Laurence Broderick Sold at Auction Prices

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      • § LAURENCE BRODERICK (BRITISH 1935-2024)
        Nov. 01, 2024

        § LAURENCE BRODERICK (BRITISH 1935-2024)

        Est: £1,000 - £1,500

        LAURENCE BRODERICK (BRITISH 1935-2024) DIVING OTTER signed, titled, numbered 1/7, inscribed DE, patinated bronze 70.5cm high, 31.5cm wide (27 3/4in high, 12 3/8in wide) Private Collection, London.

        Lyon & Turnbull
      • § LAURENCE BRODERICK (BRITISH 1935-2024)
        Nov. 01, 2024

        § LAURENCE BRODERICK (BRITISH 1935-2024)

        Est: £1,000 - £1,500

        LAURENCE BRODERICK (BRITISH 1935-2024) PLAYFUL MIJBIL signed, titled and inscribed, African soapstone 16.5cm high, 28.5cm wide (6 1/2in high, 11 1/4in wide) Private Collection, London.

        Lyon & Turnbull
      • § LAURENCE BRODERICK (BRITISH 1935 - 2024)
        Nov. 01, 2024

        § LAURENCE BRODERICK (BRITISH 1935 - 2024)

        Est: £800 - £1,200

        LAURENCE BRODERICK (BRITISH 1935 - 2024) SANDAIG OTTER MAQUETTE II signed, titled and numbered 23/50 (to lower edge), bronze 21cm x 20cm x 11cm (8.25in x 8in x 4.25in) Private Collection, U.K.

        Lyon & Turnbull
      • § LAURENCE BRODERICK (BRITISH 1935-2024)
        Nov. 01, 2024

        § LAURENCE BRODERICK (BRITISH 1935-2024)

        Est: £1,000 - £1,500

        LAURENCE BRODERICK (BRITISH 1935-2024) HERON signed, titled and inscribed A/C, an Artist's Cast, aside from the edition, patinated bronze 104cm high (41in high) Private Collection, London.

        Lyon & Turnbull
      • λ LAURENCE BRODERICK (BRITISH 1934-2024), PLAYFUL OTTER
        Oct. 23, 2024

        λ LAURENCE BRODERICK (BRITISH 1934-2024), PLAYFUL OTTER

        Est: £2,000 - £3,000

        λ LAURENCE BRODERICK (BRITISH 1934-2024)PLAYFUL OTTERBronze with a brown patinaSigned, dated 1995 and numbered 6/25Height: 25cm (9¾ in.)Provenance:Acquired directly from the artist's studio near Portree, Isle of Skye circa 1995Thence by descent to the present owner

        Dreweatts 1759 Fine Sales
      • Laurence Broderick (British, 1935-2024) Ornsay Otter Maquette 21.5cm (8 7/16in) wide
        Jul. 17, 2024

        Laurence Broderick (British, 1935-2024) Ornsay Otter Maquette 21.5cm (8 7/16in) wide

        Est: £800 - £1,200

        Laurence Broderick (British, 1935-2024) Ornsay Otter Maquette signed, titled, numbered and stamped with foundry mark 'LAURENCE BRODERICK ORNSAY OTTER MAQUETTE 24/50' bronze with a brown patina 21.5cm (8 7/16in) wide

        Bonhams
      • Laurence Broderick, Water Nymph;
        Jun. 18, 2024

        Laurence Broderick, Water Nymph;

        Est: £600 - £800

        Laurence Broderick, British b.1935- Water Nymph; bronze sculpture with a green patina, signed in the bronze and numbered 3/6, approx. height:173 cm (including stone base and water spout attachment),  (ARR)

        Roseberys
      • § LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)
        Apr. 26, 2024

        § LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)

        Est: £500 - £800

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-) PLAYFUL OTTER CUB MAQUETTE VIII signed, titled, numbered 5/25, with foundry mark, bronze 12.5cm high, 19cm wide (5in high, 7 1/2in wide) Private Collection, London.

        Lyon & Turnbull
      • § LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)
        Apr. 26, 2024

        § LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)

        Est: £600 - £800

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-) TEKO MAQUETTE III signed, titled, numbered 22/50, bronze 23cm high, 22.5cm wide (9in high, 8 7/8in wide) Private Collection, London.

        Lyon & Turnbull
      • § LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)
        Apr. 26, 2024

        § LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)

        Est: £1,000 - £1,500

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-) GIRL NUDE signed, titled, and numbered 2/7, with foundry mark, patinated bronze 25.5cm high, 40cm wide (10in high, 15 3/4in wide) Private Collection, London.

        Lyon & Turnbull
      • § LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)
        Apr. 26, 2024

        § LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)

        Est: £500 - £800

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-) SALMON AND OTTER signed, titled, inscribed AC, with Pangolin Editions foundry mark, verdigris bronze, an artist's cast aside from the edition 18cm high, 15.5cm wide (7in high, 6 1/8in wide) Private Collection, London.

        Lyon & Turnbull
      • LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)
        Apr. 26, 2024

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)

        Est: £1,500 - £2,000

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-) SLEEP OTTER CUB X, 1999 signed, titled and dated, Cornish soapstone 24cm high, 27cm wide (9 ½in high, 10 5/8in wide) The Studio of Laurence Broderick. This exceptional collection is a testament to Laurence Broderick’s enduring commitment to the natural world. Distilling figural and animal forms into fluid, organic curves, Broderick expresses not only his subjects’ likeness, but also articulates something of their personality and physicality. This is all achieved through the expert manipulation of stone and bronze. Broderick tends to work with British stone, including English alabaster, Cornish soapstone, limestone from Hopton Wood and Ancaster and marble from Purbeck, Portsoy and Ledmore. The artist has stated that he does not use preparatory drawings, instead allowing the intrinsic quality of his material to inform the appearance of his sculpture as he carves. His work is usually highly polished to emphasise the smooth lines of his subject’s form and to enhance the intrinsic hues of his medium. However, on occasion he also implements passages of unpolished stone, as can be seen in Nude with Long Hair (lot 273) and Dancer I (lot 272).  Broderick is best known for The Bull (2003), installed at The Bull Ring in Birmingham, and for the otters that recur across his work. Following a visit to the Isle of Skye in 1978 Broderick was enchanted by his first sighting of a wild otter and devoted much of his later career to capturing the creature’s playful agility. The artist is a passionate campaigner for wildlife conservation, and many of his sculptures depict endangered species.  

        Lyon & Turnbull
      • LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)
        Apr. 26, 2024

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)

        Est: £1,500 - £2,000

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-) SKYE THE OTTER signed, titled and numbered 2/9, patinated bronze 19cm high, 35cm wide (7 ½in high, 13 ¾in wide) The Studio of Laurence Broderick. This exceptional collection is a testament to Laurence Broderick’s enduring commitment to the natural world. Distilling figural and animal forms into fluid, organic curves, Broderick expresses not only his subjects’ likeness, but also articulates something of their personality and physicality. This is all achieved through the expert manipulation of stone and bronze. Broderick tends to work with British stone, including English alabaster, Cornish soapstone, limestone from Hopton Wood and Ancaster and marble from Purbeck, Portsoy and Ledmore. The artist has stated that he does not use preparatory drawings, instead allowing the intrinsic quality of his material to inform the appearance of his sculpture as he carves. His work is usually highly polished to emphasise the smooth lines of his subject’s form and to enhance the intrinsic hues of his medium. However, on occasion he also implements passages of unpolished stone, as can be seen in Nude with Long Hair (lot 273) and Dancer I (lot 272).  Broderick is best known for The Bull (2003), installed at The Bull Ring in Birmingham, and for the otters that recur across his work. Following a visit to the Isle of Skye in 1978 Broderick was enchanted by his first sighting of a wild otter and devoted much of his later career to capturing the creature’s playful agility. The artist is a passionate campaigner for wildlife conservation, and many of his sculptures depict endangered species.  

        Lyon & Turnbull
      • LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)
        Apr. 26, 2024

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)

        Est: £800 - £1,200

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-) TURTLE LXIII, 2013 signed, titled and dated, Drumnadrochit serpentine on English alabaster base 15.2cm high, 33cm wide (6in high, 13in wide) The Studio of Laurence Broderick. This exceptional collection is a testament to Laurence Broderick’s enduring commitment to the natural world. Distilling figural and animal forms into fluid, organic curves, Broderick expresses not only his subjects’ likeness, but also articulates something of their personality and physicality. This is all achieved through the expert manipulation of stone and bronze. Broderick tends to work with British stone, including English alabaster, Cornish soapstone, limestone from Hopton Wood and Ancaster and marble from Purbeck, Portsoy and Ledmore. The artist has stated that he does not use preparatory drawings, instead allowing the intrinsic quality of his material to inform the appearance of his sculpture as he carves. His work is usually highly polished to emphasise the smooth lines of his subject’s form and to enhance the intrinsic hues of his medium. However, on occasion he also implements passages of unpolished stone, as can be seen in Nude with Long Hair (lot 273) and Dancer I (lot 272).  Broderick is best known for The Bull (2003), installed at The Bull Ring in Birmingham, and for the otters that recur across his work. Following a visit to the Isle of Skye in 1978 Broderick was enchanted by his first sighting of a wild otter and devoted much of his later career to capturing the creature’s playful agility. The artist is a passionate campaigner for wildlife conservation, and many of his sculptures depict endangered species.  

        Lyon & Turnbull
      • LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)
        Apr. 26, 2024

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)

        Est: £300 - £500

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-) FEMALE TORSO initialled and inscribed A/C, bronze on black marble base, artist's cast the bronze 6.5cm high (2 ½in high), including the base 19cm high (7 ½in high) The Studio of Laurence Broderick. This exceptional collection is a testament to Laurence Broderick’s enduring commitment to the natural world. Distilling figural and animal forms into fluid, organic curves, Broderick expresses not only his subjects’ likeness, but also articulates something of their personality and physicality. This is all achieved through the expert manipulation of stone and bronze. Broderick tends to work with British stone, including English alabaster, Cornish soapstone, limestone from Hopton Wood and Ancaster and marble from Purbeck, Portsoy and Ledmore. The artist has stated that he does not use preparatory drawings, instead allowing the intrinsic quality of his material to inform the appearance of his sculpture as he carves. His work is usually highly polished to emphasise the smooth lines of his subject’s form and to enhance the intrinsic hues of his medium. However, on occasion he also implements passages of unpolished stone, as can be seen in Nude with Long Hair (lot 273) and Dancer I (lot 272).  Broderick is best known for The Bull (2003), installed at The Bull Ring in Birmingham, and for the otters that recur across his work. Following a visit to the Isle of Skye in 1978 Broderick was enchanted by his first sighting of a wild otter and devoted much of his later career to capturing the creature’s playful agility. The artist is a passionate campaigner for wildlife conservation, and many of his sculptures depict endangered species.  

        Lyon & Turnbull
      • LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)
        Apr. 26, 2024

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)

        Est: £800 - £1,200

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-) SWIMMER BUTTERFLY signed and numbered 1/4, with Morris Singer Foundry mark, patinated bronze on black marble base 22.5cm high, 49.5cm wide (8 7/8in high, 19 ½in wide) including base The Studio of Laurence Broderick. This exceptional collection is a testament to Laurence Broderick’s enduring commitment to the natural world. Distilling figural and animal forms into fluid, organic curves, Broderick expresses not only his subjects’ likeness, but also articulates something of their personality and physicality. This is all achieved through the expert manipulation of stone and bronze. Broderick tends to work with British stone, including English alabaster, Cornish soapstone, limestone from Hopton Wood and Ancaster and marble from Purbeck, Portsoy and Ledmore. The artist has stated that he does not use preparatory drawings, instead allowing the intrinsic quality of his material to inform the appearance of his sculpture as he carves. His work is usually highly polished to emphasise the smooth lines of his subject’s form and to enhance the intrinsic hues of his medium. However, on occasion he also implements passages of unpolished stone, as can be seen in Nude with Long Hair (lot 273) and Dancer I (lot 272).  Broderick is best known for The Bull (2003), installed at The Bull Ring in Birmingham, and for the otters that recur across his work. Following a visit to the Isle of Skye in 1978 Broderick was enchanted by his first sighting of a wild otter and devoted much of his later career to capturing the creature’s playful agility. The artist is a passionate campaigner for wildlife conservation, and many of his sculptures depict endangered species.  

        Lyon & Turnbull
      • LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)
        Apr. 26, 2024

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)

        Est: £1,000 - £1,500

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-) LEAPFROG II signed, titled and numbered 2/7, verdigris bronze 55cm high, 28cm wide (21 5/8in high, 11in wide) The Studio of Laurence Broderick. This exceptional collection is a testament to Laurence Broderick’s enduring commitment to the natural world. Distilling figural and animal forms into fluid, organic curves, Broderick expresses not only his subjects’ likeness, but also articulates something of their personality and physicality. This is all achieved through the expert manipulation of stone and bronze. Broderick tends to work with British stone, including English alabaster, Cornish soapstone, limestone from Hopton Wood and Ancaster and marble from Purbeck, Portsoy and Ledmore. The artist has stated that he does not use preparatory drawings, instead allowing the intrinsic quality of his material to inform the appearance of his sculpture as he carves. His work is usually highly polished to emphasise the smooth lines of his subject’s form and to enhance the intrinsic hues of his medium. However, on occasion he also implements passages of unpolished stone, as can be seen in Nude with Long Hair (lot 273) and Dancer I (lot 272).  Broderick is best known for The Bull (2003), installed at The Bull Ring in Birmingham, and for the otters that recur across his work. Following a visit to the Isle of Skye in 1978 Broderick was enchanted by his first sighting of a wild otter and devoted much of his later career to capturing the creature’s playful agility. The artist is a passionate campaigner for wildlife conservation, and many of his sculptures depict endangered species.  

        Lyon & Turnbull
      • LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)
        Apr. 26, 2024

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)

        Est: £800 - £1,200

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-) IT ALMOST FEELS LIKE THE REAL THING, 2009 signed, titled, dated and inscribed, pink Portuguese marble 12cm high, 29cm wide (4 This exceptional collection is a testament to Laurence Broderick’s enduring commitment to the natural world. Distilling figural and animal forms into fluid, organic curves, Broderick expresses not only his subjects’ likeness, but also articulates something of their personality and physicality. This is all achieved through the expert manipulation of stone and bronze. Broderick tends to work with British stone, including English alabaster, Cornish soapstone, limestone from Hopton Wood and Ancaster and marble from Purbeck, Portsoy and Ledmore. The artist has stated that he does not use preparatory drawings, instead allowing the intrinsic quality of his material to inform the appearance of his sculpture as he carves. His work is usually highly polished to emphasise the smooth lines of his subject’s form and to enhance the intrinsic hues of his medium. However, on occasion he also implements passages of unpolished stone, as can be seen in Nude with Long Hair (lot 273) and Dancer I (lot 272).  Broderick is best known for The Bull (2003), installed at The Bull Ring in Birmingham, and for the otters that recur across his work. Following a visit to the Isle of Skye in 1978 Broderick was enchanted by his first sighting of a wild otter and devoted much of his later career to capturing the creature’s playful agility. The artist is a passionate campaigner for wildlife conservation, and many of his sculptures depict endangered species.  ¾in high, 11 3/8in wide) The Studio of Laurence Broderick.

        Lyon & Turnbull
      • LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)
        Apr. 26, 2024

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)

        Est: £700 - £1,000

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-) LITTLE SITTING NUDE signed, titled and numbered 1/7, bronze on black marble base 14.5cm high, 15cm long (5 ¾in high, 5 7/8in long) including base The Studio of Laurence Broderick. This exceptional collection is a testament to Laurence Broderick’s enduring commitment to the natural world. Distilling figural and animal forms into fluid, organic curves, Broderick expresses not only his subjects’ likeness, but also articulates something of their personality and physicality. This is all achieved through the expert manipulation of stone and bronze. Broderick tends to work with British stone, including English alabaster, Cornish soapstone, limestone from Hopton Wood and Ancaster and marble from Purbeck, Portsoy and Ledmore. The artist has stated that he does not use preparatory drawings, instead allowing the intrinsic quality of his material to inform the appearance of his sculpture as he carves. His work is usually highly polished to emphasise the smooth lines of his subject’s form and to enhance the intrinsic hues of his medium. However, on occasion he also implements passages of unpolished stone, as can be seen in Nude with Long Hair (lot 273) and Dancer I (lot 272).  Broderick is best known for The Bull (2003), installed at The Bull Ring in Birmingham, and for the otters that recur across his work. Following a visit to the Isle of Skye in 1978 Broderick was enchanted by his first sighting of a wild otter and devoted much of his later career to capturing the creature’s playful agility. The artist is a passionate campaigner for wildlife conservation, and many of his sculptures depict endangered species.  

        Lyon & Turnbull
      • LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)
        Apr. 26, 2024

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)

        Est: £700 - £1,000

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-) JOUSTING signed and numbered 1/10, verdigris bronze on black marble base 27cm high, 29 ½cm wide (10 5/8in high, 11 5/8in wide) including base The Studio of Laurence Broderick. This exceptional collection is a testament to Laurence Broderick’s enduring commitment to the natural world. Distilling figural and animal forms into fluid, organic curves, Broderick expresses not only his subjects’ likeness, but also articulates something of their personality and physicality. This is all achieved through the expert manipulation of stone and bronze. Broderick tends to work with British stone, including English alabaster, Cornish soapstone, limestone from Hopton Wood and Ancaster and marble from Purbeck, Portsoy and Ledmore. The artist has stated that he does not use preparatory drawings, instead allowing the intrinsic quality of his material to inform the appearance of his sculpture as he carves. His work is usually highly polished to emphasise the smooth lines of his subject’s form and to enhance the intrinsic hues of his medium. However, on occasion he also implements passages of unpolished stone, as can be seen in Nude with Long Hair (lot 273) and Dancer I (lot 272).  Broderick is best known for The Bull (2003), installed at The Bull Ring in Birmingham, and for the otters that recur across his work. Following a visit to the Isle of Skye in 1978 Broderick was enchanted by his first sighting of a wild otter and devoted much of his later career to capturing the creature’s playful agility. The artist is a passionate campaigner for wildlife conservation, and many of his sculptures depict endangered species.  

        Lyon & Turnbull
      • LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)
        Apr. 26, 2024

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)

        Est: £1,200 - £1,800

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-) ELEPHANT GROUP signed and numbered 2/10, with Morris Singer Foundry mark, bronze on marble base 20cm high, 34cm wide (7 7/8in high, 13 3/8in wide) including base The Studio of Laurence Broderick. This exceptional collection is a testament to Laurence Broderick’s enduring commitment to the natural world. Distilling figural and animal forms into fluid, organic curves, Broderick expresses not only his subjects’ likeness, but also articulates something of their personality and physicality. This is all achieved through the expert manipulation of stone and bronze. Broderick tends to work with British stone, including English alabaster, Cornish soapstone, limestone from Hopton Wood and Ancaster and marble from Purbeck, Portsoy and Ledmore. The artist has stated that he does not use preparatory drawings, instead allowing the intrinsic quality of his material to inform the appearance of his sculpture as he carves. His work is usually highly polished to emphasise the smooth lines of his subject’s form and to enhance the intrinsic hues of his medium. However, on occasion he also implements passages of unpolished stone, as can be seen in Nude with Long Hair (lot 273) and Dancer I (lot 272).  Broderick is best known for The Bull (2003), installed at The Bull Ring in Birmingham, and for the otters that recur across his work. Following a visit to the Isle of Skye in 1978 Broderick was enchanted by his first sighting of a wild otter and devoted much of his later career to capturing the creature’s playful agility. The artist is a passionate campaigner for wildlife conservation, and many of his sculptures depict endangered species.  

        Lyon & Turnbull
      • LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)
        Apr. 26, 2024

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)

        Est: £500 - £700

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-) WILD BOAR signed, titled and numbered 1/5, patinated bronze 12cm high, 22cm wide (4 ¾in high, 8 5/8in wide) The Studio of Laurence Broderick. This exceptional collection is a testament to Laurence Broderick’s enduring commitment to the natural world. Distilling figural and animal forms into fluid, organic curves, Broderick expresses not only his subjects’ likeness, but also articulates something of their personality and physicality. This is all achieved through the expert manipulation of stone and bronze. Broderick tends to work with British stone, including English alabaster, Cornish soapstone, limestone from Hopton Wood and Ancaster and marble from Purbeck, Portsoy and Ledmore. The artist has stated that he does not use preparatory drawings, instead allowing the intrinsic quality of his material to inform the appearance of his sculpture as he carves. His work is usually highly polished to emphasise the smooth lines of his subject’s form and to enhance the intrinsic hues of his medium. However, on occasion he also implements passages of unpolished stone, as can be seen in Nude with Long Hair (lot 273) and Dancer I (lot 272).  Broderick is best known for The Bull (2003), installed at The Bull Ring in Birmingham, and for the otters that recur across his work. Following a visit to the Isle of Skye in 1978 Broderick was enchanted by his first sighting of a wild otter and devoted much of his later career to capturing the creature’s playful agility. The artist is a passionate campaigner for wildlife conservation, and many of his sculptures depict endangered species.  

        Lyon & Turnbull
      • LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)
        Apr. 26, 2024

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)

        Est: £600 - £800

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-) REARING HORSE signed, titled and numbered 4/10, patinated bronze 31.5cm high, 36cm wide (12 3/8in high, 14 1/8in wide) The Studio of Laurence Broderick. This exceptional collection is a testament to Laurence Broderick’s enduring commitment to the natural world. Distilling figural and animal forms into fluid, organic curves, Broderick expresses not only his subjects’ likeness, but also articulates something of their personality and physicality. This is all achieved through the expert manipulation of stone and bronze. Broderick tends to work with British stone, including English alabaster, Cornish soapstone, limestone from Hopton Wood and Ancaster and marble from Purbeck, Portsoy and Ledmore. The artist has stated that he does not use preparatory drawings, instead allowing the intrinsic quality of his material to inform the appearance of his sculpture as he carves. His work is usually highly polished to emphasise the smooth lines of his subject’s form and to enhance the intrinsic hues of his medium. However, on occasion he also implements passages of unpolished stone, as can be seen in Nude with Long Hair (lot 273) and Dancer I (lot 272).  Broderick is best known for The Bull (2003), installed at The Bull Ring in Birmingham, and for the otters that recur across his work. Following a visit to the Isle of Skye in 1978 Broderick was enchanted by his first sighting of a wild otter and devoted much of his later career to capturing the creature’s playful agility. The artist is a passionate campaigner for wildlife conservation, and many of his sculptures depict endangered species.  

        Lyon & Turnbull
      • § LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)
        Apr. 26, 2024

        § LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)

        Est: £3,000 - £5,000

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-) MAQUETTE FOR 'THE BULL', BULLRING BIRMINGHAM, 2003 signed, titled, and numbered AC/10 (to edge of base), bronze, mounted on circular bronze base, from the edition of 10 artist's casts including base: 36cm high, 80cm wide (14 1/8in high, 31 ½in wide) The Studio of Laurence Broderick. This exceptional collection is a testament to Laurence Broderick’s enduring commitment to the natural world. Distilling figural and animal forms into fluid, organic curves, Broderick expresses not only his subjects’ likeness, but also articulates something of their personality and physicality. This is all achieved through the expert manipulation of stone and bronze. Broderick tends to work with British stone, including English alabaster, Cornish soapstone, limestone from Hopton Wood and Ancaster and marble from Purbeck, Portsoy and Ledmore. The artist has stated that he does not use preparatory drawings, instead allowing the intrinsic quality of his material to inform the appearance of his sculpture as he carves. His work is usually highly polished to emphasise the smooth lines of his subject’s form and to enhance the intrinsic hues of his medium. However, on occasion he also implements passages of unpolished stone, as can be seen in Nude with Long Hair (lot 273) and Dancer I (lot 272).  Broderick is best known for The Bull (2003), installed at The Bull Ring in Birmingham, and for the otters that recur across his work. Following a visit to the Isle of Skye in 1978 Broderick was enchanted by his first sighting of a wild otter and devoted much of his later career to capturing the creature’s playful agility. The artist is a passionate campaigner for wildlife conservation, and many of his sculptures depict endangered species.  

        Lyon & Turnbull
      • LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)
        Apr. 26, 2024

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)

        Est: £1,000 - £1,500

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-) THE FAMILY signed, titled and numbered 7/7, bronze 58cm high, 17cm wide (22 7/8in high, 6 ¾in wide) The Studio of Laurence Broderick. This exceptional collection is a testament to Laurence Broderick’s enduring commitment to the natural world. Distilling figural and animal forms into fluid, organic curves, Broderick expresses not only his subjects’ likeness, but also articulates something of their personality and physicality. This is all achieved through the expert manipulation of stone and bronze. Broderick tends to work with British stone, including English alabaster, Cornish soapstone, limestone from Hopton Wood and Ancaster and marble from Purbeck, Portsoy and Ledmore. The artist has stated that he does not use preparatory drawings, instead allowing the intrinsic quality of his material to inform the appearance of his sculpture as he carves. His work is usually highly polished to emphasise the smooth lines of his subject’s form and to enhance the intrinsic hues of his medium. However, on occasion he also implements passages of unpolished stone, as can be seen in Nude with Long Hair (lot 273) and Dancer I (lot 272).  Broderick is best known for The Bull (2003), installed at The Bull Ring in Birmingham, and for the otters that recur across his work. Following a visit to the Isle of Skye in 1978 Broderick was enchanted by his first sighting of a wild otter and devoted much of his later career to capturing the creature’s playful agility. The artist is a passionate campaigner for wildlife conservation, and many of his sculptures depict endangered species.  

        Lyon & Turnbull
      • LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)
        Apr. 26, 2024

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)

        Est: £1,200 - £1,800

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-) RHINO, 1982 signed and dated, with foundry mark, patinated bronze 23cm high, 46cm wide (9in high, 18in wide) The Studio of Laurence Broderick. This exceptional collection is a testament to Laurence Broderick’s enduring commitment to the natural world. Distilling figural and animal forms into fluid, organic curves, Broderick expresses not only his subjects’ likeness, but also articulates something of their personality and physicality. This is all achieved through the expert manipulation of stone and bronze. Broderick tends to work with British stone, including English alabaster, Cornish soapstone, limestone from Hopton Wood and Ancaster and marble from Purbeck, Portsoy and Ledmore. The artist has stated that he does not use preparatory drawings, instead allowing the intrinsic quality of his material to inform the appearance of his sculpture as he carves. His work is usually highly polished to emphasise the smooth lines of his subject’s form and to enhance the intrinsic hues of his medium. However, on occasion he also implements passages of unpolished stone, as can be seen in Nude with Long Hair (lot 273) and Dancer I (lot 272).  Broderick is best known for The Bull (2003), installed at The Bull Ring in Birmingham, and for the otters that recur across his work. Following a visit to the Isle of Skye in 1978 Broderick was enchanted by his first sighting of a wild otter and devoted much of his later career to capturing the creature’s playful agility. The artist is a passionate campaigner for wildlife conservation, and many of his sculptures depict endangered species.  

        Lyon & Turnbull
      • LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)
        Apr. 26, 2024

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)

        Est: £500 - £800

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-) HERON III signed, titled and numbered 5/7, bronze 18.5cm high, 26cm wide (7 ¼in high, 10 ¼in wide) The Studio of Laurence Broderick. This exceptional collection is a testament to Laurence Broderick’s enduring commitment to the natural world. Distilling figural and animal forms into fluid, organic curves, Broderick expresses not only his subjects’ likeness, but also articulates something of their personality and physicality. This is all achieved through the expert manipulation of stone and bronze. Broderick tends to work with British stone, including English alabaster, Cornish soapstone, limestone from Hopton Wood and Ancaster and marble from Purbeck, Portsoy and Ledmore. The artist has stated that he does not use preparatory drawings, instead allowing the intrinsic quality of his material to inform the appearance of his sculpture as he carves. His work is usually highly polished to emphasise the smooth lines of his subject’s form and to enhance the intrinsic hues of his medium. However, on occasion he also implements passages of unpolished stone, as can be seen in Nude with Long Hair (lot 273) and Dancer I (lot 272).  Broderick is best known for The Bull (2003), installed at The Bull Ring in Birmingham, and for the otters that recur across his work. Following a visit to the Isle of Skye in 1978 Broderick was enchanted by his first sighting of a wild otter and devoted much of his later career to capturing the creature’s playful agility. The artist is a passionate campaigner for wildlife conservation, and many of his sculptures depict endangered species.  

        Lyon & Turnbull
      • LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)
        Apr. 26, 2024

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)

        Est: £400 - £600

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-) ELEPHANT CALF bronze 14cm high (5 ½in high) The Studio of Laurence Broderick. This exceptional collection is a testament to Laurence Broderick’s enduring commitment to the natural world. Distilling figural and animal forms into fluid, organic curves, Broderick expresses not only his subjects’ likeness, but also articulates something of their personality and physicality. This is all achieved through the expert manipulation of stone and bronze. Broderick tends to work with British stone, including English alabaster, Cornish soapstone, limestone from Hopton Wood and Ancaster and marble from Purbeck, Portsoy and Ledmore. The artist has stated that he does not use preparatory drawings, instead allowing the intrinsic quality of his material to inform the appearance of his sculpture as he carves. His work is usually highly polished to emphasise the smooth lines of his subject’s form and to enhance the intrinsic hues of his medium. However, on occasion he also implements passages of unpolished stone, as can be seen in Nude with Long Hair (lot 273) and Dancer I (lot 272).  Broderick is best known for The Bull (2003), installed at The Bull Ring in Birmingham, and for the otters that recur across his work. Following a visit to the Isle of Skye in 1978 Broderick was enchanted by his first sighting of a wild otter and devoted much of his later career to capturing the creature’s playful agility. The artist is a passionate campaigner for wildlife conservation, and many of his sculptures depict endangered species.  

        Lyon & Turnbull
      • LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)
        Apr. 26, 2024

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)

        Est: £1,500 - £2,000

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-) EVE, 1996 signed, titled and dated, English alabaster on green Indian marble base 66cm high, 28cm wide (26in high, 11in wide) including base The Studio of Laurence Broderick. This exceptional collection is a testament to Laurence Broderick’s enduring commitment to the natural world. Distilling figural and animal forms into fluid, organic curves, Broderick expresses not only his subjects’ likeness, but also articulates something of their personality and physicality. This is all achieved through the expert manipulation of stone and bronze. Broderick tends to work with British stone, including English alabaster, Cornish soapstone, limestone from Hopton Wood and Ancaster and marble from Purbeck, Portsoy and Ledmore. The artist has stated that he does not use preparatory drawings, instead allowing the intrinsic quality of his material to inform the appearance of his sculpture as he carves. His work is usually highly polished to emphasise the smooth lines of his subject’s form and to enhance the intrinsic hues of his medium. However, on occasion he also implements passages of unpolished stone, as can be seen in Nude with Long Hair (lot 273) and Dancer I (lot 272).  Broderick is best known for The Bull (2003), installed at The Bull Ring in Birmingham, and for the otters that recur across his work. Following a visit to the Isle of Skye in 1978 Broderick was enchanted by his first sighting of a wild otter and devoted much of his later career to capturing the creature’s playful agility. The artist is a passionate campaigner for wildlife conservation, and many of his sculptures depict endangered species.  

        Lyon & Turnbull
      • LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)
        Apr. 26, 2024

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)

        Est: £1,000 - £1,500

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-) NUDE WITH LONG HAIR, 1999 signed, titled and dated, Cornish soapstone 27cm high, 43cm wide (10 5/8in high, 17in wide) The Studio of Laurence Broderick. This exceptional collection is a testament to Laurence Broderick’s enduring commitment to the natural world. Distilling figural and animal forms into fluid, organic curves, Broderick expresses not only his subjects’ likeness, but also articulates something of their personality and physicality. This is all achieved through the expert manipulation of stone and bronze. Broderick tends to work with British stone, including English alabaster, Cornish soapstone, limestone from Hopton Wood and Ancaster and marble from Purbeck, Portsoy and Ledmore. The artist has stated that he does not use preparatory drawings, instead allowing the intrinsic quality of his material to inform the appearance of his sculpture as he carves. His work is usually highly polished to emphasise the smooth lines of his subject’s form and to enhance the intrinsic hues of his medium. However, on occasion he also implements passages of unpolished stone, as can be seen in Nude with Long Hair (lot 273) and Dancer I (lot 272).  Broderick is best known for The Bull (2003), installed at The Bull Ring in Birmingham, and for the otters that recur across his work. Following a visit to the Isle of Skye in 1978 Broderick was enchanted by his first sighting of a wild otter and devoted much of his later career to capturing the creature’s playful agility. The artist is a passionate campaigner for wildlife conservation, and many of his sculptures depict endangered species.  

        Lyon & Turnbull
      • LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)
        Apr. 26, 2024

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)

        Est: £800 - £1,200

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-) DANCER I signed, titled and numbered 2/4, bronze and verdigris bronze 34cm high, 34cm wide (13 3/8in high, 13 3/8in wide) The Studio of Laurence Broderick. This exceptional collection is a testament to Laurence Broderick’s enduring commitment to the natural world. Distilling figural and animal forms into fluid, organic curves, Broderick expresses not only his subjects’ likeness, but also articulates something of their personality and physicality. This is all achieved through the expert manipulation of stone and bronze. Broderick tends to work with British stone, including English alabaster, Cornish soapstone, limestone from Hopton Wood and Ancaster and marble from Purbeck, Portsoy and Ledmore. The artist has stated that he does not use preparatory drawings, instead allowing the intrinsic quality of his material to inform the appearance of his sculpture as he carves. His work is usually highly polished to emphasise the smooth lines of his subject’s form and to enhance the intrinsic hues of his medium. However, on occasion he also implements passages of unpolished stone, as can be seen in Nude with Long Hair (lot 273) and Dancer I (lot 272).  Broderick is best known for The Bull (2003), installed at The Bull Ring in Birmingham, and for the otters that recur across his work. Following a visit to the Isle of Skye in 1978 Broderick was enchanted by his first sighting of a wild otter and devoted much of his later career to capturing the creature’s playful agility. The artist is a passionate campaigner for wildlife conservation, and many of his sculptures depict endangered species.  

        Lyon & Turnbull
      • LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)
        Apr. 26, 2024

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)

        Est: £600 - £800

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-) FIGURE WITH LONG HAIR signed, Ancaster stone 25cm high, 27cm wide (9 7/8in high, 10 5/8in wide) The Studio of Laurence Broderick. This exceptional collection is a testament to Laurence Broderick’s enduring commitment to the natural world. Distilling figural and animal forms into fluid, organic curves, Broderick expresses not only his subjects’ likeness, but also articulates something of their personality and physicality. This is all achieved through the expert manipulation of stone and bronze. Broderick tends to work with British stone, including English alabaster, Cornish soapstone, limestone from Hopton Wood and Ancaster and marble from Purbeck, Portsoy and Ledmore. The artist has stated that he does not use preparatory drawings, instead allowing the intrinsic quality of his material to inform the appearance of his sculpture as he carves. His work is usually highly polished to emphasise the smooth lines of his subject’s form and to enhance the intrinsic hues of his medium. However, on occasion he also implements passages of unpolished stone, as can be seen in Nude with Long Hair (lot 273) and Dancer I (lot 272).  Broderick is best known for The Bull (2003), installed at The Bull Ring in Birmingham, and for the otters that recur across his work. Following a visit to the Isle of Skye in 1978 Broderick was enchanted by his first sighting of a wild otter and devoted much of his later career to capturing the creature’s playful agility. The artist is a passionate campaigner for wildlife conservation, and many of his sculptures depict endangered species.  

        Lyon & Turnbull
      • LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)
        Apr. 26, 2024

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)

        Est: £2,000 - £3,000

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-) TEKO THE SWIMMING OTTER signed, titled and numbered 46/100, patinated bronze 49cm high, 39cm wide (19 ¼in high, 15 3/8in wide) The Studio of Laurence Broderick. This exceptional collection is a testament to Laurence Broderick’s enduring commitment to the natural world. Distilling figural and animal forms into fluid, organic curves, Broderick expresses not only his subjects’ likeness, but also articulates something of their personality and physicality. This is all achieved through the expert manipulation of stone and bronze. Broderick tends to work with British stone, including English alabaster, Cornish soapstone, limestone from Hopton Wood and Ancaster and marble from Purbeck, Portsoy and Ledmore. The artist has stated that he does not use preparatory drawings, instead allowing the intrinsic quality of his material to inform the appearance of his sculpture as he carves. His work is usually highly polished to emphasise the smooth lines of his subject’s form and to enhance the intrinsic hues of his medium. However, on occasion he also implements passages of unpolished stone, as can be seen in Nude with Long Hair (lot 273) and Dancer I (lot 272).  Broderick is best known for The Bull (2003), installed at The Bull Ring in Birmingham, and for the otters that recur across his work. Following a visit to the Isle of Skye in 1978 Broderick was enchanted by his first sighting of a wild otter and devoted much of his later career to capturing the creature’s playful agility. The artist is a passionate campaigner for wildlife conservation, and many of his sculptures depict endangered species.  

        Lyon & Turnbull
      • LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)
        Apr. 26, 2024

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)

        Est: £1,500 - £2,000

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-) KOALA signed and numbered 1/7, bronze 38.5cm high, 49.5cm wide (15 1/8in high, 19 ½in wide) The Studio of Laurence Broderick. This exceptional collection is a testament to Laurence Broderick’s enduring commitment to the natural world. Distilling figural and animal forms into fluid, organic curves, Broderick expresses not only his subjects’ likeness, but also articulates something of their personality and physicality. This is all achieved through the expert manipulation of stone and bronze. Broderick tends to work with British stone, including English alabaster, Cornish soapstone, limestone from Hopton Wood and Ancaster and marble from Purbeck, Portsoy and Ledmore. The artist has stated that he does not use preparatory drawings, instead allowing the intrinsic quality of his material to inform the appearance of his sculpture as he carves. His work is usually highly polished to emphasise the smooth lines of his subject’s form and to enhance the intrinsic hues of his medium. However, on occasion he also implements passages of unpolished stone, as can be seen in Nude with Long Hair (lot 273) and Dancer I (lot 272).  Broderick is best known for The Bull (2003), installed at The Bull Ring in Birmingham, and for the otters that recur across his work. Following a visit to the Isle of Skye in 1978 Broderick was enchanted by his first sighting of a wild otter and devoted much of his later career to capturing the creature’s playful agility. The artist is a passionate campaigner for wildlife conservation, and many of his sculptures depict endangered species.  

        Lyon & Turnbull
      • LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)
        Apr. 26, 2024

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-)

        Est: £1,000 - £1,500

        LAURENCE BRODERICK M.R.B.S. F.R.S.A. (BRITISH 1935-) DOWNING CAT signed and numbered 4/7, patinated bronze 34cm high, 20cm wide (13 3/8in high, 7 7/8in wide) The Studio of Laurence Broderick. This exceptional collection is a testament to Laurence Broderick’s enduring commitment to the natural world. Distilling figural and animal forms into fluid, organic curves, Broderick expresses not only his subjects’ likeness, but also articulates something of their personality and physicality. This is all achieved through the expert manipulation of stone and bronze. Broderick tends to work with British stone, including English alabaster, Cornish soapstone, limestone from Hopton Wood and Ancaster and marble from Purbeck, Portsoy and Ledmore. The artist has stated that he does not use preparatory drawings, instead allowing the intrinsic quality of his material to inform the appearance of his sculpture as he carves. His work is usually highly polished to emphasise the smooth lines of his subject’s form and to enhance the intrinsic hues of his medium. However, on occasion he also implements passages of unpolished stone, as can be seen in Nude with Long Hair (lot 273) and Dancer I (lot 272).  Broderick is best known for The Bull (2003), installed at The Bull Ring in Birmingham, and for the otters that recur across his work. Following a visit to the Isle of Skye in 1978 Broderick was enchanted by his first sighting of a wild otter and devoted much of his later career to capturing the creature’s playful agility. The artist is a passionate campaigner for wildlife conservation, and many of his sculptures depict endangered species.  

        Lyon & Turnbull
      • Laurence Broderick, British b.1935- - Water Nymph;
        Apr. 23, 2024

        Laurence Broderick, British b.1935- - Water Nymph;

        Est: £1,000 - £1,500

        Laurence Broderick, British b.1935- Water Nymph; bronze sculpture with a green patina, signed in the bronze and numbered 3/6, approx. height:173 cm (including stone base and water spout attachment),  (ARR) ",

        Roseberys
      • Laurence Broderick, British b.1935- - Water Nymph;
        Mar. 05, 2024

        Laurence Broderick, British b.1935- - Water Nymph;

        Est: £2,500 - £3,500

        Laurence Broderick, British b.1935- Water Nymph; bronze sculpture with a green patina, signed in the bronze and numbered 3/6, approx. height:173 cm (including stone base and water spout attachment),  (ARR)

        Roseberys
      • § Laurence Broderick M.R.B.S. F.R.S.A. (British 1935-) Indian Elephant Calf Maquette
        Oct. 27, 2023

        § Laurence Broderick M.R.B.S. F.R.S.A. (British 1935-) Indian Elephant Calf Maquette

        Est: £800 - £1,200

        § Laurence Broderick M.R.B.S. F.R.S.A. (British 1935-) Indian Elephant Calf Maquette signed, titled and inscribed A/C, artist's cast from an edition of 25, with Lunts Castings Foundry stamp, hallmarked for Birmingham, silver (9.5cm high, 11.5cm wide (3 3/4in high, 4 1/2in wide)) Laurence Broderick: The Accidental Naturalist I am never ever going to make an animal, I didn’t want to go into that area. I was a sculptor of shapes, modern, abstract shapes, I did not want to go down the road of being a wildlife sculptor. Laurence Broderick Despite the above declaration, the agility of the otter and its ability to create myriad shapes captured Laurence Broderick’s imagination and appealed to his artistic nature. He allowed himself to experiment and to depict just this one animal. Today Broderick’s affinity with the otter is so great that he is known as the ‘otter man of Skye’ and he is a joint president of the International Otter Survival Fund (IOSF). His work and attitude towards conservation have also broadened to include many other species. Broderick’s respect for the natural world is also apparent through his creative process. Often carving directly into stone or wood he makes no preparatory drawings or models of his intended creations. Instead, he works in unison with the material to accentuate its natural truth, keeping forms simple and surfaces uncluttered by detail. In many cases his sculptures are carefully polished to enhance their colour and markings, especially when they are cast in bronze or silver. Broderick works with a wide selection of stone including Ledmore, Portsoy and Purbeck marbles, alabaster, Polyphant soapstone, as well as Hopton Wood and Ancaster limestone. The combination of these raw materials together with a sympathy with the casting process and sensitive sculpture’s eye has led to the creation of objects in harmony with the natural world.

        Lyon & Turnbull
      • § Laurence Broderick M.R.B.S. F.R.S.A. (British 1935-) Ollie the Otter Maquette
        Oct. 27, 2023

        § Laurence Broderick M.R.B.S. F.R.S.A. (British 1935-) Ollie the Otter Maquette

        Est: £800 - £1,200

        § Laurence Broderick M.R.B.S. F.R.S.A. (British 1935-) Ollie the Otter Maquette signed, titled and numbered 10/25, with Lunts Castings Foundry stamp, hallmarked for Birmingham, silver (20cm high (7 7/8in high)) Laurence Broderick: The Accidental Naturalist I am never ever going to make an animal, I didn’t want to go into that area. I was a sculptor of shapes, modern, abstract shapes, I did not want to go down the road of being a wildlife sculptor. Laurence Broderick Despite the above declaration, the agility of the otter and its ability to create myriad shapes captured Laurence Broderick’s imagination and appealed to his artistic nature. He allowed himself to experiment and to depict just this one animal. Today Broderick’s affinity with the otter is so great that he is known as the ‘otter man of Skye’ and he is a joint president of the International Otter Survival Fund (IOSF). His work and attitude towards conservation have also broadened to include many other species. Broderick’s respect for the natural world is also apparent through his creative process. Often carving directly into stone or wood he makes no preparatory drawings or models of his intended creations. Instead, he works in unison with the material to accentuate its natural truth, keeping forms simple and surfaces uncluttered by detail. In many cases his sculptures are carefully polished to enhance their colour and markings, especially when they are cast in bronze or silver. Broderick works with a wide selection of stone including Ledmore, Portsoy and Purbeck marbles, alabaster, Polyphant soapstone, as well as Hopton Wood and Ancaster limestone. The combination of these raw materials together with a sympathy with the casting process and sensitive sculpture’s eye has led to the creation of objects in harmony with the natural world.

        Lyon & Turnbull
      • § Laurence Broderick M.R.B.S. F.R.S.A. (British 1935-) Heron Maquette
        Oct. 27, 2023

        § Laurence Broderick M.R.B.S. F.R.S.A. (British 1935-) Heron Maquette

        Est: £700 - £900

        § Laurence Broderick M.R.B.S. F.R.S.A. (British 1935-) Heron Maquette numbered 9/25, with Lunts Castings Foundry stamp, hallmarked for Birmingham, silver (14cm high (5 1/2in high)) Laurence Broderick: The Accidental Naturalist I am never ever going to make an animal, I didn’t want to go into that area. I was a sculptor of shapes, modern, abstract shapes, I did not want to go down the road of being a wildlife sculptor. Laurence Broderick Despite the above declaration, the agility of the otter and its ability to create myriad shapes captured Laurence Broderick’s imagination and appealed to his artistic nature. He allowed himself to experiment and to depict just this one animal. Today Broderick’s affinity with the otter is so great that he is known as the ‘otter man of Skye’ and he is a joint president of the International Otter Survival Fund (IOSF). His work and attitude towards conservation have also broadened to include many other species. Broderick’s respect for the natural world is also apparent through his creative process. Often carving directly into stone or wood he makes no preparatory drawings or models of his intended creations. Instead, he works in unison with the material to accentuate its natural truth, keeping forms simple and surfaces uncluttered by detail. In many cases his sculptures are carefully polished to enhance their colour and markings, especially when they are cast in bronze or silver. Broderick works with a wide selection of stone including Ledmore, Portsoy and Purbeck marbles, alabaster, Polyphant soapstone, as well as Hopton Wood and Ancaster limestone. The combination of these raw materials together with a sympathy with the casting process and sensitive sculpture’s eye has led to the creation of objects in harmony with the natural world.

        Lyon & Turnbull
      • § Laurence Broderick M.R.B.S. F.R.S.A. (British 1935-) Sutherland Nude, 2007
        Oct. 27, 2023

        § Laurence Broderick M.R.B.S. F.R.S.A. (British 1935-) Sutherland Nude, 2007

        Est: £1,000 - £2,000

        § Laurence Broderick M.R.B.S. F.R.S.A. (British 1935-) Sutherland Nude, 2007 signed, titled and dated (to base), Ledmore marble (44.5cm wide (17 1/2in wide)) Laurence Broderick: The Accidental Naturalist I am never ever going to make an animal, I didn’t want to go into that area. I was a sculptor of shapes, modern, abstract shapes, I did not want to go down the road of being a wildlife sculptor. Laurence Broderick Despite the above declaration, the agility of the otter and its ability to create myriad shapes captured Laurence Broderick’s imagination and appealed to his artistic nature. He allowed himself to experiment and to depict just this one animal. Today Broderick’s affinity with the otter is so great that he is known as the ‘otter man of Skye’ and he is a joint president of the International Otter Survival Fund (IOSF). His work and attitude towards conservation have also broadened to include many other species. Broderick’s respect for the natural world is also apparent through his creative process. Often carving directly into stone or wood he makes no preparatory drawings or models of his intended creations. Instead, he works in unison with the material to accentuate its natural truth, keeping forms simple and surfaces uncluttered by detail. In many cases his sculptures are carefully polished to enhance their colour and markings, especially when they are cast in bronze or silver. Broderick works with a wide selection of stone including Ledmore, Portsoy and Purbeck marbles, alabaster, Polyphant soapstone, as well as Hopton Wood and Ancaster limestone. The combination of these raw materials together with a sympathy with the casting process and sensitive sculpture’s eye has led to the creation of objects in harmony with the natural world.

        Lyon & Turnbull
      • § Laurence Broderick M.R.B.S. F.R.S.A. (British 1935-) Diving Otter VI
        Oct. 27, 2023

        § Laurence Broderick M.R.B.S. F.R.S.A. (British 1935-) Diving Otter VI

        Est: £3,000 - £5,000

        § Laurence Broderick M.R.B.S. F.R.S.A. (British 1935-) Diving Otter VI signed and titled, patinated bronze (78cm high (30 3/4in high)) Laurence Broderick: The Accidental Naturalist I am never ever going to make an animal, I didn’t want to go into that area. I was a sculptor of shapes, modern, abstract shapes, I did not want to go down the road of being a wildlife sculptor. Laurence Broderick Despite the above declaration, the agility of the otter and its ability to create myriad shapes captured Laurence Broderick’s imagination and appealed to his artistic nature. He allowed himself to experiment and to depict just this one animal. Today Broderick’s affinity with the otter is so great that he is known as the ‘otter man of Skye’ and he is a joint president of the International Otter Survival Fund (IOSF). His work and attitude towards conservation have also broadened to include many other species. Broderick’s respect for the natural world is also apparent through his creative process. Often carving directly into stone or wood he makes no preparatory drawings or models of his intended creations. Instead, he works in unison with the material to accentuate its natural truth, keeping forms simple and surfaces uncluttered by detail. In many cases his sculptures are carefully polished to enhance their colour and markings, especially when they are cast in bronze or silver. Broderick works with a wide selection of stone including Ledmore, Portsoy and Purbeck marbles, alabaster, Polyphant soapstone, as well as Hopton Wood and Ancaster limestone. The combination of these raw materials together with a sympathy with the casting process and sensitive sculpture’s eye has led to the creation of objects in harmony with the natural world.

        Lyon & Turnbull
      • § Laurence Broderick M.R.B.S. F.R.S.A. (British 1935-) Dancer III
        Oct. 27, 2023

        § Laurence Broderick M.R.B.S. F.R.S.A. (British 1935-) Dancer III

        Est: £2,000 - £3,000

        § Laurence Broderick M.R.B.S. F.R.S.A. (British 1935-) Dancer III signed, titled and numbered 2/7, patinated bronze on marble base (70.5cm high (27 3/4in high) including base) Laurence Broderick: The Accidental Naturalist I am never ever going to make an animal, I didn’t want to go into that area. I was a sculptor of shapes, modern, abstract shapes, I did not want to go down the road of being a wildlife sculptor. Laurence Broderick Despite the above declaration, the agility of the otter and its ability to create myriad shapes captured Laurence Broderick’s imagination and appealed to his artistic nature. He allowed himself to experiment and to depict just this one animal. Today Broderick’s affinity with the otter is so great that he is known as the ‘otter man of Skye’ and he is a joint president of the International Otter Survival Fund (IOSF). His work and attitude towards conservation have also broadened to include many other species. Broderick’s respect for the natural world is also apparent through his creative process. Often carving directly into stone or wood he makes no preparatory drawings or models of his intended creations. Instead, he works in unison with the material to accentuate its natural truth, keeping forms simple and surfaces uncluttered by detail. In many cases his sculptures are carefully polished to enhance their colour and markings, especially when they are cast in bronze or silver. Broderick works with a wide selection of stone including Ledmore, Portsoy and Purbeck marbles, alabaster, Polyphant soapstone, as well as Hopton Wood and Ancaster limestone. The combination of these raw materials together with a sympathy with the casting process and sensitive sculpture’s eye has led to the creation of objects in harmony with the natural world.

        Lyon & Turnbull
      • § Laurence Broderick M.R.B.S. F.R.S.A. (British 1935-) Playful Otter Maquette VII
        Oct. 27, 2023

        § Laurence Broderick M.R.B.S. F.R.S.A. (British 1935-) Playful Otter Maquette VII

        Est: £600 - £900

        § Laurence Broderick M.R.B.S. F.R.S.A. (British 1935-) Playful Otter Maquette VII inscribed, titled and numbered 23/25, stamped with the foundry mark, polished bronze (27cm wide (10 5/8in wide)) Laurence Broderick: The Accidental Naturalist I am never ever going to make an animal, I didn’t want to go into that area. I was a sculptor of shapes, modern, abstract shapes, I did not want to go down the road of being a wildlife sculptor. Laurence Broderick Despite the above declaration, the agility of the otter and its ability to create myriad shapes captured Laurence Broderick’s imagination and appealed to his artistic nature. He allowed himself to experiment and to depict just this one animal. Today Broderick’s affinity with the otter is so great that he is known as the ‘otter man of Skye’ and he is a joint president of the International Otter Survival Fund (IOSF). His work and attitude towards conservation have also broadened to include many other species. Broderick’s respect for the natural world is also apparent through his creative process. Often carving directly into stone or wood he makes no preparatory drawings or models of his intended creations. Instead, he works in unison with the material to accentuate its natural truth, keeping forms simple and surfaces uncluttered by detail. In many cases his sculptures are carefully polished to enhance their colour and markings, especially when they are cast in bronze or silver. Broderick works with a wide selection of stone including Ledmore, Portsoy and Purbeck marbles, alabaster, Polyphant soapstone, as well as Hopton Wood and Ancaster limestone. The combination of these raw materials together with a sympathy with the casting process and sensitive sculpture’s eye has led to the creation of objects in harmony with the natural world.

        Lyon & Turnbull
      • § Laurence Broderick M.R.B.S. F.R.S.A. (British 1935-) Lutra Lutra
        Oct. 27, 2023

        § Laurence Broderick M.R.B.S. F.R.S.A. (British 1935-) Lutra Lutra

        Est: £500 - £800

        § Laurence Broderick M.R.B.S. F.R.S.A. (British 1935-) Lutra Lutra signed, titled and numbered 13/50, inscribed MS, polished bronze (22cm wide (8 3/4in wide)) Laurence Broderick: The Accidental Naturalist I am never ever going to make an animal, I didn’t want to go into that area. I was a sculptor of shapes, modern, abstract shapes, I did not want to go down the road of being a wildlife sculptor. Laurence Broderick Despite the above declaration, the agility of the otter and its ability to create myriad shapes captured Laurence Broderick’s imagination and appealed to his artistic nature. He allowed himself to experiment and to depict just this one animal. Today Broderick’s affinity with the otter is so great that he is known as the ‘otter man of Skye’ and he is a joint president of the International Otter Survival Fund (IOSF). His work and attitude towards conservation have also broadened to include many other species. Broderick’s respect for the natural world is also apparent through his creative process. Often carving directly into stone or wood he makes no preparatory drawings or models of his intended creations. Instead, he works in unison with the material to accentuate its natural truth, keeping forms simple and surfaces uncluttered by detail. In many cases his sculptures are carefully polished to enhance their colour and markings, especially when they are cast in bronze or silver. Broderick works with a wide selection of stone including Ledmore, Portsoy and Purbeck marbles, alabaster, Polyphant soapstone, as well as Hopton Wood and Ancaster limestone. The combination of these raw materials together with a sympathy with the casting process and sensitive sculpture’s eye has led to the creation of objects in harmony with the natural world.

        Lyon & Turnbull
      • § Laurence Broderick M.R.B.S. F.R.S.A. (British 1935-) Little Otter II, 1970
        Oct. 27, 2023

        § Laurence Broderick M.R.B.S. F.R.S.A. (British 1935-) Little Otter II, 1970

        Est: £700 - £1,000

        § Laurence Broderick M.R.B.S. F.R.S.A. (British 1935-) Little Otter II, 1970 signed, dated, titled and numbered 4/7, stamped with the foundry mark, patinated bronze (29cm wide (11 1/2in wide)) Laurence Broderick: The Accidental Naturalist I am never ever going to make an animal, I didn’t want to go into that area. I was a sculptor of shapes, modern, abstract shapes, I did not want to go down the road of being a wildlife sculptor. Laurence Broderick Despite the above declaration, the agility of the otter and its ability to create myriad shapes captured Laurence Broderick’s imagination and appealed to his artistic nature. He allowed himself to experiment and to depict just this one animal. Today Broderick’s affinity with the otter is so great that he is known as the ‘otter man of Skye’ and he is a joint president of the International Otter Survival Fund (IOSF). His work and attitude towards conservation have also broadened to include many other species. Broderick’s respect for the natural world is also apparent through his creative process. Often carving directly into stone or wood he makes no preparatory drawings or models of his intended creations. Instead, he works in unison with the material to accentuate its natural truth, keeping forms simple and surfaces uncluttered by detail. In many cases his sculptures are carefully polished to enhance their colour and markings, especially when they are cast in bronze or silver. Broderick works with a wide selection of stone including Ledmore, Portsoy and Purbeck marbles, alabaster, Polyphant soapstone, as well as Hopton Wood and Ancaster limestone. The combination of these raw materials together with a sympathy with the casting process and sensitive sculpture’s eye has led to the creation of objects in harmony with the natural world.

        Lyon & Turnbull
      • § Laurence Broderick M.R.B.S. F.R.S.A. (British 1935-) Bull Maquette III for the Bull Ring, Birmingham, 2003
        Apr. 28, 2023

        § Laurence Broderick M.R.B.S. F.R.S.A. (British 1935-) Bull Maquette III for the Bull Ring, Birmingham, 2003

        Est: £2,000 - £3,000

        § Laurence Broderick M.R.B.S. F.R.S.A. (British 1935-) Bull Maquette III for the Bull Ring, Birmingham, 2003 inscribed, titled and numbered 24/25 (to the side of base), patinated bronze (20cm high, 30.5cm wide, 24cm deep (7 7/8in high, 12in wide, 9 1/2in deep) including base)

        Lyon & Turnbull
      • § Laurence Broderick M.R.B.S. F.R.S.A. (British 1935-) Barn Owl, 2008
        Apr. 28, 2023

        § Laurence Broderick M.R.B.S. F.R.S.A. (British 1935-) Barn Owl, 2008

        Est: £3,000 - £5,000

        § Laurence Broderick M.R.B.S. F.R.S.A. (British 1935-) Barn Owl, 2008 signed, dated and numbered 1/9, verdigris bronze (22cm high, 32cm wide, 23cm deep (8 5/8in high, 12 5/8in wide, 9in deep))

        Lyon & Turnbull
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