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Nigel Brown Sold at Auction Prices

Painter

Nigel Roderick Brown ONZM (born 1949) is a New Zealand painter living in Dunedin, New Zealand. Born in Invercargill in 1949, Brown grew up in Tauranga and was fortunate to have the established artist Fred Graham as an art teacher at Tauranga Boys' College. Between 1968 and 1971 he attended Elam School of Art, gaining valuable wisdom and inspiration from teachers Robert Ellis, Pat Hanly, Colin McCahon, Garth Tapper and Greer Twiss. Brown first began exhibiting in 1972 and his highly praised Lemon Tree series (1977) helped to consolidate his position in the art scene.

In 1981, he was awarded a QEII Arts Council Grant for travel to the United States, the United Kingdom and Western Europe. On his return, the impact of the Springbok tour protests, as well as a period living with fellow neo-expressionist artist Philip Clairmont that same year, had a lasting impression on Brown. A founding member of the pressure group VAANA (Visual Artists Against Nuclear Arms) in 1984, Brown's paintings and prints of this period tackled relevant issues not only on nuclear weaponry but also on feminism and the peace movement. This culminated in his 1985 exhibition Living in the Bomb Age, at the Dunedin Public Art Gallery.

Brown's practice examines his direct and personal articulation of the realities of the human condition. He is profoundly aware of the relationship between human beings and their environment. Symbolism such as the fern, black singlet, dog and driveway, James K. Baxter and Captain Cook, all reflect his experience, his observations and his beliefs. He has woven these into a complex web over a period of more than 40 years.

In his early work he combined a tension and personal narrative centred on social issues in New Zealand topography. His later work included the socio-political world of the distinctly New South Pacific, while in his current practice, he continues to emphasize his vision of a New Zealand identity.

Brown has also undertaken two significant stained glass window designs – St Mary's Catholic Church, Auckland (1991) and Holy Trinity Cathedral, Parnell (1998). In 1998 he travelled to Antarctica as part of the inaugural 'Artist to Antarctica' programme.

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  • NIGEL BROWN THREE VOLUMES OF 'THE BRITISH GUNMAKERS',
    Mar. 25, 2025

    NIGEL BROWN THREE VOLUMES OF 'THE BRITISH GUNMAKERS',

    Est: £300 - £500

    NIGEL BROWN THREE VOLUMES OF 'THE BRITISH GUNMAKERS', Volume one - London, Volume two - Birmingham, Volume three - Index, Appendices & additional London, Birmingham, Regional and Scottish records

    Holts Auctioneers
  • Brown (Nigel Roderick, 1949 -). Blood on the driveway. Suicide of Van Gogh, 1978
    Mar. 12, 2025

    Brown (Nigel Roderick, 1949 -). Blood on the driveway. Suicide of Van Gogh, 1978

    Est: £600 - £800

    Brown (Nigel Roderick, 1949 -). Blood on the driveway. Suicide of Van Gogh, 1978 * Brown (Nigel Roderick, 1949 -). Blood on the driveway. Suicide of Van Gogh, 1978, oil on board, titled, signed, dated and inscribed 'Titirangi', additionally inscribed to verso with title, artist and date, 67.5 x 57.5 cm (26.25 x 22.5 ins), black wooden frame, frame size 74 x 63 cm QTY: (1) NOTE: Roderick Nigel Brown was born in Invercargill, New Zealand in 1949. He is a painter, printmaker and designer of stained glass windows. He was taught by Maori artist Fred Graham, before studying at the Elam School of Fine Arts from 1968-1971. Titirangi is a suburb of West Aukland in Northern New Zealand.

    Dominic Winter Auctions
  • NIGEL BROWN THREE VOLUMES OF 'THE BRITISH GUNMAKERS',
    Dec. 03, 2024

    NIGEL BROWN THREE VOLUMES OF 'THE BRITISH GUNMAKERS',

    Est: £400 - £600

    NIGEL BROWN THREE VOLUMES OF 'THE BRITISH GUNMAKERS', Volume one - London, Volume two - Birmingham, Volume three - Index, Appendices & additional London, Birmingham, Regional and Scottish records

    Holts Auctioneers
  • NIGEL BROWN THREE VOLUMES OF 'THE BRITISH GUNMAKERS',
    Mar. 20, 2023

    NIGEL BROWN THREE VOLUMES OF 'THE BRITISH GUNMAKERS',

    Est: £500 - £700

    NIGEL BROWN THREE VOLUMES OF 'THE BRITISH GUNMAKERS', Volume one - London, Volume two - Birmingham, Volume three - Index, Appendices & additional London, Birmingham, Regional and Scottish records

    Holts Auctioneers
  • NIGEL BROWN An Ark for Arama No. 5
    Aug. 09, 2021

    NIGEL BROWN An Ark for Arama No. 5

    Est: $15,000 - $25,000

    Nigel Brown An Ark for Arama No. 5 1979 oil on board signed NIGEL BROWN, dated 1979. and inscribed AN ARK FOR ARAMA NO. 5 in brush point lower edge 905 x 1186mm   PROVENANCE Private collection, Rotorua.

    Webb’s – Specialist Auctioneers
  • NIGEL BROWN (New Zealand b. 1949) Mother and Child with Tree, No. 1
    May. 19, 2020

    NIGEL BROWN (New Zealand b. 1949) Mother and Child with Tree, No. 1

    Est: $7,000 - $10,000

    NIGEL BROWN (b. 1949) Mother and Child with Tree, No. 1, Oil on board, Signed & dated 1976, 56 x 40cm

    International Art Centre
  • NIGEL BROWN (New Zealand b. 1949) Mother & Child with Tree, No. 3
    May. 19, 2020

    NIGEL BROWN (New Zealand b. 1949) Mother & Child with Tree, No. 3

    Est: $7,000 - $10,000

    NIGEL BROWN (b. 1949) Mother & Child with Tree, No. 3, Oil on board, Signed & dated 1976, 52 x 55.5cm

    International Art Centre
  • NIGEL BROWN, (New Zealand b. 1949), Pull Yah Socks Up
    May. 01, 2020

    NIGEL BROWN, (New Zealand b. 1949), Pull Yah Socks Up

    Est: $14,000 - $18,000

    NIGEL BROWN, (New Zealand b. 1949), Pull Yah Socks Up, Oil on linen, Signed & dated 2005

    International Art Centre
  • NIGEL BROWN, I/We Landscape, 2006-2007
    Apr. 16, 2020

    NIGEL BROWN, I/We Landscape, 2006-2007

    Est: $14,000 - $18,000

    I/We Landscape, 2006-2007 , Oil on board, Signed & dated 2006-07

    International Art Centre
  • NIGEL BROWN, The Broken Lemon Tree, Hand coloured linocut, edition of 15,
    Feb. 26, 2020

    NIGEL BROWN, The Broken Lemon Tree, Hand coloured linocut, edition of 15,

    Est: $500 - $1,000

    Signed, inscribed The Broken Lemon Tree & dated 1982

    International Art Centre
  • NIGEL BROWN, Aotearoa - Being Here, Hand coloured woodcut, edtion of 20
    Feb. 26, 2020

    NIGEL BROWN, Aotearoa - Being Here, Hand coloured woodcut, edtion of 20

    Est: $1,400 - $2,000

    Signed, inscribed Aotearoa - Being Here & dated 1990

    International Art Centre
  • NIGEL BROWN, Blue Blue Fern, Acrylic on arches paper
    Feb. 26, 2020

    NIGEL BROWN, Blue Blue Fern, Acrylic on arches paper

    Est: $2,000 - $3,000

    Signed , inscribed & dated 1993

    International Art Centre
  • NIGEL BROWN, Black Singlet, Sunset Edition, Hand coloured silkscreen print, edition 6/12
    Feb. 26, 2020

    NIGEL BROWN, Black Singlet, Sunset Edition, Hand coloured silkscreen print, edition 6/12

    Est: $1,000 - $1,800

    Signed, inscribed Black Singlet, Sunset Edition & dated 1982 - 1989

    International Art Centre
  • NIGEL BROWN (b. 1949) - Pull to the Moon Triptych
    Nov. 27, 2019

    NIGEL BROWN (b. 1949) - Pull to the Moon Triptych

    Est: $15,000 - $20,000

    NIGEL BROWN (b. 1949) Pull to the Moon Triptych Oil on canvas Signed and dated 2003 90 x 180cm

    International Art Centre
  • Nigel BROWN - I am my Memory
    Nov. 27, 2019

    Nigel BROWN - I am my Memory

    Est: $3,000 - $5,000

    Nigel BROWN I am my Memory Acrylic on canvas Signed and dated 2007 45 x 35cm

    International Art Centre
  • NIGEL BROWN - Pull Yah Socks U!
    Nov. 27, 2019

    NIGEL BROWN - Pull Yah Socks U!

    Est: $15,000 - $20,000

    NIGEL BROWN Pull Yah Socks U! Oil on linen Signed and dated 2005 134 x 79cm

    International Art Centre
  • NIGEL BROWN - I/We Landscape, 2006-07
    Nov. 27, 2019

    NIGEL BROWN - I/We Landscape, 2006-07

    Est: $15,000 - $20,000

    NIGEL BROWN I/We Landscape, 2006-07 Oil on board Signed and dated 2006-07 119 x 78cm

    International Art Centre
  • NIGEL BROWN - Barry Mitcalfe, House of the Poet
    Oct. 23, 2019

    NIGEL BROWN - Barry Mitcalfe, House of the Poet

    Est: $3,000 - $5,000

    Acrylic on - Signed & dated 1990

    International Art Centre
  • NIGEL BROWN - Mother and Child with Tree, No. 1
    Oct. 23, 2019

    NIGEL BROWN - Mother and Child with Tree, No. 1

    Est: $8,000 - $12,000

    Oil on board - Signed & dated 1976

    International Art Centre
  • NIGEL BROWN - Beyond Reasonable Doubt
    Oct. 23, 2019

    NIGEL BROWN - Beyond Reasonable Doubt

    Est: $15,000 - $20,000

    Oil on canvas - Signed, inscribed Beyond Reasonable Doubt & dated 2000 - I wasn’t interested in repeating McCahon verbatim or merely appropriating his images, I wanted to find my own direction out of his material on my own terms. This involved relearning from McCahon as much as a determined departure from his edicts and constraints. The power of block letters, black, white and yellow ochre, necessary questioning, needed reforming around my own way of seeing - peopled, pictorialised, symbolised, de-sanctified or reglorified as needed. Nigel Brown 2002 In the 2002 exhibition I AM II at Tinakori Gallery, Mark Hutchins wrote the following essay: As the title I AM II suggests, this exhibition represents the second wave of Nigel Brown’s idiosyncratic, highly imaginative and often personally profound responses to some of Colin McCahon’s best known imagery. Brown was a student of McCahon’s at Elam School of Fine Arts during the late 60’s early 70s. lnfluences of McCahon, both practical and visionary, who was even then gaining recognition as the catalyst and leading exponent of modern New Zealand painting, remain at the roots of Brown’s own practice to this day. But although Brown makes frequent references to McCahon’s iconic images in his I AM series, Brown’s works are in fact also highly personal, speaking more about his own life and what he has achieved in over three decades of painting, than merely paying homage to his late tutor. ln Beyond Reasonable Doubt the artist has spoken of his intention to recall McCahon’s lessons on cubism, exemplified by the masters stylizations of the Titirangi landscape in his French Bay series of the mid 1950s. Various compositional components evident in the background of Beyond Reasonable Doubt appear to be direct visual quotes from a number of McCahon’s well known images, Moby Dick and Waterfalls in particular, while other elements are self-referential. Motifs such as the solitary autobiographical Kiwi joker with his black dog amidst stylized native vegetation have become signature images for Brown after being used by the artist consistently now over decades. The title Beyond Reasonable Doubt is taken from the book written about Arthur Allen Thomas and the Crewe Murder case but when applied to Brown’s iconic image of a calligraphic monolith looming large in a symbolically laden landscape, becomes far wider reaching in what it evokes. Directly overlaying the letters to create one sculptural focus transforms Brown’s I AM into something reminiscent of the PAX (peace) motif used widely by the Christian church and as such brings to mind the long running debate on the value and relevance of traditional religious faith, a recurring issue for many in contemporary society who continue to search for meaning in the highly artificial computerized world most of us live in. By substituting I AM for PAX Brown is championing a humanist approach to spirituality - a celebration of the self rooted firmly in the landscape. As far as the metaphysical and psychological baggage associated with l AM goes, I relate to the statement not in a Christian way but as a potent claim and affirmation of the robust individual. There is, I suggest, a healthy aspect to people asserting their existence. NB As is usually the case, however, the rather direct readings offered here are but a few of the many interpretations suggested by the multi-layers of meaning that interfuse Brown’s work. Most of his images that may initially appear quite simple and straightforward in narrative intent usually reveal themselves over time as a complex weave of the artist’s creative and personal history, politics and social commentary on contemporary New Zealand culture. Mark Hutchins

    International Art Centre
  • NIGEL BROWN - The Prodigal Son, Polyptych
    Oct. 23, 2019

    NIGEL BROWN - The Prodigal Son, Polyptych

    Est: $8,000 - $12,000

    Oil on canvas - Signed & dated 1997 A letter from the artist to Paul & Kerry Barber reads: I’ve always admired Bruegel’s version of this story which is an example of someone taking a biblical story and doing it on their own terms. From their own background and experience. I’ve done the same. I enjoyed it as a linked sequence of canvases. Leaving the parents encountering the world, coming back to NZ values and traditions and a little bit wiser after sampling distractions and vices! Sort of rites of passage / of growing up. Nigel Brown, 1999 The eternal parable set in the thriving Sky Tower metropolis of the South Pacific. During 1997 the artist was making regular trips between his home in Sandringham and the Glassworks Studio in Mt Eden, where he was working on the stained glass windows for Auckland Cathedral - a commissioned project that had been occupying him since late 1993. The tedium of driving perhaps relieved by the sprawling panorama of Auckland. The ever observant artist’s eye focusing on the central rising casino sky tower, like a black crucifix or the petrified pillar of Sodom. Just as the great centre window in the Cathedral celebrates the biblical myth of salvation, Prodigal Son likewise testifies that no amount of casino corruption will ever completely eclipse the values of love and compassion that dwell in the human spirit. In the left panel, the moon symbolises the mystery of life perceived by the innocence of youth. Life’s journey begins with confidence, how else could it begin, but in awe of the magnificence of almighty nature. But even in the second panel, a wizened prophet in the persona of James K Baxter reminds us there will be mighty temptations (the wine glass, the dens of gambling and iniquities, the seductress in black), along the road which is well-trodden - like the beaten path of Carmina Burana between the monastery and the distant village ale house. Even nature itself seems violated and polluted (the up-turned kiwi icon). So in the fourth panel the exuberance of youth is exhausted and finally collapses in a way that the biblical parable is suddenly condensed into the individual tragedy of entering the casino with ambitious but misguided hopes of a better life and emerging raggard and tattered, financially and psychologically wasted. But although we do not question the comforting salvation of the Father’s embrace, we maybe are left wondering if it alone is enough to save us. We hope it is - the kiwi is definitely back on its feet and the gush of the fresh waterfall brings the purifying and nourishing influence of water that salvation must be. From text written by Tony Martin affixed verso.

    International Art Centre
  • NIGEL BROWN Tivaevae Dog Still Life
    Sep. 21, 2016

    NIGEL BROWN Tivaevae Dog Still Life

    Est: $5,000 - $7,500

    NIGEL BROWN Tivaevae Dog Still Life oil on canvas title inscribed, signed and dated 95 verso 900mm x 595mm

    Webb’s – Specialist Auctioneers
  • Nigel Brown (New Zealand, b. 1949) "Hope & Death", 1983
    Jul. 10, 2016

    Nigel Brown (New Zealand, b. 1949) "Hope & Death", 1983

    Est: $300 - $500

    Nigel Brown (New Zealand, b. 1949) "Hope & Death", 1983, monoprint, titled, signed and dated. Size: 15.5" x 23.5", 39 x 60 cm (sheet); 23.25" x 37.75", 59 x 96 cm (frame). Provenance: Bob Brand and Liz Werthan, Philadelphia.

    Material Culture
  • Nigel Brown (New Zealand, b. 1949) "No Bomb", 1984
    Jul. 10, 2016

    Nigel Brown (New Zealand, b. 1949) "No Bomb", 1984

    Est: $300 - $500

    Nigel Brown (New Zealand, b. 1949) "No Bomb", 1984, monoprint with hand color, unique, signed and dated. Size: 17.5" x 9.75", 44 x 25 cm (sheet). Provenance: Bob Brand and Liz Werthan, Philadelphia.

    Material Culture
  • Nigel Brown (New Zealand, b. 1949) Two Woodcuts
    Jul. 10, 2016

    Nigel Brown (New Zealand, b. 1949) Two Woodcuts

    Est: $500 - $700

    Nigel Brown (New Zealand, b. 1949) Two Works: 1) Remember '81 (Black & White), 1982, woodcut from an edition of 30, signed, titled, numbered and dated. Size: 47.5" x 31.5", 121 x 80 cm (sheet); 2) Remember '81, 1982, woodcut with watercolor. from an edition 30, signed, titled, numbered and dated. Size: 47.5" x 31.5", 121 x 80 cm (sheet). Provenance: Bob Brand and Liz Werthan, Philadelphia.

    Material Culture
  • Nigel Brown (New Zealand, b. 1949) Two Woodcuts
    Apr. 30, 2016

    Nigel Brown (New Zealand, b. 1949) Two Woodcuts

    Est: $800 - $1,200

    Nigel Brown (New Zealand, b. 1949) Two Works: 1) Remember '81 (Black & White), 1982, woodcut from an edition of 30, signed, titled, numbered and dated. Size: 47.5" x 31.5", 121 x 80 cm (sheet); 2) Remember '81, 1982, woodcut with watercolor. from an edition 30, signed, titled, numbered and dated. Size: 47.5" x 31.5", 121 x 80 cm (sheet). Provenance: Bob Brand and Liz Werthan, Philadelphia.

    Material Culture
  • Nigel Brown (New Zealand, b. 1949) "No Bomb Gentleness", 1984
    Apr. 30, 2016

    Nigel Brown (New Zealand, b. 1949) "No Bomb Gentleness", 1984

    Est: $300 - $500

    Nigel Brown (New Zealand, b. 1949) "No Bomb Gentleness", 1984, monoprint with hand coloring, signed and dated. Size: 18" x 12.5", 46 x 32 cm (sheet). Provenance: Bob Brand and Liz Werthan, Philadelphia.

    Material Culture
  • Nigel Brown (New Zealand, b. 1949) "Past Lives", 1983
    Apr. 30, 2016

    Nigel Brown (New Zealand, b. 1949) "Past Lives", 1983

    Est: $300 - $500

    Nigel Brown (New Zealand, b. 1949) "Past Lives", 1983, woodcut with watercolor, from an edition of 5, signed, titled, numbered and dated. Size: 24" x 26.5", 61 x 67 cm (sheet). Provenance: Bob Brand and Liz Werthan, Philadelphia.

    Material Culture
  • Nigel Brown (New Zealand, b. 1949) "The Runner", 1983
    Apr. 30, 2016

    Nigel Brown (New Zealand, b. 1949) "The Runner", 1983

    Est: $300 - $500

    Nigel Brown (New Zealand, b. 1949) "The Runner", 1983, woodcut, from an edition of 10, signed, titled, numbered and dated. Size: 24.5" x 15.25", 62 x 39 cm (sheet). Provenance: Bob Brand and Liz Werthan, Philadelphia.

    Material Culture
  • Nigel Brown (New Zealand, b. 1949) "Consider This Woman", 1983
    Apr. 30, 2016

    Nigel Brown (New Zealand, b. 1949) "Consider This Woman", 1983

    Est: $300 - $500

    Nigel Brown (New Zealand, b. 1949) "Consider This Woman", 1983, Woodcut, hand-colored with watercolor and gouache, from an edition of 5, signed, titled, numbered and dated. Size: 25.25" x 16.5", 64 x 42 cm (sheet). Provenance: Bob Brand and Liz Werthan, Philadelphia.

    Material Culture
  • Art Work by Nigel Brown
    Aug. 29, 2012

    Art Work by Nigel Brown

    Est: -

    Art Work by Nigel Brown Clairmont Painting

    International Art Centre
  • Brown, Nigel
    Oct. 09, 2011

    Brown, Nigel

    Est: €20 - €40

    London Gunmakers, Christie, Manson & Woods, London, 1998; 280 pages with colour and b/w illustrations; hard cover and dust-jacket. dating: circa 2000 dimensions: high 31 cm. provenance: England

    Czerny's International Auction House
  • Art Work by: Nigel Brown
    Aug. 17, 2011

    Art Work by: Nigel Brown

    Est: -

    Art Work by: Nigel Brown - Understanding

    International Art Centre
  • Art Work by: Nigel Brown
    Aug. 17, 2011

    Art Work by: Nigel Brown

    Est: -

    Art Work by: Nigel Brown - Clairmont Painting

    International Art Centre
  • Conversation Pacifica
    Aug. 09, 2011

    Conversation Pacifica

    Est: $14,000 - $18,000

    Nigel Brown Conversation Pacifica woodcut collage and acrylic on board signed and dated '94; title inscribed, signed and dated '94 verso

    Webb’s – Specialist Auctioneers
  • On The Last Morning
    Aug. 09, 2011

    On The Last Morning

    Est: $14,000 - $18,000

    Nigel Brown On The Last Morning acrylic on board title inscribed, signed and dated '84; title inscribed, signed and dated '84 verso

    Webb’s – Specialist Auctioneers
  • If I Could Sprinkle Nigel Brown
    Jul. 14, 2011

    If I Could Sprinkle Nigel Brown

    Est: -

    If I Could Sprinkle Nigel Brown

    International Art Centre
  • Our Intuition Nigel Brown
    Jul. 14, 2011

    Our Intuition Nigel Brown

    Est: -

    Our Intuition Nigel Brown

    International Art Centre
  • Art Work by Nigel Brown
    May. 05, 2011

    Art Work by Nigel Brown

    Est: -

    Nigel Brown " Pure Water The Urewera Set No. 3 "

    International Art Centre
  • What Are Yah? Nigel Brown
    Mar. 30, 2011

    What Are Yah? Nigel Brown

    Est: -

    What Are Yah? Nigel Brown

    International Art Centre
  • Luck and Me Nigel Brown
    Mar. 30, 2011

    Luck and Me Nigel Brown

    Est: -

    Luck and Me Nigel Brown

    International Art Centre
  • Nigel Brown
    Mar. 29, 2011

    Nigel Brown

    Est: $9,000 - $12,000

    Nigel Brown, In Praise of Old Places, title inscribed, signed and dated '86; title inscribed, signed, dated and inscribed Auckland verso

    Webb’s – Specialist Auctioneers
  • The Care of Women Nigel Brown
    Dec. 09, 2010

    The Care of Women Nigel Brown

    Est: -

    The Care of Women Nigel Brown

    International Art Centre
  • Nigel Brown Whatever Love Whatever acrylic on
    Nov. 30, 2010

    Nigel Brown Whatever Love Whatever acrylic on

    Est: $20,000 - $25,000

    Nigel Brown Whatever Love Whatever acrylic on board title inscribed, signed and dated '86; title inscribed, signed and dated 1986 verso

    Webb’s – Specialist Auctioneers
  • Nigel Brown The Corn Garden title inscribed,
    Nov. 25, 2010

    Nigel Brown The Corn Garden title inscribed,

    Est: $8,000 - $12,000

    Nigel Brown The Corn Garden title inscribed, signed and date...

    ART+OBJECT
  • Joy Nigel Brown
    Nov. 18, 2010

    Joy Nigel Brown

    Est: -

    Joy Nigel Brown

    International Art Centre
  • Culture Triptych Nigel Brown
    Nov. 18, 2010

    Culture Triptych Nigel Brown

    Est: -

    Culture Triptych Nigel Brown

    International Art Centre
  • Nigel Brown Mullet Bay (Looking Back) acrylic on
    Jul. 27, 2010

    Nigel Brown Mullet Bay (Looking Back) acrylic on

    Est: $9,000 - $12,000

    Nigel Brown Mullet Bay (Looking Back) acrylic on canvas signed, titled & dated 2007 600 x 900mm

    Watsons Auction House
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