Ludovico Caracciolo Sold at Auction Prices

Panorama painter, Painter, Engraver

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      • L. CARACCIOLO (*1761) after WILKINS (*1767), Isi temple in Pompeii, 1819, Aquatint
        Sep. 28, 2024

        L. CARACCIOLO (*1761) after WILKINS (*1767), Isi temple in Pompeii, 1819, Aquatint

        Est: €450 - €600

        Ludovico Caracciolo (1761 Rome - 1842 ) after Henry Wilkins (1767 - 1847 ): Temple of Isis in Pompeii Ancient ruins of the Temple of Isis, 1819, Aquatint Technique: Aquatint on Paper Inscription: At the lower part signed in the printing plate: "H. Wilkins del. / L. Caracciolo inc.". At the lower part inscribed in the printing plate: "Temple d'Isis". Date: 1819 Description: The artwork presents the ruins of the Temple of Isis in Pompeii. The detailed depiction illustrates column stumps, statues and architectural remains, which are accentuated by a central staircase. The sky, populated by birds, emphasises the historical character of the scene. Source: Henry Wilkins (1767 -1847 ) Suite de vues pittoresques des ruines de Pompeii et un précis historique de la ville, avec un plan des fouilles qui ont été faites jusqu'en février 1819 et une description des objets les plus intéressants / par Henry Wilkins, 1819 | print suite, Landscape, Architecture Keywords: Pompeii; Campania; Vesuvius; temple; Isis; ruins; columns; statues; architecture; staircase; sky; birds; historical; artwork; detailed; depiction, 19th century, Romanticism, Cities, Italy, Pompeii (Campanian), Size: Paper: 31,0 cm x 41,3 cm (12,2 x 16,3 in), Plate: 26,8 cm x 36,6 cm (10,6 x 14,4 in), Depiction: 24,5 cm x 33,9 cm (9,6 x 13,3 in)

        Fichter Kunsthandel
      • L. CARACCIOLO (*1761) after WILKINS (*1767), Entrance to the forum in Pompeii, around 1819, Aquatint
        Sep. 28, 2024

        L. CARACCIOLO (*1761) after WILKINS (*1767), Entrance to the forum in Pompeii, around 1819, Aquatint

        Est: €450 - €600

        Ludovico Caracciolo (1761 Rome - 1842 ) after Henry Wilkins (1767 - 1847 ): Entrance to the forum in Pompeii, c. 1819, Aquatint Technique: Aquatint on Paper Inscription: At the lower part signed in the printing plate: "H. Wilkins del. / L. Caracciolo inc.". Lower middle inscribed in the printing plate: "PORTIQUE A L'ENTRÉE DU FORUM près du THEATRE.". Date: c. 1819 Description: The picture shows an ancient ruined site with a paved forecourt and fragmented columns. Two figures observe the scenery, emphasised by a contrast of light sky areas and darker land masses in the background. Keywords: Antiquity; ruins; columns; paving stones; forecourt; figures; contrast; sky; landscape; tree remains; engraving; art history; forum; theatre; archaeology; study of past civilisations; work of art; detail; perspective;, 19th century, Romanticism, Architecture, Italy, Size: Paper: 31,1 cm x 41,8 cm (12,2 x 16,5 in), Plate: 26,8 cm x 36,4 cm (10,6 x 14,3 in), Depiction: 24,2 cm x 33,8 cm (9,5 x 13,3 in)

        Fichter Kunsthandel
      • L. CARACCIOLO (*1761) after WILKINS (*1767), Impluvium, Pansa, Pompeji, around 1819, Aquatint
        Sep. 28, 2024

        L. CARACCIOLO (*1761) after WILKINS (*1767), Impluvium, Pansa, Pompeji, around 1819, Aquatint

        Est: €450 - €600

        Ludovico Caracciolo (1761 Rome - 1842 ) after Henry Wilkins (1767 - 1847 ): View of the impluvium in the house of Gaius Cuspius Pansa in Pompeii, c. 1819, Aquatint Technique: Aquatint on Paper Inscription: At the lower part signed in the printing plate: "H. Wilkins del. / L. Caracciolo inv.". Lower middle inscribed in the printing plate: "Impluvium de la Maison de Pansa". Date: c. 1819 Description: The artwork presents a historical site with a colonnade and ruins. Stylish reproduction techniques visualise the transience of architectural relics and their cultural significance. Source: Henry Wilkins (1767 -1847 ) Suite de vues pittoresques des ruines de Pompeii et un précis historique de la ville, avec un plan des fouilles qui ont été faites jusqu'en février 1819 et une description des objets les plus intéressants / par Henry Wilkins, 1819 | print suite, Landscape, Architecture Keywords: artwork; historical site; colonnade; ruins; reproduction technique; transience; architectural relics; cultural significance; engraving; architecture; antiquity; documentation; art history; conservation; image interpretation; classicism;, 19th century, Romanticism, Architecture, Italy, Pompeii (Campanian), Size: Paper: 31,1 cm x 41,8 cm (12,2 x 16,5 in), Plate: 18,5 cm x 27,1 cm (7,3 x 10,7 in), Depiction: 16,9 cm x 24,8 cm (6,7 x 9,8 in)

        Fichter Kunsthandel
      • J. STRIXNER (*1782) after CARACCIOLO (*1761), At Mary's deathbed, around 1808, Lithography with pen
        May. 25, 2024

        J. STRIXNER (*1782) after CARACCIOLO (*1761), At Mary's deathbed, around 1808, Lithography with pen

        Est: €135 - €225

        Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Ludovico Caracciolo (1761 Rome - 1842 ): At Mary's deathbed, c. 1808, Lithography with pen Technique: Lithography with pen on Paper Inscription: At the lower part signed in the printing plate: "L: Carrache | N: Strixner del:". Date: c. 1808 Description: Johann Nepomuk Strixner was a German draughtsman and printmaker who made a name for himself particularly through the print reproduction of old hand drawings. Around 1808, he worked together with the inventor of lithography, Aloys Senefelder, on the publication of a series of lithographic reproductions after Albrecht Dürer. In 1809, he enrolled at the Academy in Munich, where he deepened the technical skills he had already learnt in engraving and lithography through intensive study. He was particularly interested in the works of the Old Masters. Between 1808 and 1815, together with Johann Nepomuk Strixner, he published an extensive series of lithographs after Old Master drawings. This multifaceted work emphasises the full skill of the two artists, who copied the drawings onto the stone with a sensitive eye and convey a good impression of the original work in their reproductions. A characteristic feature of many of the sheets is the basis of a discreetly coloured clay plate with scratched-out areas, presumably intended to imitate the white heightening and different paper colours of the originals. Piloty and Strixner used the technique of lithography in all its facets and always endeavoured to give their reprints the same delicacy and depth that characterise the hand drawings of the Old Masters. Keywords: Lithograph series, Old Masters, Study, Mary, Holy Family, Putto, Angel, 19th century, Romanticism, Religious, Germany, Size: Paper: 24,5 cm x 18,7 cm (9,6 x 7,4 in)

        Fichter Kunsthandel
      • LODOVICO CARACCIOLO (ROME 1761-1842)
        May. 01, 2024

        LODOVICO CARACCIOLO (ROME 1761-1842)

        Est: £700 - £1,000

        LODOVICO CARACCIOLO (ROME 1761-1842) LODOVICO CARACCIOLO (ROME 1761-1842) Veduta porto con veliero signed 'CARACCIOLO' (lower left) oil on canvas 65 x 44 cm Property from a Private London Collection.

        Chiswick Auctions
      • L. CARACCIOLO (*1761) after WILKINS (*1767), The area around Pompeii and Mount Vesuvius, 1819,
        Apr. 27, 2024

        L. CARACCIOLO (*1761) after WILKINS (*1767), The area around Pompeii and Mount Vesuvius, 1819,

        Est: €450 - €600

        Ludovico Caracciolo (1761 Rome - 1842 ) after Henry Wilkins (1767 - 1847 ): Area around Pompeii and Mount Vesuvius Panorama of Campania on the Gulf of Naples, 1819, Aquatint Technique: Aquatint on Paper Inscription: At the lower part signed in the printing plate: "H. Wilkins del. / L. Caracciolo inc.". At the lower part inscribed in the printing plate: "Vue Générale du Vésuve et de la Situation de Pompeii". Date: 1819 Description: Historical landscape depiction showing Vesuvius erupting behind an idyllic scene, presumably Pompeii. Figures in the foreground enjoy the view, emphasising the peaceful atmosphere before the natural catastrophe. Source: Henry Wilkins (1767 -1847 ) Suite de vues pittoresques des ruines de Pompeii et un précis historique de la ville, avec un plan des fouilles qui ont été faites jusqu'en février 1819 et une description des objets les plus intéressants / par Henry Wilkins, 1819 | print suite, Landscape, Architecture Keywords: Campania; Vesuvius; Pompeii; eruption; historical depiction; landscape; idyll; peace; observer figures; nature; catastrophe; art; classicism; tranquillity; perspective; scenery; relaxation; history; transience;, 19th century, Romanticism, Cities, Italy, Pompeii (Campanian),

        Fichter Kunsthandel
      • L. CARACCIOLO (*1761) after WILKINS (*1767), Amphitheater in Pompeji, 1819,
        Apr. 27, 2024

        L. CARACCIOLO (*1761) after WILKINS (*1767), Amphitheater in Pompeji, 1819,

        Est: €450 - €600

        Ludovico Caracciolo (1761 Rome - 1842 ) after Henry Wilkins (1767 - 1847 ): Amphitheatre in Pompeii Ancient ruins of the theatre, 1819, Aquatint Technique: Aquatint on Paper Inscription: At the lower part signed in the printing plate: "H. Wilkins del. / L. Caracciolo inc.". At the lower part inscribed in the printing plate: "Amphithéâtre". Date: 1819 Description: The artwork presents the ancient amphitheatre of Pompeii in an idyllic landscape. Architectural elements stand in gentle contrast to the surrounding nature; the ruins appear sublime. Source: Henry Wilkins (1767 -1847 ) Suite de vues pittoresques des ruines de Pompeii et un précis historique de la ville, avec un plan des fouilles qui ont été faites jusqu'en février 1819 et une description des objets les plus intéressants / par Henry Wilkins, 1819 | print suite, Landscape, Architecture Keywords: Pompeii; Campania; Vesuvius; amphitheatre; ruins; architecture; antiquity; landscape; idyll; history; culture; art print; nature; sublimity; engraving; journey; transience; monumentality; educational journey; perspective; sky; tree, 19th century, Romanticism, Cities, Italy, Pompeii (Campanian),

        Fichter Kunsthandel
      • L. CARACCIOLO (*1761) after WILKINS (*1767), Isi temple in Pompeii, 1819,
        Apr. 27, 2024

        L. CARACCIOLO (*1761) after WILKINS (*1767), Isi temple in Pompeii, 1819,

        Est: €450 - €600

        Ludovico Caracciolo (1761 Rome - 1842 ) after Henry Wilkins (1767 - 1847 ): Temple of Isis in Pompeii Ancient ruins of the Temple of Isis, 1819, Aquatint Technique: Aquatint on Paper Inscription: At the lower part signed in the printing plate: "H. Wilkins del. / L. Caracciolo inc.". At the lower part inscribed in the printing plate: "Temple d'Isis". Date: 1819 Description: The artwork presents the ruins of the Temple of Isis in Pompeii. The detailed depiction illustrates column stumps, statues and architectural remains, which are accentuated by a central staircase. The sky, populated by birds, emphasises the historical character of the scene. Source: Henry Wilkins (1767 -1847 ) Suite de vues pittoresques des ruines de Pompeii et un précis historique de la ville, avec un plan des fouilles qui ont été faites jusqu'en février 1819 et une description des objets les plus intéressants / par Henry Wilkins, 1819 | print suite, Landscape, Architecture Keywords: Pompeii; Campania; Vesuvius; temple; Isis; ruins; columns; statues; architecture; staircase; sky; birds; historical; artwork; detailed; depiction, 19th century, Romanticism, Cities, Italy, Pompeii (Campanian),

        Fichter Kunsthandel
      • L. CARACCIOLO (*1761) after WILKINS (*1767), Tomb road in Pompeii, 1819,
        Apr. 27, 2024

        L. CARACCIOLO (*1761) after WILKINS (*1767), Tomb road in Pompeii, 1819,

        Est: €450 - €600

        Ludovico Caracciolo (1761 Rome - 1842 ) after Henry Wilkins (1767 - 1847 ): Via dei Sepolcri in Pompeii Ancient ruins of the cemetery road, 1819, Aquatint Technique: Aquatint on Paper Inscription: At the lower part signed in the printing plate: "H. Wilkins del. / L. Caracciolo inc.". At the lower part inscribed in the printing plate: "Rue des Tombeaux au N. E.". Date: 1819 Description: The painting presents a detailed depiction of a historic street near Pompeii, surrounded by tombs and monuments, an archival representation of an open-air burial site. It bears witness to the sepulchral architecture, fixed in timeless stillness, under a cloudy sky, in the finest gradations of monochromatic colour. Source: Henry Wilkins (1767 -1847 ) Suite de vues pittoresques des ruines de Pompeii et un précis historique de la ville, avec un plan des fouilles qui ont été faites jusqu'en février 1819 et une description des objets les plus intéressants / par Henry Wilkins, 1819 | print suite, Landscape, Architecture Keywords: Pompeii; Campania; Vesuvius; Burial site; Tombs; Monuments; Street; Historical; Archiving; Sepulchral architecture; Artistic representation; Monochrome; Calm; Aesthetics; Sky; Clouding; Architectural study; Timelessness; Stillness; Rows of trees; Perspective; Depth effect, 19th century, Romanticism, Cities, Italy, Pompeii (Campanian),

        Fichter Kunsthandel
      • L. CARACCIOLO (*1761) after WILKINS (*1767), Via dei Sepolcri in Pompeji, 1819,
        Apr. 27, 2024

        L. CARACCIOLO (*1761) after WILKINS (*1767), Via dei Sepolcri in Pompeji, 1819,

        Est: €450 - €600

        Ludovico Caracciolo (1761 Rome - 1842 ) after Henry Wilkins (1767 - 1847 ): Via dei Sepolcri in Pompeji Grabmal der Priesterin Mammia, 1819, Aquatint Technique: Aquatint on Paper Inscription: At the lower part signed in the printing plate: "H. Wilkins del. / L. Caracciolo inc.". At the lower part inscribed in the printing plate: "Tombeau de Mammia". Date: 1819 Description: The picture depicts a classic landscape of ruins on the Via dei Sepolcri in Pompeii, with funerary monuments against a mountainous backdrop. Ancient arches and the remains of walls bear witness to past greatness, while the stone path leads the eye through the scenery. Source: Henry Wilkins (1767 -1847 ) Suite de vues pittoresques des ruines de Pompeii et un précis historique de la ville, avec un plan des fouilles qui ont été faites jusqu'en février 1819 et une description des objets les plus intéressants / par Henry Wilkins, 1819 | print suite, Landscape, Architecture Keywords: Pompeii; Campania; Vesuvius; Ruins; Monument; Architecture; Antiquity; History; Tomb; Arches; Mountains; Landscape; Path; Walls; Culture; Decay; Stone; Perspective; Art; Printmaking, 19th century, Romanticism, Cities, Italy, Pompeii (Campanian),

        Fichter Kunsthandel
      • L. CARACCIOLO (*1761) after WILKINS (*1767), Basilica and Pompeii, 1819,
        Apr. 27, 2024

        L. CARACCIOLO (*1761) after WILKINS (*1767), Basilica and Pompeii, 1819,

        Est: €450 - €600

        Ludovico Caracciolo (1761 Rome - 1842 ) after Henry Wilkins (1767 - 1847 ): Basilica in Pompeii Ancient ruins of the portico, 1819, Aquatint Technique: Aquatint on Paper Inscription: At the lower part signed in the printing plate: "H. Wilkins del. / L. Caracciolo inc.". At the lower part inscribed in the printing plate: "Basilique". Date: 1819 Description: The depiction shows an architectural landscape of ruins in the centre of Pompeii, dominated by columns and fragmented wall segments. Indeterminate figures move between the antiquities, under a cloudy sky that suggests vastness. Source: Henry Wilkins (1767 -1847 ) Suite de vues pittoresques des ruines de Pompeii et un précis historique de la ville, avec un plan des fouilles qui ont été faites jusqu'en février 1819 et une description des objets les plus intéressants / par Henry Wilkins, 1819 | print suite, Landscape, Architecture Keywords: Pompeii; Campania; Vesuvius; architecture; ruins; columns; wall fragments; figures; sky; antiquity; landscape; archaeology; history; culture; perspective; drawing; tree avenue; art; documentation; transience; silence, 19th century, Romanticism, Cities, Italy, Pompeii (Campanian),

        Fichter Kunsthandel
      • L. CARACCIOLO (*1761) after WILKINS (*1767), Forum in Pompeii, 1819,
        Apr. 27, 2024

        L. CARACCIOLO (*1761) after WILKINS (*1767), Forum in Pompeii, 1819,

        Est: €450 - €600

        Ludovico Caracciolo (1761 Rome - 1842 ) after Henry Wilkins (1767 - 1847 ): Forum at the theatre in Pompeii Ancient ruins, 1819, Aquatint Technique: Aquatint on Paper Inscription: At the lower part signed in the printing plate: "H. Wilkins del. / L. Caracciolo inc.". At the lower part inscribed in the printing plate: "Forum près du Theatre". Date: 1819 Description: This engraving shows an ancient ruin site in the centre of Pompeii with columns, steps and a remarkable depth perspective. A dramatic sky with cloud formations covers the scenery, while mountain silhouettes are recognisable in the background. Source: Henry Wilkins (1767 -1847 ) Suite de vues pittoresques des ruines de Pompeii et un précis historique de la ville, avec un plan des fouilles qui ont été faites jusqu'en février 1819 et une description des objets les plus intéressants / par Henry Wilkins, 1819 | print suite, Landscape, Architecture Keywords: Pompeii; Campania; Vesuvius; antiquity; ruins; columns; steps; perspective; sky; clouds; mountains; engraving; depth effect; archaeological site; cultural history; architecture; excavation; historical site; art history, 19th century, Romanticism, Cities, Italy, Pompeii (Campanian),

        Fichter Kunsthandel
      • L. CARACCIOLO (*1761) after WILKINS (*1767), House of Pansa in Pompeii, 1819,
        Apr. 27, 2024

        L. CARACCIOLO (*1761) after WILKINS (*1767), House of Pansa in Pompeii, 1819,

        Est: €450 - €600

        Ludovico Caracciolo (1761 Rome - 1842 ) after Henry Wilkins (1767 - 1847 ): House of Gaius Cuspius Pansa in Pompeii Ancient ruins, 1819, Aquatint Technique: Aquatint on Paper Inscription: At the lower part signed in the printing plate: "H. Wilkins del. / L. Caracciolo inc.". At the lower part inscribed in the printing plate: "Entrée de la Maison de Pansa". Date: 1819 Description: This art-historically significant print shows the remains of the ancient architecture of the Pansa House in Pompeii, whose colossal columns and structures contrast impressively against a dramatic sky and mountain backdrop. The image is characterised by a mixture of decay and grandeur. Source: Henry Wilkins (1767 -1847 ) Suite de vues pittoresques des ruines de Pompeii et un précis historique de la ville, avec un plan des fouilles qui ont été faites jusqu'en février 1819 et une description des objets les plus intéressants / par Henry Wilkins, 1819 | print suite, Landscape, Architecture Keywords: Pompeii; Campania; Vesuvius; antiquity; ruins; columns; archaeology; history; graphics; artwork; decay; grandeur; perspective; mountain scenery; sky; tree; clouds; stone road; engraving; art history, 19th century, Romanticism, Cities, Italy, Pompeii (Campanian),

        Fichter Kunsthandel
      • L. CARACCIOLO (*1761) after WILKINS (*1767), Theatre of Pompeii, 1819,
        Apr. 27, 2024

        L. CARACCIOLO (*1761) after WILKINS (*1767), Theatre of Pompeii, 1819,

        Est: €450 - €600

        Ludovico Caracciolo (1761 Rome - 1842 ) after Henry Wilkins (1767 - 1847 ): Theatre of Pompeii Ancient ruins of the tragic theatre, 1819, Aquatint Technique: Aquatint on Paper Inscription: At the lower part signed in the printing plate: "H. Wilkins del. / L. Caracciolo inc.". At the lower part inscribed in the printing plate: "Théâtre Tragique". Date: 1819 Description: The graphic work shows the ancient theatre in an archaeological landscape of ruins in the middle of Pompeii. The artistic eye-catcher of this depiction is a structured composition that emphasises the eroded architectural elements and the geographical setting. Source: Henry Wilkins (1767 -1847 ) Suite de vues pittoresques des ruines de Pompeii et un précis historique de la ville, avec un plan des fouilles qui ont été faites jusqu'en février 1819 et une description des objets les plus intéressants / par Henry Wilkins, 1819 | print suite, Landscape, Architecture Keywords: Pompeii; Campania; Vesuvius; Archaeology; Ruins; Ancient theatre; Graphics; Drawing; Erosion; Architecture; Culture; History; Landscape; Composition; Antiquity; Art; Artistic representation; Geography; Perspective; Detail; Engravings; Theatre construction, 19th century, Romanticism, Cities, Italy, Pompeii (Campanian),

        Fichter Kunsthandel
      • L. CARACCIOLO (*1761) after WILKINS (*1767), Temple of Jupiter in Pompeii, 1819,
        Apr. 27, 2024

        L. CARACCIOLO (*1761) after WILKINS (*1767), Temple of Jupiter in Pompeii, 1819,

        Est: €450 - €600

        Ludovico Caracciolo (1761 Rome - 1842 ) after Henry Wilkins (1767 - 1847 ): Temple of Jupiter in Pompeii Ruins of the ancient temple of Jupiter, 1819, Aquatint Technique: Aquatint on Paper Inscription: At the lower part signed in the printing plate: "H. Wilkins del. / L. Caracciolo inc.". At the lower part inscribed in the printing plate: "Temple de Jupiter". Date: 1819 Description: The depiction reveals an ancient temple ruin in the centre of Pompeii. Against the backdrop of a vivid sky, the architectural structure rests harmoniously in a rural landscape, enlivened by figures and an oxcart. Source: Henry Wilkins (1767 -1847 ) Suite de vues pittoresques des ruines de Pompeii et un précis historique de la ville, avec un plan des fouilles qui ont été faites jusqu'en février 1819 et une description des objets les plus intéressants / par Henry Wilkins, 1819 | print suite, Landscape, Architecture Keywords: volcano; Pompeii; Campania; Vesuvius; antiquity; temple ruins; pastel shades; architecture; landscape; rural; figures; sky; nature; trees; mountain; ruins; artefacts; history; research; exploration; artwork; classicism; engraving, 19th century, Romanticism, Cities, Italy, Pompeii (Campanian),

        Fichter Kunsthandel
      • L. CARACCIOLO (*1761) after WILKINS (*1767), Temple of Venus in Pompeii, 1819,
        Apr. 27, 2024

        L. CARACCIOLO (*1761) after WILKINS (*1767), Temple of Venus in Pompeii, 1819,

        Est: €450 - €600

        Ludovico Caracciolo (1761 Rome - 1842 ) after Henry Wilkins (1767 - 1847 ): Temple of Venus in Pompeii Ruins of the ancient temple of Venus, 1819, Aquatint Technique: Aquatint on Paper Inscription: At the lower part signed in the printing plate: "H. Wilkins del. / L. Caracciolo inc.". At the lower part inscribed in the printing plate: " Temple de Vénus". Date: 1819 Description: The graphic shows a landscape of ruins in the centre of Pompeii with the remains of ancient columns and staircase-like structures. A mountain panorama can be seen in the background. A seated person can be seen in the left foreground. The engraving is a detailed depiction of historical architecture. Source: Henry Wilkins (1767 -1847 ) Suite de vues pittoresques des ruines de Pompeii et un précis historique de la ville, avec un plan des fouilles qui ont été faites jusqu'en février 1819 et une description des objets les plus intéressants / par Henry Wilkins, 1819 | print suite, Landscape, Architecture Keywords: Pompeii; Campania; Vesuvius; Antiquity; Ruins; Columns; Architecture; Graphic; Engraving; Ruin landscape; Mountain panorama; Historical; Art history; Archaeological site; Vegetation; Sky; Clouds; Perspective; Horizon; Stairs; Statue; Open-air museum; Study;, 19th century, Romanticism, Cities, Italy, Pompeii (Campanian),

        Fichter Kunsthandel
      • L. CARACCIOLO (*1761) after WILKINS (*1767), Curia of Pompeii, 1819,
        Apr. 27, 2024

        L. CARACCIOLO (*1761) after WILKINS (*1767), Curia of Pompeii, 1819,

        Est: €450 - €600

        Ludovico Caracciolo (1761 Rome - 1842 ) after Henry Wilkins (1767 - 1847 ): Curia of Pompeii Ruins of the ancient assembly hall, 1819, Aquatint Technique: Aquatint on Paper Inscription: At the lower part signed in the printing plate: "H. Wilkins del. / L. Caracciolo inc.". At the lower part inscribed in the printing plate: "Tribunal ou Curia". Date: 1819 Description: The graphic shows an ancient landscape of ruins in the centre of Pompeii with Doric columns, the remains of walls and a central building. In the foreground, two figures interact while sitting on the ground, below a detailed depiction of the sky and surrounding trees. Source: Henry Wilkins (1767 -1847 ) Suite de vues pittoresques des ruines de Pompeii et un précis historique de la ville, avec un plan des fouilles qui ont été faites jusqu'en février 1819 et une description des objets les plus intéressants / par Henry Wilkins, 1819 | print suite, Landscape, Architecture Keywords: Pompeii; Campania; Vesuvius; antiquity; ruins; columns; Doric style; walls; central building; figures; interaction; sky; trees; richness of detail; graphics; art; history; architecture; ground; conversation; atmosphere; landscape; perspective, 19th century, Romanticism, Cities, Italy, Pompeii (Campanian),

        Fichter Kunsthandel
      • L. CARACCIOLO (*1761) after WILKINS (*1767), Forum of Pompeii, 1819,
        Apr. 27, 2024

        L. CARACCIOLO (*1761) after WILKINS (*1767), Forum of Pompeii, 1819,

        Est: €450 - €600

        Ludovico Caracciolo (1761 Rome - 1842 ) after Henry Wilkins (1767 - 1847 ): Forum of Pompeii, ruins of the ancient city on Mount Vesuvius, 1819, Aquatint Technique: Aquatint on Paper Inscription: At the lower part signed in the printing plate: "H. Wilkins del. / L. Caracciolo inc.". At the lower part inscribed in the printing plate: "Extrêmité du Forum au S.". Date: 1819 Description: The engraving illustrates an ancient landscape of ruins in the centre of Pompeii, harmoniously embedded in a mountainous environment. Crumbling columns and architectural elements dominate the picture, interspersed with a few figures that emphasise the former splendour. Source: Henry Wilkins (1767 -1847 ) Suite de vues pittoresques des ruines de Pompeii et un précis historique de la ville, avec un plan des fouilles qui ont été faites jusqu'en février 1819 et une description des objets les plus intéressants / par Henry Wilkins, 1819 | print suite, Landscape, Architecture Keywords: Pompeii; Campania; Vesuvius; art history; engraving; ruins; antiquity; architecture; columns; mountain landscape; figures; decay; illustration; printmaking; classicism; historicism; archaeology; architectural remains; atmosphere; ruins; perspective; documentation; transience, 19th century, Romanticism, Cities, Italy, Pompeii (Campanian),

        Fichter Kunsthandel
      • L. CARACCIOLO (*1761) after WILKINS (*1767), City wall of Pompeii, 1819,
        Apr. 27, 2024

        L. CARACCIOLO (*1761) after WILKINS (*1767), City wall of Pompeii, 1819,

        Est: €450 - €600

        Ludovico Caracciolo (1761 Rome - 1842 ) after Henry Wilkins (1767 - 1847 ): Ancient city wall of Pompeii North side of the city on the Gulf of Naples, 1819, Aquatint Technique: Aquatint on Paper Inscription: At the lower part signed in the printing plate: "H. Wilkins del. / L. Caracciolo inc.". At the lower part inscribed in the printing plate: "Murs de la ville". At the lower part further inscription: "Auf der Nordseite der Stadt". Date: 1819 Description: The depiction shows the fortifications of the lost city of Pompeii under a clear sky, embellished by the sunrise and lush vegetation. Delicate silhouettes of human and animal figures blend harmoniously into the scenery, whose atmosphere suggests tranquillity and grandeur. Source: Henry Wilkins (1767 -1847 ) Suite de vues pittoresques des ruines de Pompeii et un précis historique de la ville, avec un plan des fouilles qui ont été faites jusqu'en février 1819 et une description des objets les plus intéressants / par Henry Wilkins, 1819 | print suite, Landscape, Architecture Keywords: Gulf of Naples; Campania; Pompeii; fortification; city walls; sunrise; silhouettes; vegetation; tranquillity; sublimity; sky; rays of light; art; architecture; history; scenery; harmony; walls; stairs; trees; engraving; figures, 19th century, Romanticism, Cities, Italy, Pompeii (Campanian),

        Fichter Kunsthandel
      • LUDOVICO CARACCIOLO LIBER VERITATIS - PLATE 23
        Apr. 29, 2021

        LUDOVICO CARACCIOLO LIBER VERITATIS - PLATE 23

        Est: -

        Plate 23 – From Liber Veritatis Aquatint. Beautiful Artist’s Proof, representing a shepherd with his herd pastouring at the shore of a river, in a site of an antique temple. Aquatint by Ludovico Caracciolo (engraver), is inspired by the production of the French painter Claude Lorrain (draftsman). Signed and Numbered on plate lower “Claudio di Lorena inv., L. Caracciolo F.”. From the collection “Liber Veritatis”, Rome, F. Bourliè, 1815. In Very Good condition. Ludovico Caracciolo (Rome, 1761-1841) Roman landscapist and engraver, specialied in architectural drawings and panoramas of the Eternal City, Caracciolo loved travelling and drawing the most beautiful scenes he met along the way. He became a protégé of Elizabeth Foster, the second wife of the fifth Duke of Devonshire, William Cavendish and had the possibility to publish a set of prints inspired by Claude Lorrain‘s works, collected in Liber Veritatis, Rome, Francesco Bourlié, 1815 (now in the British Museum collection). 33 x 47.5

        Bertolami Fine Art s.r.l.
      • LUDOVICO CARACCIOLO LIBER VERITATIS - PLATE 189
        Apr. 29, 2021

        LUDOVICO CARACCIOLO LIBER VERITATIS - PLATE 189

        Est: -

        Liber Veritatis - Plate 189 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Claudio di Lorena. This old master's original print is a beautiful artist proof, the 189th plate from the series Liber Veritatis, published in Rome in 1815 by Francesco Bourlié. Representing a shepherd with his herd grazing near the shore of a river, this aquatint by Ludovico Caracciolo (engraver) was inspired by the production of the French painter Claude Lorrain (draftsman). Signed and numbered at the bottom of the plate “Claudio di Lorena inv., L. Caracciolo F.”. In good conditions, with usual slightly brown paper on the margins, a little tear on the lower margin, and a small damage on the right margin. Including passepartout. Ludovico Caracciolo (Rome, 1761-1841) Roman landscapist and engraver, specialized in architectural drawings and panoramas of the Eternal City, Caracciolo loved travelling and drawing the most beautiful scenes he saw along the way. He became a protégé of Elizabeth Foster, the second wife of the fifth Duke of Devonshire, William Cavendish, and had the opportunity to publish a set of prints inspired by Claude Lorrain‘s works, collected in the Liber Veritatis, Rome, Francesco Bourlié, 1815 (now in the collection of the British Museum). 33 x 47.5

        Bertolami Fine Art s.r.l.
      • LUDOVICO CARACCIOLO LIBER VERITATIS - PLATE 190
        Apr. 29, 2021

        LUDOVICO CARACCIOLO LIBER VERITATIS - PLATE 190

        Est: -

        Liber Veritatis - Plate 190 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Claudio di Lorena. This old master's original print is a beautiful artist proof, the 190th plate from the series Liber Veritatis, published in Rome in 1815 by Francesco Bourlié. Representing a group of women and shepherds with their herds grazing near an antique temple, this aquatint by Ludovico Caracciolo (engraver) was inspired by the production of the French painter Claude Lorrain (draftsman). Signed and numbered at the bottom of the plate “Claudio di Lorena inv., L. Caracciolo F.”. In very good conditions, with usual slightly brown paper on the margins and a little abrasion on the lower margin. Including a passepartout. 33 x 47.5

        Bertolami Fine Art s.r.l.
      • LUDOVICO CARACCIOLO LIBER VERITATIS - PLATE 191
        Apr. 29, 2021

        LUDOVICO CARACCIOLO LIBER VERITATIS - PLATE 191

        Est: -

        Liber Veritatis - Plate 191 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Claudio di Lorena. This old master's original print is a beautiful artist proof, the 191st plate from the series Liber Veritatis, published in Rome in 1815 by Francesco Bourlié. Representing a Christian baptism, this aquatint by Ludovico Caracciolo (engraver) was inspired by the production of the French painter Claude Lorrain (draftsman). Signed and numbered at the bottom of the plate “Claudio di Lorena inv., L. Caracciolo F.”. In very good conditions, with usual slightly brown paper on the margins. Including passepartout. 33 x 47.5

        Bertolami Fine Art s.r.l.
      • LUDOVICO CARACCIOLO LIBER VERITATIS - PLATE 145
        Apr. 29, 2021

        LUDOVICO CARACCIOLO LIBER VERITATIS - PLATE 145

        Est: -

        Liber Veritatis - Plate 145 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Claudio di Lorena. This old master's original print is a beautiful artist proof, the 145th plate from the series Liber Veritatis, published in Rome in 1815 by Francesco Bourlié. Representing a wonderful natural landscape with soldiers, this aquatint by Ludovico Caracciolo (engraver) was inspired by the production of the French painter Claude Lorrain (draftsman). Signed and numbered at the bottom of the plate “Claudio di Lorena inv., L. Caracciolo F.”. In very good conditions, with usual slightly brown paper on the margins. Including passepartout. 33 x 47.5

        Bertolami Fine Art s.r.l.
      • Lorrain, Claude e Caracciolo, Ludovico
        Dec. 11, 2018

        Lorrain, Claude e Caracciolo, Ludovico

        Est: €800 - €1,000

        [Liber veritatis di Claudio Gellée lorenese ovvero raccolta di duecento stampe tratte dalli di lui disegni nella collezione del Duca di Devonshire incise in Londra da Riccardo Earlom ed ora da Ludovico Caracciolo pittore romano ripetute] [Roma, 1810-15]. 3 voll. In 2° oblungo. Solo 149 tavole incise all'acquatinta con inchiostro color seppia, numerate 1-150, manca la 86, in barbe, fioriture, lievi aloni di umidità marginali, brossura editoriale azzurra, tracce d'uso. Ex libris cartaceo ai piatti e ai contropiatti: Chr. Henrici Kohlrausch. 1 1810

        Finarte Roma
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