Edward Burtynsky Paintings & Artwork for Sale | Edward Burtynsky Art Value Price Guide

Nov. 06, 2024
EDWARD BURTYNSKY (b.1955) - Carrara Marble Quarries #21
Est: €3,750 - €5,000
Photograph, Carrara, Italy 1993, numbered chromogenic digital print, 3/10, signed and dated 2006 on the back. Dim.:68x86cm.
Marques dos Santos
Oct. 31, 2024
Edward Burtynsky, RCA (b. 1955), OLIVE GROVES #1, JAEN, SPAIN, 2010
Est: $250 - $350
Edward Burtynsky, RCA (b. 1955), Canadian OLIVE GROVES #1, JAEN, SPAIN, 2010 signed, titled, dated, and numbered 9/350 to underside Estimate: $250—350 CAD
Waddington's
Oct. 25, 2024
Edward Burtynsky, Railcuts #2, C.N. Track, Thompson River, British Columbia, Canada
Est: $8,000 - $10,000
Edward Burtynsky Railcuts #2, C.N. Track, Thompson River, British Columbia, Canada 1985 C-print mounted to foamcore image: 39 h x 49 w in (99 x 124 cm) mount: 48 h x 58.25 w in (122 x 148 cm) This work is number 5 from the edition of 5. Provenance: Stefan Ropke Gallery, Cologne | Private Collection This work will ship from Lambertville, New Jersey.
Rago Arts and Auction Center
Oct. 10, 2024
Edward Burtynsky (b. 1955), NICKEL TAILINGS #33, SUDBURY, ONTARIO
Est: $10,000 - $15,000
Edward Burtynsky (b. 1955), Canadian NICKEL TAILINGS #33, SUDBURY, ONTARIO signed, titled, dated, and numbered 3/10 to margin Estimate: $10,000—15,000 CAD
Waddington's
Sep. 26, 2024
Edward Burtynsky (Canadian, b. 1955) Feng Jie #6, Yangtze River China 2002 (from Three Gorges Dam Project)
Est: $2,000 - $3,000
Edward Burtynsky (Canadian, b. 1955) Feng Jie #6, Yangtze River China 2002 (from Three Gorges Dam Project) chromogenic print on Kodak Supra Endura Paper printed 2003; signed in ink and notated 9/10 on label, frame verso 26 3/4 x 34 inches. Property from the Collection of Ellen and Jerry Wolf, Mission Hills, Kansas
Freeman’s | Hindman
Sep. 14, 2024
Edward Burtynsky (1955- ), Bonneville #1, Bonneville Salt Flats, Utah, USA, 2008
Est: $8,000 - $12,000
Title: Edward Burtynsky (1955- ), Bonneville #1, Bonneville Salt Flats, Utah, USA, 2008 Dimensions: 47 5/8 x 59 1/2 Framed Dimensions: 50 x 62 x 1 5/8 Signature: verso: signed
Jackson Hole Art Auction
Jul. 17, 2024
EDWARD BURTYNSKY (b.1955) - Carrara Marble Quarries #21
Est: €4,500 - €6,000
Photograph, Carrara, Italy 1993, numbered chromogenic digital print, 3/10, signed and dated 2006 on the back. Dim.:68x86cm.
Marques dos Santos
Jul. 17, 2024
Edward Burtynsky (b. 1955). Shipbreaking #29, Chittagong, Bangladesh. chrom
Est: $7,000 - $10,000
Edward Burtynsky (b. 1955). Shipbreaking #29, Chittagong, Bangladesh. chromogenic print 39 ½ x 40 ¾ in. (100.3 x 103.5 cm.).
Christie's
Jul. 10, 2024
Edward Burtynsky, Carrara Marble Quarries #11, Carrara, Italy
Est: $9,000 - $12,000
Edward Burtynsky Carrara Marble Quarries #11, Carrara, Italy 1993 C-print mounted to board image: 39 h x 49 w in (99 x 124 cm) mount: 48.125 h x 58 w in (122 x 147 cm) Signed to artist's label to verso 'Edward Burtynsky'. This work is number 3 from the edition of 5. Provenance: The Artist | Nicholas Metivier Gallery, Toronto | Acquired from the previous in 2010 by the present owner This work will ship from Chicago, Illinois.
Los Angeles Modern Auctions
Jun. 12, 2024
EDWARD BURTYNSKY THREE GORGES DAM PROJECT. 2002. ORIGINAL SIGNED CHROMOGENIC COLOUR PRINT. 5/10. MIR
Est: $2,500 - $3,600
EDWARD BURTYNSKY Three gorges dam project. 2002. Original signed Chromogenic colour print. 5/10. Mira Godard gallery receipt. Gallery label. Photograph. Dimensions: Frame Height: 27.5 inches, Frame Width: 44.5 inches. - Image Size: Image Height: 27 inches, Image Width: 34 inches. --- - - We offer curbside delivery to NYC, Manhattan, Close Brooklyn, Hoboken about a week after the auction at reasonable rates. Next Trip June 18. See details at our website. https://www.uniquesandantiques.com/nyc/
Uniques & Antiques
May. 23, 2024
Edward Burtynsky OC, RCA (1955-), Urban Renewal #1,
Est: £3,000 - £5,000
Edward Burtynsky OC, RCA (1955-), Urban Renewal #1, Factory Construction, Outside Shenzen, Guangdong Province, China, 2004, chromogenic colour print from 4 x 5 colour negative, numbered 10/10, signed on label verso 86.5cm x 68.5cm
Cheffins
May. 16, 2024
Edward Burtynsky, RCA (b. 1955), SHIPYARD #13, QILI PORT, ZHEJIANG PROVINCE, CHINA, 2005
Est: $15,000 - $25,000
Edward Burtynsky, RCA (b. 1955), Canadian SHIPYARD #13, QILI PORT, ZHEJIANG PROVINCE, CHINA, 2005 digital chromogenic colourprint signed, titled, dated and numbered 8/9 to label verso image 49 x 39 in — 124.5 x 99.1 cm Provenance: Nicholas Metivier Gallery, Toronto, ON Corporate Collection, Ontario Note: How to explain the great beauty and seductiveness of Edward Burtynsky’s images of destruction? For centuries, humans have been trying to make sense of ruined places, these uneasy landscapes which tend to inspire the sort of deep feelings of impermanence and insignificance that most of us try to keep tucked away in the margins of our waking lives. How do we reconcile the great beauty of this photograph with the environmental price paid? Burtynsky has said that early in his career, he “started thinking about ruins and the kinds of emotions they provoke. Throughout art history the ruin has been a subject of contemplation, of something melancholy and monumental. I think a lot of what I photograph are the ruins of our society, the ruins in the landscape, the things that are left behind.” (1) In the Renaissance, artists and viewers were drawn to Greco-Roman ruins, seeking to form a connection with the monuments of a once-great culture. Instead, Burtynsky presents us with a more angst-filled vista: rather than romantic views of civilizations ravaged by time, Burtynsky asks us to look at the civilization doing the ravaging. Put another way, the scenes Burtynsky depicts are not the great achievements of our age, but rather that which facilitates our greatness. They are views of the overlooked, the willfully forgotten—instead of movie stars, Burtynsky takes us backstage to see the janitors, the popcorn-sweepers, and the minimum-wage cleaners. Eighteenth century historian Edward Gibbon wrote: “if we are more affected by the ruin of a palace than by the conflagration of a cottage, our humanity must have formed a very erroneous estimate of the miseries of human life.” Through Burtynsky’s lens, places that were not supposed to be spaces of reflection or great humanity are allowed to serve as such. Burtynsky notes that his work “function[s] as reflecting pools of our times,”(2) allowing the viewer to arbitrate where these pictures sit on a scale between grandeur and entropy. (1) Michael Torosian, “The Essential Element: An Interview with Edward Burtynsky” in Manufactured Landscapes, ed. Lori Pauli (Ottawa: National Gallery of Canada, 2003), 48 (2) Edward Burtynsky, “Statement,” accessed September 2023, https://www.edwardburtynsky.com/about/statement Estimate: $15,000—25,000
Waddington's
May. 16, 2024
Edward Burtynsky, RCA (b. 1955), CHINA QUARRIES #2, XIAMEN, FUJIAN PROVINCE, 2004
Est: $10,000 - $15,000
Edward Burtynsky, RCA (b. 1955), Canadian CHINA QUARRIES #2, XIAMEN, FUJIAN PROVINCE, 2004 digital chromogenic colour print signed, titled, dated, and numbered 2/5 to label verso image 40 x 50 in — 101.6 x 127 cm Provenance: Nicholas Metivier Gallery, Toronto, ON Corporate Collection, Ontario Note: How to explain the great beauty and seductiveness of Edward Burtynsky’s images of destruction? For centuries, humans have been trying to make sense of ruined places, these uneasy landscapes which tend to inspire the sort of deep feelings of impermanence and insignificance that most of us try to keep tucked away in the margins of our waking lives. How do we reconcile the great beauty of this photograph with the environmental price paid? Burtynsky has said that early in his career, he “started thinking about ruins and the kinds of emotions they provoke. Throughout art history the ruin has been a subject of contemplation, of something melancholy and monumental. I think a lot of what I photograph are the ruins of our society, the ruins in the landscape, the things that are left behind.” (1) In the Renaissance, artists and viewers were drawn to Greco-Roman ruins, seeking to form a connection with the monuments of a once-great culture. Instead, Burtynsky presents us with a more angst-filled vista: rather than romantic views of civilizations ravaged by time, Burtynsky asks us to look at the civilization doing the ravaging. Put another way, the scenes Burtynsky depicts are not the great achievements of our age, but rather that which facilitates our greatness. They are views of the overlooked, the willfully forgotten—instead of movie stars, Burtynsky takes us backstage to see the janitors, the popcorn-sweepers, and the minimum-wage cleaners. Eighteenth century historian Edward Gibbon wrote: “if we are more affected by the ruin of a palace than by the conflagration of a cottage, our humanity must have formed a very erroneous estimate of the miseries of human life.” Through Burtynsky’s lens, places that were not supposed to be spaces of reflection or great humanity are allowed to serve as such. Burtynsky notes that his work “function[s] as reflecting pools of our times,”(2) allowing the viewer to arbitrate where these pictures sit on a scale between grandeur and entropy. (1) Michael Torosian, “The Essential Element: An Interview with Edward Burtynsky” in Manufactured Landscapes, ed. Lori Pauli (Ottawa: National Gallery of Canada, 2003), 48 (2) Edward Burtynsky, “Statement,” accessed September 2023, https://www.edwardburtynsky.com/about/statement Estimate: $10,000—15,000
Waddington's
May. 16, 2024
Edward Burtynsky, RCA (b. 1955), THREE GORGES DAM PROJECT, DAM #2, YANGTZE RIVER, CHINA, 2002
Est: $12,000 - $16,000
Edward Burtynsky, RCA (b. 1955), Canadian THREE GORGES DAM PROJECT, DAM #2, YANGTZE RIVER, CHINA, 2002 giclée photo-based print, composite from five 6x7 cm colour negatives signed, titled, dated, and numbered 3/12 to label verso 23 x 86 in — 58.4 x 218.4 cm Provenance: Mira Godard Gallery, Toronto, ON; Private Collection, Toronto, ON Note: How to explain the great beauty and seductiveness of Edward Burtynsky’s images of destruction? For centuries, humans have been trying to make sense of ruined places, these uneasy landscapes which tend to inspire the sort of deep feelings of impermanence and insignificance that most of us try to keep tucked away in the margins of our waking lives. How do we reconcile the great beauty of this photograph with the environmental price paid? Burtynsky has said that early in his career, he “started thinking about ruins and the kinds of emotions they provoke. Throughout art history the ruin has been a subject of contemplation, of something melancholy and monumental. I think a lot of what I photograph are the ruins of our society, the ruins in the landscape, the things that are left behind.” (1) In the Renaissance, artists and viewers were drawn to Greco-Roman ruins, seeking to form a connection with the monuments of a once-great culture. Instead, Burtynsky presents us with a more angst-filled vista: rather than romantic views of civilizations ravaged by time, Burtynsky asks us to look at the civilization doing the ravaging. Put another way, the scenes Burtynsky depicts are not the great achievements of our age, but rather that which facilitates our greatness. They are views of the overlooked, the willfully forgotten—instead of movie stars, Burtynsky takes us backstage to see the janitors, the popcorn-sweepers, and the minimum-wage cleaners. Eighteenth century historian Edward Gibbon wrote: “if we are more affected by the ruin of a palace than by the conflagration of a cottage, our humanity must have formed a very erroneous estimate of the miseries of human life.” Through Burtynsky’s lens, places that were not supposed to be spaces of reflection or great humanity are allowed to serve as such. Burtynsky notes that his work “function[s] as reflecting pools of our times,”(2) allowing the viewer to arbitrate where these pictures sit on a scale between grandeur and entropy. (1) Michael Torosian, “The Essential Element: An Interview with Edward Burtynsky” in Manufactured Landscapes, ed. Lori Pauli (Ottawa: National Gallery of Canada, 2003), 48 (2) Edward Burtynsky, “Statement,” accessed September 2023, https://www.edwardburtynsky.com/about/statement Estimate: $12,000—16,000
Waddington's
May. 16, 2024
Edward Burtynsky, RCA (b. 1955), MORENCI MINE #2, CLIFTON, ARIZONA, USA, 2012 (FROM THE CONTACT PHOTOGRAPHY COLLECTION)
Est: $10,000 - $15,000
Edward Burtynsky, RCA (b. 1955), Canadian MORENCI MINE #2, CLIFTON, ARIZONA, USA, 2012 (FROM THE CONTACT PHOTOGRAPHY COLLECTION) inkjet pigment print signed, titled, dated, and editioned AP3 for artist's proof to label verso; special edition released in support of the Red Cross Ukraine Humanitarian Crisis Appeal 30 x 40 in — 76.2 x 101.6 cm Provenance: CONTACT Photography Festival, Toronto, ON Note: Since the creation of the CONTACT Photography Festival in 1997, this community-based event helps to support and unite artists from Canada and around the world. The proceeds from the sale of the works consigned to Waddington’s by the CONTACT Photography Festival help to expand viewership for the best examples of photography on the market today, and further the creative possibilities of the medium in the past, present, and future. Burtynsky writes about the subject of this photograph, “open-pit mines are wounds we’ve inflicted, and the wonderment they excite easily becomes tinged with pangs of remorse or dread.” Burtynsky calls this storm of feeling ‘‘a reversal of the sublime. In the beginning, ‘the sublime’ meant us in fear of nature,’’ he explains. “We would look up at a thundercloud or mountain, or across a heavy sea, and be ‘“awe-struck” or powerless. But fast forward to the Industrial Revolution, and 150 years after that, and now we are the awesome and fearsome force that’s reshaping the planet.’’(1) (1) https://www.nytimes.com/interactive/2015/10/25/magazine/25mag-copper.html Estimate: $10,000—15,000
Waddington's
Mar. 26, 2024
EDWARD BURTYNSKY (b.1955) - Carrara Marble Quarries #21
Est: €6,000 - €8,000
Photograph, Carrara, Italy 1993, numbered chromogenic digital print, 3/10, signed and dated 2006 on the back. Dim.:68x86cm.
Marques dos Santos
Feb. 22, 2024
EDWARD BURTYNSKY (B. 1955) Manufacturing #17, Deda Chicken Processing Plant
Est: $10,000 - $15,000
EDWARD BURTYNSKY (B. 1955) Manufacturing #17, Deda Chicken Processing Plant, Dehui City, Jilin... signed in ink and credited, titled, dated and numbered '6⁄10' on affixed artist's label and credited, titled, dated on gallery and affixed Sir Elton John Photography collection label (frame backing board) image: 24 ¾ x 37 in. (62.8 x 93.9 cm.) overall framed: 34 ¼ x 46 in. (87 x 116.8 cm.)
Christie's
Feb. 22, 2024
EDWARD BURTYNSKY (B. 1955) AMARC #5, Davis Monthan AFB, Tucson, Arizona, 20
Est: $20,000 - $30,000
EDWARD BURTYNSKY (B. 1955) AMARC #5, Davis Monthan AFB, Tucson, Arizona, 2006 signed in ink, titled, dated and numbered '4⁄10' in typeset on affixed artist's label (mount, verso) image/sheet: 27 x 34 in. (68.5 x 86.3 cm.) mount: 34 x 41 in. (86.3 x 104.1 cm.)
Christie's
Feb. 22, 2024
EDWARD BURTYNSKY (B. 1955) Container Ports #8, Racine Port, Montreal Quebec
Est: $20,000 - $30,000
EDWARD BURTYNSKY (B. 1955) Container Ports #8, Racine Port, Montreal Quebec, 2001 signed in ink, printed title, date and number '3⁄5' on affixed artist label, credited, titled, dated on affixed Sir Elton John Photography collection and gallery label (mount verso) overall framed: 49 ¼ x 59 ¼ (125 x 150.4 cm.)
Christie's
Oct. 18, 2023
EDWARD BURTYNSKY (Canada, 1955-), "Rock of Ages #4, Adams-Pirie Quarry, Barre, Vermont", 1991., Fugi Crystal print, 20" x 24". Framed 33” x 28.5”.
Est: $5,000 - $8,000
EDWARD BURTYNSKY Canada, 1955- "Rock of Ages #4, Adams-Pirie Quarry, Barre, Vermont", 1991. Signed, titled and numbered 4/15.
Eldred's
Oct. 06, 2023
Edward Burtynsky (born 1955); Shipbreaking #10, Chittagong, Bangladesh;
Est: $4,000 - $6,000
Edward Burtynsky (born 1955) Shipbreaking #10, Chittagong, Bangladesh, 2000 Chromogenic print, printed 2001; mounted, signed in ink and with typed title, date, and number '9/15' on a label on the reverse, framed, a Gerhardt H. Felgemaker label on the reverse. 17 3/4 x 21 7/8 in. (45.1 x 55.6 cm.) mount 27 x 31 in. (68.6 x 78.7 cm.)
Bonhams
Oct. 06, 2023
Edward Burtynsky (born 1955); 'Iberia Quarries #8, Cochicho Co., Pardais, Portugal';
Est: $2,000 - $3,000
Edward Burtynsky (born 1955) 'Iberia Quarries #8, Cochicho Co., Pardais, Portugal', 2006 Chromogenic print; signed, titled, and editioned 'A.P.' in pencil on the reverse; this print is from 'George Eastman House Sixtieth Anniversary Portfolio,' released in an edition of 25 plus an unknown number of Artist's Proofs. 14 x 17 1/2 in. (35.6 x 44.5 cm.) sheet 17 x 22 in. (43.2 x 55.9 cm.)
Bonhams
Oct. 04, 2023
EDWARD BURTYNSKY (B. 1955) Rock of Ages #4, Abandoned Section Adam-Pirie Qu
Est: $5,000 - $7,000
EDWARD BURTYNSKY (B. 1955) Rock of Ages #4, Abandoned Section Adam-Pirie Quarry, Barre, Vermont,... signed in ink and credited, titled, dated and numbered '15/15' on affixed artist's label (mount, verso) image/sheet: 22 1/8 x 17 5/8 in. (56.1 x 44.7 cm.) mount: 31 x 27 in. (78.7 x 68.5 cm.)
Christie's
Sep. 28, 2023
Edward Burtynsky (b.1955) Canadian, 'Nickel Tailings #32 Sudbury, Ontario', 1996, Colour negative on Kodak professional paper, artist signed to real label, 99 cm x 150 cm, framed and glazed.
Est: £5,000 - £7,000
Edward Burtynsky (b.1955) Canadian, 'Nickel Tailings #32 Sudbury, Ontario', 1996, Colour negative on Kodak professional paper, artist signed to real label, 99 cm x 150 cm, framed and glazed. No apparent damage or restoration.
Dawsons Auctioneers
Aug. 31, 2023
Edward Burtynsky (b.1955) Canadian, 'Nickel Tailings #32 Sudbury, Ontario', 1996, Colour negative on Kodak professional paper, artist signed to real label, 99 cm x 150 cm, framed and glazed.
Est: £8,000 - £12,000
Edward Burtynsky (b.1955) Canadian, 'Nickel Tailings #32 Sudbury, Ontario', 1996, Colour negative on Kodak professional paper, artist signed to real label, 99 cm x 150 cm, framed and glazed.
Dawsons Auctioneers
Aug. 02, 2023
Edward Burtynsky, Three Gorges Dam Project, Feng Jie #7, Yangtze River, China
Est: $5,000 - $7,000
Edward Burtynsky Three Gorges Dam Project, Feng Jie #7, Yangtze River, China 2002 / printed 2003 C-print image: 40 h x 50 w in (102 x 127 cm) mount: 48 h x 58 w in (122 x 147 cm) Signed to studio label on verso 'Edward Burtynsky'. This work is number 1 from the edition of 5. Provenance: Los Angeles Modern Auctions, Modern Art & Design, 22 October 2017, Lot 200 | Private Collection This work will ship from Los Angeles, California.
Los Angeles Modern Auctions
Jul. 18, 2023
EDWARD BURTYNSKY (B. 1955) Shipyard #13, Qili Port, Zhejiang Province, Chi
Est: $7,000 - $10,000
EDWARD BURTYNSKY (B. 1955) Shipyard #13, Qili Port, Zhejiang Province, China digital chromogenic print 22 x 18 in. (55.9 x 45.7 cm.)
Christie's
Jun. 06, 2023
EDWARD BURTYNSKY (NÉ EN 1955) Dryland Farming #13, Monegros County, Aragon,
Est: €8,000 - €12,000
EDWARD BURTYNSKY (NÉ EN 1955) Dryland Farming #13, Monegros County, Aragon, Spain, 2010 signé à l'encre sur une étiquette du photographe portant le titre, la date et le numéro d'édition '1/9' (montage, verso) image/feuille/montage : 99 x 132 cm. (39 x 52 in.)
Christie's
Jun. 06, 2023
EDWARD BURTYNSKY (NÉ EN 1955) Colorado River Delta #2, Near San Felipe, Baj
Est: €18,000 - €25,000
EDWARD BURTYNSKY (NÉ EN 1955) Colorado River Delta #2, Near San Felipe, Baja, Mexico, 2011 signé à l'encre sur une étiquette du photographe portant le titre, la date et le numéro d'édition '2/3' (montage, verso) image/feuille/montage : 153 x 203,5 cm. (60 x 80 in.)
Christie's
May. 02, 2023
Edward Burtynsky (born 1955) Shipbreaking #33, Chittagong, Bangladesh, 2001
Est: $7,000 - $9,000
Edward Burtynsky (born 1955) Shipbreaking #33, Chittagong, Bangladesh, 2001 Archival pigment print, printed 2002, signed in ink and numbered '4/10' on a label affixed on the frame backing. image: 27 x 34in. (68.6 x 86.3cm.) sheet: 34 x 41in. (86.3 x 104.1cm.) Literature: Pauli et al., Manufactured Landscapes: The Photographs of Edward Burtynsky, National Gallery of Canada, 2003; Mayer et al., China: The Photographs of Edward Burtynsky, Steidl, 2005
Hindman
May. 02, 2023
Edward Burtynsky (born 1955) Shipbreaking #36, Chittagong, Bangladesh, 2001
Est: $7,000 - $9,000
Edward Burtynsky (born 1955) Shipbreaking #36, Chittagong, Bangladesh, 2001 Archival pigment print, printed 2002, signed in ink and numbered '2/10' on a label affixed on the frame backing. image: 27 x 34in. (68.6 x 86.3cm.) sheet: 34 x 41in. (86.3 x 104.1cm.) Literature: Pauli et al., Manufactured Landscapes: The Photographs of Edward Burtynsky, National Gallery of Canada, 2003; Mayer et al., China: The Photographs of Edward Burtynsky, Steidl, 2005
Hindman
May. 02, 2023
Edward Burtynsky (born 1955) Rock of Ages #23, Abandoned Section, Adam-Pirie Quarry, Barre, Vermont, 1991
Est: $6,000 - $8,000
Edward Burtynsky (born 1955) Rock of Ages #23, Abandoned Section, Adam-Pirie Quarry, Barre, Vermont, 1991 Archival pigment print, printed 2000, signed in ink and numbered '10/10' on a label affixed on the frame backing. image: 27 x 34in. (68.6 x 86.3cm.) sheet: 34 x 41in. (86.3 x 104.1cm.) Literature: Pauli et al., Manufactured Landscapes: The Photographs of Edward Burtynsky, National Gallery of Canada, 2003; Mayer et al., China: The Photographs of Edward Burtynsky, Steidl, 2005
Hindman
May. 02, 2023
Edward Burtynsky (born 1955) Dryland Farming #28, Castile-La-Mancha, Spain, 2010
Est: $8,000 - $12,000
Edward Burtynsky (born 1955) Dryland Farming #28, Castile-La-Mancha, Spain, 2010 Archival pigment print, printed 2011, signed in ink and numbered '4/9' on a label affixed on the frame backing. image/sheet: 39 x 52in. (99.1 x 132.1cm.) Provenance: With Patti Gilford Fine Arts, Chicago
Hindman
May. 02, 2023
Edward Burtynsky (born 1955) Rock of Ages #26, Abandoned Section, E.L. Smith Quarry, Barre, Vermont, 1991
Est: $6,000 - $8,000
Edward Burtynsky (born 1955) Rock of Ages #26, Abandoned Section, E.L. Smith Quarry, Barre, Vermont, 1991 Archival pigment print, printed 1999, signed in ink and numbered 'AP2' on a label affixed on the frame backing. image: 27 x 34in. (68.6 x 86.3cm.) sheet: 34 x 41in. (86.3 x 104.1cm.) Literature: Pauli et al., Manufactured Landscapes: The Photographs of Edward Burtynsky, National Gallery of Canada, 2003; Mayer et al., China: The Photographs of Edward Burtynsky, Steidl, 2005
Hindman
Apr. 13, 2023
EDWARD BURTYNSKY (B. 1955) Nickel Tailing #34, Sudbury, Ontario, 1996 signe
Est: $15,000 - $25,000
EDWARD BURTYNSKY (B. 1955) Nickel Tailing #34, Sudbury, Ontario, 1996 signed, titled, dated and numbered '5/10' in ink (verso); signed, credited, titled, dated and numbered on affixed artist's label (frame backing board) overall framed: 52 x 71 x 1 1/8 in. (132 x 180.3 x 2.8 cm.)
Christie's
Apr. 06, 2023
Edward Burtynsky (born 1955); Dryland Farming #28, Monegros County, Aragon, Spain;
Est: $6,000 - $9,000
Edward Burtynsky (born 1955) Dryland Farming #28, Monegros County, Aragon, Spain, 2010 Chromogenic print; artist's studio label, signed in ink and with printed title and number 2/9, on the verso, a Galerie Stefan Röpke, Cologne, label on the frame verso. 39 x 52 in. (99 x 132 cm.)
Bonhams
Mar. 09, 2023
Burtynsky (Edward) Quarries, first edition, Gottingen, 2007 & others on industrial landscapes (7).
Est: £300 - £500
Burtynsky (Edward) Quarries, first edition, 2007; Oil, first edition, 2009; China, first edition, 2005 § Baltz (Lewis) The New Industrial Parks Near Erwin, California; The Prototype Works; The Tract Houses, together 3 vol., text in English & German, 2005 § Maisel (David) Oblivion. Portland, OR, Nazraeli Press, 2006, photographic illustrations, some colour, all but the last original cloth or boards with dust-jackets, the fourth together in slip-case, oblong folio & 4to, all but the last Gottingen (7).
Forum Auctions - UK
Dec. 06, 2022
Edward Burtynsky (born 1955) Rock of Ages #59, Abandoned Section, Adam-Pirie Quarry, Barre VT, 1991
Est: $6,000 - $8,000
Edward Burtynsky (born 1955) Rock of Ages #59, Abandoned Section, Adam-Pirie Quarry, Barre VT, 1991 Archival pigment print, printed 2000, signed in ink and number '1/10' on the label on the frame backing. image: 27 x 34in. (68.6 x 86.3cm.) sheet: 34 x 41in. (86.3 x 104.1cm.) Literature: Rock of Ages: Edward Burtynsky, Safety-Kleen, Gallery One, 2002, np; Edward Burtynsky: Quarries, Steidl, 2007
Hindman
Dec. 06, 2022
Edward Burtynsky (born 1955) Shipbreaking #27, with Cutter, Chittagong, Bangladesh, 2001
Est: $7,000 - $9,000
Edward Burtynsky (born 1955) Shipbreaking #27, with Cutter, Chittagong, Bangladesh, 2001 Archival pigment print, printed 2002, signed in ink and numbered '6/10' on a label affixed on the frame backing. image: 27 x 34in. (68.6 x 86.3cm.) sheet: 34 x 41in. (86.3 x 104.1cm.) Literature: Pauli et al., Manufactured Landscapes: The Photographs of Edward Burtynsky, National Gallery of Canada, 2003, p. 146; Mayer et al., China: The Photographs of Edward Burtynsky, Steidl, 2005, p. 17
Hindman
Nov. 08, 2022
EDWARD BURTYNSKY (NÉ EN 1955) Mines #22, Kennecott Copper Mine, Bingham Val
Est: €12,000 - €18,000
EDWARD BURTYNSKY (NÉ EN 1955) Mines #22, Kennecott Copper Mine, Bingham Valley, Utah, 1983 tirage chromogénique, tiré en 2012 signé à l'encre sur une étiquette du photographe portant le titre, la date et le numéro d'édition '6/6' (dos du cadre) image/feuille : 121 x 52 cm. (48 x 60 in.) Ce tirage est le numéro six d'une édition épuisée de six exemplaires. CHROMOGENIC PRINT, PRINTED 2012; SIGNED IN INK ON PHOTOGRAPHER'S LABEL WITH TITLE, DATE AND EDITION NUMBER '6/6' (FRAME BACKING BOARD)
Christie's
Nov. 06, 2022
Edward Burtynsky (1955) Shipbreaking #45, Chittagong, Bangladesh, 2001
Est: $6,000 - $8,000
Edward Burtynsky (1955) Shipbreaking #45, Chittagong, Bangladesh, 2001 C-print From the numbered edition of 5 Signed, titled, numbered, dated on verso Image: 40 x 50 inches Framed: 48 x 58 inches
Santa Monica Auctions
Oct. 11, 2022
Edward Burtynsky (born 1955); Dryland Farming #28, Monegros County, Aragon, Spain;
Est: $8,000 - $10,000
Edward Burtynsky (born 1955) Dryland Farming #28, Monegros County, Aragon, Spain, 2010 Chromogenic print; signed, titled, dated, numbered '2/9' and artist's monogram on a label affixed to the verso. 39 x 52in (99 x 132cm) For further information on this lot please visit the Bonhams website
Bonhams
Oct. 06, 2022
EDWARD BURTYNSKY (B. 1955) Stepwell #3, Chand Baori, Abhaneri, Rajasthan,
Est: $25,000 - $35,000
EDWARD BURTYNSKY (B. 1955) Stepwell #3, Chand Baori, Abhaneri, Rajasthan, India, 2010 signed in ink, credited, titled, dated and numbered on artist's label (frame backing board) overall framed: 64 x 84 x 2 in. (162.5 x 213.3 x 5 cm.)
Christie's
Jun. 23, 2022
Edward Burtynsky, Shipbreaking #45, Chittagong, Bangladesh
Est: $6,000 - $8,000
Edward Burtynsky Shipbreaking #45, Chittagong, Bangladesh 2001 / 2010 chromogenic print 39 h × 49 w in (99 × 124 cm) Signed to information label frame verso 'Edward Burtynsky'. This work is number 3 from the edition of 5. This work will ship from LAMA in Los Angeles, California.
Los Angeles Modern Auctions
Jun. 23, 2022
Edward Burtynsky Oil, Signed Book
Est: $80 - $100
Photographs by Edward Burtynsky. Essays by Michael Mitchell etc. First Edition. Published by Bernard Fischer, Gerhard Steidl, 2012. Printed in Germany. Signed on the title page in marker. 14 1/2" x 11 1/2".
Willow Auction House
Jun. 07, 2022
EDWARD BURTYNSKY (B. 1955) Xiaolangdi Dam #3, Yellow River, Henan Province,
Est: $15,000 - $25,000
EDWARD BURTYNSKY (B. 1955) Xiaolangdi Dam #3, Yellow River, Henan Province, China, 2011 signed in ink, credited, titled, dated and numbered ‘4/6’ with photographer’s stamp on artist label (flush mount, verso); credited, titled, dated and numbered on affixed gallery label (frame backing board) overall framed: 50 x 66 x 1 1/2 in. (127 x 167.6 x 3.8 cm)
Christie's
Mar. 09, 2022
EDWARD BURTYNSKY (B. 1955) Carrara Marble Quarries #22, Carrara, Italy chro
Est: £6,000 - £8,000
EDWARD BURTYNSKY (B. 1955) Carrara Marble Quarries #22, Carrara, Italy chromogenic print, in artist's frame overall: 39 x 49in. (99.1 x 124.5cm.)
Christie's
Nov. 25, 2021
7 (Shanghai) Edward Burtynsky (b.1955) Bao Steel 7 (Shanghai) titled, insc
Est: €5,000 - €7,000
7 (Shanghai) Edward Burtynsky (b.1955) Bao Steel 7 (Shanghai) titled, inscribed and numbered 'BAO STEEL 7 6/10 27x34 RÖPKE' (on a label affixed to the reverse) chromogenic print laid on cardboard, in artist's…
Christie's