Bernardino (1522) Campi Paintings & Artwork for Sale | Bernardino (1522) Campi Art Value Price Guide

Nov. 25, 2024
Atrib. to BERNARDINO CAMPI (Italian, 1522-1591). "Emperor". Oil on canvas. Relined. It presents faults in the pictorial surface and restorations.
Est: €10,000 - €12,000
Atrib. to BERNARDINO CAMPI (Italy, 1522-1591). "Emperor. Oil on canvas. Re-tinted. It presents faults in the pictorial surface and restorations. Size: 141,5 x 113 cm. In the piece the author has portrayed the character with the bust cut out on a landscape created in depth, whose remoteness monumentalises the figure and gives a greater rotundity to the forms of the body. The main figure carries a baton which crosses his chest, slightly turned three-quarters of the way round. His posture and his face turned towards the left side of the scene suggest that he is threatening something, as well as his hand holding his sword as if he were about to draw it. Technically the piece can be related to Bernadino Campi who was a Renaissance painter from Cremona, who worked in Reggio Emilia. He is known as one of the masters of Sofonisba Anguissola and Giovanni Battista Trotti (il Malosso). In Cremona, his extended family owned the main artistic studios. Giulio Campi and Antonio Campi, half-brothers, were distant relatives of Bernardino; the latter is generally considered the most talented of the family. All were active and locally prominent painters. The influences on Bernardino are likely to be diverse, including those from local Cremonese such as Camillo Boccaccino, to artists from neighbouring regions such as Correggio, Parmigianino and Giulio Romano, and he made several series of copies of the eleven Caesars by Titian, later in the Gonzaga collection, and added one of Domitian, which he based on a work by Giulio Romano. Titian's original was lost in an 18th-century fire in Madrid.Bernardino was commissioned by Vespasiano Gonzaga to lead a team of artists that included Pietro Martire Pesenti in the interior decoration, including Bernardino's frescoes, of the Palazzo del Giardino in Sabbioneta, near Mantua.Among his pupils were Giovanni Antonio Morandi (active in 1585), Andrea Mainardi and Pietro Martire Pesenti, both active in the Palazzo in Guastalla.
Setdart Auction House
Nov. 25, 2024
Attributed to BERNARDINO CAMPI (Italy, 1522-1591) "Emperor. Oil on canvas. Relined It has faults in the pictorial surface and restorations.
Est: €10,000 - €12,000
Attributed to BERNARDINO CAMPI (Italy, 1522-1591) "Emperor. Oil on canvas. Re-drawn. It presents faults in the pictorial surface and restorations. Measurements: 141,5 x 113 cm. Technically the piece can be related to Bernadino Campi who was a Renaissance painter from Cremona, who worked in Reggio Emilia. He is known as one of the masters of Sofonisba Anguissola and Giovanni Battista Trotti (il Malosso). In Cremona, his extended family owned the main artistic studios. Giulio Campi and Antonio Campi, half-brothers, were distant relatives of Bernardino; the latter is generally considered the most talented of the family. All were active and locally prominent painters. The influences on Bernardino are likely to be diverse, including those from local Cremonese such as Camillo Boccaccino, to artists from neighbouring regions such as Correggio, Parmigianino and Giulio Romano, and he made several series of copies of the eleven Caesars by Titian, later in the Gonzaga collection, and added one of Domitian, which he based on a work by Giulio Romano. Titian's original was lost in an 18th-century fire in Madrid.Bernardino was commissioned by Vespasiano Gonzaga to lead a team of artists that included Pietro Martire Pesenti in the interior decoration, including Bernardino's frescoes, of the Palazzo del Giardino in Sabbioneta, near Mantua.Among his pupils were Giovanni Antonio Morandi (active in 1585), Andrea Mainardi and Pietro Martire Pesenti, both active in the Palazzo in Guastalla.
Setdart Auction House
Oct. 09, 2024
Attributed to BERNARDINO CAMPI (1522-1591), Italian Renaissance school of the 16th century - Important and Large Salome holding the Head of Saint John the Baptist
Est: €40,000 - €50,000
Oil on canvas, 120 x 95 cm. Very good condition and preservation (the canvas and the painting). The Campi saga formed an extensive dynasty of Cremonese Renaissance artists. Bernardino's style was influenced by many things, including Cremona painters such as Camillo Boccaccino and neighbouring artists such as Correggio, Parmigianino and Giulio Romano. Provenance: An important private collection in Barcelona. Bibliography: Freedberg, Sydney J. (1993). Painting in Italy, 1500-1600. Penguin Books Ltd. pp. 583& 590–1. He was the teacher of Sofonisba Anguissola and Giovanni Battista Trotti (il Malosso).
Templum Fine Art Auctions
Sep. 25, 2024
Atrib. to BERNARDINO CAMPI (Italian, 1522-1591). "Emperor". Oil on canvas. Relined. It presents faults in the pictorial surface and restorations.
Est: €13,000 - €15,000
Atrib. to BERNARDINO CAMPI (Italy, 1522-1591). "Emperor. Oil on canvas. Re-tinted. It presents faults in the pictorial surface and restorations. Size: 141,5 x 113 cm. In the piece the author has portrayed the character with the bust cut out on a landscape created in depth, whose remoteness monumentalises the figure and gives a greater rotundity to the forms of the body. The main figure carries a baton which crosses his chest, slightly turned three-quarters of the way round. His posture and his face turned towards the left side of the scene suggest that he is threatening something, as well as his hand holding his sword as if he were about to draw it. Technically the piece can be related to Bernadino Campi who was a Renaissance painter from Cremona, who worked in Reggio Emilia. He is known as one of the masters of Sofonisba Anguissola and Giovanni Battista Trotti (il Malosso). In Cremona, his extended family owned the main artistic studios. Giulio Campi and Antonio Campi, half-brothers, were distant relatives of Bernardino; the latter is generally considered the most talented of the family. All were active and locally prominent painters. The influences on Bernardino are likely to be diverse, including those from local Cremonese such as Camillo Boccaccino, to artists from neighbouring regions such as Correggio, Parmigianino and Giulio Romano, and he made several series of copies of the eleven Caesars by Titian, later in the Gonzaga collection, and added one of Domitian, which he based on a work by Giulio Romano. Titian's original was lost in an 18th-century fire in Madrid.Bernardino was commissioned by Vespasiano Gonzaga to lead a team of artists that included Pietro Martire Pesenti in the interior decoration, including Bernardino's frescoes, of the Palazzo del Giardino in Sabbioneta, near Mantua.Among his pupils were Giovanni Antonio Morandi (active in 1585), Andrea Mainardi and Pietro Martire Pesenti, both active in the Palazzo in Guastalla.
Setdart Auction House
Sep. 25, 2024
Attributed to BERNARDINO CAMPI (Italy, 1522-1591) "Emperor. Oil on canvas. Relined It has faults in the pictorial surface and restorations.
Est: €13,000 - €14,000
Attributed to BERNARDINO CAMPI (Italy, 1522-1591) "Emperor. Oil on canvas. Re-drawn. It presents faults in the pictorial surface and restorations. Measurements: 141,5 x 113 cm. Technically the piece can be related to Bernadino Campi who was a Renaissance painter from Cremona, who worked in Reggio Emilia. He is known as one of the masters of Sofonisba Anguissola and Giovanni Battista Trotti (il Malosso). In Cremona, his extended family owned the main artistic studios. Giulio Campi and Antonio Campi, half-brothers, were distant relatives of Bernardino; the latter is generally considered the most talented of the family. All were active and locally prominent painters. The influences on Bernardino are likely to be diverse, including those from local Cremonese such as Camillo Boccaccino, to artists from neighbouring regions such as Correggio, Parmigianino and Giulio Romano, and he made several series of copies of the eleven Caesars by Titian, later in the Gonzaga collection, and added one of Domitian, which he based on a work by Giulio Romano. Titian's original was lost in an 18th-century fire in Madrid.Bernardino was commissioned by Vespasiano Gonzaga to lead a team of artists that included Pietro Martire Pesenti in the interior decoration, including Bernardino's frescoes, of the Palazzo del Giardino in Sabbioneta, near Mantua.Among his pupils were Giovanni Antonio Morandi (active in 1585), Andrea Mainardi and Pietro Martire Pesenti, both active in the Palazzo in Guastalla.
Setdart Auction House
Sep. 24, 2024
BERNARDINO CAMPI (seguace di)
Est: €500 - €800
(Cremona, 1522 - Reggio Emilia, 1591) Ritratto dell'imperatore Vespasiano Olio su tela, cm 53,5X50 Il dipinto deriva dal perduto ciclo dedicato alle effigi degli Imperatori Romani realizzato da Tiziano per Federico Gonzaga di Mantova fra il 1536 e il 1539. La straordinaria diffusione di queste iconografie, tuttavia, si deve a Bernardino Campi quando nel 1561 Francesco Ferdinando d'Avalos durante un soggiorno alla corte mantovana chiese al pittore eseguire delle copie disegnate oggi perdute degli undici Cesari di Tiziano aggiungendovi di sua mano il ritratto di Domiziano. Di ritorno a Milano, Campi realizzò la prima di molte serie di dodici dipinti nella bella e robusta maniera di Tiziano. Ad esempio ancora nel nono decennio l'artista ricevette da Vespasiano Gonzaga l'ordine di realizzare una serie di dodici dipinti su tela raffiguranti altrettanti imperatori romani da collocare nel Palazzo Ducale di Sabbioneta.
Wannenes Art Auctions
May. 14, 2024
Bernardino Campi (Reggio Emilia 1520 - Cremona 1591)
Est: €3,000 - €5,000
Bernardino Campi (Reggio Emilia 1520 - Cremona 1591) Natività Olio su tela 134 x 97 cm La tela, di eccelsa qualità, è una replica, senza la parte superiore con coro d'angeli, della pala conservata nella chiesa di San Michele Vecchio a Cremona, dipinta da Bernardino nel 1568. Il disegno, passò presso la Galleria Colnaghi di Londra mentre il cartone, per la versione con San Bartolomeo, è conservato all'Accademia Albertina di Torino. Si conosco due altre versioni, la prima conservata nella chiesa di Sant'Eusebio di Gambalò derivata dal cartone dell'Albertina, e la seconda presente nella chiesa di Fontanella al Piano; infine due versioni di bottega conservate al Museo Luigi Mallé a Dronero e Palazzo Trecchi di Maleo. Formatosi con Ippolito Costa, figlio di Lorenzo, acquisì la cultura del Rinascimento e del Manierismo, in particolare di Giulio Romano attivo alla corte dei Gonzaga. Altro elemento fondamentale del linguaggio pittorico di Bernardino fu l'assunzione dell'eleganza plastica del Parmigianino. Operò con successo anche a Milano, cooadiuvato da valenti aiuti come Giovan Paolo Lomazzo, Antonio Sacchi (nipote del Pordenone), Antonio da Udine detto Moretto e di Giuseppe Meda. Tra il 1582 e il 1584 lavorò al servizio di Vespasiano Gonzaga nel Palazzo Ducale di Sabbioneta. Oltre ai già citati allievi e agli aiuti milanesi, presso la sua bottega cremonese si formarono Andrea Mainardi e Sofonisba Anguissola. Bernardino Campi (Reggio Emilia 1520 - Cremona 1591) Nativity Oil on canvas 134 x 97 cm The canvas, of excellent quality, is a replica, without the upper part with choir of angels, of the altarpiece in the church of San Michele Vecchio in Cremona, painted by Bernardino in 1568. The drawing was kept at the Colnaghi Gallery in London while the cartoon, for the version with St. Bartholomew, is kept at the Accademia Albertina in Turin. Two other versions are known, the first conserved in the church of Sant'Eusebio di Gambalò derived from the Albertina cartoon, and the second in the church of Fontanella al Piano; finally, two workshop versions are conserved in the Luigi Mallé Museum in Dronero and Palazzo Trecchi in Maleo.
Lucas Aste
Apr. 10, 2024
CIRCLE OF BERNARDINO CAMPI Reggio Emilia, Italy (1522) / (1591) "Domitian"
Est: €13,500 - €18,000
Oil on canvas Bernardino Campi made several copies of the well-known series "The Eleven Caesars" painted by Titian. The portrait of Emperor Domitian was not included in the series and Campi apparently added it from a work by Guilio Romano. Measurements: 141.5 X 113 cm
Ansorena
Dec. 13, 2023
Atrib. to BERNARDINO CAMPI (Italian, 1522-1591). "Emperor". Oil on canvas. Relined. It presents faults in the pictorial surface and restorations.
Est: €13,000 - €15,000
Atrib. to BERNARDINO CAMPI (Italy, 1522-1591). "Emperor. Oil on canvas. Re-tinted. It presents faults in the pictorial surface and restorations. Size: 141,5 x 113 cm. In the piece the author has portrayed the character with the bust cut out on a landscape created in depth, whose remoteness monumentalises the figure and gives a greater rotundity to the forms of the body. The main figure carries a baton which crosses his chest, slightly turned three-quarters of the way round. His posture and his face turned towards the left side of the scene suggest that he is threatening something, as well as his hand holding his sword as if he were about to draw it. Technically the piece can be related to Bernadino Campi who was a Renaissance painter from Cremona, who worked in Reggio Emilia. He is known as one of the masters of Sofonisba Anguissola and Giovanni Battista Trotti (il Malosso). In Cremona, his extended family owned the main artistic studios. Giulio Campi and Antonio Campi, half-brothers, were distant relatives of Bernardino; the latter is generally considered the most talented of the family. All were active and locally prominent painters. The influences on Bernardino are likely to be diverse, including those from local Cremonese such as Camillo Boccaccino, to artists from neighbouring regions such as Correggio, Parmigianino and Giulio Romano, and he made several series of copies of the eleven Caesars by Titian, later in the Gonzaga collection, and added one of Domitian, which he based on a work by Giulio Romano. Titian's original was lost in an 18th-century fire in Madrid.Bernardino was commissioned by Vespasiano Gonzaga to lead a team of artists that included Pietro Martire Pesenti in the interior decoration, including Bernardino's frescoes, of the Palazzo del Giardino in Sabbioneta, near Mantua.Among his pupils were Giovanni Antonio Morandi (active in 1585), Andrea Mainardi and Pietro Martire Pesenti, both active in the Palazzo in Guastalla.
Setdart Auction House
Dec. 13, 2023
Attributed to BERNARDINO CAMPI (Italy, 1522-1591) "Emperor. Oil on canvas. Relined It has faults in the pictorial surface and restorations.
Est: €13,000 - €14,000
Attributed to BERNARDINO CAMPI (Italy, 1522-1591) "Emperor. Oil on canvas. Re-drawn. It presents faults in the pictorial surface and restorations. Measurements: 141,5 x 113 cm. Technically the piece can be related to Bernadino Campi who was a Renaissance painter from Cremona, who worked in Reggio Emilia. He is known as one of the masters of Sofonisba Anguissola and Giovanni Battista Trotti (il Malosso). In Cremona, his extended family owned the main artistic studios. Giulio Campi and Antonio Campi, half-brothers, were distant relatives of Bernardino; the latter is generally considered the most talented of the family. All were active and locally prominent painters. The influences on Bernardino are likely to be diverse, including those from local Cremonese such as Camillo Boccaccino, to artists from neighbouring regions such as Correggio, Parmigianino and Giulio Romano, and he made several series of copies of the eleven Caesars by Titian, later in the Gonzaga collection, and added one of Domitian, which he based on a work by Giulio Romano. Titian's original was lost in an 18th-century fire in Madrid.Bernardino was commissioned by Vespasiano Gonzaga to lead a team of artists that included Pietro Martire Pesenti in the interior decoration, including Bernardino's frescoes, of the Palazzo del Giardino in Sabbioneta, near Mantua.Among his pupils were Giovanni Antonio Morandi (active in 1585), Andrea Mainardi and Pietro Martire Pesenti, both active in the Palazzo in Guastalla.
Setdart Auction House
Nov. 23, 2023
BERNARDINO CAMPI 1522-1592 Cristo in croce - Christ on the cross
Est: €600 - €800
Cristo in croce Olio su tela, al verso iscrizione "Bernardinus Campus Cremon.s fa. 1572". 25,50 x 18,50 cm - BERNARDINO CAMPI 1522-1592 Christ on the cross Oil on board, inscribed on verso "Bernardinus Campus Cremon.s fa. 1572". 10.04 x 7.28 in.
Aste Bolaffi
Jul. 07, 2023
Bernardino Campi (Reggio Emilia, 1522 - Reggio Emilia, 1591) Ritratto dell'imperatore Vespasiano olio su tela cm 130x98; con cornice cm 144x112
Est: €4,500 - €5,500
Bernardino Campi (Reggio Emilia, 1522 - Reggio Emilia, 1591) Ritratto dell'imperatore Vespasiano olio su tela cm 130x98; con cornice cm 144x112 Accompagnato dal Certificato di Libera Esportazione Derivazione da Tiziano Vecellio della serie de "I Cesari", realizzata dal pittore per Federico II Gonzaga su ispirazione de Le Vite dei Cesari di Svetonio
Gliubich Casa d'Aste
May. 07, 2023
(ambito di)
Est: -
(ambito di) Cristo nell'orto Olio su tela, 116,5x152 cm; opera priva di cornice. Il pregevole dipinto si inquadra nell'ambito della produzione pittorica dei fratelli Campi, attivi a Cremona nella seconda metà del XVI secolo. L'opera è di interesse artistico notevole. L'ambientazione in notturno accresce sensibilmente la drammaticità dell'episodio,
Meeting Art Casa D'Aste
Dec. 17, 2022
BERNARDINO CAMPI (Cerchia di), Olio su tela
Est: €6,000 - €8,000
BERNARDINO CAMPI (Cerchia di) (Reggio Emilia 1522 - 1591) Ritratto di cavaliere con gorgiera Olio su tela Provenienza: Collezione Privata Prof. A. De Bonis. cm 148 x 112,5.
Benedetto Trionfante Auction House s.r.l
Oct. 06, 2022
ECOLE DE BERNARDINO CAMPI (1520-1591) Empereur Vitellius
Est: €3,500 - €7,000
ECOLE DE BERNARDINO CAMPI (1520-1591) Empereur Vitellius Huile sur toile rentoilée, sans encadrement Dimensions : 121,5 x 92 cm Peintre italien né à Cremone formé à Mantoue, il a pour maître Ippolito Costa. Son exorde crémonais, ses fresques de l'église Santi Filippo e Giacomo, montrent les fondations de son art issu du maniérisme poli, élégant et sophistiqué du Parmigianino. Après avoir peint la fresque la chapelle du Saint-Sacrement de l'église San Fermo e Rustico de Caravaggio en 1550, il part pour Milan à la Cour des Gonzague, où il importe les nouveautés du maniérisme. C'est à Milan que Campi se fait connaître comme portraitiste et comme décorateur habile, en attirant dans son orbite de jeunes artistes locaux. Il y exécutera différents tableaux de retables, comme celui intitulé Madone et Saints à l'église Sant'Antonio Abate et ceux de l'église San Fedele,
Accademia Fine Art
Mar. 23, 2022
Bernardino CAMPI Reggio d'Emilie, 1520 - 1591 Portrait présumé d'Ippolita Gonzaga (1535-1563) Huile sur toile
Est: €70,000 - €100,000
Bernardino CAMPI Reggio d'Emilie, 1520 - 1591 Portrait présumé d'Ippolita Gonzaga (1535-1563) Huile sur toile Presumed portrait of Ippolita Gonzaga, oil on canvas, by B. Campi h: 116 w: 90 cm Provenance : Collection particulière, Bruxelles Bibliographie : Marco Tanzi, " Due esercitazioni lombarde : Bernardino Campi e Giulia Cesare Procaccini ", in 'Storia dell'arte', Nuova Serie, 1-2018, p. 9-18, repr. fig. 1 Commentaire : Notre élégant portrait décrit avec précision de luxueux vêtements de cour qui nous permettent de dater vers 1550 notre tableau. La veste à épaulettes ornée de crevées et de nombreux galons d'or, la richesse des parures et des perles fascinent, l'hermine à tête sertie de pierres précieuses n'est pas sans rappeler l'effet que produit 'Antea', cette jeune femme peinte par Parmesan vers 1535 (huile sur toile, 135 x 88 cm, Naples, Galleria Nazionale de Capodimonte). Après un premier apprentissage chez son père orfèvre, Bernardino Campi rejoint l'atelier de Giulio Campi à Crémone1. S'ensuit un passage à Mantoue dans l'atelier d'Ippolito Costa, fils de Lorenzo Costa, avant de revenir à Crémone où il installe son propre atelier à partir de 1541. À partir de 1550, et jusque 1565, il est actif à Milan et produit ses plus beaux portraits de l'élite séjournant dans la capitale lombarde. Il est introduit par Niccolo Secco - pour lequel il exécute la décoration de la chapelle du Sacrement dans l'église paroissiale de Caravaggio - dans les cercles qui comptent et notamment celui du gouverneur de la ville Ferrante I Gonzaga2 et celui de sa fille Ippolita Gonzaga (1535-1563), mariée fort jeune en 1548 à Fabrizio Colonna, veuve en 1551, puis remariée à Antonio Carafa en 1554. Les portraits des poètes, intellectuels, magistrats, nobles, artistes et militaires que réalise Bernardino Campi sont parfois signés mais aucun portrait de femme signé n'est à ce jour connu. Parmi les plus remarquables productions de cette période faste pour le peintre, citons le 'Portrait de gentilhomme appuyé sur une colonne' (Paris, musée du Louvre, inv. M1885), le 'Portrait de gentilhomme avec son chien' (Crémone, collection privée) ou encore le 'Portrait de gentilhomme en noir avec des obélisques en arrière-plan' (Brescia et anciennement Londres, collection de lord Northwick). Notre toile fut sans doute importante dans les années qui suivirent sa réalisation puisque qu'une toile de la série Gonzague du château d'Ambras aujourd'hui conservée à Vienne en copie les traits3. Marco Tanzi exprime des doutes quant à l'identification du modèle à Porzia Gonzaga (ainsi est légendée la toile en partie supérieure) et émet l'hypothèse que notre portrait soit en réalité celui de la belle Ippolita Gonzaga, fille du gouverneur de Milan. Nous savons en effet que Bernardino Campi peignit les portraits de Ferrante Gonzaga et celui de son épouse Isabelle di Capua mais aussi qu'en 1549 cette dernière demande au peintre de réaliser le portrait de sa fille Ippolita. En 1553-1554, c'est cette fois-ci Ippolita qui demande à Bernardino Campi de réaliser à nouveau un portrait d'elle. L'habillement du portrait de Vienne identifié comme Porzia Gonzaga ne correspond pas aux dates de ce modèle. Celle-ci se marie vers 1535, période à laquelle la mode féminine est tout autre. Si l'on compare notre portrait à la seule iconographie certaine d'Ippolita Gonzaga, à savoir une médaille de bronze datée de 1550 (fig. 1), la mode est plus concordante et la thèse de Marco Tanzi qui tend à voir dans notre portrait la représentation d'Ippolita Gonzaga portraiturée peu avant son second mariage avec Antonio Carafa à Naples en 1554 nous séduit. 1. Les deux hommes n'ont aucun lien de parenté particulier. La famille de Bernardino est en effet de Reggio Emilia et la famille de Giulio et Antonio Campi est de Crémone. 2. Ferrante Gonzaga fut, au service de l'empereur Charles Quint, vice-roi de Sicile de 1535 à 1546 et gouverneur de Milan de 1546 à 1554. 3. 'Portrait dit de Porzia Gonzaga', huile sur toile, Vienne, Kunsthistorisches Museum, inv. GG5161. Estimation 70 000 - 100 000 €
Artcurial
Dec. 03, 2021
Campi, Bernardino: Neptun auf seinem von Hippocampen gezogenen Wagen
Est: €2,600 - €3,500
Neptun auf seinem von Hippocampen gezogenen Wagen. Schwarze Kreide und Rötel, Feder in Braun, braun laviert, weiß gehöht, alt montiert. 9,2 x 11,3 cm. Rest einer alten Nummerierung in Rötel oben rechts. Laut Auskunft des Vorbesitzers wurde die Zuschreibung an Campi durch Mario di Giampaolo und Giulio Bora mündlich bestätigt. - Provenienz: Sammlung Giuseppe Vallardi, Mailand (Lugt 1223). Sammlung Joachim Gustav Heinrich Winckler, Hamburg und London (Lugt 5307). - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Nov. 26, 2021
BERNARDINO CAMPI (CREMONA, 1522- REGGIO EMILIA, 1591) : PORTRAIT OF LUDOVICO GONZAGA, DUKE OF NEVERS
Est: €7,000 - €10,000
Oil on canvas, cm. 43x33. Framed The painting bears an old inventory number in the bottom right-hand corner: "983". The present work is accompanied by Export License.
Bertolami Fine Art s.r.l.
Apr. 28, 2021
Roman school of the XVII century. "Emperor Tiberius". Oil on oak panel. Dutch style frame in ebonized wood, XX century.
Est: €3,500 - €4,000
Roman school of the XVII century. "Emperor Tiberius". Oil on oak panel. Dutch style frame in ebonized wood, XX century. Size: 63,5 x 47,5 cm; 77 x 61,5 cm (frame). The portrait presented here is closely related to Titian's "Eleven Caesars" series, a set of half-length portraits of Roman emperors painted by the Italian master in 1536-40 for Frederick II, Duke of Mantua. Bernardino Campi, a Renaissance painter from Cremona who worked in Reggio Emilia, added a twelfth portrait in 1562.
Setdart Auction House
Apr. 28, 2021
Roman school of the XVII century. "Emperor Claudius". Oil on oak panel. Dutch style frame in ebonized wood, XX century.
Est: €3,500 - €4,000
Roman school of the XVII century. "Emperor Claudius". Oil on oak panel. Dutch style frame in ebonized wood, XX century. Size: 63,5 x 47,5 cm; 77 x 61,5 cm (frame). The portrait presented here is closely related to Titian's "Eleven Caesars" series, a set of half-length portraits of Roman emperors painted by the Italian master in 1536-40 for Frederick II, Duke of Mantua. Bernardino Campi, a Renaissance painter from Cremona who worked in Reggio Emilia, added a twelfth portrait in 1562.
Setdart Auction House
Apr. 28, 2021
Roman school of the XVII century. "Emperor Titus". Oil on oak panel. Dutch style frame in ebonized wood, XX century.
Est: €3,500 - €4,000
Roman school of the XVII century. "Emperor Titus". Oil on oak panel. Dutch style frame in ebonized wood, XX century. Size: 63,5 x 47,5 cm; 77 x 61,5 cm (frame). The portrait presented here is closely related to Titian's "Eleven Caesars" series, a set of half-length portraits of Roman emperors painted by the Italian master in 1536-40 for Frederick II, Duke of Mantua. Bernardino Campi, a Renaissance painter from Cremona who worked in Reggio Emilia, added a twelfth portrait in 1562.
Setdart Auction House
Dec. 21, 2020
BERNARDINO CAMPI (cerchia di)
Est: €500 - €800
(Cremona, 1522 - Reggio Emilia, 1591) L'imperatore Tiberio L'imperatore Vespasiano Olio su rame, cm 19,8X16 (2) I dipinti derivano dal perduto ciclo degli Imperatori Romani realizzato da Tiziano per Federico Gonzaga di Mantova fra il 1536 e il 1539. La straordinaria diffusione di queste iconografie, tuttavia, si deve a Bernardino Campi quando nel 1561 Francesco Ferdinando d'Avalos durante un soggiorno alla corte mantovana chiese al pittore eseguire delle copie disegnate oggi perdute degli undici Cesari di Tiziano aggiungendovi di sua mano il ritratto di Domiziano. Di ritorno a Milano, Campi realizzì la prima di molte serie di dodici dipinti nella bella e robusta maniera di Tiziano. A esempio ancora nel nono decennio l'artista ricevette da Vespasiano Gonzaga l'ordine di realizzare una serie di dodici dipinti su tela raffiguranti altrettanti imperatori romani da collocare nel Palazzo Ducale di Sabbioneta.
Wannenes Art Auctions
Dec. 15, 2020
CAMPI BERNARDINO (1522 - 1591) Atelier of. Portrait of Ludovico Gonzaga, duke of Nevers.
Est: €10,000 - €15,000
CAMPI BERNARDINO (1522 - 1591). Atelier of. Portrait of Ludovico Gonzaga, duke of Nevers.. Inscription at the bottom right 983, old inventory number. In frame of the XIX century.. Cm 33,00 x 43,00.
Capitolium Art
Nov. 27, 2020
Campi, Bernardino: Neptun auf seinem von Hippocampen gezogenen Wagen
Est: €3,600 - €4,000
Neptun auf seinem von Hippocampen gezogenen Wagen. Schwarze Kreide und Rötel, Feder in Braun, braun laviert, weiß gehöht, alt montiert. 9,2 x 11,3 cm. Rest einer alten Nummerierung in Rötel oben rechts. Laut Auskunft des Vorbesitzers mit mündlichen Bestätigungen durch Mario di Giampaolo und Giulio Bora. - Provenienz: Sammlung Giuseppe Vallardi, Mailand (Lugt 1223). Sammlung Joachim Gustav Heinrich Winckler, Hamburg und London (Lugt 5307). - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Nov. 14, 2020
Bernardino Campi - Gottvater mit Engeln, die Gegenstände der Passion haltend
Est: €4,000 - €5,000
Feder und Pinsel in Braun, Rötel und Bleistift, braun laviert und weiß gehöht auf Bütten. Lünette mit Gottvater: Bleistift, weiß gehöht auf quadriertem Bütten, ganzseitig aufgelegt. 1580. 17,6 x 29,4 cm (Darstellung im Halbrund). Signiert und datiert am unteren Rand „bernardinus Campus fa. / 1580“. differenzbesteuert (VAT: Margin Scheme)
Karl & Faber
Jun. 05, 2020
Campi, Bernardino: Saturn mit seiner Sense
Est: €1,000 - €1,200
Saturn mit seiner Sense. Feder in Grau über schwarzer Kreide, braun laviert, quadriert. 23,2 x 17,1 cm. Links oben in Kreide bezeichnet "Saturno", rechts unten mit Feder numeriert "44". Wz. Fragment. Im Ashmolean Museum, Oxford, findet man eine vergleichbare Zeichnung Campis, die Jupiter darstellt (vgl. T. Pignatti: Italian Drawings in Oxford from the Ashmolean Museum and Christ Church, 1977, Nr. 32), in den Uffizien, Florenz, ein den Kriegsgott Mars darstellendes Blatt mit nahezu identischen Maßen und in der gleichen Schrift links oben "Marte" bezeichnet (Inv. Nr. 13491 F). - Provenienz: Sammlung Herbert List, München (Lugt 4063). Sammlung Wolfgang Ratjen (mit dessen Inv.-Nr. R 162). Privatsammlung Hessen. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
May. 26, 2020
BERNARDINO CAMPI circle of
Est: €1,500 - €2,000
BERNARDINO CAMPI, circle of (Reggio Emilia 1520 - 1591) NOAH'S ARK Oil on canvas, cm. 96 x 120 PROVENANCE Formerly Palazzo Ferranti Amelia auction, Christie's 17-05-1990, lot 180 Roman family CONDITION OF THE PAINTING Nineteenth century re-lining. Restoration points scattered on the ark and on the figures at the bottom left. Fat accumulation FRAME Box frame in fake elm briar lacquered wood with gold edges, from the end of the 16th century BERNARDINO CAMPI, cerchia di (Reggio Emilia 1520 - 1591) L'ARCA DI NOÈ Olio su tela, cm. 96 x 120 PROVENIENZA Già asta Palazzo Ferranti Amelia, Christie's 17-05-1990, lotto 180 Famiglia romana CONDIZIONI DEL DIPINTO Rintelo ottocentesco. Punti di restauro sparsi sull'arca e sulle figure in basso a sinistra. Accumuli di grasso CORNICE Cornice a cassetta in legno laccato a finta radica di olmo con bordi in oro, della fine del XVI secolo
Casa d'Aste Babuino
May. 26, 2020
BERNARDINO CAMPI circle of
Est: €1,500 - €2,500
BERNARDINO CAMPI, circle of (Reggio Emilia 1520 - 1591) NOAH BUILDS THE ARK Oil on canvas, cm. 110 x 147 PROVENANCE Roman family CONDITION OF THE PAINTING Early 20th century re-lining. A horizontal restoration line traversing the painting in the middle part. Further restoration lines on the supports of the ark. Considerable accumulations of fat FRAME Frame in lacquered wood with fake elm root, with gold edges of the 17th century BERNARDINO CAMPI, cerchia di (Reggio Emilia 1520 - 1591) NOÈ COSTRUISCE L'ARCA Olio su tela, cm. 110 x 147 PROVENIENZA Famiglia romana CONDIZIONI DEL DIPINTO Rintelo inizio novecento. Una linea di restauro orizzontale traversante il dipinto nella parte mediana. Ulteriori linee di restauro sui sostegni dell'arca. Notevoli accumuli di grasso CORNICE Cornice in legno laccato a finta radica di olmo, con bordi in oro, del XVII secolo
Casa d'Aste Babuino
Oct. 03, 2018
ITALIAN SCHOOL, 16th/17th century - 'Dobando o linho' (Reeling flax)
Est: €2,700 - €3,600
ITALIAN SCHOOL, 16th/17th century - 'Dobando o linho' (Reeling flax) Oil on canvas, attributed to Bernardino Campi (1522-1592). Slight repainting work, relined. Dim.:110x86cm.
Marques dos Santos
May. 23, 2017
Bernardino Campi (Cremona 1522 - Reggio Emilia 1591)
Est: €50,000 - €70,000
San Giovanni Battista olio su tela, cm 195 x 140 firmato e datato in basso a sinistra: BERNARDINVS CAMPVS CREMONESI MDLXXV iscrizione sul telaio: A Messer/ Al Signor Don Giuseppe/ Bellini/ a Massa antico cartellino applicato sulla tela: S. Gallo/ Di provenienza/ dalla chiesa di S. Gallo/ Invenit. al n. 13. Pala/ d'altare rappr[esentant]e S. Gio[vanni]/ Batt[ist]a nel deserto/ diocesi di [...] della/ Casa Regazzi. PROVENIENZA: Chiesa di San Gallo, Cremona, 1575 su commissione di monsignor Lorenzo Regazzo. Collezione di don Giuseppe Bellini, Massa, secolo XIX. Collezione privata, Massa e per successione agli attuali proprietari. In bella evidenza sulla roccia che fa da spartano sedile Bernardino Campi firma e data 1575 il suo San Giovanni Battista nel deserto. L'opera era stata commissionata da monsignor Lorenzo Regazzi per la chiesa cremonese di San Gallo, ma della tela si persero le tracce fino al recente ritrovamento in una collezione privata. La prima menzione del Battista si deve all'erudito Alessandro Lamo nel suo Discorso intorno alla scoltura, e pittura, dove ragiona della vita, et opere in molti luoghi, et a diversi principi, e personaggi fatte dall'eccell. e nobile M. Bernardino Campo pittore cremonese, edito nel 1584 per i tipi di Cristoforo Draconi a Cremona. Tra gli anni 1571 e 1577 della attività pittorica di Bernardino troviamo l'indicazione: [egli] depinse etiandio [...] in San Gallo di Cremona, San Giambattista nel deserto à Monsignor Lorenzo Regazzo. (Ibidem, p. 96). Le preziose informazioni ricorrono anche in un'iscrizione riportata su un foglio applicato sul retro della tela. La scrittura di non immediata lettura è una classica corsiva e probabilmente risale al Settecento quando il dipinto venne foderato. Sul vecchio telaio in una grafia ottocentesca dalle tipiche forme arrotondate è riportato il nome del collezionista a cui passò l'opera, Don Giuseppe Bellini di Massa. L'occasione probabilmente è legata alla dismissione degli arredi della chiesa cremonese avvenuta nella prima metà dell'Ottocento. Infatti l'ultima fonte che testimonia l'attività della parrocchia di San Gallo risale al 1835, anno a cui risale il tributo di un cattedratico della diocesi di Cremona. Cremonese di nascita, Bernardino esordì molto presto lavorando con il padre orafo, poi proseguì la sua attività nella bottega mantovana di Ippolito Costa, pittore della cerchia di Giulio Romano. Tornò quindi a Cremona per spostarsi ben presto e andare a Piacenza, poi a Milano e ancora a Parma, Piacenza e Modena a studiare le opere di Pordenone, Correggio e Parmigianino. Realizzò molti dipinti di tema religioso e altrettanti ritratti, riportando nelle sue opere influssi manieristi desunti dalla produzione di Giulio Romano, da un lato, e di Parmigianino dall'altro. E proprio i suoi interessi per la ritrattistica e anche soprattutto per l'antico, rivisitato attraverso la lezione dei maestri del primo Cinquecento, si impongono in maniera dirompente in questo dipinto in cui il Battista, raffigurato in meditazione, sembra la perfetta rivisitazione di un eroe classico, rappresentato in un momento di riposo dalle fatiche della vita terrena. Non ci troviamo di fronte a un eremita emaciato che si sofferma tristemente sul memento mori, ma campeggia davanti a noi un giovane eroe che si integra armoniosamente con il paesaggio sullo sfondo di matrice emiliana ed echeggia, nel gesto della mano sinistra che indica l'agnello mistico e nella posa a chiasmo, la lezione leonardesca, tornando ancora allo stile di Parmigianino nelle fattezze delicate del volto. Ringraziamo il professor Marco Cursi per averci aiutato a trascrivere l'antica iscrizione di collezione. We are grateful to Prof. Marco Tanzi, who considers the Saint John the Baptist an important discovery of Bernardino Campi, that will be soon published. 1
Finarte Roma
Feb. 14, 2017
ITALIAN SCHOOL, 16th/17th century - 'Dobando o linho' (Reeling flax)
Est: €2,700 - €3,600
ITALIAN SCHOOL, 16th/17th century - 'Dobando o linho' (Reeling flax) Oil on canvas, attributed to Bernardino Campi (1522-1592). Slight repainting work, relined. Dim.:110x86cm.
Marques dos Santos
Mar. 04, 2016
ITALIAN SCHOOL, 16th/17th century - 'Dobando o linho' (Reeling flax)
Est: €3,375 - €4,500
ITALIAN SCHOOL, 16th/17th century - 'Dobando o linho' (Reeling flax) Oil on canvas, attributed to Bernardino Campi (1522-1592). Slight repainting work, relined. Dim.:110x86cm.
Marques dos Santos
Mar. 04, 2016
ITALIAN SCHOOL 16th/17th century - 'Cardando o Linho' (Carding flax)
Est: €3,375 - €4,500
ITALIAN SCHOOL 16th/17th century - 'Cardando o Linho' (Carding flax) Oil on canvas, attributed to Bernardino Campi (1522-1592), inscription at the back. Signs of wear, slight repainting work. Dim.:114x85.5cm.
Marques dos Santos
Jan. 28, 2015
Bernardino Campi (Cremona 1522-1591 Reggio Portrait of a young man, bust-le
Est: $60,000 - $80,000
Bernardino Campi (Cremona 1522-1591 Reggio Portrait of a young man, bust-length oil on canvas 24 5/8 x 18 1/8 in. (62.5 x 46 cm.)
Christie's
Apr. 08, 2014
ITALIAN SCHOOL 16th/17th century - 'Cardando o Linho' (Carding flax)
Est: €4,500 - €6,000
ITALIAN SCHOOL 16th/17th century - 'Cardando o Linho' (Carding flax) Oil on canvas, attributed to Bernardino Campi (1522-1592), inscription at the back. Signs of wear, slight repainting work. Dim.:114x85.5cm.
Marques dos Santos
Mar. 19, 2013
BERNARDINO CAMPI (bottega di) Reggio 1520 - 1591
Est: €4,000 - €5,000
BERNARDINO CAMPI (bottega di) Reggio 1520 - 1591 SANTA CECILIA CON SANT'AGATA E VALERIANO Olio su tela, cm. 85 x 68 PROVENIENZA Eredi di illustre collezionista romano Questa interessante iconografia presenta delle rispondenze costruttive simili ad una pala d'altare, avente il medesimo soggetto, ubicata nella chiesa di San Sigismondo a Cremona, realizzata da Bernardino Campi CONDIZIONI DEL DIPINTO Rintelo novecentesco. Restauri sparsi sull'angelo che pone le corone di fiori, un restauro sul volto di Santa Cecilia, ulteriori punti di restauro sparsi sugli incarnati e gli abiti dei personaggi CORNICE Cornice in legno dorato e modanato, del XVIII secolo
Casa d'Aste Babuino
May. 27, 2011
Campi, Bernardino - Werkstatt: Bildnis des römischen Kaisers Titus
Est: €2,500 - €3,500
Werkstatt. Bildnis des römischen Kaisers Titus mit Lorbeerkranz. Feder in Braun und Grau, braun laviert, weiß gehöht, auf blauem Bütten. 19,3 x 15,8 cm. Unten links in römischen Ziffern "XI". Vgl. den Katalogtext zu vorheriger Losnummer.
Galerie Bassenge
May. 27, 2011
Campi, Bernardino - Werkstatt: Bildnis des römischen Kaisers Ottone
Est: €2,500 - €3,500
Werkstatt. Bildnis des römischen Kaisers Ottone in Rüstung mit Feldherrenstab. Feder in Braun und Grau, braun laviert, weiß gehöht, auf blauem Bütten. 19,2 x 15,7 cm. Unten rechts in römischen Ziffern "VIII". Die Zeichnung steht in Verbindung mit Bernardino Campis Zyklus von zwölf Kaiserporträts, die der Künstler 1561 im Auftrag des Marchese Ferdinando Francesceso d'Avalso ausgeführt hat und die heute in der Galleria Nazionale di Capodimonte in Neapel aufbewahrt werden. Campi hatte diesen Zyklus nach dem Vorbild von Tizians berühmter Folge mit elf Imperatorenbildnissen geschaffen, die jener zwischen 1536-39 für den Herzog Federico Gonzaga im Palazzo Ducale in Mantua ausgeführt hat und die später einem Brand im Alcazar in Madrid (1734) zum Opfer fielen. Campi ergänzte die Serie Tizians um ein Porträt des Kaisers Domitian und entsprach damit der Zahl der Kaiserbiographien in Suetons De vita Caesarum. Aus der frühen Literatur geht hervor, daß Bernardino im gleichen Jahr außerdem zwölf gezeichnete Kopien anfertigte, die vom Künstler signiert, datiert und mit eigenhändigen Farbangaben versehen waren, jedoch heute nicht mehr nachweisbar sind. Sie dürften Campi als Modell für andere gemalte Serien gedient haben. Zeitgenössische Quellen erwähnen überdies weitere Nachzeichnungen Campis und seiner Werkstatt, was plausibel erscheint, da Bernardino in den folgenden zwei Jahrzehnten ganze fünf weitere Versionen des Imperatorenzyklus für adlige Auftraggeber geschaffen hat (siehe I Campi. Cultura artistica cremonese del Cinquecento, bearb. von M. Gregori, Mailand 1985, S. 160, Nr. 1.15.4-7). Vorliegende, qualitätvolle Zeichnung fügt sich damit nahtlos in diesen Kontext der Imperatorenbildnisse Campis ein.
Galerie Bassenge
Jan. 27, 2010
BERNARDINO CAMPI
Est: $20,000 - $25,000
THE LAMENTATION WITH SAINT CATHERINE OF ALEXANDRIA, GABRIELE QUINTIANO AND POSSIBLY THE PROPHETS ELIJAH AND ELISHA
Sotheby's
Jul. 08, 2009
Bernardino Campi , Cremona 1522 - 1591 Reggio Emilia the nativity Pen and brown ink and wash over traces of black chalk, heightened with white, squared in red chalk, with several pentimenti on separate pieces of paper pasted to the main sheet; arched
Est: £18,000 - £22,000
Pen and brown ink and wash over traces of black chalk, heightened with white, squared in red chalk, with several pentimenti on separate pieces of paper pasted to the main sheet; arched top; bears old attribution in grey ink, verso : Bernardin da ... and at the bottom: Del BagnaCavallivechio 75. ; bears inscription in brown ink, verso : S?eroni
Sotheby's
Jul. 08, 2009
Bernardino Campi , Cremona 1522 - 1591 Reggio Emilia the lamentation with saint catherine of alexandria, gabriele quintiano and possibly the prophets elijah and elisha Red chalk with touches of black chalk
Est: £20,000 - £30,000
Red chalk with touches of black chalk
Sotheby's
Feb. 09, 2009
Circle of Bernardino Campi (Italian, 1522-1591)
Est: $1,500 - $2,000
Circle of Bernardino Campi (Italian, 1522-1591) Portrait of a noblewoman, bust-length, with a pearl necklace and a jeweled headdress oil on canvas 16¼ x 12 in. (41.3 x 30.5 cm.)
Christie's
Dec. 02, 2008
Circle of Bernardino Campi (Cremona 1522-1591 Reggio Emilia)
Est: £6,000 - £8,000
Circle of Bernardino Campi (Cremona 1522-1591 Reggio Emilia) The Arrest of Christ oil on canvas, unframed 30¾ x 26¾ in. (78.1 x 67.9 cm.)
Christie's
Oct. 19, 2008
Bernardino Campi (Italian, 1522-1595), charcoal
Est: $300 - $400
Bernardino Campi (Italian, 1522-1595), charcoal and graphite on laid paper,unsigned, matted; 9" x 7". A very early work, 17th or 18th century. Three repaired holes to lower right, lower left, and left edge. Trimmed to oval
Cowan's Auctions
Oct. 01, 2008
Circle of Bernardino Campi (Italian, 1522-1591)
Est: $3,000 - $5,000
Circle of Bernardino Campi (Italian, 1522-1591) Portrait of a noblewoman, bust-length, with a pearl necklace and a jeweled headdress oil on canvas 16¼ x 12 in. (41.3 x 30.5 cm.)
Christie's
Dec. 15, 2004
Bernardino Campi (1522-1591)
Est: €1,000 - €1,500
Saint Jean-Baptiste en prière avec un saint agenouillé appuyé sur un livre craie noire, lavis brun sur papier préparé beige, mis au carreau à la craie noire 210 x 97 mm.
Christie's
Jun. 16, 2004
Attribuito a Bernardino Campi (Cremona verso 1522-verso 1592 Reggio)
Est: €6,000 - €8,000
Resurrezione di Lazzaro Penna e inchiostro 290 x 215 mm.
Christie's
Jan. 23, 2004
Bernardino Campi (Cremona 1522-1591 Reggio)
Est: $80,000 - $120,000
The Adoration of the Magi oil on canvas 46 3/4 x 39 in. (118.5 x 99 cm)
Christie's