorno alla seconda metà del XVIII secolo e rivelano la mano di Francesco Casanova, talentuoso battaglista attivo per le più prestigiose committenze europee. I notevoli requisiti estetici della tela si colgono osservando la stesura, caratterizzata da colori intensi, preziosi, memori dell'arte veneziana, degli insegnamenti ricevuti da Francesco Simonini e Charles Parrocel, mentre la struttura scenica riflette la proficua lezione di Jacques Courtois. Il risultato è una sapiente commistione tra il gusto rococò e una emancipata sensibilità nordica, indizi che confermano la datazione dell'opera al periodo parigino, quando nel 1761 fece la sua prima apparizione al Salon e le sue creazioni furono apprezzate da Diderot. In analogia con la tela pubblicata da Giancarlo Sestieri (cfr. G. Sestieri, Pugnae, la guerra nell'arte, Roma 2008, pp. 100-101, n. 56), si percepisce anche la rivisitazione delle creazioni di Rubens e una rilettura della pittura barocca. Bibliografia di riferimento: G. Sestieri, I Pittori di Battaglie. Maestri Italiani e Stranieri del XVII e XVIII Secolo, Roma 1999, pp. 601-602 F. Pedrocco, Qualche idea su Francesco Casanova, in Lezioni di Metodo. Studi in onore di Lionello Puppi, Vicenza 2002, p. 273 G. Sestieri, I Battaglisti. La pittura di battaglia dal XVI al XVIII secolo, Roma 2011, pp. 102-103
Wannenes Art Auctions
May. 18, 2023
FRANCESCO CASANOVA (attr. a)
Est: €1,000 - €2,000
(Londra, 1732 ; Vordeerbruhl, 1803) Battaglia tra cavallerie turche e cristiane Olio su tavola, cm 25X37 (2) Provenienza: Vignola, collezione Bizzini Milano, Porro, 27 aprile 2004, lotto 296 (come scuola fiamminga del XVIII Secolo) Collezione privata Le tavole in esame pur mostrando un carattere nordeuropeo rivelano analogie con le opere di Francesco Casanova, (Londra, 1732 ; Vordeerbruhl, Vienna 1803). Il pittore di formazione veneziana si trasferì a Parigi intorno alla metà del sesto decennio ma la sua carriera si svolse in particolar modo a Vienna, dove fu accolto dal cancelliere di Maria Teresa Kaunitz, riscuotendo uno straordinario successo in qualità di battaglista. Siamo consapevoli che non è affatto agevole codificare questo genere di produzione artistica, il cui gusto illustrativo nel corso del XVIII secolo si internazionalizza, perdendo in gran parte quelle specifiche regionali che consentono una contestualizzazione più precisa. Bisogna altresì dire che la raffigurazione di scontri tra cavallerie turche e cristiane ebbe una notevole diffusione in area austriaca e boema, proprio per l'attualità di questi fatti d'armi ai confini orientali dell'Impero ma al contempo l'iconografia esula dagli avvenimenti reali, assumendo valenze decorative, come ben spiega Federico Zeri (cfr. F. Zeri, La battaglia nella pittura del XVII e XVIII secolo, Parma 1994, pp. 9-27). Bibliografia di riferimento: G. Sestieri, I Pittori di Battaglie. Maestri Italiani e Stranieri del XVII e XVIII Secolo, Roma 1999, pp. 601-602 F. Pedrocco, Qualche idea su Francesco Casanova, in Lezioni di Metodo. Studi in onore di Lionello Puppi, Vicenza 2002, p. 273
Wannenes Art Auctions
Apr. 29, 2023
Francesco Casanova (London, 1727 – Vorderbrühl, 1803), Rest at the Fountain
Est: €3,500 - €6,000
At the bottom, the acronym FC indicates the author, Francesco Casanova, brother of the famous Giacomo. Francesco Casanova was a student of Francesco Guardi, Antonio Joli and Francesco Simonini in Venice. He was one of the most fashionable landscape painters and battalists in eighteenth-century Europe. He worked in Paris, Dresden and many other places; always appreciated for his highly elegant tone. He mixed the Venetian tradition with the French Rococo, by Antoine Watteau and Honoré Fragonard. This painting compares well with the works made for the royal manufacture of Beauvais in France in the mid-eighth decade of the eighteenth century. The painting represents a genre scene, with a noble and elegant company caught paused at a fountain during a falcon hunt. A gentleman in a blue doublet with two hunting dogs turns to a lady with a hunting falcon on his arm. The other three people are servants. A rider lets his horse drink from the well. A hunter sits on a white horse and a servant kneels in front of the couple. The elegant couple is highlighted in the picture by the bright colours and the lighting, while the servants are integrated into the surroundings in terms of colour. The painting shines in every way; in composition, colouring and a lively brushwork. Monogrammed FC in the lower center. Oil on canvas
Fine Antiques Prague s.r.o.
Apr. 05, 2023
FRANCESCO GIUSEPPE CASANOVA, ITALIAN 1727-1802, BATTLE SCENE, Oil on canvas, 11 3/4 x 14 1/2 in. (29.8 x 36.8 cm.), Frame: 17 5/8 x 20 in. (44.8 x 50.8 cm.)
Est: $3,000 - $5,000
FRANCESCO GIUSEPPE CASANOVA ITALIAN, 1727-1802 BATTLE SCENE Oil on canvas Lower left traces of a signature
Potomack Company
Mar. 30, 2023
Francesco Casanova, 1727 London – 1802 Vorderbrühl, Wien
Est: €5,000 - €7,000
REITERGEFECHT Öl auf Leinwand. 39 x 37 cm. In gekehltem und ornamental verziertem Rahmen. Beigegeben ein Gutachten von Prof. Giancarlo Sestieri, Rom, ohne Datum, in Kopie. Ein Kanonenrohr leitet diagonal in den Bildraum ragend thematisch wie auch dem Aufbau des Bildes folgend ein. Der gesamte Mittelgrund ist gefüllt mit einem dichten Getümmel von Pferden und im Nahkampf begriffenden Soldaten, zwei Fahnen sind sichtbar nur schwer in Bewegung zu versetzten. Vergleichbar ist etwa ein Gemäldes des gleichen Malers im Metropolitan Museum of Art in New York (Sestieri 1999, S. 272, Nr. 22-23) aber auch in der Eremitage in St. Petersburg findet sich vergleichbares Material. Provenienz: Privatsammlung, Reggio Emilia. Literatur: Vgl. Giancarlo Sestieri, I Pittori di Battaglie. Maestri italiani e stranieri del XVII e XVIII secolo, Rom 1999, S. 272, Nr. 22-23.(1350071) (13)
Hampel Fine Art Auctions
Mar. 22, 2023
FRANCESCO-GIUSEPPE CASANOVA (LONDRES 1727-1802 VORDERBRÜHL) Portrait équest
Est: €4,000 - €6,000
FRANCESCO-GIUSEPPE CASANOVA (LONDRES 1727-1802 VORDERBRÜHL) Portrait équestre de Frédéric II (?) (recto) ; Essai... pierre noire, pinceau, lavis brun 52,5 x 43,5 cm (20 5/8 x 17 1/8 in.)
Christie's
Mar. 04, 2023
ASANOVA, FRANCESCO GIUSEPPE ZUGESCHRIEBEN (1727 LONDON - 1802 BRÜHL). PENDANTS: HÖFISCHE REITER-GESE
Est: -
CASANOVA, Francesco Giuseppe zugeschrieben(1727 London - 1802 Brühl) Pendants: Höfische Reiter-Gesellschaft Öl auf Holz. Unsigniert. Je 44 x 34 cm. GerahmtJe 50 x 39 cm. Höfische Dame in Begleitung beim Ausritt und Höfischer Kavalier in Begleitung beim Ausritt. Dekorative farbenprächtige Genreszenen mit einer meisterhaften Darstellung von Pferden und Reitern. Im Mittelpunkt steht das höfische Paar in einer Landschaft mit tiefem Horizont. Profilierte Waschgoldrahmen Casanova, italienischer Maler, Zeichner. Sein Bruder war der berühmte Schriftsteller und Abenteurer Giacomo Casanova. Ab 1728 in Venedig ansässig, dort Schüler von Gianantonio Guardi. Etwa ab 1750 Schüler von Francesco Simonini. 1752-1757 in Dresden, 1758-1783 in Paris tätig. 1763 Mitglied der Pariser Akademie und Peintre du Roi. Seit 1783 in Wien tätig. Werke in zahlreichen internationalen Museen * Partnerauktion Bergmann. Literatur : Saur (1997), Thieme-Becker (1907-1950), Benezit (2006), Schweers (1994). CASANOVA, Attributed to Francesco Giuseppe(1727 London - 1802 Brühl) Pendants: Court Equestrian Society Oil on wood. Unsigned. Each 44 x 34 cm. FramedEach 50 x 39 cm. Courtly lady in company riding and courtly cavalier in company riding. Decorative colorful genre scenes with a masterful depiction of horses and riders. The focus is on the courtly couple in a landscape with a deep horizon. Profiled wash gold frames Casanova, Italian painter, draftsman. His brother was the famous writer and adventurer Giacomo Casanova. From 1728 resident in Venice, where he was a pupil of Gianantonio Guardi. From about 1750 pupil of Francesco Simonini. 1752-1757 active in Dresden, 1758-1783 in Paris. 1763 member of the Paris Academy and Peintre du Roi. Active in Vienna since 1783. Works in numerous international museums * Partner auction Bergmann. Literature : Saur (1997), Thieme-Becker (1907-1950), Benezit (2006), Schweers (1994). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Auktionshaus Wendl
Jan. 28, 2023
Francesco Casanova (London, 1727 – Vorderbrühl, 1803), Rest at the Fountain
Est: €4,000 - €5,000
At the bottom, the acronym FC indicates the author, Francesco Casanova, brother of the famous Giacomo. Francesco Casanova was a student of Francesco Guardi, Antonio Joli and Francesco Simonini in Venice. He was one of the most fashionable landscape painters and battalists in eighteenth-century Europe. He worked in Paris, Dresden and many other places; always appreciated for his highly elegant tone. He mixed the Venetian tradition with the French Rococo, by Antoine Watteau and Honoré Fragonard. This painting compares well with the works made for the royal manufacture of Beauvais in France in the mid-eighth decade of the eighteenth century. The painting represents a genre scene, with a noble and elegant company caught paused at a fountain during a falcon hunt. A gentleman in a blue doublet with two hunting dogs turns to a lady with a hunting falcon on his arm. The other three people are servants. A rider lets his horse drink from the well. A hunter sits on a white horse and a servant kneels in front of the couple. The elegant couple is highlighted in the picture by the bright colours and the lighting, while the servants are integrated into the surroundings in terms of colour. The painting shines in every way; in composition, colouring and a lively brushwork. Monogrammed FC in the lower center.
Fine Antiques Prague s.r.o.
Nov. 25, 2022
Casanova, Francesco — An einem Brunnen rastende Reitergesellschaft
Est: -
Casanova, Francesco: — Company of horsemen resting at a fountain (London 1727-1802 Brühl near Vienna) Elegant couple with hunting dogs resting in front of the fountain, the lady with a falcon on her arm, the servants in the background taking care of the horses. Oil on canvas. Monogrammed ''FC'' at lower centre. 34 x 28 cm (oval). - Lit. Thieme/Becker 6, Saur AKL 17. // Casanova, Francesco — An einem Brunnen rastende Reitergesellschaft — (London 1727-1802 Brühl bei Wien) Elegantes Paar mit Jagdhunden vor dem Brunnen ruhend, die Dame mit einem Falken auf dem Arm, die Diener im Hintergrund versorgen die Pferde. Öl/Lwd. Unten mittig monogrammiert "FC". 34 x 28 cm (oval). - Lit. Thieme/Becker 6, Saur AKL 17.
Kunstauktionshaus Schlosser
Oct. 27, 2022
ATTRIBUÉ À FRANCESCO GIUSEPPE CASANOVA (1727-1802)
Est: €1,000 - €1,500
ATTRIBUÉ À FRANCESCO GIUSEPPE CASANOVA (1727-1802) Trois scènes de campement et de bataille ; Une scène pastorale Suite de quatre gouaches Taches et mouillure Attr. to F. G. Casanova, three scenes of camp and one pastoral scene, a set of four gouaches, small stains and a waterstain 16,4 x 21,9 cm - 6,5 x 8,6 in.
Tajan
Oct. 18, 2022
OIL LANDSCAPE ATT. TO FRANCESCO CASANOVA
Est: €1,500 - €2,200
FRANCESCO CASANOVA, att. a (Londra 1727 - Modling 1803) PAESAGGIO CON VIANDANTI Olio su tela, cm. 51 x 66 PROVENIENZA Famiglia romana CONDIZIONI DEL DIPINTO Rintelo novecentesco. Punti di restauri ossidati e non nel cielo, restauri materici al bordo sinistro CORNICE Cornice in legno dorato a bordi modanati, del XVIII secolo
Casa d'Aste Babuino
Oct. 04, 2022
FRANCESCO CASANOVA
Est: €2,000 - €3,000
FRANCESCO CASANOVA (Londra, 1732 - Vordeerbruhl, 1803) Scena di battaglia Olio su tela, cm 76X63,5 Il dipinto, di alta qualità e in buone condizioni di conservazione, raffigura uno scontro tra cavallerie europee. I caratteri di stile e scrittura ne collocano l'esecuzione attorno alla seconda metà del XVIII secolo e rivelano senza indugi la mano di Francesco Casanova, talentuoso battaglista attivo per le più prestigiose committenze europee. I notevoli requisiti estetici della tela si colgono osservando la stesura, caratterizzata da colori intensi, preziosi, memori dell'arte veneziana, degli insegnamenti ricevuti da Francesco Simonini e Charles Parrocel, mentre la struttura scenica riflette la proficua lezione di Jacques Courtois. Il risultato è una sapiente commistione tra il gusto rococò e una emancipata sensibilità nordica, indizi che confermano la datazione dell'opera al periodo parigino, quando nel 1761 fece la sua prima apparizione al Salon e le sue creazioni furono apprezzate da Diderot. In analogia con la tela pubblicata da Giancarlo Sestieri (cfr. G. Sestieri, Pugnae, la guerra nell'arte, Roma 2008, pp. 100-101, n. 56), si percepisce anche la rivisitazione delle creazioni di Rubens e una rilettura della pittura barocca. L'opera è corredata da una scheda critica di Filippo Pedrocco. Bibliografia di riferimento: G. Sestieri, I Pittori di Battaglie. Maestri Italiani e Stranieri del XVII e XVIII Secolo, Roma 1999, pp. 601-602 F. Pedrocco, Qualche idea su Francesco Casanova, in Lezioni di Metodo. Studi in onore di Lionello Puppi, Vicenza 2002, p. 273 G. Sestieri, I Battaglisti. La pittura di battaglia dal XVI al XVIII secolo, Roma 2011, pp. 102-103
Wannenes Art Auctions
Sep. 22, 2022
Francesco Casanova, 1727 London – 1802 Vorderbrühl, Wien, zugeschrieben
Est: €3,000 - €5,000
Reiterschlacht auf weitem Feld Öl auf Leinwand. Doubliert. 65 x 78 cm. In Prunkrahmen. Figurenreiches bewegtes Zusammentreffen zweier Reiterheere auf einer kleinen Anhöhe. Im Vordergrund ein mit seinem Schimmel zu Boden gegangener Kämpfer mit roter Jacke und stolz erhobenem Schwert. Unter ihm und seitlich von ihm bereits zwei am Boden liegende Gefallene. Rechts ein Reiter auf einem schwarzen Rappen in Uniform mit zerschlissener, nach oben ragender Flagge. Nach rechts Blick in die weite, tiefer gelegene Landschaft, in der schemenhaft weitere Heere mit berittenen Soldaten erkennbar sind. Das heftige Schlachtengeschehen mit aufsteigendem Rauch in den hohen hellblauen Himmel mit weißen Wolkenformationen. Ein zu Boden gegangener Schimmel, wie im Vordergrund dieses Gemäldes, lässt sich auf den Werken des Künstlers häufiger finden. Vereinzelt rest., kleine Retuschen. Anmerkung: Der bekannte Schlachtenmaler war der jüngere Bruder des Abenteurers und Schriftstellers Giacomo Casanova (1725-1798). Der Maler war Schüler von Francesco Guardi (1712-1793) und studierte bei Francesco Simonini (1686-um 1755) in Parma. Literatur: Giancarlo Sestieri, I Pittori di Battaglie, Rom 1999, vgl. Abb. 4 „Battaglia di Cavalieri“. (13303218) (1) (18)
Hampel Fine Art Auctions
Sep. 17, 2022
Francesco Casanova (London 1727 - Brühl bei Wien 1802), attr. Rest of the Herdsmen.
Est: -
Watercolour and ink over pencil. 16,5 x 12,5 cm. Lo. ri. inscribed 'Casanova (Jean François)', framed under glass, uninspected out of frame. Zustand Pale foxing. - Provenance: Christie's London, 23.3.82; Estate Countess Finck von Finckenstein-Brinkama - Battle, figure and landscape painter, brother of the proverbial womaniser Giacomo C. Moved with his family to Venice as a child, he studied in the workshops of G. Guardi and A. Joli as well as with the battle painter F. Simonini. After 1757 he gained a position among the leading painters of Paris, in 1763 he became a member of the academy and 'Peintre du Roi'. Leaving behind numerous debts, he fled to Vienna in 1783, where he was able to build on his Parisian successes and, through the mediation of Prince Ligne, worked for Catherine the Great, among others. Mus.: Paris (Louvre), New York (Metrop. Mus.), Moscow (Pushkin Mus.), Vienna (Kunsthist. Mus.) a. others. Lit.: AKL, Thieme-Becker, Bénézit a. others.
Auktionshaus Stahl
Jul. 29, 2022
Casanova, Francesco (Attrib.) — Pendants mit galanten Szenen
Est: -
Casanova, Francesco - attributed to. —Pendants with gallant scenes (London 1727-1802 Brühl near Vienna) Elegant couples on horseback, accompanied by their hunting dogs, in an ideal landscape with park architecture. Oil on canvas, relined. 38 x 33 cm. - Lit. Thieme/Becker 6, Saur AKL 17. // Casanova, Francesco (Attrib.) Pendants mit galanten Szenen (London 1727-1802 Brühl bei Wien) Vornehme Paare zu Pferd, begleitet von ihren Jagdhunden, in idealer Landschaft mit Parkarchitektur. Öl/Lwd., doubl. 38 x 33 cm. - Lit. Thieme/Becker 6, Saur AKL 17.
Kunstauktionshaus Schlosser
Jul. 23, 2022
Francesco Casanova (London, 1727 – Vorderbrühl, 1803), Rest at the Fountain
Est: €5,000 - €7,000
At the bottom, the acronym FC indicates the author, Francesco Casanova, brother of the famous Giacomo. Francesco Casanova was a student of Francesco Guardi, Antonio Joli and Francesco Simonini in Venice. He was one of the most fashionable landscape painters and battalists in eighteenth-century Europe. He worked in Paris, Dresden and many other places; always appreciated for his highly elegant tone. He mixed the Venetian tradition with the French Rococo, by Antoine Watteau and Honoré Fragonard. This painting compares well with the works made for the royal manufacture of Beauvais in France in the mid-eighth decade of the eighteenth century. The painting represents a genre scene, with a noble and elegant company caught paused at a fountain during a falcon hunt. A gentleman in a blue doublet with two hunting dogs turns to a lady with a hunting falcon on his arm. The other three people are servants. A rider lets his horse drink from the well. A hunter sits on a white horse and a servant kneels in front of the couple. The elegant couple is highlighted in the picture by the bright colours and the lighting, while the servants are integrated into the surroundings in terms of colour. The painting shines in every way; in composition, colouring and a lively brushwork. Monogrammed FC in the lower center.
Fine Antiques Prague s.r.o.
Jun. 30, 2022
Casanova, Francesco (London, Vorderbrühl bei Wien 1727-1803) , zugeschrieben
Est: €2,200 - €2,640
Küstenlandschaft Im Vordergrund Fischerbarken und ein verfallenes Tor, im Hintergrund rechts auf hoher Steilküste ein altes Städtchen. Rückseitig roter Siegellack mit Monogr. IFR. Holz 25,5×34 cm. R. (59800)
Leo Spik
Jun. 30, 2022
Francesco Casanova, 1727 London – 1802 Vorderbrühl, Wien
Est: €20,000 - €30,000
SÜDLICHE IDEALLANDSCHAFT MIT ZIEHENDEN HIRTENÖl auf Leinwand. 73 x 98 cm. Von einer felsigen Anhöhe in einen gewundenen Weg ins Tal ziehende Hirten mit Maultierkarren und Eseln sowie einer Ziegenherde. Die Szenerie seitlich gerahmt durch einen hochragenden Baum links sowie einen rechts hochsteigenden Felsen mit Wurzeln und Sträuchern bewachsen. Weiter unten im Tal auf grünen Matten zwischen einem Laubwäldchen antikische Gebäude mit Zinnentürmen vor abfallender Bergkette. Der Himmel mit nach links ziehenden Wolken, belichtet durch die sinkende Sonne zwischen hellen Wolkenstreifen. Lebendige Wiedergabe des bewegten Sujets. Auffallend die aus dem französischen Rokoko herzuleitende Farbigkeit und Bewegtheit der Vegetation sowie der leuchtenden Textilien, was auf einen Einfluss durch die Malerei im Umkreis von Boucher hinweist. (12814513) (10) Francesco Casanova, 1727 London – 1802 Vorderbrühl, Vienna SOUTHERN IDEAL LANDSCAPE WITH SHEPHERDS Oil on canvas. 73 x 98 cm.
Hampel Fine Art Auctions
Jun. 25, 2022
FRANCESCO GIUSEPPE CASANOVA (LONDRES 1727 - MÖDLING 1803) Cavaliers polonais Paire de toiles 36 5 x
Est: €1,500 - €2,000
FRANCESCO GIUSEPPE CASANOVA (LONDRES 1727 - MÖDLING 1803) Cavaliers polonais Paire de toiles 36 5 x 25 cm Lun signé et daté en bas à droite: « F. Casanova / 1756 » au revers deux anciennes étiquettes portant les références : «80J « et «81J» Restaurations anciennes et petits manques
Osenat
Jun. 11, 2022
Francesco Casanova (London, 1727 – Vorderbrühl, 1803), Rest at the Fountain
Est: €5,000 - €7,000
At the bottom, the acronym FC indicates the author, Francesco Casanova, brother of the famous Giacomo. Francesco Casanova was a student of Francesco Guardi, Antonio Joli and Francesco Simonini in Venice. He was one of the most fashionable landscape painters and battalists in eighteenth-century Europe. He worked in Paris, Dresden and many other places; always appreciated for his highly elegant tone. He mixed the Venetian tradition with the French Rococo, by Antoine Watteau and Honoré Fragonard. This painting compares well with the works made for the royal manufacture of Beauvais in France in the mid-eighth decade of the eighteenth century. The painting represents a genre scene, with a noble and elegant company caught paused at a fountain during a falcon hunt. A gentleman in a blue doublet with two hunting dogs turns to a lady with a hunting falcon on his arm. The other three people are servants. A rider lets his horse drink from the well. A hunter sits on a white horse and a servant kneels in front of the couple. The elegant couple is highlighted in the picture by the bright colours and the lighting, while the servants are integrated into the surroundings in terms of colour. The painting shines in every way; in composition, colouring and a lively brushwork. Monogrammed FC in the lower center.
Fine Antiques Prague s.r.o.
May. 20, 2022
Francesco CASANOVA (1727-1802) The return of the market
Est: €800 - €1,200
Francesco CASANOVA (1727-1802) The return of the market Gouache, white highlights. Old mounting. Small accidents Francesco CASANOVA (1727-1802) Il ritorno dal mercato Gouache, biacca. Qualche danno 38 x 72 cm Le retour du marché Gouache, rehauts de blanc. Montage ancien. Petits accidents Francesco CASANOVA (1727-1802) Il ritorno dal mercato Gouache, biacca. Qualche danno 38 x 72 cm
Pierre Bergé & Associés
May. 08, 2022
Francesco Giuseppe Casanova
Est: €2,000 - €4,000
Francesco Giuseppe Casanova (1727 London - 1803 Vorderbrühl bei Wien) Umkreis Reiterschlacht Francesco Giuseppe Casanova, jüngerer Bruder des berühmten Schriftstellers und Abenteurers Giacomo Casanova, hatte als Schlachtenmaler ein fast ebenso bewegtes Leben, das ihn durch halb Europa führte. Francesco, möglicherweise ein unehelicher Sohn des späteren Königs Georg II. von England, wuchs in Venedig auf, lernte bei Francesco Simonini in Parma, ging 1751 nach Paris und 1752/53 nach Dresden. Intensiv studierte er in den Folgejahren die Werke von Philips Wouwerman und Jacques Courtois. 1757/58 kehrte Casanova nach Paris zurück und wurde 1763 Mitglied der Akademie. Zu seinen prominenten Auftraggebern zählte Zarin Katharina II. von Russland. Mit seinem Bruder Giacomo musste er 1783 nach Wien gehen, wo ihn der Staatsmann Graf Kaunitz protegierte. Öl/Eichenholztafel. 31,7 x 42,5 cm. Circle of Francesco Giuseppe Casanova (1727 - 1803). Oil on oak panel.
Kunstauktionshaus Schloss Ahlden
Apr. 05, 2022
Francesco Giuseppe CASANOVA (Londres,
Est: €1,000 - €1,500
Francesco Giuseppe CASANOVA (Londres, 1727 - 1803, Mödling) Le coup de vent Lavis gris sur trait de crayon 33 x 45,50 cm
Aguttes
Dec. 09, 2021
Francesco Casanova, 1727 London – 1802 Vorderbrühl, Wien
Est: €5,000 - €7,000
RAST AM BRUNNEN Öl auf Leinwand. 34 x 28 cm. Unten mittig monogrammiert „FC“. Im Oval gerahmt in mit plastischem Lorbeerblatt verziertem Rahmen mit Namensnennung des Künstlers. Beigegeben eine Expertise von Dario Succi, in Kopie. Die ruhige Stimmung, die durch das abendliche Sommerlicht vorgegeben wird und die Szenerie, die rechts durch eine Parkarchitektur mit angedeuteten Skulpturen und hinterfangendem Blattwerk beleuchtet wird, wird noch überhöht durch die rastenden Figuren, die um eine runde Fontäne lagern, deren Becken von konisch nach oben zulaufenden Wasserbecken in gemuschelter Form gespeist wird. Im Vordergrund rechts eine Falknerin, deren Kopfputz mit dem auf ihrer Hand sitzenden Falken eine Einheit bildet. Neben ihr sitzt ein in blaues Gewand gekleideter Herr, dessen Jagdhund seinen Kopf auf dessen Oberschenkel ruhen lässt. Rahmen verso mit Auktionsnummerierung. Provenienz: Privatsammlung. Auktion Koller, 15.12.2017, Lot 3219. Anmerkung: Während Casanova besonders für seine Batailleszene bekannt war, schuf er auch ruhigere Szenen, die häufig im Oval gemalt sind und auch als Kupferstiche überliefert sind. Vergleiche ein Gemälde, ebenfalls mit Brunnen, im Palais des Beaux Arts in Lille. (12903115) (13)
Hampel Fine Art Auctions
Dec. 07, 2021
OIL PAINTING BY FRANCESCO CASANOVA (?)
Est: €4,000 - €6,000
FRANCESCO CASANOVA (?) (Londra 1727 - Brühl-Vienna 1802) L'INDOVINO Olio su tela, cm. 59 x 72, 5 PROVENIENZA Collezione privata romana PUBBLICAZIONI Brigitte Kuhn Der landschafts und Schlachtenmaler Francesco Casanova in 'Wiener jahrbuch fur kunstgeschichte', band XXXVII, Wien-Koln-Graz 1984 Il mondo di Giacomo Casanova. Un veneziano in Europa 1725-1798, cat. mostra, Venezia 1998, p. 5 Il dipinto dal soggetto piuttosto divertente, giunge a noi con una attribuzione tradizionale e due pubblicazioni sopra citate a Giacomo Casanova. Comunque vi sono anche delle relazioni stilistiche con il pittore Pietro Domenico Olivero il quale sovente affrontava tematiche cosiddette 'di genere'. Una in particolare rintracciata nell'archivio fotografico della fondazione Federico Zeri che ha per soggetto un indovino raffigurato in una piazza tra la folla e le cui cifre stilistiche potrebbero suggerire una ulteriore ipotesi attributiva a favore del pittore torinese CONDIZIONI DEL DIPINTO Rintelo ottocentesco. Restauro per linea orizzontale nel cielo fra i due caseggiati in alto. Ulteriore restauro sopra la fontana sulla destra CORNICE Cornice veneziana in legno dorato con ricami vegetali, del XVIII secolo
Casa d'Aste Babuino
Oct. 28, 2021
ATTRIBUÉ À FRANCESCO GIUSEPPE CASANOVA (1727-1802)
Est: €1,500 - €2,000
ATTRIBUÉ À FRANCESCO GIUSEPPE CASANOVA (1727-1802) TROIS SCÈNES DE CAMPEMENT ET DE BATAILLE ; UNE SCÈNE PASTORALE Suite de quatre gouaches Taches et mouillure Attr. to F. G. Casanova, three scenes of ... and one pastoral scene, a set of four gouaches, small stains and a waterstain 16,4 x 21,9 cm - 6,5 x 8,6 in.
Tajan
Oct. 02, 2021
Francesco Casanova (London, 1727 – Vorderbrühl, 1803), Rest at the Fountain
Est: €5,000 - €7,000
At the bottom, the acronym FC indicates the author, Francesco Casanova, brother of the famous Giacomo. Francesco Casanova was a student of Francesco Guardi, Antonio Joli and Francesco Simonini in Venice. He was one of the most fashionable landscape painters and battalists in eighteenth-century Europe. He worked in Paris, Dresden and many other places; always appreciated for his highly elegant tone. He mixed the Venetian tradition with the French Rococo, by Antoine Watteau and Honoré Fragonard. This painting compares well with the works made for the royal manufacture of Beauvais in France in the mid-eighth decade of the eighteenth century. The painting represents a genre scene, with a noble and elegant company caught paused at a fountain during a falcon hunt. A gentleman in a blue doublet with two hunting dogs turns to a lady with a hunting falcon on his arm. The other three people are servants. A rider lets his horse drink from the well. A hunter sits on a white horse and a servant kneels in front of the couple. The elegant couple is highlighted in the picture by the bright colours and the lighting, while the servants are integrated into the surroundings in terms of colour. The painting shines in every way; in composition, colouring and a lively brushwork. Monogrammed FC in the lower center
Fine Antiques Prague s.r.o.
Sep. 23, 2021
Francesco Casanova,1727 London – 1802 Vorderbrühl/ Wien
Est: €25,000 - €30,000
RefOld13921 SÜDLICHE IDEALLANDSCHAFT MIT ZIEHENDEN HIRTENÖl auf Leinwand. 73 x 98 cm.Von einer felsigen Anhöhe in einen gewundenen Weg ins Tal ziehende Hirten mit Maultierkarren und Eseln sowie einer Ziegenherde. Die Szenerie seitlich gerahmt durch einen hochragenden Baum links sowie einen rechts hochsteigenden Felsen mit Wurzeln und Sträuchern bewachsen. Weiter unten im Tal auf grünen Matten zwischen einem Laubwäldchen antikische Gebäude mit Zinnentürmen vor abfallender Bergkette. Der Himmel mit nach links ziehenden Wolken, belichtet durch die sinkende Sonne zwischen hellen Wolkenstreifen. Lebendige Wiedergabe des bewegten Sujets. Auffallend die aus dem französischen Rokoko herzuleitende Farbigkeit und Bewegtheit der Vegetation sowie der leuchtenden Textilien, was auf einen Einfluss durch die Malerei im Umkreis von Boucher hinweist. (12814513) (10)Francesco Casanova, 1727 London – 1802 Vorderbrühl/ ViennaSOUTHERN IDEAL LANDSCAPE WITH SHEPHERDS Oil on canvas.73 x 98 cm.
Hampel Fine Art Auctions
Sep. 18, 2021
Francesco Casanova (London, 1727 – Vorderbrühl, 1803), Rest at the Fountain
Est: €5,000 - €7,000
At the bottom, the acronym FC indicates the author, Francesco Casanova, brother of the famous Giacomo. Francesco Casanova was a student of Francesco Guardi, Antonio Joli and Francesco Simonini in Venice. He was one of the most fashionable landscape painters and battalists in eighteenth-century Europe. He worked in Paris, Dresden and many other places; always appreciated for his highly elegant tone. He mixed the Venetian tradition with the French Rococo, by Antoine Watteau and Honoré Fragonard. This painting compares well with the works made for the royal manufacture of Beauvais in France in the mid-eighth decade of the eighteenth century. The painting represents a genre scene, with a noble and elegant company caught paused at a fountain during a falcon hunt. A gentleman in a blue doublet with two hunting dogs turns to a lady with a hunting falcon on his arm. The other three people are servants. A rider lets his horse drink from the well. A hunter sits on a white horse and a servant kneels in front of the couple. The elegant couple is highlighted in the picture by the bright colours and the lighting, while the servants are integrated into the surroundings in terms of colour. The painting shines in every way; in composition, colouring and a lively brushwork. Monogrammed FC in the lower center
Fine Antiques Prague s.r.o.
Jun. 02, 2021
Francesco Casanova: Cavalry Battle
Est: €5,000 - €8,000
CASANOVA, FRANCESCO ca. 1732 London - 1803 Vorderbrühl near Mödling Title: Cavalry Battle. Technique: Oil on canvas. Mounting: Relined. Measurement: 64,5 x 78,5cm. Frame/Pedestal: Framed. Literature: G. Sestieri: I pittori di battaglie. Maestri italiani e stranieri del XVII e XVIII secolo. Rome 1999, p. 262, ill. 4. Provenance: Private ownership, Belgium.
Van Ham Kunstauktionen
Apr. 19, 2021
Francesco Casanova (Londra 1727 - Modling 1802) attribuito-attributed
Est: €1,000 - €1,500
Francesco Casanova (Londra 1727 - Modling 1802) attribuito-attributed "Cavaliere con paggio" Olio su tela "Knight with page" Oil on canvas 31 x 42 cm Universalmente conosciuto come straordinario pittore di battaglie, Francesco Casanova fu altresì pittore di scene di vita popolare inserite in contesti paesaggistici. Egli si perfeziona come pittore prima a Venezia presso i Guardi poi in Emilia presso A. Joli e F. Simonini, infine a Parigi nella bottega del noto battaglista C. Parrocel. Uomo coltissimo e poliglotta, oltre al grande riscontro ottenuto a Parigi, ebbe modo di lavorare per la corte degli Asburgo a Vienna e per Caterina II di Russia. L’opera in esame presenta il suo canonico schema coloristico, ovvero dal grigiore metallico del cielo e dell’ambiente circostante emergono cangianti le figure. Se il cavaliere, con l’accesso giallo della sua giacca, ricorda la pittura veneziana è altresì evidente come l’opera risenti dei modi francesi, con questa atmosfera soffusa e l’eleganza, puramente rocaille, delle movenze. Innumerevoli sono gli esempi museali a cui far riferimento: "Paesaggio" e "Pastore con mucca nei pressi di una fontana" del Museo di Lille, i vari disegni con paesaggi e scene di vita conservati al Louvre, il "Pastori e greggi alla fonte" dell’Albertina di Vienna e il dipinto Paesaggio campestre del Museo del Palatinato di Heidelberg, per citarne alcuni
Lucas Aste
Jan. 19, 2021
Huile sur toile ovale "Scène galante au parc". Attribué à Francesco Casanov
Est: €800 - €1,200
Huile sur toile ovale "Scène galante au parc". Attribué à Francesco Casanova. Ecole italienne. Dim.:+/-34x28cm.
Vanderkindere
Oct. 30, 2020
Attribué à Giuseppe Francesco CASANOVA (Londres 1727- Mödling 1802)
Est: €300 - €400
Attribué à Giuseppe Francesco CASANOVA (Londres 1727- Mödling 1802) Attaque de brigands Panneau Restaurations anciennes 20 x 25cm
Gros-Delettrez