Josep Cañas Cañas Paintings & Artwork for Sale | Josep Cañas Cañas Art Value Price Guide

Nov. 28, 2024
JOSEP CAÑAS CAÑAS (1905-2001). "Man leaning on the back of a chair".
Est: €80 - €130
Crayons on paper. Signed. Sticker marks on the corners. 23.5 x 22.5 cm (paper). This lot will not be included in our post auction sale.
Subarna Subastas
May. 27, 2024
JOSEP CAÑAS I CAÑAS (Banyeres del Penedés, 1905 - El Vendrell, 2001). Female bust. White marble. Signed on the right side. On green marble base.
Est: €2,400 - €3,000
JOSEP CAÑAS I CAÑAS (Banyeres del Penedés, 1905 - El Vendrell, 2001). Female bust. White marble. Signed on the right side. On green marble base. Measurements: 37 x 20 x 22 cm (sculpture); 6 x 24 x 17 cm (base). A self-taught sculptor, Josep Cañas took some courses at the School of Arts and Crafts in Villanueva y la Geltrú, and soon came into contact with artists such as Damià Torrents and Joaquín Mir. In 1925, after a period in Sitges, Cañas settled in Barcelona, where he joined the Círculo de Sant Lluc and the Real Círculo Artístico, being a member of the board of directors of the latter. During these years he devoted himself to landscape painting, and in 1927 he took part in the Second Art Exhibition of the Penedès, held in El Vendrell. He also dedicated himself to theater during these years, and in 1927 he premiered his first play. Two years later he took part again in the Penedès Exhibition. In 1930 he set up his first studio in Barcelona, thanks to a grant from the Diputació de Tarragona, and in 1932 he held his first individual exhibition in the Sala Parés. From these years on, Cañas showed his work regularly at the Salón de Montjuic. In 1935 he is granted a travel grant by the Generalitat, which allows him to travel to London to visit the British Museum, and later to Paris. On his return, in 1937 he was appointed secretary of the Casal de Cultura de Cataluña, although he declined the appointment to go to fight on the Ebro front. There, however, he did not enter combat, but dedicated himself to making the models commissioned by the General Staff. Once the war was over, in 1942 he won the prize for sculpture at the National Exhibition of Fine Arts, and the Museum of Modern Art in Barcelona acquired one of his works. The following year he works with Ignacio Zuloaga, and in 1947 he holds an exhibition at the Museum of Modern Art in Madrid, in which the Institute of Hispanic Culture acquires one of his works to take him to America. He then embarks accompanying the work, which is installed in Carmel, California. In this same city he will hold an exhibition of works made there, the following year. He then travels to Mexico, where he stays for several years and holds several exhibitions of his work, held between Mexico and New York. In 1954 he exhibited at the National Museum of Anthropology in Mexico, and the following year he left the country to participate in the Hispano-American Biennial held in Barcelona, where he was given a room of his own. Once settled in Spain again, he continues to exhibit his work in prestigious galleries such as the Parés in Barcelona, the O'Hana in London or the Museum of Modern Art in Madrid, and to carry out important commissions for the Museum of Geneva and other important clients. In 1957 he won a medal at the National Exhibition of Fine Arts, and in 1964 he inaugurated the relief "La Sardana" in the Retiro Park in Madrid, commissioned by the Casal Català of this city. His public and official recognition will only grow, books are published with his work and he is awarded honors such as the Cross of Sant Jordi of the Generalitat de Catalunya, in 1986, or the appointment of illustrious son of his hometown.
Setdart Auction House
Mar. 28, 2023
JOSEP CAÑAS I CAÑAS (Banyeres del Penedés, Tarragona, 1905 - El Vendrell, Tarragona, 2001). "Jacinto Roca, businessman", 1944. Bronze. Signed and dated on the base. Bechini Foundry.
Est: €2,400 - €2,800
JOSEP CAÑAS I CAÑAS (Banyeres del Penedés, Tarragona, 1905 - El Vendrell, Tarragona, 2001). "Jacinto Roca, Businessman", 1944. Bronze. Signed and dated on the base. Bechini Foundry. Size: 80 x 32 x 17 cm (sculpture) + 5,5 x 29,5 x 18,5 cm (base). A self-taught draughtsman and sculptor, Josep Cañas attended some courses at the School of Arts and Crafts in Villanueva y la Geltrú, and soon came into contact with artists such as Damià Torrents and Joaquín Mir. In 1925, after a period in Sitges, Cañas settled in Barcelona, where he joined the Círculo de Sant Lluc and the Real Círculo Artístico, where he was a member of the board of directors. During these years he devoted himself to landscape painting, and in 1927 he took part in the Second Art Exhibition of the Penedès region, held in El Vendrell. He also devoted himself to theatre during these years, and in 1927 he premiered his first play. Two years later he again took part in the Penedès Exhibition. In 1930 he set up his first studio in Barcelona, thanks to a grant from the Tarragona Provincial Council, and in 1932 he held his first individual exhibition at the Sala Parés. From these years onwards Cañas regularly exhibited his work at the Montjuic Salon. In 1935 he was awarded a travel grant by the Generalitat, which enabled him to travel to London to visit the British Museum, and later to Paris. On his return, in 1937 he was appointed secretary of the Casal de Cultura de Catalunya, although he declined the appointment in order to go to fight on the Ebro front. There, however, he did not enter combat, but devoted himself to making the models commissioned by the General Staff. Once the war was over he won the prize for sculpture at the National Exhibition of Fine Arts in 1942, and the Barcelona Museum of Modern Art acquired one of his works. The following year he worked with Ignacio Zuloaga, and in 1947 he held an exhibition at the Museum of Modern Art in Madrid, at which the Institute of Hispanic Culture acquired one of his works to take it to America. He then embarked with the work, which was installed in Carmel, California. The following year he held an exhibition of his works in Carmel, California. He then travelled to Mexico, where he stayed for several years and held various exhibitions of his work in Mexico and New York. In 1954 he exhibited at the National Museum of Anthropology in Mexico, and the following year he left the country to take part in the Hispano-American Biennial held in Barcelona, where he was given a room of his own. Once back in Spain, he continued to exhibit his work in prestigious galleries such as the Parés in Barcelona, the O'Hana in London and the Museo de Arte Moderno in Madrid, as well as carrying out important commissions for the Geneva Museum and other important clients. In 1957 he won a medal at the National Exhibition of Fine Arts, and in 1964 he inaugurated the relief "La Sardana" in the Retiro Park in Madrid, commissioned by the Casal Català in that city. His public and official recognition would only increase, books were published with his work and he was awarded honours such as the Cross of Sant Jordi by the Generalitat de Catalunya in 1986, or the appointment of illustrious son of his native town.
Setdart Auction House
Mar. 09, 2023
JOSEP CAÑAS I CAÑAS. "Vasco".
Est: €2,000 - €2,500
Bronze sculpture. Signed. With marble base. A stone version from 1957 is kept in a private collection in El Vendrell. 46.5 cm high (without base). Reference literature: Josep Porter i Moix, “Josep Cañas: escultures: Capella de Santa Àgata, març-abril 1992". Generalitat de Catalunya, 1992, p. 84.
Balclis
Jan. 27, 2022
JOSEP CAÑAS I CAÑAS (Banyeres del Penedés, Tarragona, 1905 - El Vendrell, Tarragona, 2001). "The sweet load". Bronze sculpture on a marble base. Signed.
Est: €1,500 - €1,800
JOSEP CAÑAS I CAÑAS (Banyeres del Penedés, Tarragona, 1905 - El Vendrell, Tarragona, 2001). "La dolça carga". Bronze sculpture on marble base. Signed. Size: 35 x 14 x 18 cm (figure); 4 x 16 x 20 cm (frame). Josep Cañas develops a language based on the investigation of volume, determined by the emphatic forms and powerful lines that provide a synthetic vision of the piece. His sculptures present a symbolism of a sober and elegant character that has its roots in Mexican culture, a source of inspiration and deep emotional roots for the Catalan. With regard to the technical and formal aspects, Cañas shows great mastery of his craft, a virtuosity that is particularly evident in details such as the highly expressive faces of the figures and the inner strength of the work. However, where the author's personality shines through most strongly is in the work on textures and qualities, subtly and masterfully achieved. A self-taught draughtsman and sculptor, Josep Cañas attended courses at the School of Arts and Crafts in Villanueva y la Geltrú, and soon came into contact with artists such as Damià Torrents and Joaquín Mir. In 1925, after a period in Sitges, Cañas settled in Barcelona, where he joined the Círculo de Sant Lluc and the Real Círculo Artístico, where he was a member of the board of directors. During these years he devoted himself to landscape painting, and in 1927 he took part in the Second Art Exhibition of the Penedès region, held in El Vendrell. He also devoted himself to theatre during these years, and in 1927 he premiered his first play. Two years later he again took part in the Penedès Exhibition. In 1930 he set up his first studio in Barcelona, thanks to a grant from the Tarragona Provincial Council, and in 1932 he held his first individual exhibition at the Sala Parés. From these years onwards Cañas regularly exhibited his work at the Montjuic Salon. In 1935 he was awarded a travel grant by the Generalitat, which enabled him to travel to London to visit the British Museum, and later to Paris. On his return, in 1937 he was appointed secretary of the Casal de Cultura de Catalunya, although he declined the appointment in order to go to fight on the Ebro front. There, however, he did not enter combat, but devoted himself to making the models commissioned by the General Staff. Once the war was over he won the prize for sculpture at the National Exhibition of Fine Arts in 1942, and the Barcelona Museum of Modern Art acquired one of his works. The following year he worked with Ignacio Zuloaga, and in 1947 he held an exhibition at the Museum of Modern Art in Madrid, where the Institute of Hispanic Culture acquired one of his works to take it to America. He then embarked with the work, which was installed in Carmel, California. The following year he held an exhibition of his works in Carmel, California. He then travelled to Mexico, where he stayed for several years and held various exhibitions of his work between Mexico and New York. In 1954 he exhibited at the National Museum of Anthropology in Mexico, and the following year he left the country to take part in the Hispano-American Biennial held in Barcelona, where he was given a room of his own. Once back in Spain, he continued to exhibit his work in prestigious galleries such as the Parés in Barcelona, the O'Hana in London and the Museo de Arte Moderno in Madrid, as well as carrying out important commissions for the Geneva Museum and other important clients. In 1957 he won a medal at the National Exhibition of Fine Arts, and in 1964 he inaugurated the relief "La Sardana" in the Retiro Park in Madrid, commissioned by the Casal Català in that city. His public and official recognition would only increase, books were published with his work and he was awarded honours such as the Cross of Sant Jordi by the Generalitat de Catalunya in 1986, and he was named an illustrious son of his native town. In 2001, the house where he was born was fitted out as a museum, where the four stages of his work can be observed chronologically. His work is currently represented in the Library of Catalonia, the Museums of Contemporary Art of Barcelona, Bilbao and Madrid and the Anthropological Museum of Mexico, among other public and private collections.
Setdart Auction House
Jan. 27, 2022
JOSEP CAÑAS I CAÑAS (Banyeres del Penedés, Tarragona, 1905 - El Vendrell, Tarragona, 2001). "Female figure with child in her arms." Bronze sculpture on a marble base. Signed on the left side.
Est: €2,000 - €2,200
JOSEP CAÑAS I CAÑAS (Banyeres del Penedés, Tarragona, 1905 - El Vendrell, Tarragona, 2001). "Female figure with child in arms". Bronze sculpture on marble base. Signed on the left side. Measurements: 39 x 26 x 28 cm (figure) and 4 x 28 x 31 cm (base). Josep Cañas develops a language based on the investigation of volume, determined by the emphatic forms and powerful lines that provide a synthetic vision of the piece. His sculptures present a symbolism of a sober and elegant character that has its roots in Mexican culture, a source of inspiration and deep emotional roots for the Catalan. With regard to the technical and formal aspects, Cañas shows great mastery of his craft, a virtuosity that is particularly evident in details such as the highly expressive faces of the figures and the inner strength of the work. However, where the author's personality shines through most strongly is in the work on textures and qualities, subtly and masterfully achieved. A self-taught draughtsman and sculptor, Josep Cañas attended courses at the School of Arts and Crafts in Villanueva y la Geltrú, and soon came into contact with artists such as Damià Torrents and Joaquín Mir. In 1925, after a period in Sitges, Cañas settled in Barcelona, where he joined the Círculo de Sant Lluc and the Real Círculo Artístico, where he was a member of the board of directors. During these years he devoted himself to landscape painting, and in 1927 he took part in the Second Art Exhibition of the Penedès region, held in El Vendrell. He also devoted himself to theatre during these years, and in 1927 he premiered his first play. Two years later he again took part in the Penedès Exhibition. In 1930 he set up his first studio in Barcelona, thanks to a grant from the Tarragona Provincial Council, and in 1932 he held his first individual exhibition at the Sala Parés. From these years onwards Cañas regularly exhibited his work at the Montjuic Salon. In 1935 he was awarded a travel grant by the Generalitat, which enabled him to travel to London to visit the British Museum, and later to Paris. On his return, in 1937 he was appointed secretary of the Casal de Cultura de Catalunya, although he declined the appointment in order to go to fight on the Ebro front. There, however, he did not enter combat, but devoted himself to making the models commissioned by the General Staff. Once the war was over he won the prize for sculpture at the National Exhibition of Fine Arts in 1942, and the Barcelona Museum of Modern Art acquired one of his works. The following year he worked with Ignacio Zuloaga, and in 1947 he held an exhibition at the Museum of Modern Art in Madrid, where the Institute of Hispanic Culture acquired one of his works to take it to America. He then embarked with the work, which was installed in Carmel, California. The following year he held an exhibition of his works in Carmel, California. He then travelled to Mexico, where he stayed for several years and held various exhibitions of his work between Mexico and New York. In 1954 he exhibited at the National Museum of Anthropology in Mexico, and the following year he left the country to take part in the Hispano-American Biennial held in Barcelona, where he was given a room of his own. Once back in Spain, he continued to exhibit his work in prestigious galleries such as the Parés in Barcelona, the O'Hana in London and the Museo de Arte Moderno in Madrid, as well as carrying out important commissions for the Geneva Museum and other important clients. In 1957 he won a medal at the National Exhibition of Fine Arts, and in 1964 he inaugurated the relief "La Sardana" in the Retiro Park in Madrid, commissioned by the Casal Català in that city. His public and official recognition would only increase, books were published with his work and he was awarded honours such as "La Sardana", "La Sardana", "La Sardana" and "La Sardana".
Setdart Auction House
Sep. 29, 2021
JOSEP CAÑAS I CAÑAS (Banyeres del Penedés, Tarragona, 1905 - El Vendrell, Tarragona, 2001). "Seated young woman". Bronze sculpture on marble base. Signed.
Est: €2,000 - €2,200
JOSEP CAÑAS I CAÑAS (Banyeres del Penedés, Tarragona, 1905 - El Vendrell, Tarragona, 2001). "Seated young woman". Bronze sculpture on marble base. Signed. Sizes: 38 x 25 x 25 x 27 cm (sculpture) and 4 x 30 x 31 cm (pedestal). Josep Cañas develops a language based on the investigation of volume, determined by the emphatic forms and powerful lines that provide a synthetic vision of the piece. His sculptures present a symbolism of a sober and elegant character that has its roots in Mexican culture, a source of inspiration and deep emotional roots for the Catalan. With regard to the technical and formal aspects, Cañas shows great mastery of his craft, a virtuosity that is particularly evident in the details of the young woman's face, which is highly expressive, and in the inner strength of the work. However, where the author's personality shines through most strongly is in the work on textures and qualities, subtly and masterfully achieved. A self-taught draughtsman and sculptor, Josep Cañas attended courses at the School of Arts and Crafts in Villanueva y la Geltrú, and soon came into contact with artists such as Damià Torrents and Joaquín Mir. In 1925, after a period in Sitges, Cañas settled in Barcelona, where he joined the Círculo de Sant Lluc and the Real Círculo Artístico, where he was a member of the board of directors. During these years he devoted himself to landscape painting, and in 1927 he took part in the Second Art Exhibition of the Penedès region, held in El Vendrell. He also devoted himself to theatre during these years, and in 1927 he premiered his first play. Two years later he again took part in the Penedès Exhibition. In 1930 he set up his first studio in Barcelona, thanks to a grant from the Tarragona Provincial Council, and in 1932 he held his first individual exhibition at the Sala Parés. From these years onwards Cañas regularly exhibited his work at the Montjuic Salon. In 1935 he was awarded a travel grant by the Generalitat, which enabled him to travel to London to visit the British Museum, and later to Paris. On his return, in 1937 he was appointed secretary of the Casal de Cultura de Catalunya, although he declined the appointment in order to go to fight on the Ebro front. There, however, he did not enter combat, but devoted himself to making the models commissioned by the General Staff. Once the war was over he won the prize for sculpture at the National Exhibition of Fine Arts in 1942, and the Barcelona Museum of Modern Art acquired one of his works. The following year he worked with Ignacio Zuloaga, and in 1947 he held an exhibition at the Museum of Modern Art in Madrid, where the Institute of Hispanic Culture acquired one of his works to take it to America. He then embarked with the work, which was installed in Carmel, California. The following year he held an exhibition of his works in Carmel, California. He then travelled to Mexico, where he stayed for several years and held various exhibitions of his work between Mexico and New York. In 1954 he exhibited at the National Museum of Anthropology in Mexico, and the following year he left the country to take part in the Hispano-American Biennial held in Barcelona, where he was given a room of his own. Once back in Spain, he continued to exhibit his work in prestigious galleries such as the Parés in Barcelona, the O'Hana in London and the Museo de Arte Moderno in Madrid, as well as carrying out important commissions for the Geneva Museum and other important clients. In 1957 he won a medal at the National Exhibition of Fine Arts, and in 1964 he inaugurated the relief "La Sardana" in the Retiro Park in Madrid, commissioned by the Casal Català in that city. His public and official recognition would only increase, books were published with his work and he was awarded honours such as the Cross of Sant Jordi by the Generalitat de Catalunya in 1986, or the appointment of illustrious son of his native town.
Setdart Auction House
Sep. 29, 2021
JOSEP CAÑAS I CAÑAS (Banyeres del Penedés, Tarragona, 1905 - El Vendrell, Tarragona, 2001). "Female figure with child in arms". Bronze sculpture on marble base.
Est: €2,000 - €2,200
JOSEP CAÑAS I CAÑAS (Banyeres del Penedés, Tarragona, 1905 - El Vendrell, Tarragona, 2001). "Female figure with child in arms". Bronze sculpture on marble base. Signed on the left side. Measurements: 39 x 26 x 28 cm (figure) and 4 x 28 x 31 cm (base). Josep Cañas develops a language based on the investigation of volume, determined by the emphatic forms and powerful lines that provide a synthetic vision of the piece. His sculptures present a symbolism of a sober and elegant character that has its roots in Mexican culture, a source of inspiration and deep emotional roots for the Catalan. With regard to the technical and formal aspects, Cañas shows great mastery of his craft, a virtuosity that is particularly evident in details such as the highly expressive faces of the figures and the inner strength of the work. However, where the author's personality shines through most strongly is in the work on textures and qualities, subtly and masterfully achieved. A self-taught draughtsman and sculptor, Josep Cañas attended courses at the School of Arts and Crafts in Villanueva y la Geltrú, and soon came into contact with artists such as Damià Torrents and Joaquín Mir. In 1925, after a period in Sitges, Cañas settled in Barcelona, where he joined the Círculo de Sant Lluc and the Real Círculo Artístico, where he was a member of the board of directors. During these years he devoted himself to landscape painting, and in 1927 he took part in the Second Art Exhibition of the Penedès region, held in El Vendrell. He also devoted himself to theatre during these years, and in 1927 he premiered his first play. Two years later he again took part in the Penedès Exhibition. In 1930 he set up his first studio in Barcelona, thanks to a grant from the Tarragona Provincial Council, and in 1932 he held his first individual exhibition at the Sala Parés. From these years onwards Cañas regularly exhibited his work at the Montjuic Salon. In 1935 he was awarded a travel grant by the Generalitat, which enabled him to travel to London to visit the British Museum, and later to Paris. On his return, in 1937 he was appointed secretary of the Casal de Cultura de Catalunya, although he declined the appointment in order to go to fight on the Ebro front. There, however, he did not enter combat, but devoted himself to making the models commissioned by the General Staff. Once the war was over he won the prize for sculpture at the National Exhibition of Fine Arts in 1942, and the Barcelona Museum of Modern Art acquired one of his works. The following year he worked with Ignacio Zuloaga, and in 1947 he held an exhibition at the Museum of Modern Art in Madrid, where the Institute of Hispanic Culture acquired one of his works to take it to America. He then embarked with the work, which was installed in Carmel, California. The following year he held an exhibition of his works in Carmel, California. He then travelled to Mexico, where he stayed for several years and held various exhibitions of his work between Mexico and New York. In 1954 he exhibited at the National Museum of Anthropology in Mexico, and the following year he left the country to take part in the Hispano-American Biennial held in Barcelona, where he was given a room of his own. Once back in Spain, he continued to exhibit his work in prestigious galleries such as the Parés in Barcelona, the O'Hana in London and the Museo de Arte Moderno in Madrid, as well as carrying out important commissions for the Geneva Museum and other important clients. In 1957 he won a medal at the National Exhibition of Fine Arts, and in 1964 he inaugurated the relief "La Sardana" in the Retiro Park in Madrid, commissioned by the Casal Català in that city.
Setdart Auction House
Sep. 29, 2021
JOSEP CAÑAS I CAÑAS (Banyeres del Penedés, Tarragona, 1905 - El Vendrell, Tarragona, 2001). "La dolça carga". Bronze sculpture on marble base. Signed.
Est: €1,500 - €1,800
JOSEP CAÑAS I CAÑAS (Banyeres del Penedés, Tarragona, 1905 - El Vendrell, Tarragona, 2001). "La dolça carga". Bronze sculpture on marble base. Signed. Size: 35 x 14 x 18 cm (figure); 4 x 16 x 20 cm (frame). Josep Cañas develops a language based on the investigation of volume, determined by the emphatic forms and powerful lines that provide a synthetic vision of the piece. His sculptures present a symbolism of a sober and elegant character that has its roots in Mexican culture, a source of inspiration and deep emotional roots for the Catalan. With regard to the technical and formal aspects, Cañas shows great mastery of his craft, a virtuosity that is particularly evident in details such as the highly expressive faces of the figures and the inner strength of the work. However, where the author's personality shines through most strongly is in the work on textures and qualities, subtly and masterfully achieved. A self-taught draughtsman and sculptor, Josep Cañas attended courses at the School of Arts and Crafts in Villanueva y la Geltrú, and soon came into contact with artists such as Damià Torrents and Joaquín Mir. In 1925, after a period in Sitges, Cañas settled in Barcelona, where he joined the Círculo de Sant Lluc and the Real Círculo Artístico, where he was a member of the board of directors. During these years he devoted himself to landscape painting, and in 1927 he took part in the Second Art Exhibition of the Penedès region, held in El Vendrell. He also devoted himself to theatre during these years, and in 1927 he premiered his first play. Two years later he again took part in the Penedès Exhibition. In 1930 he set up his first studio in Barcelona, thanks to a grant from the Tarragona Provincial Council, and in 1932 he held his first individual exhibition at the Sala Parés. From these years onwards Cañas regularly exhibited his work at the Montjuic Salon. In 1935 he was awarded a travel grant by the Generalitat, which enabled him to travel to London to visit the British Museum, and later to Paris. On his return, in 1937 he was appointed secretary of the Casal de Cultura de Catalunya, although he declined the appointment in order to go to fight on the Ebro front. There, however, he did not enter combat, but devoted himself to making the models commissioned by the General Staff. Once the war was over he won the prize for sculpture at the National Exhibition of Fine Arts in 1942, and the Barcelona Museum of Modern Art acquired one of his works. The following year he worked with Ignacio Zuloaga, and in 1947 he held an exhibition at the Museum of Modern Art in Madrid, where the Institute of Hispanic Culture acquired one of his works to take it to America. He then embarked with the work, which was installed in Carmel, California. The following year he held an exhibition of his works in Carmel, California. He then travelled to Mexico, where he stayed for several years and held various exhibitions of his work between Mexico and New York. In 1954 he exhibited at the National Museum of Anthropology in Mexico, and the following year he left the country to take part in the Hispano-American Biennial held in Barcelona, where he was given a room of his own. Once back in Spain, he continued to exhibit his work in prestigious galleries such as the Parés in Barcelona, the O'Hana in London and the Museo de Arte Moderno in Madrid, as well as carrying out important commissions for the Geneva Museum and other important clients. In 1957 he won a medal at the National Exhibition of Fine Arts, and in 1964 he inaugurated the relief "La Sardana" in the Retiro Park in Madrid, commissioned by the Casal Català in that city. His public and official recognition would only increase, books were published with his work and he was awarded honours such as the Cross of Sant Jordi by the Generalitat de Catalunya in 1986, and he was named an illustrious son of his native town. In 2001, the house where he was born was fitted out as a museum, where the four stages of his work can be observed chronologically. His work is currently represented in the Library of Catalonia, the Museums of Contemporary Art of Barcelona, Bilbao and Madrid and the Anthropological Museum of Mexico, among other public and private collections.
Setdart Auction House
May. 18, 2021
JOSEP CAÑAS I CAÑAS (Banyeres del Penedés, Tarragona, 1905 - El Vendrell, Tarragona, 2001). "The sweet load". Bronze sculpture on a marble base. Signed.
Est: €1,500 - €1,800
JOSEP CAÑAS I CAÑAS (Banyeres del Penedés, Tarragona, 1905 - El Vendrell, Tarragona, 2001). "The sweet load". Bronze sculpture on a marble base. Signed. Measurements: 35 x 14 x 18 cm (figure); 4 x 16 x 20 cm (frame). Josep Cañas develops a language based on the investigation of volume, determined by the emphatic forms and powerful lines that provide a synthetic vision of the piece. His sculptures present a symbolism of sober and elegant character that sinks its roots in Mexican culture, a source of inspiration and of great emotional roots for the Catalan. Regarding the technical and formal aspects, Cañas demonstrates a great mastery of the craft, a virtuosity especially evident in details such as the faces of the characters, of great expressive charge, or the inner strength of the work. However, where the author's personality shines with more force is in the work of textures and qualities, subtly and masterfully achieved. A self-taught draughtsman and sculptor, Josep Cañas took some courses at the School of Arts and Crafts in Villanueva y la Geltrú, and soon came into contact with artists such as Damià Torrents and Joaquín Mir. In 1925, after a period in Sitges, Cañas settled in Barcelona, where he joined the Círculo de Sant Lluc and the Real Círculo Artístico, being a member of the board of directors of the latter. During these years he devoted himself to landscape painting, and in 1927 he took part in the Second Art Exhibition of the Penedès, held in El Vendrell. He also dedicated himself to theater during these years, and in 1927 he premiered his first play. Two years later he took part again in the Penedès Exhibition. In 1930 he set up his first studio in Barcelona, thanks to a grant from the Diputació de Tarragona, and in 1932 he held his first individual exhibition in the Sala Parés. From these years on, Cañas showed his work regularly at the Salón de Montjuic. In 1935 he is granted a travel grant by the Generalitat, which allows him to travel to London to visit the British Museum, and later to Paris. On his return, in 1937 he was appointed secretary of the Casal de Cultura de Cataluña, although he declined the appointment to go to fight on the Ebro front. There, however, he did not enter combat, but dedicated himself to making the models commissioned by the General Staff. Once the war was over, in 1942 he won the prize for sculpture at the National Exhibition of Fine Arts, and the Museum of Modern Art in Barcelona acquired one of his works. The following year he works with Ignacio Zuloaga, and in 1947 he holds an exhibition at the Museum of Modern Art in Madrid, in which the Institute of Hispanic Culture acquires one of his works to take him to America. He then embarks accompanying the work, which is installed in Carmel, California. In this same city he will hold an exhibition of works made there, the following year. He then travels to Mexico, where he stays for several years and holds several exhibitions of his work, held between Mexico and New York. In 1954 he exhibited at the National Museum of Anthropology in Mexico, and the following year he left the country to participate in the Hispano-American Biennial held in Barcelona, where he was given a room of his own. Once settled in Spain again, he continues to exhibit his work in prestigious galleries such as the Parés in Barcelona, the O'Hana in London or the Museum of Modern Art in Madrid, and to carry out important commissions for the Museum of Geneva and other important clients. In 1957 he won a medal at the National Exhibition of Fine Arts, and in 1964 he inaugurated the relief "La Sardana" in the Retiro Park in Madrid, commissioned by the Casal Català of this city.
Setdart Auction House
May. 18, 2021
JOSEP CAÑAS I CAÑAS (Banyeres del Penedés, Tarragona, 1905 - El Vendrell, Tarragona, 2001). "Bear lying down." Bronze sculpture on a wooden base. Signed on the left side.
Est: €1,000 - €1,200
JOSEP CAÑAS I CAÑAS (Banyeres del Penedés, Tarragona, 1905 - El Vendrell, Tarragona, 2001). "Bear lying down." Bronze sculpture on a wooden base. Signed on the left side. Measurements: 12 x 20 x 37 cm (sculpture) and 4 x 22 x 39 cm (base). A self-taught draughtsman and sculptor, Josep Cañas took some courses at the Escuela de Artes y Oficios de Villanueva y la Geltrú, and soon came into contact with artists such as Damià Torrents and Joaquín Mir. In 1925, after a period in Sitges, Cañas settled in Barcelona, where he joined the Círculo de Sant Lluc and the Real Círculo Artístico, being a member of the board of directors of the latter. During these years he devoted himself to landscape painting, and in 1927 he took part in the Second Art Exhibition of the Penedès, held in El Vendrell. He also dedicated himself to theater during these years, and in 1927 he premiered his first play. Two years later he took part again in the Penedès Exhibition. In 1930 he set up his first studio in Barcelona, thanks to a grant from the Diputació de Tarragona, and in 1932 he held his first individual exhibition in the Sala Parés. From these years on, Cañas showed his work regularly at the Salón de Montjuic. In 1935 he is granted a travel grant by the Generalitat, which allows him to travel to London to visit the British Museum, and later to Paris. On his return, in 1937 he was appointed secretary of the Casal de Cultura de Cataluña, although he declined the appointment to go to fight on the Ebro front. There, however, he did not enter combat, but dedicated himself to making the models commissioned by the General Staff. Once the war was over, in 1942 he won the prize for sculpture at the National Exhibition of Fine Arts, and the Museum of Modern Art in Barcelona acquired one of his works. The following year he works with Ignacio Zuloaga, and in 1947 he holds an exhibition at the Museum of Modern Art in Madrid, in which the Institute of Hispanic Culture acquires one of his works to take him to America. He then embarks accompanying the work, which is installed in Carmel, California. In this same city he will hold an exhibition of works made there, the following year. He then travels to Mexico, where he stays for several years and holds several exhibitions of his work, held between Mexico and New York. In 1954 he exhibited at the National Museum of Anthropology in Mexico, and the following year he left the country to participate in the Hispano-American Biennial held in Barcelona, where he was given a room of his own. Once settled in Spain again, he continues to exhibit his work in prestigious galleries such as the Parés in Barcelona, the O'Hana in London or the Museum of Modern Art in Madrid, and to carry out important commissions for the Museum of Geneva and other important clients. In 1957 he won a medal at the National Exhibition of Fine Arts, and in 1964 he inaugurated the relief "La Sardana" in the Retiro Park in Madrid, commissioned by the Casal Català of this city. His public and official recognition will only grow, books are published with his work and he is awarded honors such as the Cross of Sant Jordi of the Generalitat de Catalunya, in 1986, or the appointment of illustrious son of his hometown. In 2001 the house where he was born was fitted out as a museum, where the four stages of his work can be observed chronologically. He is currently represented in the Library of Catalonia, the Museums of Contemporary Art of Barcelona, Bilbao and Madrid and in the Anthropological Museum of Mexico, among other public and private collections.
Setdart Auction House
May. 18, 2021
JOSEP CAÑAS I CAÑAS (Banyeres del Penedés, Tarragona, 1905 - El Vendrell, Tarragona, 2001). "Young man sitting." Bronze sculpture on a wooden base. Signed.
Est: €2,000 - €2,200
JOSEP CAÑAS I CAÑAS (Banyeres del Penedés, Tarragona, 1905 - El Vendrell, Tarragona, 2001). "Young man sitting." Bronze sculpture on a wooden base. Signed. Measurements: 38 x 25 x 27 cm (sculpture) and 4 x 30 x 31 cm (base). Josep Cañas develops a language based on the investigation of volume, determined by the emphatic forms and powerful lines that provide a synthetic vision of the piece. His sculptures present a symbolism of sober and elegant character that sinks its roots in Mexican culture, a source of inspiration and of great emotional roots for the Catalan. Regarding the technical and formal aspects, Cañas demonstrates a great mastery of his craft, a virtuosity especially evident in the details of the young woman's face, of great expressive charge, or the inner strength of the work. However, where the author's personality shines with more force is in the work of textures and qualities, subtly and masterfully achieved. A self-taught draughtsman and sculptor, Josep Cañas took some courses at the School of Arts and Crafts in Villanueva y la Geltrú, and soon came into contact with artists such as Damià Torrents and Joaquín Mir. In 1925, after a period in Sitges, Cañas settled in Barcelona, where he joined the Círculo de Sant Lluc and the Real Círculo Artístico, being a member of the board of directors of the latter. During these years he devoted himself to landscape painting, and in 1927 he took part in the Second Art Exhibition of the Penedès, held in El Vendrell. He also dedicated himself to theater during these years, and in 1927 he premiered his first play. Two years later he took part again in the Penedès Exhibition. In 1930 he set up his first studio in Barcelona, thanks to a grant from the Diputació de Tarragona, and in 1932 he held his first individual exhibition in the Sala Parés. From these years on, Cañas showed his work regularly at the Salón de Montjuic. In 1935 he is granted a travel grant by the Generalitat, which allows him to travel to London to visit the British Museum, and later to Paris. On his return, in 1937 he was appointed secretary of the Casal de Cultura de Cataluña, although he declined the appointment to go to fight on the Ebro front. There, however, he did not enter combat, but dedicated himself to making the models commissioned by the General Staff. Once the war was over, in 1942 he won the prize for sculpture at the National Exhibition of Fine Arts, and the Museum of Modern Art in Barcelona acquired one of his works. The following year he works with Ignacio Zuloaga, and in 1947 he holds an exhibition at the Museum of Modern Art in Madrid, in which the Institute of Hispanic Culture acquires one of his works to take him to America. He then embarks accompanying the work, which is installed in Carmel, California. In this same city he will hold an exhibition of works made there, the following year. He then travels to Mexico, where he stays for several years and holds several exhibitions of his work, held between Mexico and New York. In 1954 he exhibited at the National Museum of Anthropology in Mexico, and the following year he left the country to participate in the Hispano-American Biennial held in Barcelona, where he was given a room of his own. Once settled in Spain again, he continues to exhibit his work in prestigious galleries such as the Parés in Barcelona, the O'Hana in London or the Museum of Modern Art in Madrid, and to carry out important commissions for the Museum of Geneva and other important clients. In 1957 he won a medal at the National Exhibition of Fine Arts, and in 1964 he inaugurated the relief "La Sardana" in the Retiro Park in Madrid, commissioned by the Casal Català of this city. His public and official recognition will only grow, books are published with his work and he is awarded honors such as the Cross of Sant Jordi of the Generalitat de Catalunya, in 1986, or the appointment of illustrious son of his hometown.
Setdart Auction House
May. 18, 2021
JOSEP CAÑAS I CAÑAS (Banyeres del Penedés, Tarragona, 1905 - El Vendrell, Tarragona, 2001). "Female figure with child in her arms." Bronze sculpture on a marble base. Signed on the left side.
Est: €2,000 - €2,200
JOSEP CAÑAS I CAÑAS (Banyeres del Penedés, Tarragona, 1905 - El Vendrell, Tarragona, 2001). "Female figure with child in her arms." Bronze sculpture on a marble base. Signed on the left side. Measurements: 39 x 26 x 28 cm (figure) and 4 x 28 x 31 cm (base). Josep Cañas develops a language based on the investigation of volume, determined by the emphatic forms and powerful lines that provide a synthetic vision of the piece. His sculptures present a symbolism of sober and elegant character that sinks its roots in the Mexican culture, source of inspiration and of great emotional roots for the Catalan. Regarding the technical and formal aspects, Cañas demonstrates a great mastery of the craft, a virtuosity especially evident in details such as the faces of the characters, of great expressive charge, or the inner strength of the work. However, where the author's personality shines with more force is in the work of textures and qualities, subtly and masterfully achieved. A self-taught draughtsman and sculptor, Josep Cañas took some courses at the School of Arts and Crafts in Villanueva y la Geltrú, and soon came into contact with artists such as Damià Torrents and Joaquín Mir. In 1925, after a period in Sitges, Cañas settled in Barcelona, where he joined the Círculo de Sant Lluc and the Real Círculo Artístico, being a member of the board of directors of the latter. During these years he devoted himself to landscape painting, and in 1927 he took part in the Second Art Exhibition of the Penedès, held in El Vendrell. He also dedicated himself to theater during these years, and in 1927 he premiered his first play. Two years later he took part again in the Penedès Exhibition. In 1930 he set up his first studio in Barcelona, thanks to a grant from the Diputació de Tarragona, and in 1932 he held his first individual exhibition in the Sala Parés. From these years on, Cañas showed his work regularly at the Salón de Montjuic. In 1935 he is granted a travel grant by the Generalitat, which allows him to travel to London to visit the British Museum, and later to Paris. On his return, in 1937 he was appointed secretary of the Casal de Cultura de Cataluña, although he declined the appointment to go to fight on the Ebro front. There, however, he did not enter combat, but dedicated himself to making the models commissioned by the General Staff. Once the war was over, in 1942 he won the prize for sculpture at the National Exhibition of Fine Arts, and the Museum of Modern Art in Barcelona acquired one of his works. The following year he works with Ignacio Zuloaga, and in 1947 he holds an exhibition at the Museum of Modern Art in Madrid, in which the Institute of Hispanic Culture acquires one of his works to take him to America. He then embarks accompanying the work, which is installed in Carmel, California. In this same city he will hold an exhibition of works made there, the following year. He then travels to Mexico, where he stays for several years and holds several exhibitions of his work, held between Mexico and New York. In 1954 he exhibited at the National Museum of Anthropology in Mexico, and the following year he left the country to participate in the Hispano-American Biennial held in Barcelona, where he was given a room of his own. Once settled in Spain again, he continues to exhibit his work in prestigious galleries such as the Parés in Barcelona, the O'Hana in London or the Museum of Modern Art in Madrid, and to carry out important commissions for the Museum of Geneva and other important clients. In 1957 he won a medal at the National Exhibition of Fine Arts, and in 1964 he inaugurated the relief "La Sardana" in the Retiro Park in Madrid, commissioned by the Casal Català of this city. His public and official recognition will only grow, books are published with his work and he is awarded honors such as "La Sardana", "La Sardana" and "La Sardana".
Setdart Auction House
May. 12, 2018
Josep Cañas (attrib.)
Est: €120 - €150
Josep Cañas (attrib.) . (Tarragona, 1905-El Vendrell, 2001). "Maternidad", escultura en piedra, 14 cm. alt. ,
Sala de Ventas
Apr. 25, 2018
Josep Cañas (attrib.)
Est: -
Josep Cañas (attrib.) Josep Cañas (attrib.) . (Tarragona, 1905-El Vendrell, 2001). "Maternidad", escultura en piedra, 14 cm. alt. , Josep Cañas (attrib.)
Sala de Ventas
Oct. 25, 2017
Josep Cañas i Cañas Banyeres del Penedès 1905 - El Vendrell 2001 Female nude
Est: €300 -
Josep Cañas i Cañas Banyeres del Penedès 1905 - El Vendrell 2001 Female nude High relief in marble Firmado. Existe un relieve en bronze que representa tres desnudos femeninos (1940, colección particular), siendo la figura central idéntica en pose a la de este relieve en mármol. Bibliografía de referencia: "Josep Cañas. Escultures", Barcelona, Generalitat de Catalunya. Departament de Cultura, 1992, p. 62 48x14,5x7,5 cm Josep Cañas i Cañas Banyeres del Penedès 1905 - El Vendrell 2001 Desnudo femenino Altorrelieve en mármol Firmado. Existe un relieve en bronce que representa tres desnudos femeninos (1940, colección particular), siendo la figura central idéntica en pose a la de este relieve en mármol. Bibliografía de referencia: "Josep Cañas. Escultures", Barcelona, Generalitat de Catalunya. Departament de Cultura, 1992, p. 62 48x14,5x7,5 cm
Balclis
May. 31, 2017
Josep Cañas i Cañas Banyeres del Penedès 1905 - El Vendrell 2001 Female Nude
Est: €550 -
Josep Cañas i Cañas Banyeres del Penedès 1905 - El Vendrell 2001 Female Nude Marble high relief Firmado. Existe un relieve en bronce que representa tres desnudos femeninos (1940, colección particular), siendo la figura central idéntica en pose a la de este relieve en mármol. Bibliografía de referencia: "Josep Cañas. Escultures", Barcelona, Generalitat de Catalunya. Departament de Cultura, 1992, p. 62 48x14,5x7,5 cm Josep Cañas i Cañas Banyeres del Penedès 1905 - El Vendrell 2001 Desnudo femenino Altorrelieve en mármol Firmado. Existe un relieve en bronce que representa tres desnudos femeninos (1940, colección particular), siendo la figura central idéntica en pose a la de este relieve en mármol. Bibliografía de referencia: "Josep Cañas. Escultures", Barcelona, Generalitat de Catalunya. Departament de Cultura, 1992, p. 62 48x14,5x7,5 cm
Balclis
Dec. 21, 2016
Josep Cañas i Cañas Banyeres del Penedés 1905 - El Vendrell 2001 Desnudo femenino Altorrelieve en mármol
Est: €900 -
Josep Cañas i Cañas Banyeres del Penedés 1905 - El Vendrell 2001 Desnudo femenino Altorrelieve en mármol Firmado. Existe un relieve en bronce que representa tres desnudos femeninos (1940, colección particular), siendo la figura central idéntica en pose a la de este relieve en mármol. Bibliografía de referencia: "Josep Cañas. Escultures", Barcelona, Generalitat de Catalunya. Departament de Cultura, 1992, p. 62 48x14,5x7,5 cm
Balclis
Oct. 27, 2016
JOSEP CAÑAS
Est: -
JOSEP CAÑAS (Banyeres del Penedès, Tarragona, 1905-El Vendrell, 2001). "Sandunga", en piedra de Montjuïc, 51x18x17 cm. Bibliografía de referencia: AAVV. "Un segle d'escultura catalana", Infiesta Editor-MEAM, Barcelona: 2013, p. 287.
Sala de Ventas
Oct. 26, 2016
Josep Cañas i Cañas Banyeres del Penedès 1905 - El Vendrell 2001 Desnudo femenino Relieve en mármol blanco
Est: €1,000 -
Josep Cañas i Cañas Banyeres del Penedès 1905 - El Vendrell 2001 Desnudo femenino Relieve en mármol blanco Firmado. Con peana en mármol rosado 48x17x3,2 cm (relieve) y 4x27x10 cm (peana)
Balclis
Oct. 06, 2016
JOSEP CAÑAS (1905-2001)
Est: €350 - €460
"San Jorge" Carbón sobre papel. 80 x 53 cm.
Subarna Subastas
Dec. 16, 2015
Josep Cañas i Cañas Banyeres del Penedés 1905 - El Vendrell 2001 Bears
Est: €3,500 -
Josep Cañas i Cañas Banyeres del Penedés 1905 - El Vendrell 2001 Bears Marble bas-relief Signed. Existen más ejemplares con esta temática, realizados en las décadas de 1950 y 1960. Un ejemplar similar en mármol en el Museu del Modernisme català, Barcelona. Bibliografía de referencia: J. M. Infiesta, Un segle d'escultura catalana", Barcelona, Fundació de les arts i els artistes-MEAM, 2013, p. 280" 53,5x104,2x6 cm Josep Cañas i Cañas Banyeres del Penedés 1905 - El Vendrell 2001 Osos Bajorrelieve en mármol Firmado. Existen más ejemplares con esta temática, realizados en las décadas de 1950 y 1960. Un ejemplar similar en mármol en el Museu del Modernisme català, Barcelona. Bibliografía de referencia: J. M. Infiesta, "Un segle d'escultura catalana", Barcelona, Fundació de les arts i els artistes-MEAM, 2013, p. 280 53,5x104,2x6 cm
Balclis
Oct. 21, 2015
Josep Cañas Banyeres del Penedés 1905 - El Vendrell 2001 "Maternidad chamula"
Est: €1,000 -
Josep Cañas Banyeres del Penedés 1905 - El Vendrell 2001 "Maternidad chamula" Sculptural group in bronze with brown patina Signed and located in Mexico. Made between 1948 and 1955. Existe otro ejemplar en la Fundació Les Arts i els Artistes, Barcelona. Bibliography: Un segle d'escultura catalana", Barcelona, Fundació de Les Arts i els Artistes-MEAM, 2013, p. 283" 43x35x39 cm Josep Cañas Banyeres del Penedés 1905 - El Vendrell 2001 "Maternidad chamula" Grupo escultórico en bronce con pátina marrón Firmado y localizado en México. Realizado entre 1948 y 1955. Existe otro ejemplar en la Fundació Les Arts i els Artistes, Barcelona. Bibliografía de referencia: "Un segle d'escultura catalana", Barcelona, Fundació de Les Arts i els Artistes-MEAM, 2013, p. 283 43x35x39 cm
Balclis
Jul. 08, 2015
Josep Cañas i Cañas Banyeres del Penedés 1905 - El Vendrell 2001 Mexican peasant
Est: €1,000 -
Josep Cañas i Cañas Banyeres del Penedés 1905 - El Vendrell 2001 Mexican peasant Stone sculpture with pedestal Signed. Made between 1948 and 1955 15x14x16,5 cm and 5x17x17 cm (with pedestal) Josep Cañas i Cañas Banyeres del Penedés 1905 - El Vendrell 2001 Campesina mexicana Escultura en piedra con peana Firmada. Realizada entre 1948 y 1955 15x14x16,5 cm y 5x17x17 cm peana
Balclis
Oct. 25, 2012
Josep Cañas i Cañas Banyeres del Penedés 1905 - El Vendrell 2001 Campesino mexicano Escultura en bronce
Est: €1,500 -
Josep Cañas i Cañas Banyeres del Penedés 1905 - El Vendrell 2001 Mexican Countryman Sculpture in bronze Josep Cañas i Cañas Banyeres del Penedés 1905 - El Vendrell 2001 Campesino mexicano Escultura en bronce Firmada. El escultor residió en México entre 1948 y 1955 82 cm alt
Balclis
Dec. 17, 2009
Josep Cañas i Cañas (Banyeres del Penedés, 1905-El Vendrell, 2001)
Est: €9,000 - €12,000
Josep Cañas i Cañas (Banyeres del Penedés, 1905-El Vendrell, 2001) Polar bears Marble bas-relief. Signed. Bibliography: J. M. Infiesta, "A century of Catalonian culture", Barcelona, 1975, p. 359. 62x128x12 cm.
Balclis

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JOSEP CAÑAS CAÑAS (1905-2001). "Man leaning on the back of a chair".

JOSEP CAÑAS I CAÑAS (Banyeres del Penedés, 1905 - El Vendrell, 2001). Female bust. White marble. Signed on the right side. On green marble base.

JOSEP CAÑAS I CAÑAS (Banyeres del Penedés, Tarragona, 1905 - El Vendrell, Tarragona, 2001). "Jacinto Roca, businessman", 1944. Bronze. Signed and dated on the base. Bechini Foundry.

JOSEP CAÑAS I CAÑAS. "Vasco".

JOSEP CAÑAS I CAÑAS (Banyeres del Penedés, Tarragona, 1905 - El Vendrell, Tarragona, 2001). "The sweet load". Bronze sculpture on a marble base. Signed.

JOSEP CAÑAS I CAÑAS (Banyeres del Penedés, Tarragona, 1905 - El Vendrell, Tarragona, 2001). "Female figure with child in her arms." Bronze sculpture on a marble base. Signed on the left side.

JOSEP CAÑAS I CAÑAS (Banyeres del Penedés, Tarragona, 1905 - El Vendrell, Tarragona, 2001). "Seated young woman". Bronze sculpture on marble base. Signed.

JOSEP CAÑAS I CAÑAS (Banyeres del Penedés, Tarragona, 1905 - El Vendrell, Tarragona, 2001). "Female figure with child in arms". Bronze sculpture on marble base.

JOSEP CAÑAS I CAÑAS (Banyeres del Penedés, Tarragona, 1905 - El Vendrell, Tarragona, 2001). "La dolça carga". Bronze sculpture on marble base. Signed.

JOSEP CAÑAS I CAÑAS (Banyeres del Penedés, Tarragona, 1905 - El Vendrell, Tarragona, 2001). "The sweet load". Bronze sculpture on a marble base. Signed.

JOSEP CAÑAS I CAÑAS (Banyeres del Penedés, Tarragona, 1905 - El Vendrell, Tarragona, 2001). "Bear lying down." Bronze sculpture on a wooden base. Signed on the left side.

JOSEP CAÑAS I CAÑAS (Banyeres del Penedés, Tarragona, 1905 - El Vendrell, Tarragona, 2001). "Young man sitting." Bronze sculpture on a wooden base. Signed.

JOSEP CAÑAS I CAÑAS (Banyeres del Penedés, Tarragona, 1905 - El Vendrell, Tarragona, 2001). "Female figure with child in her arms." Bronze sculpture on a marble base. Signed on the left side.

Josep Cañas (attrib.)

Josep Cañas (attrib.)

Josep Cañas i Cañas Banyeres del Penedès 1905 - El Vendrell 2001 Female nude

Josep Cañas i Cañas Banyeres del Penedès 1905 - El Vendrell 2001 Female Nude

Josep Cañas i Cañas Banyeres del Penedés 1905 - El Vendrell 2001 Desnudo femenino Altorrelieve en mármol

JOSEP CAÑAS

Josep Cañas i Cañas Banyeres del Penedès 1905 - El Vendrell 2001 Desnudo femenino Relieve en mármol blanco

JOSEP CAÑAS (1905-2001)

Josep Cañas i Cañas Banyeres del Penedés 1905 - El Vendrell 2001 Bears

Josep Cañas Banyeres del Penedés 1905 - El Vendrell 2001 "Maternidad chamula"

Josep Cañas i Cañas Banyeres del Penedés 1905 - El Vendrell 2001 Mexican peasant

Josep Cañas i Cañas Banyeres del Penedés 1905 - El Vendrell 2001 Campesino mexicano Escultura en bronce

Josep Cañas i Cañas (Banyeres del Penedés, 1905-El Vendrell, 2001)

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