José Camarón y Boronat Paintings & Artwork for Sale | José Camarón y Boronat Art Value Price Guide

Nov. 28, 2024
ATRIBUIDO A JOSÉ CAMARÓN Y BORONAT (Segorbe (Castellón), 1731 - Valencia, 1803), Retrato de dama con flor
Est: €280 - €360
.
Isbilya Subastas
Oct. 23, 2024
Valencian School, 18th Century, after José Camarón Boronat (Segorbe, Castellón, 1731 - Valencia, 1803) “Virgin of the Light”
Est: €2,000 - €2,500
Valencian School, 18th Century, after José Camarón Boronat (Segorbe, Castellón, 1731 - Valencia, 1803) “Virgin of the Light” Oil on canvas 33 x 42 cm 2.000 - 2.500 €
Greco Subastas
Oct. 09, 2024
Important Pietà, José Camarón Bonanat (or Boronat) (Segorbe, Castellón, May 18, 1731-Valencia, July 14, 1803)
Est: €10,000 - €12,000
Oil on canvas, total measurements with frame: 103 x 83 cm. Provenance: property of an important private collection in Barcelona, lots 270 to 318 (both inclusive). Bibliography: Rodríguez Culebras, Ramón, José Camarón Boronat, 1731-1803: Ein valenzianischer Maler zur Zeit Goyas, Munich, Dissertations und Fotodruk, 1968.
Templum Fine Art Auctions
Sep. 24, 2024
JOSE CAMARON Y BORONAT Segorbe (Castellon) (1730) / Valencia (1803) "The Pharaoh giving Asenath as his wife to Joseph" and "Abraham and Melchizedek", around 1756-60
Est: €30,000 - €40,000
Pair of oil paintings on canvas These works were probably part of the set of 46 canvases that Camaron made for the choir of the Vall de Crist charterhouse, in Castellon. The canvases were located on each of the walls of the seats occupied by the Carthusian fathers and which he made from 1750 to 1960. The group was dispersed throughout the 19th century with the French invasion first, and the confiscation of MLateizabal later. Both scenes refer to passages from Genesis and represent a very good example of the quality of the painter from his beginnings, which led him to be named an academic of merit at the Royal Academy of Fine Arts of San Fernando in 1772. Measurements: 75 .5 x 45 cm (ochavado) each
Ansorena
Sep. 12, 2024
Important Pietà, José Camarón Bonanat (or Boronat) (Segorbe, Castellón, May 18, 1731-Valencia, July 14, 1803)
Est: €10,000 - €12,000
Oil on canvas, total measurements with frame: 103 x 83 cm. Provenance: property of an important private collection in Barcelona, lots 270 to 318 (both inclusive). Bibliography: Rodríguez Culebras, Ramón, José Camarón Boronat, 1731-1803: Ein valenzianischer Maler zur Zeit Goyas, Munich, Dissertations und Fotodruk, 1968.
Templum Fine Art Auctions
Jul. 25, 2024
Important Pietà, José Camarón Bonanat (or Boronat) (Segorbe, Castellón, May 18, 1731-Valencia, July 14, 1803)
Est: €10,000 - €12,000
Oil on canvas, total measurements with frame: 103 x 83 cm. Provenance: property of an important private collection in Barcelona, lots 270 to 318 (both inclusive). Bibliography: Rodríguez Culebras, Ramón, José Camarón Boronat, 1731-1803: Ein valenzianischer Maler zur Zeit Goyas, Munich, Dissertations und Fotodruk, 1968.
Templum Fine Art Auctions
Jun. 25, 2024
JOSE CAMARON Y BORONAT Segorbe (Castellon) (1730) / Valencia (1803) "Gallant scene with two majas and a majo smoking a cigarette"
Est: €6,000 - €8,000
Pen, sepia ink and brush wash on paper. Adhered to a second support in laid paper. Filigree with unidentified tower on the left side. This work is a magnificent example of Jose Camaron's production on paper. The painter frequently represented this type of traditional scenes with a festive tone starring “damsels, masks and figures of grace, grace and graceful composition.” Evocative of the French Rococo, in the manner of Watteau, the dances and love affairs of these characters Spanishized as majos and majas, develop their actions in the middle of a landscape, with no other pretensions than to show the viewer a pleasant and decorative scene. Measurements: 21 x 15 cm.
Ansorena
Mar. 21, 2024
Exquisite and decorative portrait of a Valencian Lady, 18th century Spanish school, style of José Camarón y Bonarat (Segorbe 1731 – Valencia 1803)
Est: €2,000 - €3,000
Oil on canvas measures: 82 x 62 cm, good condition, requires cleaning. Son of a family of artists, his father, Nicolás, worked as a sculptor for the Segorbe cathedral and for the Jesuit church in the same city. His mother, Damiana, was the sister of the miniaturist Eliseo Bonanat. Married in 1758 to Juliana Meliá, he had five children, who also dedicated themselves to the arts: José Ventura (Segorbe, 1759), José Juan (Segorbe, 1760 – Madrid, 1819), Manuel (Valencia, 1763 – Segorbe, 1806), Rafael (Valencia, 1772) and Eliseo (Valencia, 1780). José Camarón received his first humanist training from the Jesuits of Segorbe and his artistic training in the workshop of his father and his uncle, Mosén Eliseo Bonanat. F. Benito Domènech, Drawings by José Camarón Boronat on the life of Saint Joseph, Madrid, Instituto Diego Velázquez, 1987; R. Rodríguez Culebras, “Notes on some paintings from the Chapel of the University of Valencia”, in VV. AA., The Chapel of the University of Valencia, Valencia, 1990, pp. 125-136; AJ Gasco Sidro, Painters of Castellón: the Academy and the Camarón, Castellón, 1996; R. Rodríguez Culebras, “José Camarón. Drawings and engravings”, in VV. AA., Shrimp. Drawings and engravings, exhibition catalogue, Valencia, Bancaja Foundation, 1999; M. Hurtado Urrutia, "Our artists of yesterday, (A little explored territory)", in E. Cortijo (ed.), The mysteries of Cáceres, Cáceres, Chamber of Commerce and Industry of Cáceres, 1998, pp. 175-177.
Templum Fine Art Auctions
Feb. 06, 2024
JOSE CAMARON Y BONANAT - Coastal view at sunset
Est: -
JOSE CAMARON Y BONANAT Segorbe, Castellón 1731 - Valencia 1803 Coastal view at sunset. H. 1790 Oil on canvas Measurements 69 x 90.5 cm Important and delicate landscape that must have been part of a series of views painted by Camarón around 1790. These works are clearly pre-romantic. Very close to the aesthetics of the sublime, they mix topographical and artistic description with idealized overtones that were very fashionable in the France of Louis XV. Its dating can be compared with a small format landscape in a private collection in Madrid, signed and dated 1796. A "View of a Mediterranean port" (oil on canvas, 69 x 90 cm.) from the Museum of Fine Arts of Valencia and “Landscape with three hunters resting” (oil on canvas, 70 x 91cm.) from Madrid trade. With them they also share the dimensions, the treatment of the figures and numerous details of the backgrounds. Camarón is one of the few Spanish artists of the 18th century who cultivated the landscape, being greatly admired by his contemporaries. As the Baron of Alcahalí points out, “a rare thing was also in this artist the gift of covering with equal ease and correctness genres as different as the figure and the landscape, because if his religious paintings are notable, the landscapes cause no less admiration than as precious jewel, kept by some intelligent fans.” An example is the Marquis of Almunia "who, with the artistic competence that distinguishes him, preserves and esteems two very beautiful paintings of this genre for what they are worth" or the queen's diamond artist, Leonardo Chopinot, who had four landscapes by Camarón in his collection or the English ambassador who “admired the prodigious color of his landscapes, had to spend a long time with his brushes.” We thank the researcher Adela Espídos Díaz for her help in cataloging this work. Bibliography: Adela Espídos, Jose Camarón Bononat 1731-1803, Valencia, 2005, p. 217, pl. 1. This work has an export permit.
Subastas Segre
Dec. 14, 2023
JOSÉ CAMARÓN BORONAT (Segorbe, Castellón, 1731 - Valencia, 1803). "Apparition of the Virgin". Oil on canvas. Later stretcher frame. With old restorations on the back.
Est: €8,000 - €10,000
JOSÉ CAMARÓN BORONAT (Segorbe, Castellón, 1731 - Valencia, 1803). "Apparition of the Virgin". Oil on canvas. Later stretcher frame. With old restorations on the back. Measurements: 188 x 108,5 cm. The image of this devotional canvas is related to a passage of the life of San Francisco that represents a miraculous apparition of the Virgin with the child to the saint. The author represents the saint kneeling and with a book in his hand, abstracted in his gaze. The apparition is celestial, with the Virgin surrounded by fluttering cherub heads and an angel next to her. The careful workmanship of sober and balanced tonalities stands out, drawing the fine features of the characters in a sober and distinguished way. Painter, engraver and illustrator, José Camarón Boronat was one of the most outstanding Valencian painters of the second half of the 18th century. He came from a family of artists, and was the father of the painter José Camarón Meliá. He began his training with his father, the sculptor Nicolás Camarón, and continued his studies under the direction of his uncle Eliseus Camarón, a painter of miniatures who transmitted to him a virtuoso detail. Later, for a brief period of time, he studied with the rococo painter Miguel Posadas. In 1749 he moved to Valencia, where he remained until 1752, when he went to Madrid to complete his training. It is believed that he attended the workshop of the Valencian Francisco Bonay and, perhaps, the classes of the Academy of San Fernando, where Corrado Giaquinto left his mark on his style. In his first stage, Camarón Boronat dedicated himself to landscape painting, miniatures and copies of Baroque masters such as Titian, Rubens, Van Dyck and Murillo. In 1754 he returned to Valencia, where he was appointed professor of painting at the newly created Academy of Santa Barbara. Years later, in 1762, the Academy of San Fernando in Madrid accepted him as a member of merit, and in 1768 he was among the founders of the Academy of San Carlos, where he was first professor of painting and later general director. Camarón Boronat was a good teacher and a prolific painter, who dealt with all genres: he made numerous religious and profane paintings, allegories, portraits, landscapes and seascapes. He also covered a variety of techniques, from easel painting and miniature to fresco and pastel, so important in the Rococo period. Among his religious commissions were the twenty altarpieces he painted in the eighties for the cathedral of Valencia, or his series of San Francisco el Grande in Madrid. However, it was his genre themes that were the most successful and innovative part of his work; his paintings of this type stand out for their festive character and stylized figures, from which emanates a Spanish rococo charm, built on careful brushstrokes and cheerful tones. Camarón Boronat also made numerous drawings for prints, some of which he engraved himself, such as the thirty-one plates for the 1777 edition of Don Quixote. He is currently represented in the Prado Museum, the Lázaro Galdiano in Madrid and the National Library, among other public and private collections.
Setdart Auction House
Mar. 28, 2023
JOSE CAMARON Y BONANAT - Coastal view at sunset
Est: -
JOSE CAMARON AND BONANAT Segorbe, Castellón 1731 - Valencia 1803 Coastal view at sunset. H. 1790 Oil on canvas Measures 69 x 90.5 cm Important and delicate landscape that must have been part of a series of views painted by Camarón around 1790. These works are clearly pre-romanticist. Very close to the aesthetics of the sublime, they mix the topographical and artistic description with idealized overtones that were very fashionable in the France of Louis XV. Its dating can be compared with a small-format landscape in a private collection in Madrid, signed and dated 1796. A "View of a Mediterranean port" (oil on canvas, 69 x 90 cm.) by the artist must have belonged to the same series. Museum of Fine Arts of Valencia and "Landscape with three hunters resting" (oil on canvas, 70 x 91cm.) from a Madrid business. They also share with them the dimensions, the treatment of the figures and numerous details of the backgrounds. Camarón is one of the few Spanish artists of the 18th century who cultivated the landscape, being highly admired by his contemporaries. As the Baron de Alcahalí points out, “a rare thing was also in this artist the gift of covering genres as different as the figure and the landscape with the same ease and accuracy, because if his religious paintings are notable, the landscapes cause no less admiration than as precious jewel, they keep some intelligent fans”. An example is the Marquis de la Almunia "who, with the artistic competence that distinguishes him, conserves and esteems the value of two beautiful paintings of this genre" or the queen's diamond cutter, Leonardo Chopinot, who had four landscapes by Camarón in his collection or the English ambassador who "admired the prodigious colors of his landscapes, had to spend a long time with his brushes". Bibliography: Adela Espinós, Jose Camarón Bononat 1731-1803, Valencia, 2005, p. 217, plate. 1.
Subastas Segre
Mar. 28, 2023
JOSE CAMARON Y BONANAT - The Immaculate Conception crowned by the Trinity
Est: -
JOSE CAMARON AND BONANAT Segorbe, Castellón 1731 - Valencia 1803 The Immaculate Conception crowned by the Trinity Oil on canvas Size 62.5 x 46 cm Work Acquired at: - Manuel Barbié Art Gallery, reg. R-887 5 (see label on the back) - Private collection.
Subastas Segre
Dec. 14, 2022
JOSE CAMARON AND BORONAT Segorbe (Castellón) (1730) / Valencia (1803) "La Divina Pastora"
Est: €18,000 - €24,000
Oil on canvas. Measurements: 90 x 62 cm.
Ansorena
Dec. 14, 2022
JOSE CAMARON Y BORONAT Segorbe (Castellón) (1730) / Valencia (1803) "Virgin with Child"
Est: €9,000 - €12,000
Pen. Ink and sepia wash on laid paper. Provenance: Collection of the engraver Miguel Martí Esteve. Bibliography and exhibitions: Espinós, A., "The Miguel Martí Esteve collection. Valencian drawings from the 17th to the 19th century", exhibition catalogue, from April 1 to June 24, Barcelona, 2016, no.13. Measurements: 20.5 x 14.7 cm.
Ansorena
Jun. 22, 2022
JOSÉ CAMARÓN BORONAT (Segorbe, Castellón, 1731 – Valencia, 1803). No title. Oil on canvas. Relined. Presents restorations. It has a 19th century frame.
Est: €25,000 - €30,000
JOSÉ CAMARÓN BORONAT (Segorbe, Castellón, 1731 - Valencia, 1803). Untitled. Oil on canvas. Re-drawn. It has restorations. It has a 19th century frame. Measurements: 75,5 x 45 cm; 82 x 52 cm (frame). Pair of oil on canvas representing scenes from the Old Testament, perhaps probably referring to the life of Joseph, son of Jacob. This theory can be reinforced by the inscription on one of the paintings "Dedit illi Pharao", which means that the pharaoh orders it. Both pieces have a similar format, based on verticality and a very fluid and sinuous aesthetic finish that can be seen especially in the treatment of the canvases and the elongation of the anatomy. A painter, engraver and illustrator, José Camarón Boronat was one of the most outstanding Valencian painters of the second half of the 18th century. He came from a family of artists and was the father of the painter José Camarón Meliá. He began his training with his father, the sculptor Nicolás Camarón, and continued his studies under the guidance of his uncle Eliseus Camarón, a painter of miniatures who taught him virtuoso detail. Later, for a brief period, he studied with the Rococo painter Miguel Posadas. In 1749 he moved to Valencia, where he remained until 1752, when he went to Madrid to complete his training. It is thought that he attended the workshop of the Valencian painter Francisco Bonay and perhaps the classes at the San Fernando Academy, where Corrado Giaquinto left his mark on his style. In his first period, Camarón Boronat devoted himself to landscape painting, miniatures and copies of Baroque masters such as Titian, Rubens, Van Dyck and Murillo. In 1754 he returned to Valencia, where he was appointed professor of painting at the recently created Academy of Santa Bárbara. Years later, in 1762, the San Fernando Academy in Madrid accepted him as a member of merit, and in 1768 he was among the founders of the San Carlos Academy, where he was first professor of painting and later director general. Camarón Boronat was a good teacher and a prolific painter, who worked in all genres: he produced numerous religious and secular paintings, allegories, portraits, landscapes and seascapes. He also covered a wide range of techniques, from easel painting and miniatures to fresco and pastel, so important in the Rococo period. His religious commissions include the twenty altarpieces he painted in the 1980s for Valencia cathedral and his series of San Francisco el Grande in Madrid. However, it was his genre themes that were the most successful and innovative part of his oeuvre; his paintings of this type are notable for their festive character and stylised figures, from which emanates a Spanish-style Rococo charm, built up by means of careful brushstrokes and cheerful tones. Camarón Boronat also produced numerous drawings for prints, some of which he engraved himself, such as the thirty-one plates for the 1777 edition of Don Quixote. He is currently represented in the Prado Museum, the Lázaro Galdiano in Madrid and the National Library, among other public and private collections.
Setdart Auction House
Jun. 20, 2019
JOSÉ CAMARÓN Y BORONAT (1731-1803). "LADY"
Est: €4,500 - €5,850
JOSÉ CAMARÓN Y BORONAT (1731-1803). Watercolour on paper. Signed on the lower left corner. Rust stains. 19,5 x 14 cm.; 51 x 44,5 cm. (frame).
Subarna Subastas
Apr. 02, 2019
JOSE CAMARON Y BONANAT - “El faraón dando a Asenat por esposa a José”.
Est: €12,000 - €18,000
JOSE CAMARON Y BONANAT Segorbe, Castellón 1731 - Valencia 1803 “El faraón dando a Asenat por esposa a José”. M. 1756-1760 Oil on canvas Measurements 75.5 x 45 cm PROVENANCE: - Vall de Crist Charterhouse, Castellón, h. 1756. - Private collection, Madrid. The pair of oil paintings by José Camarón and Bonanat composed of “Abraham y Melquisedec” and “El faraón dando a Asenat por esposa a José” is part of a set of works that, in all likelihood, belonged to the choir of the Charterhouse of Vall de Crist (Castellón, founded in 1385). Camarón was commissioned to decorate 46 canvases with each of the heads of the seats occupied by the Carthusian fathers in the late 1750s. The scene described by “Abraham and Melquisedec” refers to the passage from the Book of Genesis (14: 18-24), Psalm 110 and Epistle to the Hebrews, which alludes to heavenly food. A victorious Abraham offers part of his plunder to Melchizedek, High Priest, king and prophet of Salem city who, gratefully, brings bread and wine to bless him in an act that is conceived as a prefiguration of the Last Supper and, therefore, of the Eucharist. With regard to “El faraón dando a Asenat por esposa a José” also makes reference to the Book of Genesis (41:45), specifically, to the episode in the life of Patriarch Joseph in which reference is made to one of Pharaoh's dreams and how he gave her as a wife Asenat, daughter of the priest of On Potiphar. Undoubtedly, this set is an exceptional testimony of the beginnings of José Camarón Bonanat and opens the possibility of recognizing, a little better, the artistic merits that led him to be appointed honourable academician of the Royal Academy of Fine Arts of San Fernando in 1772. But unfortunately, the perilous vicissitudes of the artistic heritage of the charterhouse throughout the 19th century caused the complete dispersion of this heritage and today it is practically impossible to reconstruct the exact provenance of Camarón's works for this charterhouse. Alejandro Martínez
Subastas Segre
Apr. 02, 2019
JOSE CAMARON Y BONANAT - “Abraham y Melquisedec”
Est: €12,000 - €18,000
JOSE CAMARON Y BONANAT Segorbe, Castellón 1731 - Valencia 1803 “Abraham y Melquisedec”. M. 1756-1760 Oil on canvas Measurements 75.5 x 45 cm Origin: - Vall de Crist Charterhouse, Castellón, m. 1756. - Private collection, Madrid.
Subastas Segre
Oct. 26, 2017
ATTRIBUTED TO JOSÉ CAMARÓN Y BORONAT, Retrato dama con flor. Oil on canvas
Est: -
Retrato dama con flor ATRIBUIDO A JOSÉ CAMARÓN Y BORONAT (Segorbe (Castellón), 1731 - Valencia, 1803) Retrato dama con flor
Isbilya Subastas
May. 26, 2016
José Camarón Boronat Segorbe 1731 - Valencia 1803 The Wise and the Foolish Virgins
Est: €30,000 -
José Camarón Boronat Segorbe 1731 - Valencia 1803 The Wise and the Foolish Virgins Pair of oil on canvas paintings La Biblioteca Nacional de España conserva un dibujo preparatorio del de las Vírgenes necias (nº inv. DIB/15/89/36), con indicaciones de los colores que debía tener este óleo. Con marcos de época en madera dorada. Procedencia: colección de la familia Jáudenes, Condes de Zanoni. Bibliografía de referencia: Xavier de Salas, "Unas obras del pintor Paret y Alcázar y otras de José Camarón". A.E.A. 1961, nº 133, p. 258 y 260; Adela Espinós, "José Camarón Bonanat 1731-1803", Valencia, Generalitat Valenciana, 2005, p. 141, fig. 3 110x86,5 cm José Camarón Boronat Segorbe 1731 - Valencia 1803 Las vírgenes sabias y Las vírgenes necias Pareja de óleos sobre lienzo La Biblioteca Nacional de España conserva un dibujo preparatorio del de las Vírgenes necias (nº inv. DIB/15/89/36), con indicaciones de los colores que debía tener este óleo. Con marcos de época en madera dorada. Procedencia: colección de la familia Jáudenes, Condes de Zanoni. Bibliografía de referencia: Xavier de Salas, "Unas obras del pintor Paret y Alcázar y otras de José Camarón". A.E.A. 1961, nº 133, p. 258 y 260; Adela Espinós, "José Camarón Bonanat 1731-1803", Valencia, Generalitat Valenciana, 2005, p. 141, fig. 3 110x86,5 cm
Balclis
Jan. 26, 2011
José Camarón y Boronat (Segorbe 1731-1803 Valencia)
Est: $100,000 - $150,000
José Camarón y Boronat (Segorbe 1731-1803 Valencia) An elegant couple dancing the bolero; and Elegnat figures in a landscape oil on canvas 17¾ x 22 in. (45 x 56 cm.) a pair (2)
Christie's
Dec. 15, 2010
ATTRIBUÉ à JOSE CAMARON Y BORONAT (1731-1803) La Danseuse Toile. H_33 cm L_25 cm
Est: €4,000 - €5,000
ATTRIBUÉ à JOSE CAMARON Y BORONAT (1731-1803) La Danseuse Toile. H_33 cm L_25 cm
Pierre Bergé & Associés
Dec. 15, 2010
ATTRIBUÉ à JOSE CAMARON Y BORONAT (1731-1803) Jeune femme assise Panneau préparé. H_33 cm L_24 cm
Est: €6,000 - €8,000
ATTRIBUÉ à JOSE CAMARON Y BORONAT (1731-1803) Jeune femme assise Panneau préparé. H_33 cm L_24 cm
Pierre Bergé & Associés
Jul. 09, 2009
José Camarón y Boronat , Segorbe 1731 - 1803 Valencia an elegant female dancer, wearing a yellow dress and a blue veil, a servant girl looking on; an elegant female dancer, wearing a pink dress and holding a bunch of flowers a pair, both oil on
Est: £30,000 - £40,000
a pair, both oil on canvas, oval Quantity: 2
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ATRIBUIDO A JOSÉ CAMARÓN Y BORONAT (Segorbe (Castellón), 1731 - Valencia, 1803), Retrato de dama con flor

Valencian School, 18th Century, after José Camarón Boronat (Segorbe, Castellón, 1731 - Valencia, 1803) “Virgin of the Light”

Important Pietà, José Camarón Bonanat (or Boronat) (Segorbe, Castellón, May 18, 1731-Valencia, July 14, 1803)

JOSE CAMARON Y BORONAT Segorbe (Castellon) (1730) / Valencia (1803) "The Pharaoh giving Asenath as his wife to Joseph" and "Abraham and Melchizedek", around 1756-60

Important Pietà, José Camarón Bonanat (or Boronat) (Segorbe, Castellón, May 18, 1731-Valencia, July 14, 1803)

Important Pietà, José Camarón Bonanat (or Boronat) (Segorbe, Castellón, May 18, 1731-Valencia, July 14, 1803)

JOSE CAMARON Y BORONAT Segorbe (Castellon) (1730) / Valencia (1803) "Gallant scene with two majas and a majo smoking a cigarette"

Exquisite and decorative portrait of a Valencian Lady, 18th century Spanish school, style of José Camarón y Bonarat (Segorbe 1731 – Valencia 1803)

JOSE CAMARON Y BONANAT - Coastal view at sunset

JOSÉ CAMARÓN BORONAT (Segorbe, Castellón, 1731 - Valencia, 1803). "Apparition of the Virgin". Oil on canvas. Later stretcher frame. With old restorations on the back.

JOSE CAMARON Y BONANAT - Coastal view at sunset

JOSE CAMARON Y BONANAT - The Immaculate Conception crowned by the Trinity

JOSE CAMARON AND BORONAT Segorbe (Castellón) (1730) / Valencia (1803) "La Divina Pastora"

JOSE CAMARON Y BORONAT Segorbe (Castellón) (1730) / Valencia (1803) "Virgin with Child"

JOSÉ CAMARÓN BORONAT (Segorbe, Castellón, 1731 – Valencia, 1803). No title. Oil on canvas. Relined. Presents restorations. It has a 19th century frame.

JOSÉ CAMARÓN Y BORONAT (1731-1803). "LADY"

JOSE CAMARON Y BONANAT - “El faraón dando a Asenat por esposa a José”.

JOSE CAMARON Y BONANAT - “Abraham y Melquisedec”

ATTRIBUTED TO JOSÉ CAMARÓN Y BORONAT, Retrato dama con flor. Oil on canvas

José Camarón Boronat Segorbe 1731 - Valencia 1803 The Wise and the Foolish Virgins

José Camarón y Boronat (Segorbe 1731-1803 Valencia)

ATTRIBUÉ à JOSE CAMARON Y BORONAT (1731-1803) La Danseuse Toile. H_33 cm L_25 cm

ATTRIBUÉ à JOSE CAMARON Y BORONAT (1731-1803) Jeune femme assise Panneau préparé. H_33 cm L_24 cm

José Camarón y Boronat , Segorbe 1731 - 1803 Valencia an elegant female dancer, wearing a yellow dress and a blue veil, a servant girl looking on; an elegant female dancer, wearing a pink dress and holding a bunch of flowers a pair, both oil on

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