Joan Brull Vinyoles Paintings & Artwork for Sale | Joan Brull Vinyoles Art Value Price Guide

Nov. 19, 2024
JOAN BRULL VINYOLES. ÓLEO SOBRE LIENZO.
Est: €1,200 - €1,500
Joan Brull Vinyoles (Barcelona, 1863-1912) Maja. Óleo sobre lienzo. Firmado. 45 x 31 cm.
Aletheia Subastas
Feb. 15, 2024
JOAN BRULL VINYOLES (1863-1912) "NIGHT PORTRAIT: GIRL WITH FLOWERS".
Est: €1,500 - €3,000
Oil on canvas. Signed. 51 x 36 cm; 80 x 64 cm (frame).
Subarna Subastas
Nov. 30, 2023
JOAN BRULL VINYOLES (1863-1912) "PORTRAIT".
Est: €450 - €1,000
Charcoal and crayon on paper. Signed. 50 x 37cm; 77 x 64 cm (frame).
Subarna Subastas
Nov. 29, 2023
JOAN BRULL VINYOLES (Barcelona, 1863 - 1912). "Lady of the Belle Epoque". Oil on canvas. Signed in the lower right corner. Damaged in the left margin and in the frame.
Est: €1,500 - €2,000
JOAN BRULL VINYOLES (Barcelona, 1863 - 1912). "Lady of the Belle Epoque". Oil on canvas. Signed in the lower right corner. Damaged in the left margin and in the frame. Measurements: 45 x 28 cm; 61 x 44,5 cm (frame). Joan Brull trained at the School of Fine Arts of Sant Jordi in Barcelona, where he stood out as an outstanding student. Influenced by the realism of his teacher Simón Gómez Polo, he began his career with genre and historical themes such as "La tonsura del rey Wamba" ("The Tonsure of King Wamba"), exhibited at the Sala Parés in Barcelona in 1883. During these years he was also associated with the Modernist movement and the Symbolist aesthetic, influences that marked much of his production. He then went to Paris, where he completed his training with Rapahel Cöllin for five years. His style evolved in an increasingly personal direction, leaving realism behind in favour of a fin de siècle idealism. Nevertheless, he continued to be interested in history painting, genre scenes and portraits, achieving great mastery in the latter. On his return to Spain, he took part in numerous group exhibitions in Madrid and Barcelona, as well as abroad in London and Paris. He also took part in the National Fine Arts Exhibitions in Madrid, where he was decorated in 1892, 1895, 1897 and 1899. He was also distinguished at those held in Barcelona in 1894, 1896, 1898, 1907 and 1911. He was awarded the third medal at the Paris Exhibition of 1900 and was named Commander of the Order of Alfonso XII in 1904. He was also an art critic for the magazine "Joventut". Far from the rigour of academicism, Brull Vinyoles soon abandoned himself to the pictorial idealism to which he devoted all his work. A man of great culture, he took an active part in the gatherings at Els Quatre Gats. His technique of blurred contours, grisaille and pearly tones, as well as his subject matter populated by ethereal female figures, allow us to situate his work within the realm of Romantic symbolism. After his premature death, the Sala Parés in Barcelona devoted a tribute exhibition to him (1913). Brull is represented in the Museo del Prado, the Museo Nacional de Arte de Cataluña, the Museo de La Garrotxa in Girona, and the Museo de Art Nouveau y Art Déco Casa Lis in Salamanca.
Setdart Auction House
Oct. 10, 2023
JOAN BRULL VINYOLES (Barcelona, 1863 - 1912). "Young lady". Oil on canvas. Signed in the lower right corner.
Est: €3,000 - €3,200
JOAN BRULL VINYOLES (Barcelona, 1863 - 1912). "Young lady". Oil on canvas. Signed in the lower right corner. Size: 59 x 38,5 cm; 78 x 59,5 cm (frame). Joan Brull trained at the School of Fine Arts of Sant Jordi in Barcelona, where he stood out as an outstanding pupil. Influenced by the realism of his teacher Simón Gómez Polo, he began his career with genre and historical subjects such as "La tonsura del rey Wamba", exhibited at the Sala Parés in Barcelona in 1883. During these years he was also associated with the Modernist movement and the Symbolist aesthetic, influences that marked much of his production. He then went to Paris, where he completed his training with Rapahel Cöllin for five years. His style evolved in an increasingly personal direction, leaving realism behind in favour of a fin de siècle idealism. Nevertheless, he continued to be interested in history painting, genre scenes and portraits, achieving great mastery in the latter. On his return to Spain, he took part in numerous group exhibitions in Madrid and Barcelona, as well as abroad in London and Paris. He also took part in the National Fine Arts Exhibitions in Madrid, where he was decorated in 1892, 1895, 1897 and 1899. He was also distinguished at those held in Barcelona in 1894, 1896, 1898, 1907 and 1911. He was awarded the third medal at the Paris Exhibition of 1900 and was named Commander of the Order of Alfonso XII in 1904. He was also an art critic for the magazine "Joventut". Far from the rigour of academicism, Brull Vinyoles soon abandoned himself to the pictorial idealism to which he devoted all his work. A man of great culture, he took an active part in the gatherings at Els Quatre Gats. His technique of blurred contours, grisaille and pearly tones, as well as his subject matter populated by ethereal female figures, allow us to situate his work within the realm of Romantic symbolism. After his premature death, the Sala Parés in Barcelona devoted a tribute exhibition to him (1913). Brull is represented in the Museo del Prado, the Museo Nacional de Arte de Cataluña, the Museo de La Garrotxa in Girona, and the Museo de Art Nouveau y Art Déco Casa Lis in Salamanca.
Setdart Auction House
Oct. 05, 2023
JOAN BRULL VINYOLES (1863-1912) "PORTRAIT".
Est: €600 - €1,200
Charcoal and crayon on paper. Signed. 50 x 37cm; 77 x 64 cm (frame).
Subarna Subastas
Jul. 04, 2023
JOAN BRULL VINYOLES (Barcelona, 1863 - 1912). "Young lady". Oil on canvas. Signed in the lower right corner.
Est: €3,000 - €3,200
JOAN BRULL VINYOLES (Barcelona, 1863 - 1912). "Young lady". Oil on canvas. Signed in the lower right corner. Size: 59 x 38,5 cm; 78 x 59,5 cm (frame). Joan Brull trained at the School of Fine Arts of Sant Jordi in Barcelona, where he stood out as an outstanding pupil. Influenced by the realism of his teacher Simón Gómez Polo, he began his career with genre and historical subjects such as "La tonsura del rey Wamba", exhibited at the Sala Parés in Barcelona in 1883. During these years he was also associated with the Modernist movement and the Symbolist aesthetic, influences that marked much of his production. He then went to Paris, where he completed his training with Rapahel Cöllin for five years. His style evolved in an increasingly personal direction, leaving realism behind in favour of a fin de siècle idealism. Nevertheless, he continued to be interested in history painting, genre scenes and portraits, achieving great mastery in the latter. On his return to Spain, he took part in numerous group exhibitions in Madrid and Barcelona, as well as abroad in London and Paris. He also took part in the National Fine Arts Exhibitions in Madrid, where he was decorated in 1892, 1895, 1897 and 1899. He was also distinguished at those held in Barcelona in 1894, 1896, 1898, 1907 and 1911. He was awarded the third medal at the Paris Exhibition of 1900 and was named Commander of the Order of Alfonso XII in 1904. He was also an art critic for the magazine "Joventut". Far from the rigour of academicism, Brull Vinyoles soon abandoned himself to the pictorial idealism to which he devoted all his work. A man of great culture, he took an active part in the gatherings at Els Quatre Gats. His technique of blurred contours, grisaille and pearly tones, as well as his subject matter populated by ethereal female figures, allow us to situate his work within the realm of Romantic symbolism. After his premature death, the Sala Parés in Barcelona devoted a tribute exhibition to him (1913). Brull is represented in the Museo del Prado, the Museo Nacional de Arte de Cataluña, the Museo de La Garrotxa in Girona, and the Museo de Art Nouveau y Art Déco Casa Lis in Salamanca.
Setdart Auction House
Jul. 04, 2023
JOAN BRULL VINYOLES (Barcelona, 1863 - 1912). "Portrait of an old man". Oil on canvas adhered to panel. Signed. Provenance: Josep Casas collection.
Est: €800 - €1,000
JOAN BRULL VINYOLES (Barcelona, 1863 - 1912). "Portrait of an old man". Oil on canvas adhered to panel. Signed. Provenance: Josep Casas collection. Measurements: 23,5 x 21 cm; 24 x 31 cm (frame). Joan Brull trained at the School of Fine Arts of Sant Jordi in Barcelona, where he stood out as an outstanding student. Influenced by the realism of his teacher Simón Gómez Polo, he began his career with genre and historical subjects such as "La tonsura del rey Wamba", exhibited at the Sala Parés in Barcelona in 1883. During these years he was also associated with the Modernist movement and the Symbolist aesthetic, influences that marked much of his production. He then went to Paris, where he completed his training with Rapahel Cöllin for five years. His style evolved in an increasingly personal direction, leaving realism behind in favour of a fin de siècle idealism. Nevertheless, he continued to be interested in history painting, genre scenes and portraits, achieving great mastery in the latter. On his return to Spain, he took part in numerous group exhibitions in Madrid and Barcelona, as well as abroad in London and Paris. He also took part in the National Fine Arts Exhibitions in Madrid, where he was decorated in 1892, 1895, 1897 and 1899. He was also distinguished at the Barcelona Fine Arts Exhibitions in 1894, 1896, 1898, 1907 and 1911. He was awarded the third medal at the Paris Exhibition of 1900 and was made a Commander of the Order of Alfonso XII in 1904. He was also an art critic for the magazine "Joventut". Far from the rigour of academicism, Brull Vinyoles soon abandoned himself to the pictorial idealism to which he devoted all his work. A man of great culture, he took an active part in the gatherings at Els Quatre Gats. His technique of blurred contours, grisaille and pearly tones, as well as his subject matter populated by ethereal female figures, allow us to situate his work within the realm of Romantic symbolism. After his premature death, the Sala Parés in Barcelona devoted a tribute exhibition to him (1913). Brull is represented in the Museo del Prado, the Museo Nacional de Arte de Cataluña, the Museo de La Garrotxa in Girona, and the Museo de Art Nouveau y Art Déco Casa Lis in Salamanca.
Setdart Auction House
Jun. 21, 2023
JOAN BRULL VINYOLES (Barcelona, 1863 - 1912). "Lady of the Belle Epoque". Oil on canvas. Signed in the lower right corner. Damaged in the left margin and in the frame.
Est: €1,500 - €2,000
JOAN BRULL VINYOLES (Barcelona, 1863 - 1912). "Lady of the Belle Epoque". Oil on canvas. Signed in the lower right corner. Damaged in the left margin and in the frame. Measurements: 45 x 28 cm; 61 x 44,5 cm (frame). Joan Brull trained at the School of Fine Arts of Sant Jordi in Barcelona, where he stood out as an outstanding student. Influenced by the realism of his teacher Simón Gómez Polo, he began his career with genre and historical themes such as "La tonsura del rey Wamba" ("The Tonsure of King Wamba"), exhibited at the Sala Parés in Barcelona in 1883. During these years he was also associated with the Modernist movement and the Symbolist aesthetic, influences that marked much of his production. He then went to Paris, where he completed his training with Rapahel Cöllin for five years. His style evolved in an increasingly personal direction, leaving realism behind in favour of a fin de siècle idealism. Nevertheless, he continued to be interested in history painting, genre scenes and portraits, achieving great mastery in the latter. On his return to Spain, he took part in numerous group exhibitions in Madrid and Barcelona, as well as abroad in London and Paris. He also took part in the National Fine Arts Exhibitions in Madrid, where he was decorated in 1892, 1895, 1897 and 1899. He was also distinguished at those held in Barcelona in 1894, 1896, 1898, 1907 and 1911. He was awarded the third medal at the Paris Exhibition of 1900 and was named Commander of the Order of Alfonso XII in 1904. He was also an art critic for the magazine "Joventut". Far from the rigour of academicism, Brull Vinyoles soon abandoned himself to the pictorial idealism to which he devoted all his work. A man of great culture, he took an active part in the gatherings at Els Quatre Gats. His technique of blurred contours, grisaille and pearly tones, as well as his subject matter populated by ethereal female figures, allow us to situate his work within the realm of Romantic symbolism. After his premature death, the Sala Parés in Barcelona devoted a tribute exhibition to him (1913). Brull is represented in the Museo del Prado, the Museo Nacional de Arte de Cataluña, the Museo de La Garrotxa in Girona, and the Museo de Art Nouveau y Art Déco Casa Lis in Salamanca.
Setdart Auction House
Apr. 30, 2023
Juan BRULL VINYOLES (1863-1912)., Ecole symboliste espagnole., Jeune rêveuse de profil dans les collines., Huile sur toile symboliste., Présentée sans cadre et sans châssis., Dimensions : 59 x 40 cm.
Est: €1,500 - €2,000
Juan BRULL VINYOLES (1863-1912). Ecole symboliste espagnole. Jeune rêveuse de profil dans les collines. Huile sur toile symboliste. Présentée sans cadre et sans châssis. Dimensions : 59 x 40 cm.
MJV Soudant
Feb. 23, 2023
JOAN BRULL VINYOLES (1863-1912). "GIRL".
Est: €700 - €1,400
Oil on canvas. Signed. 40 x 31 cm; 84 x 74.5 cm (frame).
Subarna Subastas
Nov. 08, 2022
JOAN BRULL VINYOLES (Barcelona, 1863 - 1912). "Young lady". Oil on canvas. Signed in the lower right corner.
Est: €3,000 - €3,200
JOAN BRULL VINYOLES (Barcelona, 1863 - 1912). "Young lady". Oil on canvas. Signed in the lower right corner. Size: 59 x 38,5 cm; 78 x 59,5 cm (frame). Joan Brull trained at the School of Fine Arts of Sant Jordi in Barcelona, where he stood out as an outstanding pupil. Influenced by the realism of his teacher Simón Gómez Polo, he began his career with genre and historical subjects such as "La tonsura del rey Wamba", exhibited at the Sala Parés in Barcelona in 1883. During these years he was also associated with the Modernist movement and the Symbolist aesthetic, influences that marked much of his production. He then went to Paris, where he completed his training with Rapahel Cöllin for five years. His style evolved in an increasingly personal direction, leaving realism behind in favour of a fin de siècle idealism. Nevertheless, he continued to be interested in history painting, genre scenes and portraits, achieving great mastery in the latter. On his return to Spain, he took part in numerous group exhibitions in Madrid and Barcelona, as well as abroad in London and Paris. He also took part in the National Fine Arts Exhibitions in Madrid, where he was decorated in 1892, 1895, 1897 and 1899. He was also distinguished at those held in Barcelona in 1894, 1896, 1898, 1907 and 1911. He was awarded the third medal at the Paris Exhibition of 1900 and was named Commander of the Order of Alfonso XII in 1904. He was also an art critic for the magazine "Joventut". Far from the rigour of academicism, Brull Vinyoles soon abandoned himself to the pictorial idealism to which he devoted all his work. A man of great culture, he took an active part in the gatherings at Els Quatre Gats. His technique of blurred contours, grisaille and pearly tones, as well as his subject matter populated by ethereal female figures, allow us to situate his work within the realm of Romantic symbolism. After his premature death, the Sala Parés in Barcelona devoted a tribute exhibition to him (1913). Brull is represented in the Museo del Prado, the Museo Nacional de Arte de Cataluña, the Museo de La Garrotxa in Girona, and the Museo de Art Nouveau y Art Déco Casa Lis in Salamanca.
Setdart Auction House
Aug. 31, 2022
JOAN BRULL VINYOLES (Barcelona, 1863 - 1912). "Young lady". Oil on canvas. Signed in the lower right corner.
Est: €3,000 - €3,200
JOAN BRULL VINYOLES (Barcelona, 1863 - 1912). "Young lady". Oil on canvas. Signed in the lower right corner. Size: 59 x 38,5 cm; 78 x 59,5 cm (frame). Joan Brull trained at the School of Fine Arts of Sant Jordi in Barcelona, where he stood out as an outstanding pupil. Influenced by the realism of his teacher Simón Gómez Polo, he began his career with genre and historical subjects such as "La tonsura del rey Wamba", exhibited at the Sala Parés in Barcelona in 1883. During these years he was also associated with the Modernist movement and the Symbolist aesthetic, influences that marked much of his production. He then went to Paris, where he completed his training with Rapahel Cöllin for five years. His style evolved in an increasingly personal direction, leaving realism behind in favour of a fin de siècle idealism. Nevertheless, he continued to be interested in history painting, genre scenes and portraits, achieving great mastery in the latter. On his return to Spain, he took part in numerous group exhibitions in Madrid and Barcelona, as well as abroad in London and Paris. He also took part in the National Fine Arts Exhibitions in Madrid, where he was decorated in 1892, 1895, 1897 and 1899. He was also distinguished at those held in Barcelona in 1894, 1896, 1898, 1907 and 1911. He was awarded the third medal at the Paris Exhibition of 1900 and was named Commander of the Order of Alfonso XII in 1904. He was also an art critic for the magazine "Joventut". Far from the rigour of academicism, Brull Vinyoles soon abandoned himself to the pictorial idealism to which he devoted all his work. A man of great culture, he took an active part in the gatherings at Els Quatre Gats. His technique of blurred contours, grisaille and pearly tones, as well as his subject matter populated by ethereal female figures, allow us to situate his work within the realm of Romantic symbolism. After his premature death, the Sala Parés in Barcelona devoted a tribute exhibition to him (1913). Brull is represented in the Museo del Prado, the Museo Nacional de Arte de Cataluña, the Museo de La Garrotxa in Girona, and the Museo de Art Nouveau y Art Déco Casa Lis in Salamanca.
Setdart Auction House
May. 11, 2022
JOAN BRULL VINYOLES (Barcelona, 1863 - 1912). "Portrait of an old man". Oil on canvas adhered to panel. Signed. Provenance: Josep Casas collection.
Est: €800 - €1,000
JOAN BRULL VINYOLES (Barcelona, 1863 - 1912). "Portrait of an old man". Oil on canvas adhered to panel. Signed. Provenance: Josep Casas collection. Measurements: 23,5 x 21 cm; 24 x 31 cm (frame). Joan Brull trained at the School of Fine Arts of Sant Jordi in Barcelona, where he stood out as an outstanding student. Influenced by the realism of his teacher Simón Gómez Polo, he began his career with genre and historical subjects such as "La tonsura del rey Wamba", exhibited at the Sala Parés in Barcelona in 1883. During these years he was also associated with the Modernist movement and the Symbolist aesthetic, influences that marked much of his production. He then went to Paris, where he completed his training with Rapahel Cöllin for five years. His style evolved in an increasingly personal direction, leaving realism behind in favour of a fin de siècle idealism. Nevertheless, he continued to be interested in history painting, genre scenes and portraits, achieving great mastery in the latter. On his return to Spain, he took part in numerous group exhibitions in Madrid and Barcelona, as well as abroad in London and Paris. He also took part in the National Fine Arts Exhibitions in Madrid, where he was decorated in 1892, 1895, 1897 and 1899. He was also distinguished at the Barcelona Fine Arts Exhibitions in 1894, 1896, 1898, 1907 and 1911. He was awarded the third medal at the Paris Exhibition of 1900 and was made a Commander of the Order of Alfonso XII in 1904. He was also an art critic for the magazine "Joventut". Far from the rigour of academicism, Brull Vinyoles soon abandoned himself to the pictorial idealism to which he devoted all his work. A man of great culture, he took an active part in the gatherings at Els Quatre Gats. His technique of blurred contours, grisaille and pearly tones, as well as his subject matter populated by ethereal female figures, allow us to situate his work within the realm of Romantic symbolism. After his premature death, the Sala Parés in Barcelona devoted a tribute exhibition to him (1913). Brull is represented in the Museo del Prado, the Museo Nacional de Arte de Cataluña, the Museo de La Garrotxa in Girona, and the Museo de Art Nouveau y Art Déco Casa Lis in Salamanca.
Setdart Auction House
Sep. 22, 2021
Juan Brull Vinyoles (Spanish, 1863-1912) The pink bow
Est: £12,000 - £18,000
Juan Brull Vinyoles (Spanish, 1863-1912) The pink bow signed 'Brull' (lower left) oil on canvas 60 x 56cm (23 5/8 x 22 1/16in). For further information on this lot please visit the Bonhams website
Bonhams
Sep. 22, 2020
Juan BRULL VINYOLES (1863-1912 "Família de campesinos" óleo sobre tabla 52x64 cm. Precisa restauración y limpieza.
Est: -
Joan Brull VINYOLES (1863-1912 "peasant family" oil on board 52x64 cm. Accurate restoration and cleaning.
Arce Subastas
Oct. 17, 2019
JOAN BRULL VINYOLES (1863-1912). "GITANILLA CON MANTILLA".
Est: €3,800 - €4,940
JOAN BRULL VINYOLES (1863-1912). Oil on canvas Firmado. Restauraciones visibles al dorso. 60 x 40 cm; 78,5 x 59 cm. (marco).
Subarna Subastas
Oct. 24, 2018
Los Niños de la concha
Est: -
Los Niños de la concha JOAN BRULL VINYOLES (Barcelona, 1863 - 1912) Oil on canvas 90 x 100 cm
Isbilya Subastas
Mar. 14, 2018
Juan Brull Vinyoles (Spanish, 1863-1912) The pink bow
Est: £12,000 - £18,000
Juan Brull Vinyoles (Spanish, 1863-1912) The pink bow signed 'Brull' (lower left) oil on canvas 60 x 56cm (23 5/8 x 22 1/16in).
Bonhams
Jul. 08, 2015
Joan Brull Barcelona 1863 - 1912 Boy
Est: €225 -
Joan Brull Barcelona 1863 - 1912 Boy Charcoal on paper Signed 31x23 cm Joan Brull Barcelona 1863 - 1912 Niño Carboncillo sobre papel Firmado 31x23 cm
Balclis
May. 18, 2015
JOAN BRULL Y VINYOLAS (ATRIB.)
Est: -
(Barcelona, 1863-1912). "Retrato femenino" (1888), óleo sobre lienzo adherido a cartón, 59x45 cm.
Sala de Ventas
Dec. 17, 2014
Joan Brull Barcelona 1863 - 1912 "El Pesebre"
Est: €24,000 -
Joan Brull Barcelona 1863 - 1912 "El Pesebre" Oil on canvas Signed. There is a smaller version, made in 1895. Exhibitions: Joan Brull, Galeries Dalmau, Barcelona, fall 1924; "Centenario de la Sala Parés", Sala Parés, Barcelona, 1972, n.7. Literature: J. Folch i Torres, 'Exposició d'en Brull a can Dalmau', "Gaseta de les Arts", Año I, Nº 12, 1-11-1924, p. 5 and 7 (reproduced): "Joan Brull. Realitat i somni", Girona, Caixa de Girona, 2009, p. 45 (reproduced). Reference literature: "La mirada del 98. Arte y literatura en la Edad de Plata", Madrid, Ministerio de Educación y Cultura-Dirección General de Bellas Artes y Bienes Culturales, 1998, p. 178-179, catalogue number 100 139x200 cm Joan Brull Barcelona 1863 - 1912 "El Pesebre" Óleo sobre lienzo Firmado. Existe otra versión más pequeña, realizada en 1895. Exposiciones: "Joan Brull", Galeries Dalmau, Barcelona, otoño 1924; "Centenario de la Sala Parés", Sala Parés, Barcelona, 1972, nº 7. Bibliografía: J. Folch i Torres, 'Exposició d'en Brull a can Dalmau', "Gaseta de les Arts", Año I, Nº 12, 1-11-1924, p. 5 y 7 (reproducido); "Joan Brull. Realitat i somni", Girona, Caixa de Girona, 2009, p. 45 (reproducido). Bibliografía de referencia: "La mirada del 98. Arte y literatura en la Edad de Plata", Madrid, Ministerio de Educación y Cultura-Dirección General de Bellas Artes y Bienes Culturales, 1998, p. 178-179, nº cat. 100 139x200 cm
Balclis
Dec. 17, 2014
JOAN BRULL
Est: -
(Barcelona, 1863-1912). "Retrato femenino", óleo sobre lienzo, 92 x 72 cm. Con dedicatoria.
Sala de Ventas
Jul. 10, 2014
JOAN BRULL VINYOLES (1863-1912)
Est: -
óleo sobre tabla. Med.: 50 x 24 cm. "Personaje"
Subarna Subastas
Jul. 10, 2014
JOAN BRULL VINYOLES (1863-1912)
Est: -
óleo sobre tabla. Med.: 50 x 24 cm. "Personaje"
Subarna Subastas
May. 29, 2014
Joan Brull Barcelona 1863 - 1912 "Retrato de la Srta. Asunción Bartomeus" Oil on canvas Signed. On the stretcher, titled and dated in
Est: €1,200 -
Joan Brull Barcelona 1863 - 1912 "Retrato de la Srta. Asunción Bartomeus" Oil on canvas Signed. On the stretcher, titled and dated in 1906 60x40.5 cm Joan Brull Barcelona 1863 - 1912 "Retrato de la Srta. Asunción Bartomeus" Óleo sobre lienzo Firmado. En el bastidor, titulado y fechado en 1906 60x40,5 cm
Balclis
Mar. 27, 2014
JOAN BRULL VINYOLES (1863-1912)
Est: -
JOAN BRULL VINYOLES (1863-1912) óleo sobre tabla. Med.: 50 x 24 cm. "Personaje"
Subarna Subastas
Mar. 27, 2014
JOAN BRULL VINYOLES (1863-1912)
Est: -
JOAN BRULL VINYOLES (1863-1912) óleo sobre tabla. Med.: 50 x 24 cm. "Personaje"
Subarna Subastas
May. 26, 2011
Joan Brull Barcelona 1863 - 1912 Joven con mandolina Óleo sobre lienzo
Est: €3,000 -
Joan Brull Barcelona 1863 - 1912 Joven con mandolina Óleo sobre lienzo Firmado 81x65 cm
Balclis
Dec. 21, 2010
Joan Brull Barcelona 1863 - 1912. El belén Óleo sobre lienzo
Est: €50,000 -
Joan Brull Barcelona 1863 - 1912. El belén Óleo sobre lienzo Firmado. Exposiciones: "Centenario de la Sala Parés", Sala Parés, Barcelona, 1972, nº 7; "Joan Brull. Realitat i somni", Girona, 2009. Bibliografía: "Joan Brull. Realitat i somni", Girona, 2009, p. 45 (reproducido) 139x200
Balclis
Dec. 21, 2010
Joan Brull Barcelona 1863 - 1912. Anciana Óleo sobre lienzo
Est: €2,250 -
Joan Brull Barcelona 1863 - 1912. Anciana Óleo sobre lienzo Firmado y fechado en 1889 150.5x100.5
Balclis
Oct. 22, 2009
Joan Brull (Barcelona, 1863-1912) Vista rural
Est: €2,000 - €2,600
Joan Brull (Barcelona, 1863-1912) Vista rural (Rural View) Signed. Bibliography: "Luz de Gas. La noche y sus fantasmas en la pintura española.1880-1930" (Gas Light. The Night and its Ghosts in Spanish Paintings. 1880-1930), Mapfre Foundation, Madrid, 2006, p. 307 (reproduced) Oil paint on canvas 60x100 cm
Balclis
Oct. 03, 2006
Juan Brull y Vinolas (Barcelona 1863-1912)
Est: $3,000 - $5,000
The Crockery Seller signed 'J. Brull' (lower right) oil on canvas 57 1/2 x 50 in. (146.1 x 127 cm.)
Christie's
Jun. 06, 2006
Juan Brull y Vinolas (Barcelona 1863-1912)
Est: $6,000 - $8,000
The Crockery Seller signed 'J. Brull' (lower right) oil on canvas 57 1/2 x 50 in. (146.1 x 127 cm.)
Christie's
Feb. 07, 2006
Juan Brull y Vinolas (Spanish, 1863-1912)
Est: $12,000 - $18,000
The Crockery Seller signed 'J. Brull' (lower right) oil on canvas 57 1/2 x 50 in. (146.1 x 127 cm.)
Christie's