Francisco Camilo Sold at Auction Prices

Painter, b. 1615 - d. 1671

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    • FRANCISCO CAMILO Madrid 1615 - 1671 Allegory ...
      Jul. 02, 2024

      FRANCISCO CAMILO Madrid 1615 - 1671 Allegory ...

      Est: -

      FRANCISCO CAMILO Madrid 1615 - 1671 Allegory of the Death of the Christian knight Oil on canvas Measurements 90.5 x 68 cm

      Subastas Segre
    • Attributed to FRANCISCO CAMILO (Madrid 1610–1671). "The Trinity", Oil on canvas. Relained. It presents faults and losses on the pictorial surface.
      Jun. 22, 2023

      Attributed to FRANCISCO CAMILO (Madrid 1610–1671). "The Trinity", Oil on canvas. Relained. It presents faults and losses on the pictorial surface.

      Est: €10,000 - €12,000

      Attributed to FRANCISCO CAMILO (Madrid 1610-1671). "The Trinity", Oil on canvas. Re-drawn. It presents faults and losses on the pictorial surface. Measurements: 145,5 x 102 cm. On a vaporous background dominated by a break of glory, the artist unfolds the devotional image starring the Trinity. The dove of the Holy Spirit, God the Father and Jesus Christ. The work departs from the usual representation of this theme, which is based on a simple composition. The scene becomes complex with the presence of several little angels, cherubs and an angel holding Christ's cross, as well as the orb and the serpent alluding to original sin and the iconography of the Virgin, specifically the invocation of the Immaculate Conception, although this is not found in the image. The scene presents Jesus in the centre, showing the wounds on his hands and with the cross on his back, although he is no longer on it, thus indicating that he has risen from the dead. The upper area is dominated by the dove opening its wings and crowning the scene, while on the right God the Father can be seen in profile to the viewer looking at his son. The scene, which stands out for the darkness of the ochre tones, is notable for the great theatricality of the gestures and even the way in which the painter composes the scene, a device very much in keeping with the Baroque taste, which sought to overwhelm the faithful. Devotional works of this type were very common in Counter-Reformation Europe. The Madrid school emerged around the court of first Philip IV and then Charles II, and developed throughout the 17th century. Analysts of this school have insisted on considering its development as a result of the binding power of the court; what is truly decisive is not the place of birth of the different artists, but the fact that they were educated and worked around and for a nobiliary and religious clientele based next to royalty. This allows and favours a stylistic unity, even though there are the logical divergences due to the personalities of those involved. In this particular case the work is aesthetically close to the painting of Francisco Camilo, who was a Spanish painter, the son of an Italian who settled in Madrid. When his father died, his mother remarried and Camilo became the stepson of the painter Pedro de las Cuevas. De las Cuevas raised Camilo as his own son, teaching him to paint. At the age of 18, Camilo was asked to paint an image of Saint Francis Borgia for the main altar of the Jesuit house in Madrid. The Count-Duke of Olivares commissioned Camilo to paint a series of pictures of Kings of Spain for the Buenretiro theatre. The Count-Duke also chose Camillo to decorate the western gallery of the palace with 14 frescoes of Ovid's Metamorphoses. Primarily a painter of religious works, Camillo painted for the monasteries of Madrid, Toledo, Alcalá and Segovia. He painted and dressed part of Manuel Pereyra's statuary.

      Setdart Auction House
    • Jugador de fútbol
      Dec. 20, 2022

      Jugador de fútbol

      Est: -

      Firmada "Milo". Se adjunta certificado CITES.

      Isbilya Subastas
    • FRANCISCO CAMILO Madrid 1615 - 1671
      Dec. 15, 2020

      FRANCISCO CAMILO Madrid 1615 - 1671

      Est: -

      Holy Family with Saint Elizabeth Oil on canvas Size 136 x 105 cm

      Subastas Segre
    • ATTRIBUTED TO FRANCISCO CAMILO - San Francisco de Paula and San Vicente Ferrer
      Oct. 22, 2019

      ATTRIBUTED TO FRANCISCO CAMILO - San Francisco de Paula and San Vicente Ferrer

      Est: -

      ATTRIBUTED TO FRANCISCO CAMILO Madrid 1615 - 1671 San Francisco de Paula and San Vicente Ferrer Oil on canvas (two) Size 24.5 x 21 cm each

      Subastas Segre
    • ATTRIBUTED TO FRANCISCO CAMILO (Madrid, 1615 - Madrid, 1673). Oil on canvas
      Jan. 25, 2017

      ATTRIBUTED TO FRANCISCO CAMILO (Madrid, 1615 - Madrid, 1673). Oil on canvas

      Est: -

      ATRIBUIDO A FRANCISCO CAMILO (Madrid, 1615 - Madrid, 1673) San Carlos Borromeo Óleo sobre lienzo 66 x 53 cm

      Isbilya Subastas
    • *FRANCISCO CAMILO (MADRID 1615-1671)
      Apr. 27, 2016

      *FRANCISCO CAMILO (MADRID 1615-1671)

      Est: £2,000 - £3,000

      *FRANCISCO CAMILO (MADRID 1615-1671) The Ecstasy of Saint Teresa signed and dated ‘franco. Camillo fa.at Ao 1664’ (on step, lower left) oil on canvas 73.8 x 56.8cm (29 1/16 x 22 3/8in).

      Bonhams
    • San Carlos Borromeo
      Apr. 06, 2016

      San Carlos Borromeo

      Est: -

      ATTRIBUTED TO FRANCISCO CAMILO (1615 - 1673, Madrid), San Carlos Borromeo 66 x 53 cm

      Isbilya Subastas
    • FRANCISCO CAMILO | The Annunciation
      Oct. 27, 2015

      FRANCISCO CAMILO | The Annunciation

      Est: £10,000 - £15,000

      oil on canvas

      Sotheby's
    • FRANCISCO CAMILO | The Annunciation
      Apr. 29, 2015

      FRANCISCO CAMILO | The Annunciation

      Est: £20,000 - £30,000

      oil on canvas

      Sotheby's
    • Francisco Camilo (Madrid 1635-1671)
      May. 25, 2005

      Francisco Camilo (Madrid 1635-1671)

      Est: $15,000 - $20,000

      Saint Anthony Abbot oil on canvas 56 1/4 x 36 1/2 in. (142.9 x 92.7 cm.)

      Christie's
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