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Giacomo Brogi Sold at Auction Prices

Photographer, b. 1822 - d. 1881

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        • GIACOMO BROGI, (Italian, 1822-1881). PANORAMIC VIEW OF ROMAN FORUM, CIRCA 1880, Carbon print. Original 1880s frame. Not examined out of
          Nov. 21, 2024

          GIACOMO BROGI, (Italian, 1822-1881). PANORAMIC VIEW OF ROMAN FORUM, CIRCA 1880, Carbon print. Original 1880s frame. Not examined out of

          Est: $600 - $800

          GIACOMO BROGI, (Italian, 1822-1881). PANORAMIC VIEW OF ROMAN FORUM, CIRCA 1880, Carbon print. Original 1880s frame. Not examined out of frame. - 20 1/2 in. x 45 1/2 in.

          Sloans & Kenyon
        • GIACOMO BROGI, (1822-1881). PANORAMIC VIEW OF ROMAN FORUM, CIRCA 1880, Carbon print. Original 1880s frame.
          Oct. 17, 2024

          GIACOMO BROGI, (1822-1881). PANORAMIC VIEW OF ROMAN FORUM, CIRCA 1880, Carbon print. Original 1880s frame.

          Est: $800 - $1,200

          GIACOMO BROGI, (1822-1881). PANORAMIC VIEW OF ROMAN FORUM, CIRCA 1880, Carbon print. Original 1880s frame. - 20 1/2 in. x 45 1/2 in.

          Sloans & Kenyon
        • G. BROGI (1822-1881), Mailand, Public Garden, around 1880, albumen paper print
          Sep. 28, 2024

          G. BROGI (1822-1881), Mailand, Public Garden, around 1880, albumen paper print

          Est: €300 - €400

          Giacomo Brogi (1822 Florence - 1881 ibid.): Milan, Picturesque garden view, "Veduta del Giardino Pubblico", Public park, Garden, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Date: c. 1880 Description: Historical garden with a dreamlike view. Titled "Milano Veduta del Giardino Pubblico" under the image. Giacomo BROGI founded a photography studio in Florence in 1860. This was followed by business establishments in Rome and Naples in 1869. In Florence he was in competition with the Alinari brothers as well as with Giorgio Sommer and Giorgio Conrad in Naples. Travelled throughout Italy and in 1868 to the Middle East, including Palestine, Egypt and Syria. From 1871 he participated in national and international exhibitions, often winning awards. His sons Carlo and Alfredo were employees in the business, which Carlo BROGI took over after BROGI's death in 1881. BROGI emerged as a co-founder of the Photographic Society of Italy and was one of the most important photographers in 19th century Italy. Original photography with high sharpness of detail. An early testimony of travel photography. Around the middle of the 19th century, more and more tourists from middle-class circles travelled to Italy. At that time, photographs could only be taken with a great deal of time and expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site to bring back a souvenir from afar for those who stayed at home or to collect as souvenirs. Famous photographers such as Carlo Naya, Giorgio Sommer or the Alinari brothers photographed the most famous sights of their home cities and went on journeys themselves to photograph the most popular destinations of their clients and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting art treasures and making them accessible to scholars from all over Europe, who previously had to rely on tracings or engravings if they could not view the original for themselves. Keywords: 19th century, Historicism, Landscape, Italy, Size: Cardboard: 23,4 cm x 29,5 cm (9,2 x 11,6 in), Depiction: 19,2 cm x 24,8 cm (7,6 x 9,8 in)

          Fichter Kunsthandel
        • G. BROGI (*1822) after TITO (*1573), Leopoldo de' Medici as a child, Black and white photograph
          Aug. 31, 2024

          G. BROGI (*1822) after TITO (*1573), Leopoldo de' Medici as a child, Black and white photograph

          Est: €120 - €200

          Giacomo Brogi (1822 Florence - 1881 ibid.) after Tiberio Tito (1573 Florence - 1627 ibid.): Leopoldo de' Medici as a Child, Painting, 19th century, Black and white photograph Technique: Black and white photograph on , mounted on Cardboard Stamp: Verso Johann Wilhelm Spemann. Stuttgart. 19th century Date: 19th century Description: Giacomo BROGI founded a photography studio in Florence in 1860. This was followed by business establishments in Rome and Naples in 1869. In Florence he was in competition with the Alinari brothers as well as with Giorgio Sommer and Giorgio Conrad in Naples. Travelled throughout Italy and in 1868 to the Middle East, including Palestine, Egypt and Syria. From 1871 he participated in national and international exhibitions, often winning awards. His sons Carlo and Alfredo were employees in the business, which Carlo BROGI took over after BROGI's death in 1881. BROGI was one of the founders of the Italian Photographic Society and one of the most important photographers in 19th century Italy. Keywords: Medici, Copy, Picture gallery, Infant, Baby, Child, Family, 19th century, Baroque, Portraits, Italy, Size: Cardboard: 24,5 cm x 30,1 cm (9,6 x 11,9 in), Plate: 20,7 cm x 24,8 cm (8,1 x 9,8 in)

          Fichter Kunsthandel
        • G. BROGI (1822-1881), Riviera di Chiaia in Neapel, around 1880, albumen paper print
          Aug. 17, 2024

          G. BROGI (1822-1881), Riviera di Chiaia in Neapel, around 1880, albumen paper print

          Est: €600 - €800

          Giacomo Brogi (1822 Florence - 1881 ibid.): Riviera di Chiaia an der Villa Municipale in Neapel, c. 1880, albumen paper print Technique: albumen paper print Inscription: At the lower part inscribed in the printing plate: "5600. Napoli. Villa Municipale già Nazionale e Riviera di Chiaia.". Date: c. 1880 Description: Original photograph with high detail sharpness. An early example of travel photography. Around the middle of the 19th century, more and more tourists from bourgeois circles travelled to Italy. At that time, photographs could only be taken at great expense in terms of time and with expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site, so that they could bring back a souvenir from their holiday home or collect them as mementos. Famous photographers such as Carlo Naya, Giorgio Sommer and the Alinari brothers photographed the most famous sights in their home cities and travelled themselves to photograph their customers' favourite destinations and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting the art treasures and making them accessible to scholars from all over Europe, who previously had to rely on copies or engravings if they were unable to view the original themselves. Keywords: travel photography, souvenir, veduta, view, architectural photography, Italy, Gulf of Naples, coast, promenade, carriage, passers-by, 19th century, Historicism, Cities, Italy, Size: Albumen paper: 19,0 cm x 24,9 cm (7,5 x 9,8 in)

          Fichter Kunsthandel
        • GIACOMO BROGI - MILAN CATHEDRAL - PHOTOGRAPH
          Jun. 19, 2024

          GIACOMO BROGI - MILAN CATHEDRAL - PHOTOGRAPH

          Est: $50 - $80

          Giacomo Brogi, Italian, 1822-1881, Interno della cattedrale, Milan c.1850-1881, photograph

          Litchfield Auctions
        • Giacomo Brogi (attribuito a) (1822-1881) - Milano, Arco della Pace - Milano, interno della Cattedrale, 1880s
          Jun. 17, 2024

          Giacomo Brogi (attribuito a) (1822-1881) - Milano, Arco della Pace - Milano, interno della Cattedrale, 1880s

          Est: €200 - €300

          Two albumen prints applied recto/verso on the original cardboard cm 37 x 28 approx. each (cm 40 x 29,5 cardboard) | 14.6 x 11 in. approx. each (15.7 x 11.6 in. cardboard) Title from the negative on the inferior recto margin of each

          Finarte
        • G. BROGI (1822-1881), Mailand, Public Garden, around 1880, albumen paper print
          May. 25, 2024

          G. BROGI (1822-1881), Mailand, Public Garden, around 1880, albumen paper print

          Est: €300 - €400

          Giacomo Brogi (1822 Florence - 1881 ibid.): Milan, Picturesque garden view, "Veduta del Giardino Pubblico", Public park, Garden, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Date: c. 1880 Description: Historical garden with a dreamlike view. Titled "Milano Veduta del Giardino Pubblico" under the image. Giacomo BROGI founded a photography studio in Florence in 1860. This was followed by business establishments in Rome and Naples in 1869. In Florence he was in competition with the Alinari brothers as well as with Giorgio Sommer and Giorgio Conrad in Naples. Travelled throughout Italy and in 1868 to the Middle East, including Palestine, Egypt and Syria. From 1871 he participated in national and international exhibitions, often winning awards. His sons Carlo and Alfredo were employees in the business, which Carlo BROGI took over after BROGI's death in 1881. BROGI emerged as a co-founder of the Photographic Society of Italy and was one of the most important photographers in 19th century Italy. Original photography with high sharpness of detail. An early testimony of travel photography. Around the middle of the 19th century, more and more tourists from middle-class circles travelled to Italy. At that time, photographs could only be taken with a great deal of time and expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site to bring back a souvenir from afar for those who stayed at home or to collect as souvenirs. Famous photographers such as Carlo Naya, Giorgio Sommer or the Alinari brothers photographed the most famous sights of their home cities and went on journeys themselves to photograph the most popular destinations of their clients and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting art treasures and making them accessible to scholars from all over Europe, who previously had to rely on tracings or engravings if they could not view the original for themselves. Keywords: 19th century, Historicism, Landscape, Italy, Size: Cardboard: 23,4 cm x 29,5 cm (9,2 x 11,6 in), Depiction: 19,2 cm x 24,8 cm (7,6 x 9,8 in)

          Fichter Kunsthandel
        • G. BROGI (1822-1881), Kirche Sant Alessandro, Mailand, around 1880, albumen paper print
          May. 25, 2024

          G. BROGI (1822-1881), Kirche Sant Alessandro, Mailand, around 1880, albumen paper print

          Est: €300 - €400

          Giacomo Brogi (1822 Florence - 1881 ibid.): Church of Sant Alessandro, view of the choir, Milan, Italy, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Stamp: Blank stamp, Giacomo Brogi. Florence Inscription: Inscribed and numbered "3959." below the photograph. With Brogi blindstamp on the lower left of the photograph. Giacomo BROGI founded a photography studio in Florence in 1860. This was followed by business establishments in Rome and Naples in 1869. In Florence he was in competition with the Alinari brothers as well as with Giorgio Sommer and Giorgio Conrad in Naples. From 1871 he took part in national and international exhibitions, often winning awards. His sons Carlo and Alfredo worked in the shop, which was taken over by Carlo BROGI after BROGI's death in 1881. BROGI was one of the founders of the Italian Photographic Society and one of the most important photographers in 19th century Italy. Date: c. 1880 Description: Original photograph with high sharpness of detail. An early testimony of travel photography. Around the middle of the 19th century, more and more tourists from middle-class circles travelled to Italy. At that time, photographs could only be taken with a great deal of time and expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site to bring back a souvenir from afar for those who stayed at home or to collect as souvenirs. Famous photographers such as Carlo Naya, Giorgio Sommer or the Alinari brothers photographed the most famous sights of their home cities and went on journeys themselves to photograph the most popular destinations of their clients and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting art treasures and making them accessible to scholars from all over Europe, who previously had to rely on tracings or engravings if they could not view the original for themselves. Keywords: 19th century, Historicism, Religious, Italy, Size: Cardboard: 30,0 cm x 22,8 cm (11,8 x 9 in), Depiction: 25,3 cm x 18,4 cm (10 x 7,2 in)

          Fichter Kunsthandel
        • G. BROGI (1822-1881), Interior of Milan Cathedral, around 1890, albumen paper print
          Jan. 20, 2024

          G. BROGI (1822-1881), Interior of Milan Cathedral, around 1890, albumen paper print

          Est: €135 - €225

          Giacomo Brogi (1822 Florence - 1881 ibid.): Interior of Milan Cathedral View through the nave to the choir, late 19th century, photograph of a painting, c. 1890, albumen paper print Technique: albumen paper print, mounted on Cardboard Inscription: Lower left with embossed stamp "Brogi". Date: c. 1890 Description: Giacomo BROGI founded a photography studio in Florence in 1860, where he developed exclusive portraits as well as reproductions of works of art. He travelled to the Middle and Near East, including Palestine and Egypt, on photographic expeditions. In 1869, he presented Pope Pius IX with an album of photographs from Palestine. The same gift to King Vittorio Emanuele and Umberto I earned him the title of court photographer in 1878. In Italy, he was in competition with the Alinari brothers in Florence as well as Giorgio Sommer and Giorgio Conrad in Naples. Original photograph with high sharpness of detail. An early example of travel photography. Around the middle of the 19th century, more and more tourists from bourgeois circles travelled to Italy. At that time, photographs could only be taken at great expense in terms of time and with expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site, so that they could bring back a souvenir from their holiday home or collect them as mementos. Famous photographers such as Carlo Naya, Giorgio Sommer and the Alinari brothers photographed the most famous sights in their home cities and travelled themselves to photograph their customers' favourite destinations and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting the art treasures and making them accessible to scholars from all over Europe, who previously had to rely on copies or engravings if they were unable to view the original themselves. Keywords: 19th century, Historicism, Architecture, Italy,

          Fichter Kunsthandel
        • G. BROGI (1822-1881), Denkmal Leonardo da Vinci vor Scala, Mailand, around 1880, albumen paper print
          Jan. 20, 2024

          G. BROGI (1822-1881), Denkmal Leonardo da Vinci vor Scala, Mailand, around 1880, albumen paper print

          Est: €300 - €400

          Giacomo Brogi (1822 Florence - 1881 ibid.): Historical Italy, monument to Leonardo da Vinci in front of the Scala Theatre in Milan, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Inscription: Image format Imperial; lower left in the photograph with blindstamp: "G. Brogi"; titled below the image on the cardboard. Date: c. 1880 Description: Original photograph with high detail sharpness. An early example of travel photography. Around the middle of the 19th century, more and more tourists from bourgeois circles travelled to Italy. At that time, photographs could only be taken at great expense in terms of time and with expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site, so that they could bring back a souvenir from their holiday home or collect them as mementos. Famous photographers such as Carlo Naya, Giorgio Sommer and the Alinari brothers photographed the most famous sights in their home cities and travelled themselves to photograph their customers' favourite destinations and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting the art treasures and making them accessible to scholars from all over Europe, who previously had to rely on copies or engravings if they were unable to view the original themselves. Keywords: 19th century, Historicism, Architecture, Italy,

          Fichter Kunsthandel
        • G. BROGI (1822-1881), Riviera di Chiaia in Neapel, around 1880, albumen paper print
          Jan. 20, 2024

          G. BROGI (1822-1881), Riviera di Chiaia in Neapel, around 1880, albumen paper print

          Est: €600 - €800

          Giacomo Brogi (1822 Florence - 1881 ibid.): Riviera di Chiaia an der Villa Municipale in Neapel, c. 1880, albumen paper print Technique: albumen paper print Inscription: At the lower part inscribed in the printing plate: "5600. Napoli. Villa Municipale già Nazionale e Riviera di Chiaia.". Date: c. 1880 Description: Original photograph with high sharpness of detail. An early testimony of travel photography. Around the middle of the 19th century, more and more tourists from middle-class circles travelled to Italy. At that time, photographs could only be taken with a great deal of time and expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site to bring back a souvenir from afar for those who stayed at home or to collect as souvenirs. Famous photographers such as Carlo Naya, Giorgio Sommer or the Alinari brothers photographed the most famous sights of their home cities and went on journeys themselves to photograph the most popular destinations of their clients and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting art treasures and making them accessible to scholars from all over Europe, who previously had to rely on tracings or engravings if they could not view the original for themselves. Keywords: Travel photography, souvenir, veduta, view, architectural photography, Italy, Gulf of Naples, coast, promenade, carriage, passers-by, 19th century, Historicism, Cities, Italy,

          Fichter Kunsthandel
        • G. BROGI (1822-1881), Cavour Monument, Turin, around 1880, albumen paper print
          Jan. 20, 2024

          G. BROGI (1822-1881), Cavour Monument, Turin, around 1880, albumen paper print

          Est: €300 - €400

          Giacomo Brogi (1822 Florence - 1881 ibid.): View of the Cavour Monument in the Piazza Carlo Emanuele II, Turin, c 1880, original photograph with blind stamp, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Inscription: Inscribed in the centre below. Date: c. 1880 Description: Giacomo BROGI founded a photography studio in Florence in 1860. This was followed by business establishments in Rome and Naples in 1869. In Florence, he competed with the Alinari brothers and with Giorgio Sommer and Giorgio Conrad in Naples. From 1871 he took part in national and international exhibitions, often winning awards. His sons Carlo and Alfredo worked in the shop, which was taken over by Carlo BROGI after BROGI's death in 1881. BROGI emerged as a co-founder of the Photographic Society of Italy and was one of the most important photographers in 19th century Italy. Original photography with a high level of detail. An early testimony of travel photography. Around the middle of the 19th century, more and more tourists from middle-class circles travelled to Italy. At that time, photographs could only be taken with a great deal of time and expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site to bring back a souvenir from afar for those who stayed at home or to collect as souvenirs. Famous photographers such as Carlo Naya, Giorgio Sommer or the Alinari brothers photographed the most famous sights of their home cities and went on journeys themselves to photograph the most popular destinations of their clients and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting art treasures and making them accessible to scholars from all over Europe, who previously had to rely on tracings or engravings if they could not view the original for themselves. Keywords: 19th century, Historicism, Architecture, Italy,

          Fichter Kunsthandel
        • G. BROGI (1822-1881), Mailand, Public Garden, around 1880, albumen paper print
          Dec. 30, 2023

          G. BROGI (1822-1881), Mailand, Public Garden, around 1880, albumen paper print

          Est: €300 - €400

          Giacomo Brogi (1822 Florence - 1881 ibid.): Milan, Picturesque garden view, "Veduta del Giardino Pubblico", Public park, Garden, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Date: c. 1880 Description: Historical garden with a dreamlike view. Titled "Milano Veduta del Giardino Pubblico" under the image. Giacomo BROGI founded a photography studio in Florence in 1860. This was followed by business establishments in Rome and Naples in 1869. In Florence he was in competition with the Alinari brothers as well as with Giorgio Sommer and Giorgio Conrad in Naples. Travelled throughout Italy and in 1868 to the Middle East, including Palestine, Egypt and Syria. From 1871 he participated in national and international exhibitions, often winning awards. His sons Carlo and Alfredo were employees in the business, which Carlo BROGI took over after BROGI's death in 1881. BROGI emerged as a co-founder of the Photographic Society of Italy and was one of the most important photographers in 19th century Italy. Original photography with high sharpness of detail. An early testimony of travel photography. Around the middle of the 19th century, more and more tourists from middle-class circles travelled to Italy. At that time, photographs could only be taken with a great deal of time and expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site to bring back a souvenir from afar for those who stayed at home or to collect as souvenirs. Famous photographers such as Carlo Naya, Giorgio Sommer or the Alinari brothers photographed the most famous sights of their home cities and went on journeys themselves to photograph the most popular destinations of their clients and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting art treasures and making them accessible to scholars from all over Europe, who previously had to rely on tracings or engravings if they could not view the original for themselves. Keywords: 19th century, Historicism, Landscape, Italy,

          Fichter Kunsthandel
        • G. BROGI (1822-1881), Kirche Sant Alessandro, Mailand, around 1880, albumen paper print
          Dec. 30, 2023

          G. BROGI (1822-1881), Kirche Sant Alessandro, Mailand, around 1880, albumen paper print

          Est: €300 - €400

          Giacomo Brogi (1822 Florence - 1881 ibid.): Church of Sant Alessandro, view of the choir, Milan, Italy, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Stamp: Blank stamp, Giacomo Brogi. Florence Inscription: Inscribed and numbered "3959." below the photograph. With Brogi blindstamp on the lower left of the photograph. Giacomo BROGI founded a photography studio in Florence in 1860. This was followed by business establishments in Rome and Naples in 1869. In Florence he was in competition with the Alinari brothers as well as with Giorgio Sommer and Giorgio Conrad in Naples. From 1871 he took part in national and international exhibitions, often winning awards. His sons Carlo and Alfredo worked in the shop, which was taken over by Carlo BROGI after BROGI's death in 1881. BROGI was one of the founders of the Italian Photographic Society and one of the most important photographers in 19th century Italy. Date: c. 1880 Description: Original photograph with high sharpness of detail. An early testimony of travel photography. Around the middle of the 19th century, more and more tourists from middle-class circles travelled to Italy. At that time, photographs could only be taken with a great deal of time and expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site to bring back a souvenir from afar for those who stayed at home or to collect as souvenirs. Famous photographers such as Carlo Naya, Giorgio Sommer or the Alinari brothers photographed the most famous sights of their home cities and went on journeys themselves to photograph the most popular destinations of their clients and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting art treasures and making them accessible to scholars from all over Europe, who previously had to rely on tracings or engravings if they could not view the original for themselves. Keywords: 19th century, Historicism, Religious, Italy,

          Fichter Kunsthandel
        • G. BROGI (*1822) after TITO (*1573), Leopoldo de' Medici as a child, Black and white photograph
          Dec. 30, 2023

          G. BROGI (*1822) after TITO (*1573), Leopoldo de' Medici as a child, Black and white photograph

          Est: €120 - €200

          Giacomo Brogi (1822 Florence - 1881 ibid.) after Tiberio Tito (1573 Florence - 1627 ibid.): Leopoldo de' Medici as a Child, Painting, 19th century, Black and white photograph Technique: Black and white photograph on Albumen paper, mounted on Cardboard Stamp: Verso Johann Wilhelm Spemann. Stuttgart. 19th century Date: 19th century Description: Giacomo BROGI founded a photography studio in Florence in 1860. This was followed by business establishments in Rome and Naples in 1869. In Florence he was in competition with the Alinari brothers as well as with Giorgio Sommer and Giorgio Conrad in Naples. Travelled throughout Italy and in 1868 to the Middle East, including Palestine, Egypt and Syria. From 1871 he participated in national and international exhibitions, often winning awards. His sons Carlo and Alfredo were employees in the business, which Carlo BROGI took over after BROGI's death in 1881. BROGI was one of the founders of the Italian Photographic Society and one of the most important photographers in 19th century Italy. Keywords: Medici, Copy, Picture gallery, Infant, Baby, Child, Family, 19th century, Baroque, Portraits, Italy,

          Fichter Kunsthandel
        • 19th C. Portraits in Gilt Frames - Italy's King & Queen
          Jun. 01, 2023

          19th C. Portraits in Gilt Frames - Italy's King & Queen

          Est: $1,500 - $2,250

          Giacomo Brogi (Italian, 1822-1881). Two pendant royal portraits of Queen Margherita and King Umberto I by Italian photographer, Giacomo Brogi, mounted in magnificent matching gilt frames with crown ornaments topped by globus crucigers, a Christian symbol of authority used on royal regalia since the Middle Ages. The portrait of Queen Margherita has a handwritten inscription to Preston Draper, an ancestor of the artist William Draper, that is signed by Queen Margherita and dated 1899. Both sitters are depicted bust-length and dressed in luxurious attire - the Queen bedecked in lace, fur, gems, and multiple strands of pearls - the King in traditional military attire elaborately decorated with medals. A marvelous pair of royal portraits in gilt frames fit for royalty. Size (Queen sight view): 13.125" L x 9.875" W (33.3 cm x 25.1 cm) Size (King sight view: 14.75" L x 11.25" W (37.5 cm x 28.6 cm) Size (frames): 30.5" L x 17.75" W (77.5 cm x 45.1 cm) Queen Margherita of Savoy (Martherita Maria Teresa Giovanna, 1851-1926) was the Queen of Italy by marriage to King Umberto I (Umberto Rainerio Carlo Emanuele Giovanni Maria Ferdinando Eugenio di Savoia, 1844-1900 - reigned January 9, 1878-July 29, 1900). While one may find a plethora of interesting historical facts about Queen Margherita and King Umberto I, one of the most playful ones has to do with pizza. According to National Geographic, "The origin story began when the queen of Italy visited Naples in 1889. Strolling through the streets of the city centre, Queen Margherita and her husband smelled a delicious aroma wafting from a pizzeria. Intrigued, the couple invited the chef of the establishment, Raffaele Esposito, to the city’s Capodimonte Palace to cook the dish for them there. Esposito prepared three different kinds of pizza. One option emulated the colours of the Italian flag: It featured red tomatoes, white mozzarella, and fresh green basil. The following day, Esposito received a letter from Camillo Galli, head of the Services of the Table of the Royal Household, which read: 'Esteemed Signor Raffaele Esposito. I confirm that the three kinds of pizza prepared by you for her Royal Highness the Queen were found to be excellent.' Although Margherita enjoyed all three pizzas, she declared the red, white, and green to be her favourite. Esposito duly named it after her, and a classic Neapolitan specialty was born." About the artist: Giacomo Brogi was a 19th century Italian photographer who established his studio in Corso Tintori, Florence in 1864. He traveled throughout Italy and in 1868 ventured to the Middle East, traveling to Palestine, Egypt, and Syria. Brogi's photographs are in the collections of Fine Arts Museums of San Francisco, Musee d'Orsay, Paris; Courtauld Institut of Art, London; Harvard University Museums; Museum of Modern Art (MOMA), among others. Provenance: The William F. Draper Collection, New York City, USA, acquired via descent from the late William Franklin Draper (1912-2003) All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #176622

          Artemis Gallery
        • G. BROGI (1822-1881), Riviera di Chiaia in Neapel, around 1880, albumen paper print
          May. 07, 2023

          G. BROGI (1822-1881), Riviera di Chiaia in Neapel, around 1880, albumen paper print

          Est: €600 - €800

          Giacomo Brogi (1822 Florence - 1881 ibid.): Riviera di Chiaia an der Villa Municipale in Neapel, c. 1880, albumen paper print Technique: albumen paper print Inscription: At the lower part inscribed in the printing plate: "5600. Napoli. Villa Municipale già Nazionale e Riviera di Chiaia.". Date: c. 1880 Description: Original photograph with high sharpness of detail. An early testimony of travel photography. Around the middle of the 19th century, more and more tourists from middle-class circles travelled to Italy. At that time, photographs could only be taken with a great deal of time and expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site to bring back a souvenir from afar for those who stayed at home or to collect as souvenirs. Famous photographers such as Carlo Naya, Giorgio Sommer or the Alinari brothers photographed the most famous sights of their home cities and went on journeys themselves to photograph the most popular destinations of their clients and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting art treasures and making them accessible to scholars from all over Europe, who previously had to rely on tracings or engravings if they could not view the original for themselves. Keywords: Travel photography, souvenir, veduta, view, architectural photography, Italy, Gulf of Naples, coast, promenade, carriage, passers-by, 19th century, Historicism, Cities, Italy,

          Fichter Kunsthandel
        • G. BROGI (1822-1881), Mailand, Public Garden, around 1880, albumen paper print
          May. 07, 2023

          G. BROGI (1822-1881), Mailand, Public Garden, around 1880, albumen paper print

          Est: €300 - €400

          Giacomo Brogi (1822 Florence - 1881 ibid.): Milan, Picturesque garden view, "Veduta del Giardino Pubblico", Public park, Garden, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Date: c. 1880 Description: Historical garden with a dreamlike view. Titled "Milano Veduta del Giardino Pubblico" under the image. Giacomo BROGI founded a photography studio in Florence in 1860. This was followed by business establishments in Rome and Naples in 1869. In Florence he was in competition with the Alinari brothers as well as with Giorgio Sommer and Giorgio Conrad in Naples. Travelled throughout Italy and in 1868 to the Middle East, including Palestine, Egypt and Syria. From 1871 he participated in national and international exhibitions, often winning awards. His sons Carlo and Alfredo were employees in the business, which Carlo BROGI took over after BROGI's death in 1881. BROGI emerged as a co-founder of the Photographic Society of Italy and was one of the most important photographers in 19th century Italy. Original photography with high sharpness of detail. An early testimony of travel photography. Around the middle of the 19th century, more and more tourists from middle-class circles travelled to Italy. At that time, photographs could only be taken with a great deal of time and expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site to bring back a souvenir from afar for those who stayed at home or to collect as souvenirs. Famous photographers such as Carlo Naya, Giorgio Sommer or the Alinari brothers photographed the most famous sights of their home cities and went on journeys themselves to photograph the most popular destinations of their clients and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting art treasures and making them accessible to scholars from all over Europe, who previously had to rely on tracings or engravings if they could not view the original for themselves. Keywords: 19th century, Historicism, Landscape, Italy,

          Fichter Kunsthandel
        • G. BROGI (1822-1881), Firenze, Triumphal Arch, around 1880, albumen paper print
          May. 07, 2023

          G. BROGI (1822-1881), Firenze, Triumphal Arch, around 1880, albumen paper print

          Est: €300 - €400

          Giacomo Brogi (1822 Florence - 1881 ibid.): Florenz, Triumphal Arch of Lorraine, Architekt: Jean-Nicolas Jadot, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Date: c. 1880 Description: Titled and numbered below the image: "3061. Firenze. Arco Trionfale, costruito dal Jadot nel 1745. (Edizioni Brogi)". Next to the imposing "Arco Trionfale", several people are only visible at second glance - both in the background and on the steps to the right. Giacomo BROGI founded a photography studio in Florence in 1860. This was followed by business establishments in Rome and Naples in 1869. In Florence he was in competition with the Alinari brothers as well as with Giorgio Sommer and Giorgio Conrad in Naples. Travelled throughout Italy and in 1868 to the Middle East, including Palestine, Egypt and Syria. From 1871 he participated in national and international exhibitions, often winning awards. His sons Carlo and Alfredo were employees in the business, which Carlo BROGI took over after BROGI's death in 1881. BROGI emerged as a co-founder of the Photographic Society of Italy and was one of the most important photographers in 19th century Italy. The Lorraine Arc de Triomphe in the Piazza della Libertà in Florence was designed by the French architect Jean-Nicolas Jadot in 1737-1739. The occasion was the appointment of Franz Stephan von Habsburg-Lothringen as Grand Duke of Tuscany as successor to the extinct Medici dynasty. Original photograph with high sharpness of detail. An early testimony of travel photography. Around the middle of the 19th century, more and more tourists from middle-class circles travelled to Italy. At that time, photographs could only be taken with a great deal of time and expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site to bring back a souvenir from afar for those who stayed at home or to collect as souvenirs. Famous photographers such as Carlo Naya, Giorgio Sommer or the Alinari brothers photographed the most famous sights of their home towns and went on journeys themselves to photograph the most popular destinations of their clients and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting art treasures and making them accessible to scholars from all over Europe, who previously had to rely on tracings or engravings if they could not view the original for themselves. Keywords: 19th century, Historicism, Architecture, Italy,

          Fichter Kunsthandel
        • G. BROGI (1822-1881), Church Sant Alessandro, Milano, around 1880, albumen paper print
          May. 07, 2023

          G. BROGI (1822-1881), Church Sant Alessandro, Milano, around 1880, albumen paper print

          Est: €300 - €400

          Giacomo Brogi (1822 Florence - 1881 ibid.): Church of Sant Alessandro, view of the choir, Milan, Italy, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Inscription: Inscribed and numbered "3959." below the photograph. With Brogi blindstamp on the lower left of the photograph. Giacomo BROGI founded a photography studio in Florence in 1860. This was followed by business establishments in Rome and Naples in 1869. In Florence he was in competition with the Alinari brothers as well as with Giorgio Sommer and Giorgio Conrad in Naples. From 1871 he took part in national and international exhibitions, often winning awards. His sons Carlo and Alfredo worked in the shop, which was taken over by Carlo BROGI after BROGI's death in 1881. BROGI was one of the founders of the Italian Photographic Society and one of the most important photographers in 19th century Italy. Date: c. 1880 Description: Original photograph with high sharpness of detail. An early testimony of travel photography. Around the middle of the 19th century, more and more tourists from middle-class circles travelled to Italy. At that time, photographs could only be taken with a great deal of time and expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site to bring back a souvenir from afar for those who stayed at home or to collect as souvenirs. Famous photographers such as Carlo Naya, Giorgio Sommer or the Alinari brothers photographed the most famous sights of their home cities and went on journeys themselves to photograph the most popular destinations of their clients and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting art treasures and making them accessible to scholars from all over Europe, who previously had to rely on tracings or engravings if they could not view the original for themselves. Keywords: 19th century, Historicism, Religious, Italy,

          Fichter Kunsthandel
        • G. BROGI (1822-1881), Cavour Monument, Turin, around 1880, albumen paper print
          May. 07, 2023

          G. BROGI (1822-1881), Cavour Monument, Turin, around 1880, albumen paper print

          Est: €300 - €400

          Giacomo Brogi (1822 Florence - 1881 ibid.): View of the Cavour Monument in the Piazza Carlo Emanuele II, Turin, c 1880, original photograph with blind stamp, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Inscription: Inscribed in the centre below. Date: c. 1880 Description: Giacomo BROGI founded a photography studio in Florence in 1860. This was followed by business establishments in Rome and Naples in 1869. In Florence, he competed with the Alinari brothers and with Giorgio Sommer and Giorgio Conrad in Naples. From 1871 he took part in national and international exhibitions, often winning awards. His sons Carlo and Alfredo worked in the shop, which was taken over by Carlo BROGI after BROGI's death in 1881. BROGI emerged as a co-founder of the Photographic Society of Italy and was one of the most important photographers in 19th century Italy. Original photography with a high level of detail. An early testimony of travel photography. Around the middle of the 19th century, more and more tourists from middle-class circles travelled to Italy. At that time, photographs could only be taken with a great deal of time and expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site to bring back a souvenir from afar for those who stayed at home or to collect as souvenirs. Famous photographers such as Carlo Naya, Giorgio Sommer or the Alinari brothers photographed the most famous sights of their home cities and went on journeys themselves to photograph the most popular destinations of their clients and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting art treasures and making them accessible to scholars from all over Europe, who previously had to rely on tracings or engravings if they could not view the original for themselves. Keywords: 19th century, Historicism, Architecture, Italy,

          Fichter Kunsthandel
        • G. BROGI (1822-1881), Interior of the Milan Cathedral, around 1890, albumen paper print
          May. 07, 2023

          G. BROGI (1822-1881), Interior of the Milan Cathedral, around 1890, albumen paper print

          Est: €135 - €225

          Giacomo Brogi (1822 Florence - 1881 ibid.): Interior of the Milan Cathedral View through the central nave to the choir, late 19th century, photograph of a painting, c. 1890, albumen paper print Technique: albumen paper print, mounted on Cardboard Inscription: Inscribed at the bottom centre of the cardboard. Giacomo BROGI founded a photography studio in Florence in 1860, where he developed exclusive portraits as well as reproductions of works of art. For photo expeditions he travelled to the Middle and Near East, including Palestine and Egypt. In 1869, he presented Pope Pius IX with an album of photographs from Palestine. The same gift to King Vittorio Emanuele and Umberto I earned him the title of court photographer in 1878. In Italy, he was in competition with the Alinari brothers in Florence and Giorgio Sommer and Giorgio Conrad in Naples. Date: c. 1890 Description: Lower left with embossed stamp "Brogi". Original photograph with high sharpness of detail. An early testimony of travel photography. Around the middle of the 19th century, more and more tourists from middle-class circles travelled to Italy. At that time, photographs could only be taken with a great deal of time and expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site to bring back a souvenir from afar for those who stayed at home or to collect as souvenirs. Famous photographers such as Carlo Naya, Giorgio Sommer or the Alinari brothers photographed the most famous sights of their home cities and went on journeys themselves to photograph the most popular destinations of their clients and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting art treasures and making them accessible to scholars from all over Europe, who previously had to rely on tracings or engravings if they could not view the original for themselves. Keywords: 19th century, Historicism, Architecture, Italy,

          Fichter Kunsthandel
        • G. BROGI (1822-1881), Leonardo da Vinci vor Scala, Milano, around 1880, albumen paper print
          May. 07, 2023

          G. BROGI (1822-1881), Leonardo da Vinci vor Scala, Milano, around 1880, albumen paper print

          Est: €300 - €400

          Giacomo Brogi (1822 Florence - 1881 ibid.): Historic Italy, Monument by Leonardo da Vinci in front of the Scala Theatre in Milan, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Date: c. 1880 Description: Image format Imperial; bottom left in the photograph with blind stamp: "G. Brogi"; titled below the image on the cardboard. Original photograph with high sharpness of detail. An early testimony of travel photography. Around the middle of the 19th century, more and more tourists from middle-class circles travelled to Italy. At that time, photographs could only be taken with a great deal of time and expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site to bring back a souvenir from afar for those who stayed at home or to collect as souvenirs. Famous photographers such as Carlo Naya, Giorgio Sommer or the Alinari brothers photographed the most famous sights of their home cities and went on journeys themselves to photograph the most popular destinations of their clients and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting art treasures and making them accessible to scholars from all over Europe, who previously had to rely on tracings or engravings if they could not view the original for themselves. Keywords: 19th century, Historicism, Architecture, Italy,

          Fichter Kunsthandel
        • G. BROGI (*1822) after TITO (*1573), Leopoldo de' Medici as a child, Black and white photograph
          Jan. 06, 2023

          G. BROGI (*1822) after TITO (*1573), Leopoldo de' Medici as a child, Black and white photograph

          Est: €120 - €200

          Giacomo Brogi (1822 Florence - 1881 ibid.) after Tiberio Tito (1573 Florence - 1627 ibid.): Leopoldo de' Medici as a Child, Painting, 19th century, Black and white photograph Technique: Black and white photograph on Albumen paper, mounted on Cardboard Stamp: Verso Johann Wilhelm Spemann. Stuttgart. 19th century Date: 19th century Description: Giacomo BROGI founded a photography studio in Florence in 1860. This was followed by business establishments in Rome and Naples in 1869. In Florence he was in competition with the Alinari brothers as well as with Giorgio Sommer and Giorgio Conrad in Naples. Travelled throughout Italy and in 1868 to the Middle East, including Palestine, Egypt and Syria. From 1871 he participated in national and international exhibitions, often winning awards. His sons Carlo and Alfredo were employees in the business, which Carlo BROGI took over after BROGI's death in 1881. BROGI was one of the founders of the Italian Photographic Society and one of the most important photographers in 19th century Italy. Keywords: Medici, Copy, Picture gallery, Infant, Baby, Child, Family, 19th century, Baroque, Portraits, Italy,

          Fichter Kunsthandel
        • G. BROGI (1822-1881), Facade of the Milan Cathedral, around 1880, albumen paper print
          Jan. 06, 2023

          G. BROGI (1822-1881), Facade of the Milan Cathedral, around 1880, albumen paper print

          Est: €300 - €400

          Giacomo Brogi (1822 Florence - 1881 ibid.): Milan, exterior view of Milan Cathedral from the southwest, c. 1880, albumen paper print Technique: albumen paper print on Albumen paper, mounted on Cardboard Stamp: Lower left Blank stamp, Giacomo Brogi. Florence Date: c. 1880 Description: Historical view of Milan Cathedral. Giacomo BROGI founded a photography studio in Florence in 1860. This was followed by business establishments in Rome and Naples in 1869. In Florence he was in competition with the Alinari brothers and with Giorgio Sommer and Giorgio Conrad in Naples. Travelled throughout Italy and in 1868 to the Middle East, including Palestine, Egypt and Syria. From 1871 he participated in national and international exhibitions, often winning awards. His sons Carlo and Alfredo were employees in the business, which Carlo BROGI took over after BROGI's death in 1881. BROGI emerged as a co-founder of the Photographic Society of Italy and was one of the most important photographers in 19th century Italy. Keywords: 19th century, Historicism, Architecture, Italy,

          Fichter Kunsthandel
        • G. BROGI (1822-1881), Mailand, Public Garden, around 1880, albumen paper print
          Jan. 06, 2023

          G. BROGI (1822-1881), Mailand, Public Garden, around 1880, albumen paper print

          Est: €120 - €200

          Giacomo Brogi (1822 Florence - 1881 ibid.): Milan, Picturesque garden view, "Veduta del Giardino Pubblico", Public park, Garden, c. 1880, albumen paper print Technique: albumen paper print on Albumen paper, mounted on Cardboard Date: c. 1880 Description: Historic garden with a dreamlike view. Titled "Milano Veduta del Giardino Pubblico" under the image. Giacomo BROGI founded a photography studio in Florence in 1860. This was followed by business establishments in Rome and Naples in 1869. In Florence he was in competition with the Alinari brothers as well as with Giorgio Sommer and Giorgio Conrad in Naples. Travelled throughout Italy and in 1868 to the Middle East, including Palestine, Egypt and Syria. From 1871 he participated in national and international exhibitions, often winning awards. His sons Carlo and Alfredo were employees in the business, which Carlo BROGI took over after BROGI's death in 1881. BROGI emerged as a co-founder of the Photographic Society of Italy and was one of the most important photographers in 19th century Italy. Keywords: 19th century, Historicism, Landscape, Italy,

          Fichter Kunsthandel
        • G. BROGI (1822-1881), Florenz, Triumphal Arch, around 1880, albumen paper print
          Jan. 06, 2023

          G. BROGI (1822-1881), Florenz, Triumphal Arch, around 1880, albumen paper print

          Est: €300 - €400

          Giacomo Brogi (1822 Florence - 1881 ibid.): Florenz, Triumphal Arch of Lorraine, Architekt: Jean-Nicolas Jadot, c. 1880, albumen paper print Technique: albumen paper print on Albumen paper, mounted on Cardboard Date: c. 1880 Description: Titled and numbered below the image: "3061. Firenze. Arco Trionfale, costruito dal Jadot nel 1745. (Edizioni Brogi)". Next to the imposing "Arco Trionfale", several people are only visible at second glance - both in the background and on the steps to the right. Giacomo BROGI founded a photography studio in Florence in 1860. This was followed by business establishments in Rome and Naples in 1869. In Florence he was in competition with the Alinari brothers as well as with Giorgio Sommer and Giorgio Conrad in Naples. Travelled throughout Italy and in 1868 to the Middle East, including Palestine, Egypt and Syria. From 1871 he participated in national and international exhibitions, often winning awards. His sons Carlo and Alfredo were employees in the business, which Carlo BROGI took over after BROGI's death in 1881. BROGI emerged as a co-founder of the Photographic Society of Italy and was one of the most important photographers in 19th century Italy. The Lorraine Arc de Triomphe in the Piazza della Libertà in Florence was designed by the French architect Jean-Nicolas Jadot in 1737-1739. The occasion was the appointment of Franz Stephan von Habsburg-Lothringen as Grand Duke of Tuscany as successor to the extinct Medici dynasty. Keywords: 19th century, Historicism, Architecture, Italy,

          Fichter Kunsthandel
        • G. BROGI (1822-1881), Kirche Sant Alessandro, Mailand, Italien, around 1880, albumen paper print
          Jan. 06, 2023

          G. BROGI (1822-1881), Kirche Sant Alessandro, Mailand, Italien, around 1880, albumen paper print

          Est: €300 - €400

          Giacomo Brogi (1822 Florence - 1881 ibid.): Church of Sant Alessandro, view of the choir, Milan, Italy, c. 1880, albumen paper print Technique: albumen paper print on Albumen paper, mounted on Cardboard Inscription: Inscribed and numbered "3959." below the photograph. With Brogi blindstamp on the lower left of the photograph. Giacomo BROGI founded a photography studio in Florence in 1860. This was followed by business establishments in Rome and Naples in 1869. In Florence he was in competition with the Alinari brothers as well as with Giorgio Sommer and Giorgio Conrad in Naples. From 1871 he took part in national and international exhibitions, often winning awards. His sons Carlo and Alfredo worked in the shop, which was taken over by Carlo BROGI after BROGI's death in 1881. BROGI was one of the founders of the Italian Photographic Society and one of the most important photographers in 19th century Italy. Date: c. 1880 Keywords: 19th century, Historicism, Religious, Italy,

          Fichter Kunsthandel
        • Giacomo Brogi / Giorgio Sommer / Domenico Anderson und andere italienische Fotografen, Panoramen aus Oberitalien und verschiedene Stadtansichten. 1880– 1910''s
          Dec. 03, 2022

          Giacomo Brogi / Giorgio Sommer / Domenico Anderson und andere italienische Fotografen, Panoramen aus Oberitalien und verschiedene Stadtansichten. 1880– 1910''s

          Est: €180 - €200

          Domenico Anderson 1854 Rom – 1938 ebenda Giacomo Brogi 1822 Florenz – 1881 ebenda Giorgio Sommer 1834 Frankfurt am Main – 1914 Neapel Albuminabzüge, vollständig auf Trägerkarton kaschiert sowie Silbergelatineabzüge. Überwiegend am unteren Rand typografisch signiert und ortsbezeichnet. Zwei Abzüge von Giacomo Brogi mit Ansichten von Mailand und Sanremo. Ein Abzug von Giorgio Sommer mit einem Panorama von Genua. Ein Abzug von Domenico Anderson zeigt das Juliusgrabmal des Michelangelo in San Pietro in Vincoli in Rom. Sowie fünf Abzüge unbekannter Fotografen mit Motiven aus Venedig (Am Dogenpalast), Genua (Truogoli di Santa Brigida) und Rom (Piazza del Campidoglio, Römisches Theater, "Acquedotti nuovi"). Außerdem sechs Panoramen aus Oberitalien der Edizione inalterabile. Giacomo Brogi 1822 Florenz – 1881 ebenda Studium an der ABA Florenz. 1860 Gründung eines eigenen Fotoateliers in Florenz, ab 1869 Niederlassungen in Rom und Neapel. Ab 1871 Teilnahme an nationalen und internationalen Ausstellungen. Seit 1878 Hoffotograf von König Vittorio Emanuele und Umberto I. Brogi, trat als Mitbegründer der fotografischen Gesellschaft in Italien hervor und war einer der wichtigsten italienischen Fotografen des 19. Jh.

          Schmidt Kunstauktionen Dresden OHG
        • Giacomo Brogi (1822-1881) - Messina, Via Garibaldi, 1900s
          Nov. 16, 2022

          Giacomo Brogi (1822-1881) - Messina, Via Garibaldi, 1900s

          Est: €100 - €200

          Albumen print 7.8 x 9.6 in. Title and photographer's credit on the negative

          Finarte
        • Giacomo Brogi (1822-1881) - Messina, la cattedrale colla Fontana del Montorsoli, 1900s
          Nov. 16, 2022

          Giacomo Brogi (1822-1881) - Messina, la cattedrale colla Fontana del Montorsoli, 1900s

          Est: €100 - €200

          Albumen print applied on orginal cardboard 7.8 x 9.6 in. (9.8 x 13.7 in. cardboard) Title and photographer's credit on the negative

          Finarte
        • G.BROGI (1822-1881), BROGI Studio, Bust of Alessandro, Florence, around 1880, Sepia-Photography
          Oct. 22, 2022

          G.BROGI (1822-1881), BROGI Studio, Bust of Alessandro, Florence, around 1880, Sepia-Photography

          Est: €150 - €200

          Giacomo Brogi (1822 Florence - 1881 ibid.): Büste des Alessandro Morente, Uffizien, c. 1880, Sepia-Photography Technique: Sepia-Photography on Albumen paper, mounted on Cardboard Inscription: Inscribed below, numbered "3223 Firenze Galleria Uffizi". Date: c. 1880 Description: Giacomo BROGI founded a photography studio in Florence in 1860. This was followed by business establishments in Rome and Naples in 1869. In Florence, he competed with the Alinari brothers and with Giorgio Sommer and Giorgio Conrad in Naples. From 1871 he took part in national and international exhibitions, often winning awards. His sons Carlo and Alfredo worked in the shop, which was taken over by Carlo BROGI after BROGI's death in 1881. BROGI was one of the founders of the Italian Photographic Society and one of the most important photographers in 19th century Italy. Keywords: 19th century, Figurative, Fashion, Italy,

          Fichter Kunsthandel
        • G.BROGI (1822-1881), Cavour Monument, Piazza Carlo Emanuele II, Turin, around 1880, Sepia-Photograph
          Oct. 22, 2022

          G.BROGI (1822-1881), Cavour Monument, Piazza Carlo Emanuele II, Turin, around 1880, Sepia-Photograph

          Est: €300 - €400

          Giacomo Brogi (1822 Florence - 1881 ibid.): View of the Cavour Monument in the Piazza Carlo Emanuele II, Turin, c 1880, original photograph with blind stamp, c. 1880, Sepia-Photography Technique: Sepia-Photography on Albumen paper, mounted on Cardboard Inscription: Inscribed in the centre below. Date: c. 1880 Description: Giacomo BROGI founded a photography studio in Florence in 1860. This was followed by business establishments in Rome and Naples in 1869. In Florence, he competed with the Alinari brothers and with Giorgio Sommer and Giorgio Conrad in Naples. From 1871 he took part in national and international exhibitions, often winning awards. His sons Carlo and Alfredo worked in the shop, which was taken over by Carlo BROGI after BROGI's death in 1881. BROGI was one of the founders of the Italian Photographic Society and one of the most important photographers in 19th century Italy. Keywords: 19th century, Figurative, Architecture, Italy,

          Fichter Kunsthandel
        • G.BROGI (1822-1881), Interior of the Milan Cathedral, Sepia-Photography
          Oct. 22, 2022

          G.BROGI (1822-1881), Interior of the Milan Cathedral, Sepia-Photography

          Est: €150 - €200

          Giacomo Brogi (1822 Florence - 1881 ibid.): Interior of the Milan Cathedral View through the central nave to the choir, late 19th century, photograph of a painting, 19th century, Sepia-Photography Technique: Sepia-Photography on Albumen paper, mounted on Cardboard Inscription: Inscribed in the lower centre of the cardboard. Giacomo BROGI founded a photography studio in Florence in 1860, where he developed exclusive portraits as well as reproductions of works of art. For photographic expeditions he travelled to the Middle and Near East, including Palestine and Egypt. In 1869, he presented Pope Pius IX with an album of photographs from Palestine. The same gift to King Vittorio Emanuele and Umberto I earned him the title of court photographer in 1878. In Italy, he was in competition with the Alinari brothers in Florence and Giorgio Sommer and Giorgio Conrad in Naples. Date: 19th century Description: Bottom left with embossed stamp "Brogi". Keywords: 19th century, Figurative, Architecture, Italy,

          Fichter Kunsthandel
        • Giacomo Brogi, 1822-1881, Atelier
          Jun. 22, 2022

          Giacomo Brogi, 1822-1881, Atelier

          Est: €250 - €400

          Giacomo Brogi, 1822-1881, Atelier Rom, 11 Fotografien, Albumin, um 1880-90 Am Unterrand Titelleiste beikopiert mit Urhebervermerk Ed. ni Brogi; altmontiert auf Kartons Beiliegend: Ed.ni Brogi, 13 Fotografien, Albumin wie vorstehend, zu Werken der bildenden Kunst in Rom Ca. 20:25 cm

          Schneider-Henn
        • Giacomo Brogi 1822–1881
          Apr. 08, 2022

          Giacomo Brogi 1822–1881

          Est: CHF1,000 - CHF1,500

          Giacomo Brogi 1822–1881 Konvolut von 13 Ansichten von Mailand Fotografie je mit Blindstempel des Fotografen auf der Montage 19,5 x 25 cm (13)

          Artcurial Beurret Bailly Widmer
        • [BROGI, Giacomo]
          Mar. 18, 2022

          [BROGI, Giacomo]

          Est: €160 - €240

          Series of 4 albumen prints of Northern Italy ca. 1880 ca. 200 x 275 mm, Verona Piazza Erbe, Verona Arena, S. Miniato, Firenze Lungarno Nuovo col. Ferrazzo, the last two with a small stamp 'Brogi'

          Auctions Van de Wiele
        • Portrait of Elena di Savoia by Giacomo Brogi.
          Sep. 23, 2021

          Portrait of Elena di Savoia by Giacomo Brogi.

          Est: €50 - €100

          Portrait of Elena di Savoia by Giacomo Brogi. Albumen print applied on black cardboard. Photographer's logo on front and back. Very good conditions

          Bertolami Fine Art s.r.l.
        • Portrait of Margherita di Savoia by Giacomo Brogi.
          Sep. 23, 2021

          Portrait of Margherita di Savoia by Giacomo Brogi.

          Est: €50 - €100

          Portrait of Margherita di Savoia by Giacomo Brogi. Albumen print applied on cardboard. Dated on dry stamp, photographe's logo on lower edge

          Bertolami Fine Art s.r.l.
        • Portrait of Vittorio Emanuele di Savoia by Brogi.
          Sep. 23, 2021

          Portrait of Vittorio Emanuele di Savoia by Brogi.

          Est: €50 - €100

          Portrait of Vittorio Emanuele di Savoia by Brogi. Albumen print applied on cardboard. Dry photographer's stamps and logo on front. Nice conditions

          Bertolami Fine Art s.r.l.
        • GIACOMO BROGI Wood Carved Art
          Dec. 15, 2020

          GIACOMO BROGI Wood Carved Art

          Est: $10 - $1,000

          Renaissance styled wood steeple art labeled on verso Giacomo Brogi as shown. Measuring approx13" tall x 12" wide. Some losses as shown in photos.  Giacomo Brogi was an Italian photographer. Giacomo Brogi created his first studio in Corso Tintori, in Florence in 1864. He began traveling around Italy and later traveled to the Middle East in 1868 including Palestine, Egypt and Syria. Brogi was associated with the Photographic Society of Italy.

          Premier Auction Galleries
        • GIACOMO BROGI
          Nov. 26, 2020

          GIACOMO BROGI

          Est: €500 - €600

          (Firenze, 1822 ; 1881) Rome et Italie, circa 1870-1880 album composto da sessanta fotografie diverse di monumenti, scorci e vedute di città italiane sulla via del Grand Tour, con numero di catalogazione e descrizione del luogo; usure, piegature e ondulazioni, tracce e macchie di sporco e umidità, alcuni fogli mancanti cm 32,5X46 A COLLECTION OF SIXTIE DIFFERENT PHOTOS BY GIACOMO BROGI, CIRCA 1870-1880; WEAR, DAMAGES, WARPS, SPOTS, SOME MISSING SHEETS

          Wannenes Art Auctions
        • GIACOMO BROGI
          Jun. 24, 2020

          GIACOMO BROGI

          Est: €1,000 - €1,200

          (Firenze, 1822 - 1881) Rome et Italie, circa 1870-1880 album composto da sessanta fotografie diverse di monumenti, scorci e vedute di città italiane sulla via del Grand Tour, con numero di catalogazione e descrizione del luogo; usure, piegature e ondulazioni, tracce e macchie di sporco e umidità, alcuni fogli mancanti Cm 32,5X46 A COLLECTION OF 60 DIFFERENT PHOTOS BY GIACOMO BROGI, CIRCA 1870-1880; WEAR, DAMAGES, WARPS, SPOTS, SOME MISSING PAPERS

          Wannenes Art Auctions
        • Giacomo Brogi, Villa d'Este, Tivoli, Italy
          Jun. 04, 2020

          Giacomo Brogi, Villa d'Este, Tivoli, Italy

          Est: $700 - $900

          Giacomo Brogi Villa d'Este, Tivoli, Italy c. 1880 albumen print 22.25 h × 17 w in (57 × 43 cm) Artist's stamp to verso 'G. Brogi'. Paper studio label to verso '16347 Brogi - Firenze Villa d'Este a Tivoli Contorni di Rome'. Provenance: Collection of Mark Isaacson and Greg Nacozy condition: Sheet exhibits areas of toning to verso, becoming less apparent when viewed from the front. One area of loss near lower right corner, with few lesser areas of wear along edges (visible in images online). Fair condition. Matted and unframed.

          Wright
        • Six art & architecture photos by Brogi
          Mar. 05, 2020

          Six art & architecture photos by Brogi

          Est: $300 - $500

          Heading: Author: Brogi, Giacomo Title: Six photographs of the art and architecture of Florence and Rome Place Published: Florence, Italy Publisher: Date Published: [1860s - 1870s] Description: 6 mounted albumen photographs. Captioned and attributed in negatives. 25x19.7 cm (9¾x7¾") or vice versa. Matted. Giacomo Brogi was an Italian photographer. He established his first studio in Florence in 1864. He began traveling around Italy and later traveled to the Middle East in 1868 including Palestine, Egypt and Syria. Brogi was associated with the Photographic Society of Italy.

          PBA Galleries Auctions & Appraisers
        • 43 albumen photographs by Giacomo Brogi
          Mar. 05, 2020

          43 albumen photographs by Giacomo Brogi

          Est: $400 - $600

          Heading: Author: Brogi, Giacomo Title: 43 albumen photographs primarily of historic Italian palaces and interiors, art, and scenery Place Published: Florence Publisher:Edizioni Brogi Date Published: Various dates Description: 43 albumen photographs 27 of which are loose, 7 mounted on cardstock, 9 mounted and matted. Captioned and attributed in negative. Sizes vary. Giacomo Brogi was an Italian photographer. He established his first studio in Florence in 1864. He began traveling around Italy and later traveled to the Middle East in 1868 including Palestine, Egypt and Syria. Brogi was associated with the Photographic Society of Italy.

          PBA Galleries Auctions & Appraisers
        • Giacomo Broggi Signed photograph Albumen Print of
          Jun. 30, 2019

          Giacomo Broggi Signed photograph Albumen Print of

          Est: $200 - $500

          Albumen silver print of Florence Church of Santa Maria circa 1880 signed by Giacomo Brogi 8"x10"

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