Annibale Carracci Paintings & Artwork for Sale | Annibale Carracci Art Value Price Guide

Apr. 17, 2025
Annibale Carracci - Susanna and the elders - 1591
Est: €400 - €600
Susanna, seated naked on the edge of a large basin and turning to look at the two elders behind a fence, gesturing towards a city in the distance; in a landscape with a fountain to right. c.1590-1595 etching and engraving made by Annibale Carracci and published by Pietro Stefanoni. Second state with dedication to Francesco Gualdo and with publisher's address "Petrus Stephanonius observatiae ergo". The extremely rare first state was before signature and text line. According the Michael Bury the print belongs to a group of prints dated to the years 1590-92. The Susanana is the most elaborate print that he had made since the Holy Family with St Michael and the infant St John of 1582. One of his main works.
Old Master Print
Apr. 17, 2025
Annibale Carracci - Arti di Bologna: Haberdasher and Dentist - 1646
Est: €180 - €260
Diverse figure al numero di ottanta, disegnate di penna nell'hore di recreatione da Annibale Carracci intagliate in rame, e cavate dagli originali da Simone Guilino', more commonly called by the titles in the later reprints, 'Le Arti di Bologna': The occupations of the Bolognese). Here excellent early impressions, with the little scratches in the plates still visible, from the first edition of 1646 with traces of an earlier number erased in the bottom left corner also noticeable on the first editions in Paris and Washington, but before the captions with the identification of the showed occupations in later states. It is assumed that Annibale Carracci would have drawn the figures of the Trades of his city, almost for fun, during the breaks in the work for the Farnese Gallery. The painter would have decided to collect these drawings in an album. Knowledge of this work by Annibale Carracci is due to the prelate Giovanni Antonio Massani, a relative of Pope Urban VIII and previously secretary of Giovanni Battista Agucchi. Massani, having found himself in possession of Annibale's drawings, as he himself narrates, had them engraved by the Frenchman Simon Guillain (1618-1658) and printed them in a volume entitled Diverse Figures al numero di ottanta, Disegnate di penna Nell'ore di raccolta da Annibale Carracci intagliate in copper, e scavate dagli Originali da Simone Guilino Parigino, dedicato a tutti i Virtuosi et Intendenti della Professione della Pittura, e del Disegno, printed in Rome in 1646. Here a pair of etchings from this famous work, mainly known by the later editions with title of the subject (here before...). The subjects here in this lot have later bein identified as: 'Merciaro di Tele' A haberdasher, seen in profile and facing left, holds a basket in his hand and a large sack over his shoulder.) and Cavadenti' (A dentist, stands in the centre facing right, with a small box under his left arm; he is finely dressed with chains around his neck and embroidered trousers.) Special for these etchings is that they have the title written in sepia ink beneath the print, only in later editions they were added to the copperplate etching itself. Also noticeable is these plates are signed respectively ' A C I --- S. g S' and 'An. Ca Inv. --- S.G. Sc'' The number is also etched bottom middle, in later reworked editions it was set at the left or right corner to make space for the etched title. Our example is 100% identical as the first edition kept in the Library of Congress (In Roma : Nella Stamperia di Lodovico Grigniani, 1646). The British Museum holds only an edition from 1740 with name of the profession etched in the image and other differences as described for later states. A pair of rare and original impressions from the first edition from 1646.
Old Master Print
Apr. 17, 2025
Annibale Carracci - Arti di Bologna: Ink seller and Onion Seller - 1646
Est: €180 - €260
Diverse figure al numero di ottanta, disegnate di penna nell'hore di recreatione da Annibale Carracci intagliate in rame, e cavate dagli originali da Simone Guilino', more commonly called by the titles in the later reprints, 'Le Arti di Bologna': The occupations of the Bolognese). Here excellent early impressions, with the little scratches in the plates still visible, from the first edition of 1646 with traces of an earlier number erased in the bottom left corner also noticeable on the first editions in Paris and Washington, but before the captions with the identification of the showed occupations in later states. It is assumed that Annibale Carracci would have drawn the figures of the Trades of his city, almost for fun, during the breaks in the work for the Farnese Gallery. The painter would have decided to collect these drawings in an album. Knowledge of this work by Annibale Carracci is due to the prelate Giovanni Antonio Massani, a relative of Pope Urban VIII and previously secretary of Giovanni Battista Agucchi. Massani, having found himself in possession of Annibale's drawings, as he himself narrates, had them engraved by the Frenchman Simon Guillain (1618-1658) and printed them in a volume entitled Diverse Figures al numero di ottanta, Disegnate di penna Nell'ore di raccolta da Annibale Carracci intagliate in copper, e scavate dagli Originali da Simone Guilino Parigino, dedicato a tutti i Virtuosi et Intendenti della Professione della Pittura, e del Disegno, printed in Rome in 1646. Here a pair of etchings from this famous work, mainly known by the later editions with title of the subject (here before...). The subjects here in this lot have later bein identified as: ' Inchiostro fino' A man selling ink, stands facing to the right, holding some glass bottles in his left hand and a small barrel in his right.) and 'Vende Agli e Cipolle' (the street seller of garlic and onions) Special for these etchings is that they have the title written in sepia ink beneath the print, only in later editions they were added to the copperplate etching itself. Also noticeable is these plates are signed respectively ' A C I --- S. g S' and 'An. Ca Inv. --- S.G. Sc'' The number is also etched bottom middle, in later reworked editions it was set at the left or right corner to make space for the etched title. Our example is 100% identical as the first edition kept in the Library of Congres (In Roma : Nella Stamperia di Lodovico Grigniani, 1646). The British Museum holds only an etdition from 1740 with name of the profession etched in the image and other differences as described for later states. A pair of rare and original impressions from the first edition from 1646.
Old Master Print
Apr. 17, 2025
ANNIBALE CARRACCI (seguace di)
Est: €500 - €800
(Bologna, 1560 - Roma, 1609) Pie donne al sepolcro Olio su tela, cm 93X123 Grazie a Carlo Cesare Malvasia, sappiamo che al momento della redazione della Felsina Pittrice (1678) la tela si trovava: 'In Napoli. Presso il Signor Duca della Torre, nipote del Signor Cardinale Filomarino, Arcivescovo di quella CittÃ , il famoso quadro detto comunemente delle tre Marie; cioÃ¨, le stesse che ritrovano il graziosissimo Angelo in vestimentis ablis al monumento, pittura inarrivabile, fatta da Annibale al suo tanto diletto paesano, l'antiquario Pasqualini, da questi passato per ereditÃ a Monsig. Agucchi e dopo la morte del Prelato e Nunzio di Venezia al Sig. Cardinale suddetto, che rifiutÃ² talvolta tre apparati di [a]razzi da camera fattigli offerire dal Re di Inghilterra'. Il committente dell'opera, fu perÃ², il bolognese Lelio Pasqualini (1549-1611), canonico di Santa Maria Maggiore a Roma e celebre collezionista. Sappiamo altresÃ¬ che i duchi della Torre alienarono a loro volta il quadro, che dopo vari altri passaggi (compreso uno nelle mani di Luciano Bonaparte), venne definitivamente acquistato, nel 1836, dal Museo dell'Ermitage. Bibliografia di riferimento: C. Van Tuyll Van Serooskerken, in Annibale Carracci, catalogo della mostra a cura di D. Benati e E. Riccomini, Milano 2006, p. 378
Wannenes Art Auctions
Mar. 28, 2025
ANNIBALE CARRACCI
Est: CHF3,000 - CHF4,000
ANNIBALE CARRACCI (Bologna 1560–1609 Rome) Mansion, church and monastery in the background, head study in the foreground. Circa 1595. Pen and brown ink. Inscribed in pencil on the lower margin: Caracci. Verso inscribed in pen and brown ink: DEMETREIUS F.F. MAG. IVVEN MANT. APMENIAN.... 19 x 26.7 cm. Provenance: - Sale Galerie Kornfeld, Bern, 17 June 1998 Lot 30. - Private collection, Switzerland. ------------------------------------------------- ANNIBALE CARRACCI (Bologna 1560–1609 Rom) Herrschaftsvilla, im Hintergrund Kirche und Kloster, im Vordergrund Kopfstudie. Um 1595. Feder in Braun. Am unteren Rand mit Bleistift bezeichnet: Caracci. Verso mit brauner Feder bezeichnet: DEMETREIUS F.F. MAG. IVVEN MANT. APMENIAN.... 19 x 26,7 cm. Provenienz: - Galerie Kornfeld, Bern, 17. Juni 1998 Lot 30. - Schweizer Privatbesitz.
Koller Auctions
Mar. 27, 2025
Etching by Annibale Carracci
Est: $200 - $400
Etching by Annibale Carracci (1560-1609). Entitled "Nude from Behind". Printed c. 1750. Comes with COA from Global Fine Art. Minor chip on corner of frame. Measures 24.5" tall x 23" wide. All invoices must be paid within 24 hours of the sale. We offer multiple shipping options, please read the shipping terms to understand your options. We also offer Pick-Ups Friday, Saturday, and Monday immediately following the sale. BY APPOINTMENT ONLY.
Bodnar's Auction Sales
Mar. 22, 2025
Carracci, Annibale (1560 Italien 1609), nach
Est: €150 - €180
Madonna mit Jesus und Johannes dem Täufer. Gouache/Papier, auf Lwd. aufgezogen. 41x 33 cm. R.
Dannenberg
Mar. 15, 2025
UMKREIS ODER SCHULE DES ANNIBALE CARRACCI BEWEINUNG CHRISTI
Est: €600 - €1,200
CIRCLE OR SCHOOL OF ANNIBALE CARRACCI Before 3. November 1560 Bologna - 15. July 1609 Rome LAMENTATION OF CHRIST Oil on wooden panel (cradled). 33,5 x 44,5 cm. Verso: On an old paper label attribution to Denys Calvaert. Part. min. old rest., old retouching. Provenance: South German private collection. UMKREIS ODER SCHULE DES ANNIBALE CARRACCI Vor dem 3. November 1560 Bologna - 15. Juli 1609 Rom BEWEINUNG CHRISTI Öl auf Holztafel (parkettiert). 33,5 x 44,5 cm. Verso: Auf altem Papierlabel Zuweisung an Denys Calvaert. Part. min. altrest., Altretuschen. Provenienz: Süddeutsche Privatsammlung.
Hargesheimer Kunstauktionen Düsseldorf
Mar. 12, 2025
After Annibale Carracci, Cacciatore da lepri
Est: £200 - £300
After Annibale Carracci, Italian 1560-1609- Cacciatore da lepri; pencil on card, 28.1 x 17.2 cm. (unframed). Provenance: The collection of Peter and Ann Mactaggart: https://www.theguardian.com/artanddesign/2020/jun/22/peter-mactaggart-obituary Note: The present work is a copy after Simon Guillain's (1581-1658) engraving, produced c.1646, after an original drawing by Carracci in the collection of the Louvre [INV 7292].
Roseberys
Mar. 12, 2025
After Annibale Carracci, Detail of 'Salmacis and Hermaphroditus' from 'The Loves of the Gods' on the vault of the Farnese Gallery, Rome
Est: £200 - £300
After Annibale Carracci, Italian 1560-1609- Detail of 'Salmacis and Hermaphroditus' from 'The Loves of the Gods' on the vault of the Farnese Gallery, Rome; red chalk on laid paper, bears inscription 'A Carrachi' verso, 28.5 x 25 cm. Provenance: Private Collection, Monaco. Note: The present drawing is after a section from Carracci's monumental fresco cycle entitled 'The Loves of the Gods' which is located in the West Wing of the Farnese Gallery in Rome. This drawing focuses on the elaborate architectural illusions which render Carracci's fresco so striking, depicting one the trompe l'oeil medallions which line the edges of the fresco, in this case depicting a scene of 'Salmacis and Hermaphroditus', as they embrace and merge into one being. Beside these medallions are Atlas figures, originally painted 'en grisaille', who appear to hold the weight of the ceiling above them.
Roseberys
Mar. 12, 2025
Follower of Annibale Carracci, Head of a man in profile
Est: £1,000 - £1,500
Follower of Annibale Carracci, Italian 1560-1609- Head of a man in profile; oil on paper laid down on card, bears inscription in pen and ink 'San. Piero guidato dal Angelo, 2 cam. no Raffaelle' on the old backing paper recto, 44.5 x 33.5 cm. Provenance: Private Collection, UK. Note: This extraordinary, vigorously painted head study recalls the head of Saint Joseph in Annibale Carracci’s 'The Holy Family with the Infant Saint John the Baptist' (The Montalto Madonna), c.1598-1600, National Gallery, London [NG 6597], and the head of Saint Peter in Annibale’s 'Christ appearing to Saint Peter on the Appian Way', National Gallery, London [NG9]. From the early 1580s, Annibale produced a number of head studies, mostly in oil on paper, made from the model in the studio, and which are among the most brilliantly and spontaneously painted works in the painter’s career. For example, 'Head of a Woman', c.1582, in the Getty Museum [2019.4], 'Portrait of a Bearded Man', c.1583, (Sotheby’s, London, 5 July 2017, lot 30), and 'Head of an Old Woman', datable to 1590s, in the Fitzwilliam Museum, Cambridge [PD.17-1992].
Roseberys
Feb. 15, 2025
J. STRIXNER (*1782) after CARRACCI (*1560), St Francis, Lithography
Est: €150 - €200
Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Annibale Carracci (1560 Bologna - 1609 Rom): St Francis, Incunabulum of Lithography, 19th century, Lithography Technique: Lithography on Paper Date: 19th century Description: "Half figure in a cowl..the gaze turned rapturously to the sky, the left hand in front left on the skull. Pen and chalk, grey-green to blue-grey clay plate with strong highlights to the edge." (Winkler, Die Frühzeit der Deutschen Lithographie, p. 356). Signed "Aug. Carrache / / N. Strixner, del." below the image. , inscribed in pencil on verso: "Incunable of Lithography / Strixner after a drawing in Sammlung München by Carracci / Winkler No. 965, 27.2. "Der St. Franziskus", München 1811-16". (Winkler: The Early Period of German Lithography, p. 356). Strixner learned engraving from Dorner in 1799. Employed as draughtsman 1803 at the electoral gallery in Munich. From 1806 he tried his hand at lithography and from 1810 he published the Oeuvres Lithographiques. From 1820 in Stuttgart. Keywords: 19th century, Figurative, Nature, Germany, Size: Paper: 31,7 cm x 26,7 cm (12,5 x 10,5 in), Depiction: 21,0 cm x 16,0 cm (8,3 x 6,3 in)
Fichter Kunsthandel
Feb. 08, 2025
Annibale Carracci, From Triumph of Bacchus and Ariadne
Est: $300 - $500
Annibale Carracci (Italian, 1560-1609), "Group of Boys and Animals" from "Triumph of Bacchus and Ariadne", copper plate engraving, 9" x 13", framed 13" x 23". Provenance: Lynnfield, Massachusetts collection.
Kaminski Auctions
Jan. 05, 2025
Annibale Carracci, Vulcan Forging Arms of Mars
Est: $3,000 - $5,000
A. (Annibale) Carracci (Italian, 1560-1609), described verso as Vulcan, Polyphemus and Hercules forging the arms of Mars in the presence of Venus and Cupid, oil on board, 28" x 40", framed 34" x 46". Exhibited at Museum of Fine Art, lent by George Winthrop, purchased in Amsterdam, Sept 12, 1908 for 2100 francs. Provenance: Ipswich, Massachusetts collection. PLEASE NOTE: On KaminskiLIVE, lots valued at over $3,000 are designated as Premier Lots in the auction descriptions. Bidding on these lots requires pre-approval. Existing customers with a history of completed payments will be automatically pre-approved. New customers must either call Kaminski Auctions at 978-927-2223 Ext 507 with a credit card to obtain pre-approval or have a credit card on file with our auction house.
Kaminski Auctions
Dec. 12, 2024
Annibale Carracci - Arti di Bologna: Seller of Spectacles, and A Messenger - 1646
Est: €180 - €260
Diverse figure al numero di ottanta, disegnate di penna nell'hore di recreatione da Annibale Carracci intagliate in rame, e cavate dagli originali da Simone Guilino', more commonly called by the titles in the later reprints, 'Le Arti di Bologna': The occupations of the Bolognese). Here excellent early impressions, with the little scratsches in the plates stil visible, from the first edition of 1646 with traces of an earlier number erased in the bottom left corner also noticable on the first editions in Paris and Washington, but before the captions with the identification of the showed occupations in later states. It is assumed that Annibale Carracci would have drawn the figures of the Trades of his city, almost for fun, during the breaks in the work for the Farnese Gallery. The painter would have decided to collect these drawings in an album. Knowledge of this work by Annibale Carracci is due to the prelate Giovanni Antonio Massani, a relative of Pope Urban VIII and previously secretary of Giovanni Battista Agucchi. Massani, having found himself in possession of Annibale's drawings, as he himself narrates, had them engraved by the Frenchman Simon Guillain (1618-1658) and printed them in a volume entitled Diverse Figures al numero di ottanta, Disegnate di penna Nell'ore di raccolta da Annibale Carracci intagliate in copper, e scavate dagli Originali da Simone Guilino Parigino, dedicato a tutti i Virtuosi et Intendenti della Professione della Pittura, e del Disegno, printed in Rome in 1646. Here a pair of etchings from this famous work, mainly known by the later editions with title of the subject (here before...). The subjects here in this lot have later bein identified as: 'Acoramaglietti' A trinket seller, standing in the centre with his head turned to the left, holds up a decorative box full of his wares.) and 'Porta Citationi' (A man delivering notices (citations); seen in profile, he stands with his foot on a doorstep, thumbing through a bundle of papers.) Special for these etchings is that they have the title written in sepia ink beneath the print, only in later editions they were added to the copperplate etching itself. Also noticable is these plates are signed respectively ' A C I --- S. g S' and 'An. Ca Inv. --- S.G. Sc'' The number is also etched bottom middle, in later reworked editions it was set at the left or right corner to make space for the etched title. Our example is 100% identical as the first edition kept in the Library of Congres (In Roma : Nella Stamperia di Lodovico Grigniani, 1646). The British Museum holds only an etdition from 1740 with name of the profession etched in the image and other differences as described for later states. A pair of rare and original impressions from the first edition from 1646.
Old Master Print
Dec. 12, 2024
Annibale Carracci - A Seller of Lace and a Constructor - 1646
Est: €180 - €260
Diverse figure al numero di ottanta, disegnate di penna nell'hore di recreatione da Annibale Carracci intagliate in rame, e cavate dagli originali da Simone Guilino', more commonly called by the titles in the later reprints, 'Le Arti di Bologna': The occupations of the Bolognese). Here excellent early impressions, with the little scratsches in the plates stil visible, from the first edition of 1646 with traces of an earlier number erased in the bottom left corner also noticable on the first editions in Paris and Washington, but before the captions with the identification of the showed occupations in later states. It is assumed that Annibale Carracci would have drawn the figures of the Trades of his city, almost for fun, during the breaks in the work for the Farnese Gallery. The painter would have decided to collect these drawings in an album. Knowledge of this work by Annibale Carracci is due to the prelate Giovanni Antonio Massani, a relative of Pope Urban VIII and previously secretary of Giovanni Battista Agucchi. Massani, having found himself in possession of Annibale's drawings, as he himself narrates, had them engraved by the Frenchman Simon Guillain (1618-1658) and printed them in a volume entitled Diverse Figures al numero di ottanta, Disegnate di penna Nell'ore di raccolta da Annibale Carracci intagliate in copper, e scavate dagli Originali da Simone Guilino Parigino, dedicato a tutti i Virtuosi et Intendenti della Professione della Pittura, e del Disegno, printed in Rome in 1646. Here a pair of etchings from this famous work, mainly known by the later editions with title of the subject (here before...). The subjects here in this lot have later bein identified as: 'Acoramaglietti' ( A man, seen in profile, facing right, selling netting and lace; he stands holding bundles of a lace trimming in his arms.) and 'Porta Citationi' (A man delivering notices (citations); seen in profile, he stands with his foot on a doorstep, thumbing through a bundle of papers.) Special for these etchings is that they have the title written in sepia ink beneath the print, only in later editions they were added to the copperplate etching itself. Also noticable is these plates are signed respectively ' A C I --- S. g S' and 'An. Ca Inv. --- S.G. Sc'' The number is also etched bottom middle, in later reworked editions it was set at the left or right corner to make space for the etched title. Our example is 100% identical as the first edition kept in the Library of Congres (In Roma : Nella Stamperia di Lodovico Grigniani, 1646). The British Museum holds only an etdition from 1740 with name of the profession etched in the image and other differences as described for later states. A pair of rare and original impressions from the first edition from 1646.
Old Master Print
Dec. 12, 2024
Annibale Carracci - Arti di Bologna: Keymaker and Bird Catcher - 1646
Est: €180 - €260
Diverse figure al numero di ottanta, disegnate di penna nell'hore di recreatione da Annibale Carracci intagliate in rame, e cavate dagli originali da Simone Guilino', more commonly called by the titles in the later reprints, 'Le Arti di Bologna': The occupations of the Bolognese). Here excellent early impressions, with the little scratsches in the plates still visible, from the first edition of 1646 with traces of an earlier number erased in the bottom left corner also noticeable on the first editions in Paris and Washington, but before the captions with the identification of the showed occupations in later states. It is assumed that Annibale Carracci would have drawn the figures of the Trades of his city, almost for fun, during the breaks in the work for the Farnese Gallery. The painter would have decided to collect these drawings in an album. Knowledge of this work by Annibale Carracci is due to the prelate Giovanni Antonio Massani, a relative of Pope Urban VIII and previously secretary of Giovanni Battista Agucchi. Massani, having found himself in possession of Annibale's drawings, as he himself narrates, had them engraved by the Frenchman Simon Guillain (1618-1658) and printed them in a volume entitled Diverse Figures al numero di ottanta, Disegnate di penna Nell'ore di raccolta da Annibale Carracci intagliate in copper, e scavate dagli Originali da Simone Guilino Parigino, dedicato a tutti i Virtuosi et Intendenti della Professione della Pittura, e del Disegno, printed in Rome in 1646. Here a pair of etchings from this famous work, mainly known by the later editions with title of the subject (here before...). The subjects here in this lot have later bein identified as: 'Magniano, ó Chiauaro' (A key cutter, seen from behind, stands holding a number of tools over his shoulder, including a large ring of keys.) and 'Ucellatore con la civetta' (bird catcher with an owl) Special for these etchings is that they have the title written in sepia ink beneath the print, only in later editions they were added to the copperplate etching itself. Also noticable is these plates are signed respectively ' A C I --- S. g S' and 'An. Ca Inv. --- S.G. Sc'' The number is also etched bottom middle, in later reworked editions it was set at the left or right corner to make space for the etched title. Our example is 100% identical as the first edition kept in the Library of Congres (In Roma : Nella Stamperia di Lodovico Grigniani, 1646). The British Museum holds only an etdition from 1740 with name of the profession etched in the image and other differences as described for later states. A pair of rare and original impressions from the first edition from 1646.
Old Master Print
Dec. 12, 2024
ANNIBALE CARRACCI, attr.a
Est: €30,000 - €40,000
ANNIBALE CARRACCI, attr.a (Bologna 1560 - Roma 1609) AUTORITRATTO (?) Sanguigna su carta applicata su carta antica postuma, cm. 34 x 26 In cornice Al retro sulla carta di supporto la scritta a matita Annibal Carracci L'attribuzione di questo splendido disegno si basa essenzialmente dai confronti tecnico stilistici con disegni museali, alcuni assegnati ad Annibale Carracci ed altri a lui attribuiti. Tra questi il ritratto maschile a sanguigna datato tra il 1580 ed il 1590 custodito al Museu Nacional De Belas Artes, Rio de Janeiro, ove il tratteggio dei capelli, delle sopracciglia e le linee più marcate di contorno sia del viso, sia del colletto ricorrono in questo presunto autoritratto del maestro, così come si evidenzia nello studio di giovane uomo di profilo in gesso rosso custodito al Louvre e nel ritratto di Baldassarre Aloisi a Berlino, Staatliche Museen. Per quanto concerne l'identificazione del giovane ritratto, la conformazione del viso, la struttura del naso e le labbra carnose lo pongono a somiglianza con il presunto autoritratto a matita nera custodito alla Royal Collection, Windsor Castle attribuito al grande maestro bolognese. Sempre alla Royal Collection è custodito un presunto autoritratto di Agostino Carracci ove all'espressione leggermente malinconica affine al ritratto in oggetto si evidenziano inoltre i medesimi tratti marcati soprattutto nel colletto con i bordi spigolosi. Su questo disegno si può avanzare una datazione tra il 1575 ed il 1580 per comparazione con il presunto autoritratto a lui attribuito sopra citato. CONDITION REPORT Carta applicata su ulteriore carta antica, la carta presenta dei difetti nell'angolo superiore sinistro, piccole mancanze sparse negli angoli ed ai lati del foglio, margine destro con mancanze, ulteriore piccola mancanza su un occhio del ritratto, gora su parte della guancia e sul lato destro inferiore, qualche piccolo rinforzo su alcune zone della testa Il disegno è sprovvisto di attestato di libera circolazione
Casa d'Aste Babuino
Dec. 07, 2024
19th Cent. Copy after Annibale Carracci, Unsigned.
Est: $300 - $600
Artist(s): Unknown, Copy after Annibale Carracci (Italian, 1560-1609) "The Madonna and Sleeping Child with the Infant St. John the Baptist" or "Il Silenzio (The Silence)" Medium: Oil on canvas. Signature(s): Unsigned. Paperwork: N/A Damage: Craquelure and scattered inpainting. Repair lower middle Decoration loss to plaster frame (a few broken pieces have been salvaged and come with the lot). Measurement(s): 28" x 37" (canvas), 43" x 52" (frame). Third-party shipping or personal pickup is required. Please see our website for our shipping recommendations.
Direct Auction Galleries, Inc.
Dec. 05, 2024
ANNIBALE CARRACCI (Bottega di), Olio su tela
Est: €3,000 - €5,000
ANNIBALE CARRACCI (Bottega di) (Bologna 1560 - Roma 1609) La Vergine Maria, San Giuseppe con il Bambin Gesù e San Giovannino Olio su tela Cornice in legno e pastiglia dorata. cm 90 x 67,5.
Benedetto Trionfante Auction House s.r.l
Dec. 05, 2024
ANNIBALE CARRACCI (Attr.le), Olio su tela
Est: €5,000 - €8,000
ANNIBALE CARRACCI (Attr.le) (Bologna 1560 - Roma 1609) Il contratto Olio su tela Provenienza: Nobile famiglia Palermitana già collezione privata professore Bernardo Patella Palermo. cm 14,5 x 12.
Benedetto Trionfante Auction House s.r.l
Dec. 01, 2024
Annibale Carracci, From Triumph of Bacchus and Ariadne
Est: $300 - $500
Annibale Carracci (Italian, 1560-1609), "Group of Boys and Animals" from "Triumph of Bacchus and Ariadne", copper plate engraving, 9" x 13", framed 13" x 23". Provenance: Lynnfield, Massachusetts collection.
Kaminski Auctions
Nov. 27, 2024
ESCUELA ITALIANA Fns. S. XVIII - Ppio. S. XIX, Sagrada Familia con San Juanito
Est: €1,200 - €1,500
Copia de obra original realizada por Annibale Carracci (Bolonia, 1560 - Roma, 1609) que se conserva en la Galeria degli Uffizi, Florencia.
Isbilya Subastas
Nov. 27, 2024
Carracci, Annibale: Die im Gebet versunkene Maria Magdalena
Est: €900 - €1,000
Die im Gebet versunkene Maria Magdalena. Radierung. 20 x 16,1 cm. 1591. B. 16 I (von II), Bohlin 12 I (von IV), TIB (Commentary) .014 S2 von (S5). Die gegenseitige Vorzeichnung befindet sich im Cabinet des dessins du Musée du Louvre, Paris. Vor den Buchstaben P S F am unteren Rand. Ganz ausgezeichneter, prägnanter Druck meist mit den Spuren eines weißen Rändchens um die Einfassungslinie. Verso schwache geglättete Mittelfalte sowie minimal fleckig, schwache Gebrauchsspuren, sonst sehr gut erhalten. Aus den Sammlungen Sir Edward Astley, Norfolk (Lugt 2775) und Saint John Dent (Lugt 2373). - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Nov. 14, 2024
Annibale Carracci (copy after) Madonna with Child and an Angel
Est: €200 - €300
reverse copy after Carracci. Etching, 95 x 91 mm. Sharp impression on very thin laid paper. Trimmed to the platemark, paper evenly browned, a small stain in the center and some paper residue on the back. Otherwise in good condition.
Bertolami Fine Art s.r.l.
Oct. 26, 2024
S. GUILLAIN (*1618) after CARRACCI (*1560), Berrettaro, 1740, 1740, Etching
Est: €300 - €400
Simon Guillain (born 1618 Paris) after Annibale Carracci (1560 Bologna - 1609 Rom): Berrettaro, 1740, 1740, Etching Technique: Etching on Paper, mounted on Paper Inscription: Signed, numbered and titled with the artist's monogram at the bottom of the printing plate. Date: 1740 Description: Old master depiction of an Italian beret salesman shown in full figure. After a drawing by Annibale Carracci from the series "Diverse figure al numero di ottanta, disegnate di penna Nell'hore di ricreatione da Annibale Carracci, intagliate in rame, E cavate dagli Originale da Simone Guilino Parigino. Dedicate a tutti i virtuosi Et Itendenti della Prosessione della Pittoura, e del Disegno. Rome : Lodovico Grignani, 1646", from which is number 39, presumably a later impression from an 18th century edition. Keywords: 18th century, Classicism, Professions, Italy, Size: Paper: 27,4 cm x 16,5 cm (10,8 x 6,5 in)
Fichter Kunsthandel
Oct. 26, 2024
J. CHABERT (19th) after CARRACCI (*1560), Maid in the country, around 1850, Lithography
Est: €60 - €100
Jean Claude Chabert (19th century) after Annibale Carracci (1560 Bologna - 1609 Rom): Maid in the countryside carrying a basket, c. 1850, Lithography Technique: Lithography on Paper Date: c. 1850 Description: ,,Maid in the countryside" Lithograph of a work by Louis Carrache (1555 -1619). From the series: Pictures of the Romanesque School (Ecole Lombarde). Inscribed: Louis Carrache fc. lmp. lith. de Chabert, rue Cassette N°. 20. Separate text information (In French by Chabert) in the format of the art sheet. Keywords: 19th century, Renaissance, Professions, France, Size: Paper: 49,3 cm x 32,7 cm (19,4 x 12,9 in), Depiction: 33,0 cm x 23,8 cm (13 x 9,4 in)
Fichter Kunsthandel
Oct. 25, 2024
17th C. Drawing by Follower of Annibale Carracci
Est: $1,300 - $1,950
Follower of Annibale Carracci (Bologna 1560-Rome 1609)."The Madonna of Saint Matthew" black chalk and brown wash on paper, 1588 or earlier. An impressive drawing from the school of Annibale Carracci: a study for his 1588 oil on canvas painting "Madonna and Child with Saints" originally produced as an altarpiece for the merchants' chapel in the basilica of San Prospero in Reggio Emilia. Showing a stronger Venetian influence than Carracci's earlier work, the drawing displays Mary and the Christ child enthroned with Saint Francis kissing the infant's feet as Saint Matthew stands to the left and Saint John the Baptist to the right. A pair of cherubs fly above, while a third sits on the ground below. The work presents a clear influence from Paolo Veronese's "Mystic Marriage of Saint Catherine," from which it borrows its diagonals, the position of the Madonna and saints and the red drape hanging from columns. Size of drawing: 7.75" W x 12" H (19.7 cm x 30.5 cm); of mounting paper: 14.25" W x 19.75" H (36.2 cm x 50.2 cm) Carracci retains notes of his previous style, however, by depicting a landscape in the background rather than Veronese's celestial blue and portraying the saints humbly clothed and standing on bare earth rather then Veronese's richly dressed figures on stairs. All of this demonstrates how Carracci's lessons from Veronese are translated into a less otherworldly idiom, closer to the viewer's lived experience. Accompanied by Royal Athena label reading: "Annibale Carracci, Follower of (Bologna 1560-Rome 1609) 'The Madonna of Saint Mathew [sic]' Black chalk, brown wash; water-mark: encircled anchor below a star. Es Coll. Of Capt. C. Prayer (L.2044), Milan (1826-1900); J. & F. Bernasconi, Milan & Geneva." Paper contains a watermark of an anchor in a circle beneath a six-pointed star. Another study for "Madonna and Child with Saints" by Annibale Carracci can be found at the Ashmolean Museum at University of Oxford under accession number WA1863.876. Provenance: ex-Royal Athena Galleries, New York City, New York, USA; ex-Maria Bernasconi, acquired via descent; ex-collection of Juan (d. 1920) and Felix Bernasconi (d. 1914), Milan and Geneva, Italy (not in Lugt); ex-collection of Captain Carlo Prayer (L.2044), Milan, Italy (1826-1900) All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #188521
Artemis Gallery
Oct. 24, 2024
Venere distesa
Est: €1,300 - €2,000
Artista emiliano, XVII secolo () Venus lying down Oil on panel Ø cm. 24,5. Framed The painting bears two old inventory labels on the back, top: "ANNIBALE CARACCI / BORN 1560 / DIED 1609 (VALUABLE)"; bottom: "I.NO. L.8 / 1777 / N° 48".
Bertolami Fine Art s.r.l.
Oct. 23, 2024
Circle of Annibale Carracci (Italian, 1560ñ1609), A portrait of a young boy and his dog
Est: £800 - £1,200
Circle of Annibale Carracci (Italian, 1560–1609) A portrait of a young boy and his dog Oil on canvas With Sotheby's Schloss Monrepos label verso Dimensions: (Frame) 11.25 in. (H) x 9.25 in. (W) (Canvas) 10.25 in. (H) x 8.25 in. (W)
Sloane Street Auctions
Oct. 19, 2024
Annibale Carracci, From Triumph of Bacchus and Ariadne
Est: $400 - $600
Annibale Carracci (Italian, 1560-1609), "Group of Boys and Animals" from "Triumph of Bacchus and Ariadne", copper plate engraving, 9" x 13", framed 13" x 23". Provenance: Lynnfield, Massachusetts collection.
Kaminski Auctions
Oct. 07, 2024
Annibale Carracci, 1560 Bologna - 1609 Rome. PORTRAIT OF A YOUNG MAN
Est: €6,000 - €8,000
The sitter with black hair, lip and chin beard, white shirt collar over a black doublet, his gaze directed vividly towards the viewer, the background completely darkened. Comparative examples of other head portraits, as listed in the accompanying expertise, clearly demonstrate Carracci's authorship. These include, among other examples, the half-length portrait of the composer "Giovanni Gabrieli" with lute in the Staatliche Gemäldegalerie in Dresden, the "Head Portrait of a Boy" in Parma and the "Ritratto di Giovane" in the Galleria Nazionale di Palazzo Barberini in Rome. We should also not forget Annibale's self-portrait from 1593, which is in the National Gallery in Parma. The influence of Venetian painting, especially that of Tintoretto, which is noticeable in Annibale's work from 1590 onwards, is also evident in this portrait. Together with his cousins Ludovico and Agostino, Annibale founded the Accademia degli Incamminati. Its aim was to adopt Mannerist characteristics in favour of greater naturalness, which ultimately helped to usher in Baroque painting. Annibale is considered the most important of these three painters. Oil on canvas. 36.5 x 26.5 cm.
Fine Antiques Prague s.r.o.
Sep. 27, 2024
Caracci, Annibale
Est: €80 - €120
(1560-1609), nach. Aurora und Cephalus. Rad. v.Carlo Cesio bei Arnold van Westerhout., um 1657. Plgr. 25,5 x 46 cm. Mit den Namenszügen u.d. Num. i.d.Pl. - Leicht fl. R
Kiefer Buch- und Kunstauktionen
Sep. 27, 2024
Caracci, Annibale
Est: €80 - €120
(1560-1609), nach. Perseus köpft Medusa. Radierung u. Grabstichel v.Pietro Aquila bei Giovanni Giacomo de Rossi. Aus: Imagines Farnesiani Cubiculi, Taf. 7. Plgr. ca. 27 x 59 cm. Mit den Namensz. u. der Num. i.d.Pl. - Auf dem Rand vermehrt fl. R
Kiefer Buch- und Kunstauktionen
Sep. 23, 2024
Annibale Caracci (1560 - 1609) Susanna en de ouderlingen
Est: €100 - €150
Ets. B 34.3 x 30.2 / 35.6 x 31.6 / 50.7 x 39 cm / niet ingelijst
Veilinghuis Onder de Boompjes
Sep. 23, 2024
Annibale Caracci (1560 - 1609) De heilige familie met Johannes de Doper
Est: €200 - €300
Ets, r.o. in plaat gesigneerd en 1599 gedateerd. B 16.4 x 21.5 / 18.3 x 23.6 cm
Veilinghuis Onder de Boompjes
Sep. 14, 2024
UMKREIS ODER SCHULE DES ANNIBALE CARRACCI SALMACIS UND HERM
Est: €800 - €1,600
CIRCLE OR SCHOOL OF ANNIBALE CARRACCI 3 November 1560 Bologna - 15 July 1609 Rome SALMACIS AND HERMAPHRODITUS Oil on canvas (old relined). 39 x 49 cm (F. 54 x 63.5 cm). Verso: verso of frame inscribed on old paper label: "Mythologische Darstellung Annibale Carracci 1560-1609 ....". Min. old rest., part. min. old retouching. Frame. Provenance: Westphalian private collection. UMKREIS ODER SCHULE DES ANNIBALE CARRACCI 3. November 1560 Bologna - 15. Juli 1609 Rom SALMACIS UND HERMAPHRODITUS Öl auf Leinwand (altdoubl.). 39 x 49 cm (R. 54 x 63,5 cm). Verso: Rückseite des Rahmens auf altem Papierlabel beschrieben: ''Mythologische Darstellung Annibale Carracci 1560-1609 ....''. Min. altrest., part. min. Altretuschen. Rahmen. Provenienz: Westfälische Privatsammlung.
Hargesheimer Kunstauktionen Düsseldorf
Sep. 14, 2024
UMKREIS ODER SCHULE DES ANNIBALE CARRACCI MADONNA MIT KIND
Est: €1,500 - €3,000
CIRCLE OR SCHOOL OF ANNIBALE CARRACCI Before 3 November 1560 Bologna - 15 July 1609 Rome MADONNA AND CHILD WITH ST JOHN THE BAPTIST Oil on copper panel. 22 x 17 cm (F. 33 x 29 cm). Verso: Inscribed in old script on the copper panel: 'Annibale Carracci'. Part. min. old rest., slight old retouching. Frame. Provenance: Westphalian private collection. UMKREIS ODER SCHULE DES ANNIBALE CARRACCI 3. November 1560 Bologna - 15. Juli 1609 Rom MADONNA MIT KIND UND JOHANNES DEM TÄUFER Öl auf Kupfertafel. 22 x 17 cm (R. 33 x 29 cm). Verso: Auf der Kupfertafel in alter Schrift bezeichnet:'Annibale Carracci'. Part. min. altrest., leichte Altretuschen. Rahmen. Provenienz: Westfälische Privatsammlung.
Hargesheimer Kunstauktionen Düsseldorf
Sep. 12, 2024
Annibale Carracci: Jupiter und Antiope
Est: CHF320 - CHF400
Annibale Carracci (Bologna 1560 - 1609 Rom) Jupiter und Antiope Radierung / Etching Um 1592 17x23,8 cm, Blattgrösse; 25x31,2 cm, Unterlage / 17x23.8 cm, sheet size; 25x31.2 cm, underlay Werkverzeichnis / Catalogue Raisonné De Grazia, 1979/1984, 17 De Grazia, 1979/1984, 17 Provenienz / Provenance Kunstmuseum Bern, Lugt 236b, als Doublette ausgeschieden Slg. Eberhard W. Kornfeld, Bern, Lugt 913b Kunstmuseum Bern, Lugt 236b, discarded as a duplicate The Eberhard W. Kornfeld Collection, Bern, Lugt 913b Erläuterungen / Comments Rembrandt besass sicherlich einen Abdruck von Carraccis Radierung, der ihm als Inspiration für seine eigene graphische Interpretation dieses Themas diente (vergleiche unser Los 2086). Rembrandt certainly owned a copy of Carracci's etching, which served as inspiration for his own interpretation of this theme as a print (see lot 2086). MWST / VAT Mehrwertsteuer auf dem Zuschlagspreis plus Aufgeld / VAT on hammer price plus buyer's premium Erwartete Ausrufzeit / Estimated Auction Time of Lot (+/- 30min) 12.09.2024; 19:55 h (MEST / CET) For further information visit our website (www.kornfeld.ch) Versandkosten / Shipping cost Schweiz / Switzerland: CHF 130.- Europa / Europe: CHF 230.- Übrige Länder / Other countries: CHF 290.-
Galerie Kornfeld Auktionen AG
Aug. 17, 2024
A. CARRACCI (1560-1609) Circle, Kopfstudie, Perfect School, Copper engraving
Est: €300 - €400
Annibale Carracci (1560 Bologna - 1609 Rom) Circle: Head study of a boy, Scuola Perfetta, 17th century, Copper engraving Technique: Copper engraving on Paper Inscription: Numbered "26." on the lower right. Date: 17th century Description: Presumably a contemporary, reciprocal copy of the corresponding illustration in the drawing textbook "Scuola Perfetta per imparare a disegnare tutto il corpo humano" by Annibale Carracci. The sheet shows the head of a young boy with cherub-like features and angelic curls. Keywords: 17th century, Baroque, Portraits, Italy, Size: Paper: 16,5 cm x 11,5 cm (6,5 x 4,5 in), Plate: 16,0 cm x 11,2 cm (6,3 x 4,4 in), Depiction: 12,0 cm x 10,0 cm (4,7 x 3,9 in)
Fichter Kunsthandel
Aug. 17, 2024
A. CARRACCI (1560-1609) Circle, Head study of a child, Copper engraving
Est: €300 - €400
Annibale Carracci (1560 Bologna - 1609 Rom) Circle: Head study of a child on a pedestal, Scuola Perfetta, 16th century, Copper engraving Technique: Copper engraving on Paper Date: 16th century Description: Presumably a contemporary copy of the corresponding illustration in the drawing textbook "Scuola Perfetta per imparare a disegnare tutto il corpo humano" by Annibale Carracci, with a base added. The contours of the child's head have also been traced in pencil on the reverse. Keywords: 16th century, Baroque, Portraits, Italy, Size: Paper: 22,2 cm x 17,8 cm (8,7 x 7 in), Plate: 15,6 cm x 12,1 cm (6,1 x 4,8 in), additional specification: 22.2 x 17.8 cm, printing plate: 15.6 x 12.1 cm, motif: 15.2 x 11.6 cm
Fichter Kunsthandel
Aug. 17, 2024
A. CARRACCI (1560-1609) Circle, Kopfstudie Kind, Perfect School, Copper engraving
Est: €300 - €400
Annibale Carracci (1560 Bologna - 1609 Rom) Circle: Head and face study, head of a child, 17th century, probably from Alli nobilissimi amatori del disegno - Scuola Perfetta - , Rome 1606-1612, 16th century, Copper engraving Technique: Copper engraving on Paper Inscription: Numbered "28." on the lower right. Date: 16th century Description: Presumably a contemporary, reciprocal copy of the corresponding illustration in the drawing textbook "Scuola Perfetta per imparare a disegnare tutto il corpo humano" by Annibale Carracci. The sheet shows the head of a small child in profile from below. Keywords: 16th century, Baroque, Portraits, Germany, Size: Paper: 18,0 cm x 11,8 cm (7,1 x 4,6 in), additional specification: 18 x 11.8 cm, motif: 10 x 11.4 cm
Fichter Kunsthandel
Aug. 17, 2024
A. CARRACCI (1560-1609) Circle, Männl. Aktstudie, Perfect School, Copper engraving
Est: €300 - €400
Annibale Carracci (1560 Bologna - 1609 Rom) Circle: A Carracci, Circumference, Male Nude Study, Back Figure, Scuola Perfetta, 16th century, Copper engraving Technique: Copper engraving on Paper Inscription: Numbered "35." on the lower right. Date: 16th century Description: Presumably a contemporary, reciprocal copy of the corresponding illustration in the drawing textbook "Scuola Perfetta per imparare a disegnare tutto il corpo humano" by Annibale Carracci. The sheet shows the back view of a muscular man leaning backwards and leaning on his arms. In front of him kneels a Madonna-like female figure with a lowered gaze and her hands clasped in front of her face. Keywords: 16th century, Baroque, Portraits, Italy, Size: Paper: 17,3 cm x 11,9 cm (6,8 x 4,7 in), Plate: 15,8 cm x 10,6 cm (6,2 x 4,2 in)
Fichter Kunsthandel
Jul. 18, 2024
Magdalene in the Desert Roman or Bolognese school of the mid-18th century - After models by Carracci, Annibale da (Bologna, November 3, 1560-Rome, July 15, 1609)
Est: €7,000 - €7,500
Measurements: 164 x 109 cm, framed measurements: 175 x 120 cm. Provenance: important private collection, Madrid. Lot not subject to reserve price. Liquidation of important private family collection.
Templum Fine Art Auctions
Jul. 05, 2024
Carracci, Annibale (1560-1609)
Est: €80 - €120
(1560-1609). Der tote Heiland auf dem Schoße der Maria oder Christus von Caprarola. Radierung. 1597. In der Platte sign. u. dat. 13 x 16,5 cm. - Bartsch 4. - Mit der Sign. Annibal Caracius fe. Caprarolae 1597. R
Kiefer Buch- und Kunstauktionen
Jul. 04, 2024
Incisioni - Reni, Guido - Carracci, Annibale - Sacra famiglia con Santa Chiara
Est: €170 - €270
Acquaforte, 1600 ca., 235 x 198 il foglio. In basso a sinistra: "Anibale Caracci fecit". Piccole macchie, strappo al margine destro.
Finarte
Jul. 04, 2024
Incisioni - Carracci, Annibale - Cristo coronato di spine
Est: €170 - €270
Acquaforte, 1606. mm 186x140 il foglio, iscrizione "Annib. Carratius in. et fecit 1606" in basso a sinistra.
Finarte
Jun. 27, 2024
Annibale Carracci, 1560 Bologna – 1609 Rom
Est: €8,000 - €10,000
BILDNIS EINES JUNGEN MANNES Öl auf Leinwand. 36,5 x 26,5 cm. Auf dem Keilrahmen schwarze Schablonennummer „No. 22“. Beigegeben eine Expertise von Alessandro Delpriori, Matelica, in Kopie. Der Dargestellte mit schwarzem Haar, Lippen- und Kinnbart, weißer Hemdkragen über schwarzem Wams, der Blick ist lebendig auf den Betrachter gerichtet, der Hintergrund völlig abgedunkelt. Vergleichsbeispiele weiterer Kopfbildnisse, wie in der beiliegenden Expertise aufgeführt, lassen die Autorschaft Carraccis deutlich nachvollziehen. Hier wären neben weiteren Beispielen das Halbbildnis des Komponisten „Giovanni Gabrieli“ mit Laute zu nennen, das sich in der Staatlichen Gemäldegalerie zu Dresden befindet, ferner das „Kopfbildnis eines Knaben“ in Parma, oder „Ritratto di Giovane“ in der Galleria Nazionale di Palazzo Barberini in Rom. Daneben sei auch nicht Annibales Selbstbildnis von 1593 vergessen, das sich in der Nationalgalerie in Parma befindet. Der Einfluss der venezianischen Malerei, besonders von Tintoretto, der im Werk Annibales ab 1590 spürbar ist, zeigt sich auch in diesem Bildnis. Zusammen mit seinen Cousin Ludovico und Agostino gründete Annibale die Accademia degli Incamminati. Sie hatte das Ziel, Charakteristiken des Manierismus zugunsten einer größeren Natürlichkeit zu übernehmen, was schließlich die Barockmalerei mit eingeleitet hat. Annibale gilt als der bedeutendste dieser drei Maler. In der beiliegenden Expertise wird die Entstehung des Portraits in den Zeitraum um 1600 gesetzt. (14008916) (11)
Hampel Fine Art Auctions