Antonio (1523) Campi Paintings & Artwork for Sale | Antonio (1523) Campi Art Value Price Guide

Nov. 27, 2024
Campi, Antonio: Mucius Scaevola
Est: €2,600 - €3,500
nach. Mucius Scaevola, seine Hand ins Feuer haltend. Holzschnitt. 12,9 x 11,2 cm. Nagler, Die Monogrammisten I, 1068, 3. Der sehr seltene Holzschnitt nach einer Vorlage des Antonio Campi gehört einer Werkgruppe von sieben Holzschnitten nach Inventionen des Künstlers an, die zwischen 1543 und 1547 von wenigstens drei in Cremona tätigen Formschneidern angefertigt wurden. Das kleine, delikate Blatt ist offenbar nur als Linienblock überliefert. Die Eleganz der Linienführung ist noch ganz der Formenwelt Parmigianinos verpflichtet. Für eine ausführliche Würdigung siehe J. Bober, in: The chiaroscuro woodcut in Renaisance Italy, Los Angeles 2018, Kat. Nrn. 82-84, S. 201-204. Ausgezeichneter, kräftiger Druck mit gleichmäßigem Rändchen. Minimale Alterspuren, kleine Ausbesserung in der rechten oberen Ecke, sonst sehr gut erhalten. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Sep. 26, 2024
Antonio Campi (1523 - 1587), the Holy Family, pen
Est: £1,000 - £1,500
Antonio Campi (1523 - 1587), the Holy Family, pen and brown ink, brown wash heightened with white on brown paper, 187mm x 169mm, mounted, provenance: Sotheby's sale 3rd July 1990 Lot 25
Burstow & Hewett
Jul. 02, 2024
GIACOMO VALEGIO (ACTIVE 1574-1587) AFTER ANTONIO CAMPI (1524-1587). The Cru
Est: - £5,000
GIACOMO VALEGIO (ACTIVE 1574-1587) AFTER ANTONIO CAMPI (1524-1587). The Crucifixion with Scenes from the Passion of Christ. Sheet 633 x 790 mm. (overall).
Christie's
Jun. 13, 2024
Antonio Campi 1522 Cremona-1587 Cremona Studi di figure e anatomici
Est: €2,500 - €3,500
reca in basso al centro monogramma "M.A.B." reca in alto a destra antico numero di inventario
Cambi Casa d'Aste
Jun. 27, 2023
Antonio Campi Orazione nell'orto
Est: €3,000 - €4,000
.
Cambi Casa d'Aste
Dec. 06, 2022
Antonio Campi: Portrait of a clock collector
Est: €35,000 - €70,000
Antonio Campi Portrait of a clock collector c. 1550 oil on canvas 110.5 x 77 cm collection Wilhelm Ofenheim (1860-1932), Vienna; private collection, Vienna Stephan Poglayen-Neuwall, The Wilhelm Ofenheim Collection, in: Apollo. A Journal of the Arts, August 1930, p. 128, b/w-ill. IV (as "by an imitator of G.W. Moroni") The outstanding portrait was previously known to researchers only through a black-and-white illustration published in 1930. Marco Tanzi was now able to identify it as the work of Antonio Campi and described it as an authentic masterpiece and an important contribution to Cremonese portraiture in the 16th century. Antonio Campi came from one of the most important artistic families in Cremona. He was the son of Galeazzo Campi (c. 1475-1536) and the brother of Giulio (1502-1572) and Vincenzo (1536-1591) Campi, with whom he had a significant influence on Cremonese painting. In addition to religious works, such as the altarpiece of the "Holy Family with St. Jerome and a Donor (Guibaldo Possevino)", dated 1546, Antonio Campi's activity as a sought-after portraitist is already documented in contemporary sources. In 1584, for example, Alessandro Lamo reports on a portrait by Campi depicting "Danese Filiodoni", the mayor of Cremona, senator and grand chancellor of the state of Milan. Also, in the book "Cremona fedelissima città et nobilissima colonia de romani..." published by Antonio Campi in 1585 and dedicated to his hometown, portraits of the leading figures are presented alongside views. Based on the modelling of the facial features and the painterly realisation, this painting is particularly close to Campi's "Portrait of a Prelate" in the Gallerie Spada, Rome, and "Portrait of an Elderly Nobleman" in private ownership. These characteristic affinities are also visible in the "Portrait of a Young Man from the Piperari Family", although the one sitter looks dreamily into the void and the watch collector deliberately faces the painter and viewer 'as if looking into a camera'. An equally haunting gaze is found in the 'Portrait of an Elderly Man with Letter and Gloves', now in the Cleveland Museum of Art, Cleveland. (cf. M. Tanzi, Antonio Campi: il Ritratto di prelato n. 182 della Galleria Spada, in: Studi di Storia dell'arte in onore di Fabrizio Lemme, ed. by F. Baldassari, A. Agresti, Rome 2017, pp. 81-88, figs. 1,2,3 & 5). Marco Tanzi dates the painting around the mid-16th century. However, he points out that it appears even more powerful and at the same time more sensitive than the works mentioned above, with a direct approach and no concessions to the idealisation of the sitter; truly executed according to nature, yet skilfully flattering ("Il Ritratto di collezionista di orologi di Antonio Campi è un dipinto allo stesso tempo più gagliardo e sensibile rispetto alle opere appena menzionate, con un approccio diretto e senza concessioni all'idealizzazione all'effigiato e contrassegnato sì dal vero di natura, ma come ancora attento alle lusinghe sofisticate della maniera. "). It shows the typical influences that shaped Cremonese painting: on the one hand, the exchange with artists from Bergamo, such as Lorenzo Lotto (1480-1557) and Giovanni Battista Moroni (c. 1520-1579); on the other hand, the openness to Flemish painting, so much so that the great art historian Roberto Longhi also referred to Cremona in the past as the "little Antwerp" of Lombardy in the 16th century. In the three-quarter portrait, the sitter looks directly at the viewer as he is captured in the intimate moment when he carefully attends to his precious collection items and is about to open the table clock. He is dressed in sumptuous garb - a black beret and fur-lined robe while his silver-grey shirt with white lace at the neck and sleeves emerging from beneath. His gaze and gestures, as well as the skilful play of chromatics, set him apart from the grey and undefined background. The viewer's eye is drawn by the bright green velvet cloth to the proudly presented precious objects in the lower right corner of the picture. The two rare watches are obviously representative of the respectable collection of a distinguished personality. The first is a spherical pomander clock - an early pocket watch that developed from a pomander. Probably the oldest completely preserved example can be found today in the Walters Art Museum - the so-called Melanchthon clock made in 1530. The second piece is a table clock with a horizontal dial, probably kept in a case for protection. Comparable clocks from the 16th century can be found, for example, in the Metropolitan Museum, New York (Inv. 29.52.4) or in the Louvre, Paris (Inv. OA 675). Nuremberg is considered to be the major production centre of clocks and other scientific instruments in the early modern period. However, in addition to French production sites, northern Italy, specifically Cremona, was also home to some important clockmakers, astrologers, and manufacturers of scientific instruments. This portrait should therefore be seen not only as a painterly jewel of the art of portraiture, but also as a historical document of the development and appreciation of the clock as a collector's item.
Im Kinsky
Nov. 24, 2021
Antonio Campi – Studienblatt für eine Inspirationsgruppe (Study for an inspiration group)
Est: €3,000 - €4,000
Brown ink on laid paper. 20 x 26.9 cm. With studies of male nudes in brown ink on the reverse.
Karl & Faber
May. 25, 2021
Antonio Campi (Cremona 1525-1587)) - Saint John the Baptist in a landscape, 1584
Est: €28,000 - €32,000
oil on canvas signed and dated lower: ANTONIUS CAMPUS / EQUES CREMONEN: / SIS FA. AN 1584
Finarte
Dec. 11, 2020
Antonio Campi (Cremona 1524-1587), attribuito a, Il Martirio di Cristo
Est: €2,000 - €2,500
olio su tela, cm 132x95
Cambi Casa d'Aste
Nov. 28, 2017
Antonio Campi (Cremona 1525 - 1587)
Est: €4,000 - €6,000
Busto di Cristo olio su tavola, cm 46,5 x 36 1
Finarte Roma
Apr. 01, 2011
ANTONIO CAMPI (CREMONA 1523-1587)
Est: €2,500 - €3,500
ANTONIO CAMPI (CREMONA 1523-1587) Etude d'une figure en chute libre avec numérotation '3.' pierre noire et craie blanche, sur papier bleu 159 x 140 mm.
Christie's
Jan. 27, 2011
ANTONIO CAMPI
Est: $150,000 - $200,000
ANTONIO CAMPI CREMONA 1524 - 1587 PORTRAIT OF A MAN, HALF-LENGTH, POINTING AT A HEBREW TABLET oil on canvas 39 1/2 by 32 1/8 in.; 100.4 by 81.6 cm.
Sotheby's
Dec. 11, 2009
Antonio Campi (Cremona 1523-1587)
Est: £1,000 - £1,500
Antonio Campi (Cremona 1523-1587) Figure studies for the Adoration of the Shepherds (recto); Study of a man's legs for the Adoration of the Shepherds (verso) with inscription 'Cavυr: Anto. Campo.' black and white chalk, unframed 11 x 8 1/8 in. (28 x 20.7 cm.); and nine other drawings by various hands (10)
Christie's