Fedor Andreevic Bronnikov Sold at Auction Prices

Fjodor Andrejewitsch Bronnikoff: Street Scene in Rome - Monk Talks to a Beggar Woman

BRONNIKOFF, FJODOR ANDREJEWITSCH 1827 Sadrinsk - 1902 Rome Title: Street Scene in Rome - Monk Talks to a Beggar Woman. Technique: Oil on canvas. Mounting: Mounted on paperboard. Measurement: 46.5 x 37.5cm. Frame: Framed. On the verso: Old auction labels from the early 20th century with exact description and title. Provenance: Private ownership, Germany. This finely painted scene shows two characters typical of Bronnikoff's genre painting. They are transported to a street scene in Rome, where Bronnikoff had been based since 1865. The works 'The Wandering Musicians' and 'The Old Man and the Poor Man' by Bronnikov hang in the Tretyakov Gallery, while the sketch 'The Expelled Man on his Friend's Grave' is owned by the Schadrinski Palace. The type of grey-haired monk found there could also have been used in the work offered here. We are grateful to Olga Sugrobova-Roth, Düsseldorf, for her kind support in cataloguing the present painting. Estimated shipping costs for this lot: Germany: 52,94 Euro plus 10,06 Euro VAT EU: 79,83 Euro plus 15,17 Euro VAT Worldwide: 138,66 Euro plus 26,34 Euro VAT additional shipping insurance Explanations to the Catalogue Fjodor Andrejewitsch Bronnikoff Paintings Framed Rome Painting Society

RUSSIAN ITALIAN OIL PAINTING BY FEODOR BRONNIKOFF

Feodor Andrejewitsch Bronnikoff, Russian, Italian, 1827 to 1902, antique oil painting on canvas depicting a portrait of an Italian couple, a mother and a child, an allegory of fertility. Signed and inscribed in Cyrillic, Rome, lower right. Circa: mid 19th century. Framed. Feodor Bronnikoff is known for Landscapes, village scenes and genre scenes. Feodor Andrejewitsch Bronnikoff studied in Saint Petersburg and was awarded an Academy Gold Medal for two paintings in 1852 and 1853. In 1854 he received a scholarship, went to Italy and settled in Rome near the Villa Borghese. Feodor Andrejewitsch Bronnikoff painted a variety of landscapes, village scenes and genre scenes. Returning to Russia in 1863, the Academy awarded him a professorship in history painting for his portrayal of Horace. One of a kind artwork.

RUSSIAN ITALIAN OIL PAINTING BY FEODOR BRONNIKOFF

Feodor Andrejewitsch Bronnikoff, Russian, Italian, 1827 to 1902, antique oil painting on canvas depicting a portrait of an Italian couple, a mother and a child, an allegory of fertility. Signed and inscribed in Cyrillic, Rome, lower right. Circa: mid 19th century. Framed. Feodor Bronnikoff is known for Landscapes, village scenes and genre scenes. Feodor Andrejewitsch Bronnikoff studied in Saint Petersburg and was awarded an Academy Gold Medal for two paintings in 1852 and 1853. In 1854 he received a scholarship, went to Italy and settled in Rome near the Villa Borghese. Feodor Andrejewitsch Bronnikoff painted a variety of landscapes, village scenes and genre scenes. Returning to Russia in 1863, the Academy awarded him a professorship in history painting for his portrayal of Horace. One of a kind artwork.

RUSSIAN ITALIAN OIL PAINTING BY FEODOR BRONNIKOFF

Feodor Andrejewitsch Bronnikoff, Russian, Italian, 1827 to 1902, antique oil painting on canvas depicting a portrait of an Italian couple, a mother and a child, an allegory of fertility. Signed and inscribed in Cyrillic, Rome, lower right. Circa: mid 19th century. Framed. Feodor Bronnikoff is known for Landscapes, village scenes and genre scenes. Feodor Andrejewitsch Bronnikoff studied in Saint Petersburg and was awarded an Academy Gold Medal for two paintings in 1852 and 1853. In 1854 he received a scholarship, went to Italy and settled in Rome near the Villa Borghese. Feodor Andrejewitsch Bronnikoff painted a variety of landscapes, village scenes and genre scenes. Returning to Russia in 1863, the Academy awarded him a professorship in history painting for his portrayal of Horace. One of a kind artwork.

FJODOR ANDREJEVITJ BRONNIKOV (18247-1902) (FEDOR ANDREEVICH BRONNIKOV)

Fjodor Andrejevitj BRONNIKOV (18247-1902) (Fedor Andreevich BRONNIKOV) Portrait of a young girl pastel, signed lower centre framed H: 56 cm W: 44 cm

BRONNIKOV, FEODOR (1827-1902) Street in Frascati

BRONNIKOV, FEODOR (1827–1902) Street in Frascati signed, inscribed “Frascati” and dated 1886. Oil on panel, 46 by 24 cm. Provenance: Private collection, Europe. Authenticity of the work has been confirmed by the expert V. Petrov. Authenticity has also been confirmed by the expert T. Goriacheva. Exhibited: Possibly, XV Peredvizhnaia vystavka kartin Tovarishchestva peredvizhnykh khudozhestvennykh vystavok, St Petersburg, Moscow, Kharkov, Odessa, Elisavetgrad, Kiev, 25 February 1887–5 January 1888. Literature: Possibly, exhibition catalogue, Katalog XV Peredvizhnoi vystavki kartin Tovarishchestva peredvizhnykh khudozhestvennykh vystavok, St Petersburg, 1887, No. 20, listed. Possibly, G. Romanov, Tovarishchestvo peredvizhnykh khudozhestvennykh vystavok, 1871–1923 g.g., Entsiklopediia, St Petersburg, Sankt-Peterburg Orkestr, 2003, p. 103, No. 2–27, listed.

FEDOR ANDREEVICH BRONNIKOV | Artist's Model and Cat

oil on paper laid on board

FEODOR ANDREIEVICH BRONNIKOV (1827-1902) Roman beggar signed in Cyrillic, d

FEODOR ANDREIEVICH BRONNIKOV (1827-1902) Roman beggar signed in Cyrillic, dated and inscribed ‘Roma’ (lower left) oil on canvas 126 x 98.5cm (49 5/8 x 38 3/4in).

BRONNIKOV, FEODOR (1827-1902) Italian Scene,

BRONNIKOV, FEODOR (1827-1902) Italian Scene, signed. Oil on panel, 39.5 by 30.5 cm. Authenticity certificate from the expert V. Petrov Literature: Great Collection of Russian Artists, Vol. 1, Moscow, Belyi Gorod, 2001, plate 51, illustrated.

BRONNIKOV, FEODOR 1827-1902 Abandoned. The Vatican and Sin

BRONNIKOV, FEODOR 1827-1902 Abandoned. The Vatican and Sin signed, inscribed "Rome" and dated 1872 Oil on canvas, 88 by 114 cm. Authenticity has been confirmed by the expert V. Petrov. The picture Abandoned. The Vatican and Sin is an autograph copy of one of the best-known compositions of Feodor Bronnikov, a history painter popular in the last third of the 19th century. Painted in Rome in 1872, it is a splendid example of the genre based on themes relating to the Eternal City. Bronnikov, following the classical canons, composes his painting like a stage set, on which he places his heroine in a striking and expressive position. The artist, always scrupulously accurate in his handling of detail, meticulously delineates the masonry of the parapet, the flare of distant fireworks, the ring on the heroine's finger and her white cuffs. Beneath a surface restraint and sobriety in the portrayal, much is hidden in this painting, stemming from the contrast at the heart of this dramatic situation. Both in the technique used and in the treatment of the subject, we can detect a curious fusion of the academic tradition with the aesthetics and themes of the Itinerants. For when Bronnikov graduated from the Imperial Academy of Arts, he left Russia in 1854 on a study placement and then spent the rest of his life in Rome, rarely visiting Russia. Only in 1863 did he travel to St Petersburg, to present to the selection board of the Academy a large painting on a subject from Roman history, The Quaestor Reading the Death Sentence to Senator Thrasea Paetus for which he was named Professor of history painting. However, having arrived in Russia via an academic route, Bronnikov was quick to pick up new "populist" tendencies in the art of his native land. The artist became close to the Itinerants and, under their influence, felt an urge to do social good via his art. In his paintings a taste became apparent for portraying life in the lower strata of society, for themes and motifs "laying bare the festering sores of contemporary life". But unlike the Russian colleagues in his studio, Roman sybarite Bronnikov had lost his basis in Russian life and could not develop such themes, instead settling for "Italian" subjects. So he painted a series of genre pictures: Poor Family Being Driven from Their Lodging, An Old Beggar, Golden Wedding Anniversary, Distribution of Food in Front of the Monastery Gates, Sick Man Outside a Catholic Monastery, Artists in a Rich Man's Parlour and Abandoned. The Russian critics, understandably, thought that Bronnikov belonged "to the earlier, 'idealist' school, which holds back this artist, a sincere lover of justice, from portraying the unsavoury traits of his subject". But it was precisely that academic prettiness and a certain pathos and sentimentality, not at all detrimental to an understanding of the "unsavoury position" of his heroes, which allowed Bronnikov to create his own type of genre painting "on the topics of the day". Soon Bronnikov was admitted to the Society of Itinerant Art Exhibitions. From 1873 he showed his works at exhibitions in Moscow, St Petersburg, Kiev etc, alongside the greatest Russian masters. Bronnikov even painted an autograph copy of our painting, Abandoned. The Vatican and Sin, dated 1873, specially for the Society's third exhibition. Reproduced in the exhibition catalogue, it made a great impression on his contemporaries and was soon bought by the mayor of Irkutsk, Vladimir Platonovich Sukachev. It is now housed in the Irkutsk Museum of Art which bears his name. As for the present, earlier version of this composition, its history is most probably associated with art collections in the West. At least, according to the Brockhaus and Efron Encyclopaedic Dictionary, "most of Bronnikov's works are in Russia, but many have also been acquired by connoisseurs in England, America, Hungary, Italy and Denmark. Among his last works, Abandoned is worthy of note. This painting is owned by the Queen of Denmark".

BRONNIKOV, FEDOR ANDREEVIC (Sadrinsk 1827 - 1902

BRONNIKOV, FEDOR ANDREEVIC (Sadrinsk 1827 - 1902 Rome) Italian coastal landscape with two figures in the foreground. 1894. Oil on metal. Signed and dated lower right in Cyrillic: 94. 47.2 x 31.3 cm. Provenance: - Auction Sotheby's, London, 2006. - Private collection Germany. BRONNIKOV, FEDOR ANDREEVIC (Sadrinsk 1827 - 1902 Rom) Italienische Küstenlandschaft mit zwei Personen im Vordergrund. 1894. Öl auf Metall. Unten rechts kyrillisch signiert und datiert: 94. 47,2 x 31,3 cm. Provenienz: - Auktion Hagelstam, Finland, 01.12.2007, Los 230. - Privatsammlung Deutschland.

BRONNIKOV, FEODOR 1827-1902 Italian Scene signed

BRONNIKOV, FEODOR 1827-1902 Italian Scene signed Oil on panel, 39.5 by 30.5 cm. Authenticity certificate from Vladimir Petrov. Literature: Great Collection of Russian Artists, Vol. 1, Belyi Gorod, 2001, plate 51, illustrated.

Feodor Andreievich Bronnikov 1827-1902 Young

Feodor Andreievich Bronnikov 1827-1902 Young Italian Girl Signed and dated Rome 1856 , watercolour with touches of white 24,2 x 19,5 cm. (oval)

FEDOR ADREEVICH BRONNIKOV (1827-1902)

Italian View signed and dated 'Bronnikov, 1889' (lower right) watercolor and pencil on paper 11 x 16 3/4 in. (27.6 x 42.5 cm.)

Feodor Andrejewitsch Bronnikoff (Russian, 1827-1902) A scene in ancient Rome 31 3/4 x 38 3/4in. (81 x 98.5cm.) in a carved Florentin...