Lyndell Brown Paintings & Artwork for Sale | Lyndell Brown Art Value Price Guide

Jun. 15, 2023
LYNDELL BROWN & CHARLES GREEN, CARMEN, OIL ON CANVAS, TITLED UPPER LEFT, 30.5 X 30.5CM PROVENANCE: PRIVATE COLLECTION, ADELAIDE
Est: $600 - $800
LYNDELL BROWN & CHARLES GREEN, CARMEN, OIL ON CANVAS, TITLED UPPER LEFT, 30.5 X 30.5CM PROVENANCE: PRIVATE COLLECTION, ADELAIDE
Leonard Joel
Apr. 18, 2023
Charles Green (b. 1953) and Lyndell Brown (b. 196
Est: $300 - $500
The Dark Wood, 1992 oil on canvas, signed, dated, and titled on verso 'Charles Green, The Dark Wood, 1992, Lyndel'
Shapiro Auctioneers
Apr. 05, 2023
LYNDELL BROWN AND CHARLES GREEN (born 1961 & 1953) The Waves 2003 digital photograph on Duraclear film, edition of 6
Est: $2,000 - $3,000
LYNDELL BROWN AND CHARLES GREEN (born 1961 & 1953) The Waves 2003 digital photograph on Duraclear film, edition of 6 102 x 102cm PROVENANCE: GrantPirrie, Sydney Private collection, Melbourne OTHER NOTES: "Since 1989, Lyndell Brown and Charles Green have worked in collaboration. "We don't think of ourselves as separate artists any more, and we don't have a fixed division of labour, for we've never decided that one of us is better at painting something than the other. At different times you might walk into our studio and see us sitting side by side, each with tiny sable brushes, working away on the painful task of exactly copying different segments of a source photograph. At other periods we'll divide up who does what, quite definitely, over a whole series, but we don't explain who does what because we wouldn't ever want to work separately. We share the task of turning the paintings into photographs, working closely with our gifted printer, Sandra Barnard, who found the Duraclear film." (Excerpt from Lyndell Brown and Charles Green, Statement for Sanctuary - and other island fables, Herring Island Environmental Sculpture Park, 2002) RELATED WORK: Lyndell Brown and Charles Green, The Waves, oil on linen, 122 x 122cm, Leonard Joel, Melbourne, 9 May 2022, lot 77. © Courtesy of the Artists
Leonard Joel
Dec. 04, 2022
LYNDELL BROWN (b.1961) & CHARLES GREEN (b.1953), Boatload of Despair, oil on linen, signed, titled and dated 2006 verso, 31 x 31cm. Provenance: The estate of Joyce Evans; purchased at Arc One Gallery, Melbourne, from the 2007 exhibition "The Painte
Est: $500 - $800
LYNDELL BROWN (b.1961) & CHARLES GREEN (b.1953), Boatload of Despair, oil on linen, signed, titled and dated 2006 verso, 31 x 31cm. Provenance: The estate of Joyce Evans; purchased at Arc One Gallery, Melbourne, from the 2007 exhibition "The Painter's Family".
Leski Auctions Pty Ltd
Nov. 16, 2022
LYNDELL BROWN AND CHARLES GREEN (born 1961 & 1953) The Waves 2004 digital photograph on Duraclear film, edition of 6
Est: $2,500 - $3,500
LYNDELL BROWN AND CHARLES GREEN (born 1961 & 1953) The Waves 2004 digital photograph on Duraclear film, edition of 6 102 x 102cm PROVENANCE: Arc One Gallery, Melbourne Private collection, Melbourne OTHER NOTES: "Since 1989, Lyndell Brown and Charles Green have worked in collaboration. "We don't think of ourselves as separate artists any more, and we don't have a fixed division of labour, for we've never decided that one of us is better at painting something than the other. At different times you might walk into our studio and see us sitting side by side, each with tiny sable brushes, working away on the painful task of exactly copying different segments of a source photograph. At other periods we'll divide up who does what, quite definitely, over a whole series, but we don't explain who does what because we wouldn't ever want to work separately. We share the task of turning the paintings into photographs, working closely with our gifted printer, Sandra Barnard, who found the Duraclear film." (Excerpt from Lyndell Brown and Charles Green, Statement for Sanctuary - and other island fables, Herring Island Environmental Sculpture Park, 2002) RELATED WORK: Lyndell Brown and Charles Green, The Waves, oil on linen, 122 x 122cm, Leonard Joel, Melbourne, 9 May 2022, lot 77 © The Artists
Leonard Joel
May. 11, 2022
Lyndell Brown (born 1961) and Charles Green (born 1953) Untitled (Sleep)
Est: $1,200 - $1,800
Lyndell Brown (born 1961) and Charles Green (born 1953) Untitled (Sleep) Photo film, acetate, pins, acrylic, MDF 121.0 x 121.0cm (47 5/8 x 47 5/8in). For further information on this lot please visit the Bonhams website
Bonhams
May. 09, 2022
LYNDELL BROWN AND CHARLES GREEN (born 1961 & 1953) The Waves oil on linen
Est: $4,000 - $6,000
LYNDELL BROWN AND CHARLES GREEN (born 1961 & 1953) The Waves oil on linen 122 x 122cm PROVENANCE: Span Galleries, Melbourne Private collection, Melbourne OTHER NOTES: RELATED WORK: The Waves 2004, digital photograph on duraclear film, edition of 6, 104 x 104cm
Leonard Joel
Jun. 28, 2021
LYNDELL BROWN AND CHARLES GREEN (born 1961 & 1953) Still Life with Lizard 1992 oil on canvas
Est: $6,000 - $8,000
LYNDELL BROWN AND CHARLES GREEN (born 1961 & 1953) Still Life with Lizard 1992 oil on canvas signed, titled and dated verso: Lyndell Brown/ Charles Green / "STILL-LIFE WITH LIZARD" / 1992 151.5 x 151.5cm PROVENANCE: Annandale Galleries, Sydney Private collection Christie's, Melbourne, 22 November 2005, lot 163 Private collection, Melbourne
Leonard Joel
Jun. 04, 2019
LYNDELL BROWN AND CHARLES GREEN (born 1961 & 1953) Edinburgh 1868, New York 1968, Captivity Narrative 4 1998 oil on linen
Est: $4,000 - $6,000
LYNDELL BROWN AND CHARLES GREEN (born 1961 & 1953) Edinburgh 1868, New York 1968, Captivity Narrative 4 1998 oil on linen signed, titled, and dated verso: Lyndell Brown/ Charles Green/ "Edinburgh 1868, New York 1968/ Captivity Narrative 4/ 1998/ Charles Green Lyndell Brown 91 x 91cm PROVENANCE: Robert Lindsay Gallery, Melbourne (label verso) Arc One Gallery, Melbourne (label verso) Private collection, Melbourne
Leonard Joel
Aug. 19, 2012
Lyndell Brown & Charles Green Ruskin (for Douglas Green) 2002-2003 lightjet print on duraclear film
Est: $100 - $200
Lyndell Brown & Charles Green Ruskin (for Douglas Green) 2002-2003 lightjet print on duraclear film 38 x 21cm Other Notes: All Proceeds from the sale of this Artwork will go to support Afghan Children of War Appeal
Theodore Bruce Auctioneers & Valuers
Nov. 22, 2005
LYNDELL BROWN (B. 1961) AND CHARLES GREEN (B. 1953)
Est: $4,000 - $6,000
Still Life with Lizard signed, dated and inscribed 'Lyndell Brown/Charles Green/STILL LIFE WITH LIZARD 1992' (on the reverse) oil on canvas 151 x 151 cm
Christie's
Jun. 25, 2002
LYNDELL BROWN (B. 1961) & CHARLES GREEN (B. 1953)
Est: $1,680 - $2,800
FORTUNE with artists names, date and title 'Lyndell Brown/Charles Green/Fortune 1995' on gallery label (affixed to the reverse) oil on linen 51.1 x 40.8 cm (oval) PROVENANCE Michael Wardell Gallery, Melbourne Acquired from the above by the present owner in 1995 EXHIBITION Melbourne, Micahel Wardell Gallery, Lyndell Brown and Charles Green, 1995 NOTES This painting is based on a portrait the artist viewed in the National Gallery of Ottawa, Canada. This is a study for a large work by Green and Brown titled The Pearl Fisher and is the only oval painting in their oeuvre.
Christie's
Jun. 25, 2002
LYNDELL BROWN (B. 1961) CHARLES GREEN (B. 1953)
Est: $7,840 - $10,080
L'EVIDENCE ETERNELLE (THE LOVERS) oil on linen 5 panels 46 x 46 cm each Painted in 1995 (5) PROVENANCE 13 Verity Street, Melbourne Private collection, Melbourne Robert Lindsay Gallery, Melbourne Acquired from the above by the present owner in July 1998 LITERATURE J Engberg, The Lovers, Melbourne, 1995, p. 33 EXHIBITION Melbourne, 13 Verity Street, Charles Green & Lyndell Brown, ??? then the Lovers one NOTES "Aristotle has said that total union is the sole simple pleasure, and it is the promise of this pleasure which undoubtedly drives the lover's quest. Artists Lyndell Brown and Charles Green have sought this union in their art by co-authoring their pictures. In all their images the two genders coexist to offer up the spiritual, intellectual and physical manifestation of this fusion. Both Platonic and profane, their works, The painter's family and L'evidence eternelle (The Lovers ) promote the ideal of heart and mind in harmony. In each of their pictures the landscape of the cities, the Socratic space of the male is overlayed by the opulent and symbolic feminine symbols of drapery and anatomy, the corporeal space of the woman. In these pictorial spaces if the coexistence hands are presented - one male the other female - to allegorise the dual gender fusion. But these are not seamless harmonies. In each picture there is an unsettling resistance, a possibility of disunity. For a while they are collaborators, there is always the threat of traitorous intent, of being turned over to the enemy. Brown and Green are too knowing to image that the sexes which have for all time operated in different emotional and physical territories can abandon their place." (J Engberg, op.cit., p. 33).
Christie's