Francesco Brizio Paintings & Artwork for Sale | Francesco Brizio Art Value Price Guide

Nov. 14, 2024
Francesco Brizio Madonna with Child
Est: €500 - €700
after Agostino Carracci. Engraving, 310 x 220 mm. Bartsch XVIII.255.3. Sharp impression on thin laid paper, without watermark. Trimmed, in very good condition.
Bertolami Fine Art s.r.l.
Sep. 22, 2024
A GROUP OF FOUR ITALIAN OLD MASTER PRINTS, 17TH-18TH CENTURIES
Est: $400 - $600
A GROUP OF FOUR ITALIAN OLD MASTER PRINTS, 17TH-18TH CENTURIES, comprising an engraving by Pietro Santo Bartoli (1635-1700), "The Resurrection of Christ," framed; an engraving by Antonio Tempesta (1555-1630), "Procession of Dignitaries," framed; an etching by Francesco Brizio (1574-1623), "Christ and the Woman of Samaria," framed; and a lithograph by Francesco Bartolozzi (1727-1815), "Saint Peter and Saint Paul," framed; largest framed 12 1/4" x 26".
Simpson Galleries, LLC
Nov. 29, 2023
Brizio, Francesco: Die hl. Familie
Est: €600 - €800
Madonna della Scodella: Die Hl. Familie mit dem Johannesknaben und Engeln. Kupferstich nach Correggio. 50,2 x 31,5 cm. B. 11, TIB (Commentary) 11 II. Wz. Fleur-de-lis (?) mit Kleeblatt. -- -- Das seltene Blatt in einem ausgezeichneten, leicht tonigen Druck mit feinem Rändchen. Leichte geglättete horizontale Mittelfalte, unten zwei kleine Randeinrisse, weitere winzige Randläsuren, Papierstreifen entlang der rückseitigen Ränder, leicht fleckig, insbesondere in den Ecken, verso Montierungsreste, sonst gutes Exemplar. Beigegeben nach Rubens die wohl unverzeichnete Radierung "Helene Fourment (?) umgeben von vier Heiligen" (aus der Sammlung George Hibbert, Lugt 2849) und von Lucas Kilian die zwei allegorischen Gedenkblätter "Epigramma Emblematico Anagrammaticum Obitum" (nicht bei Hollstein). -- -- - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. -- - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Jul. 04, 2023
FRANCESCO BRIZIO (BOLOGNA 1574-1623) Saint Jerome experiencing a vision of
Est: £4,000 - £6,000
FRANCESCO BRIZIO (BOLOGNA 1574-1623) Saint Jerome experiencing a vision of the Madonna and Child supported by... black chalk, pen and brown ink, brown wash, heightened with white on light brown paper, watermark kneeling angel in prayer 34.4 x 23.8 cm (13 1/2 x 9 3/8 in.)
Christie's
Nov. 30, 2022
Brizio, Francesco: Die hl. Familie
Est: €200 - €300
Madonna della Scodella: Die Hl. Familie mit dem Johannesknaben und Engeln. Kupferstich nach Correggio. 49,8 x 31,7 cm. B. 11, TIB (Commentary) 11 II. Wz. Reichsapfel. -- -- Ausgezeichneter, leicht toniger Druck mit Rändchen um die Plattenkante. Fleckig, horizontale sowie vertikale Faltspuren, mehrere hinterlegte Randeinrisse bzw. Risse, oberflächliche Bereibungen, weitere Handhabungsspuren, sonst noch gut. -- -- - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. -- - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Nov. 30, 2022
Brizio, Francesco: Die hl. Familie
Est: €800 - €1,200
Madonna della Scodella: Die Hl. Familie mit dem Johannesknaben und Engeln. Kupferstich nach Correggio. 50,2 x 31,5 cm. B. 11, TIB (Commentary) 11 II. Wz. Fleur-de-lis (?) mit Kleeblatt. -- -- Das seltene Blatt in einem ausgezeichneten, leicht tonigen Druck mit feinem Rändchen. Leichte geglättete horizontale Mittelfalte, unten zwei kleine Randeinrisse, weitere winzige Randläsuren, Papierstreifen entlang der rückseitigen Ränder, leicht fleckig, insbesondere in den Ecken, verso Montierungsreste, sonst gutes Exemplar. Beigegeben nach Rubens die wohl unverzeichnete Radierung "Helene Fourment (?) umgeben von vier Heiligen" (aus der Sammlung George Hibbert, Lugt 2849). -- -- - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. -- - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Sep. 20, 2022
Francesco Brizio (Bologna 1574 - 1623)
Est: €200 - €300
Francesco Brizio (Bologna 1574 - 1623) Comunione di Santa Maria Egiziaca Inchiostro su carta 184 x 246 mm Francesco Brizio (Bologna 1574 - 1623) Communion of St. Mary of Egypt Ink on paper 184 x 246 mm
Lucas Aste
May. 19, 2022
Biblical Representation (Mary's Temple Walk?)
Est: €1,500 - €2,500
BRIZIO, FRANCESCO Bologna ca. 1574 - 1623 attributed Title: Biblical Representation (Mary's Temple Walk?). Technique: Pen and India ink on paper. Mounting: Mounted. Measurement: 19.5 x 26.5cm. Notation: Collection stamp lower right: geprägte Marke, rote Tinte. Frame/Pedestal: Mat. Provenance: Collection Jacob H. Wiegersma (b. 1898), Utrecht; Private ownership, Germany. We are grateful to Daniele Benati, Bologna, who confirmed the attribution of the present drawing on the basis of a high-resolution digital photograph. Explanations to the Catalogue
Van Ham Kunstauktionen
Feb. 18, 2022
Brizio, Francesco
Est: €160 - €240
(1574 Bologna 1623). Die Anbetung der Könige. Radierung auf Bütten n. Lodovico Carracci bei Justus Sadeler. Blgr. 23,1 x 19 cm. Mit den Namensz. i.d. Platte. Mit schmalem Rändchen um die Plattenkante. Unter Passep. mont. B. 46. TIB (Commentary, Brizio) .046 S2 (von S3). TIB (Commentary, Annibale Carracci) .025xx. Der Stich galt gemäß der Bezeichnung durch den Verleger Justus Sadeler früher als Werk und Erfindung von Annibale Carracci, wird seit Bartsch jedoch Francesco Brizio zugeschrieben. - Ausgezeichneter, tls. etw. flauer Abzug mit der Adresse Justus Sadelers. - Stellenw. etw. fleckig. Aus d. Slg. Karl Jacob Mayer (L. 5100). R
Kiefer Buch- und Kunstauktionen
Dec. 01, 2021
Brizio, Francesco: Die hl. Familie
Est: €1,500 - €1,800
Madonna della Scodella: Die Hl. Familie mit dem Johannesknaben und Engeln. Kupferstich nach Correggio. 50,2 x 31,5 cm. B. 11, TIB (Commentary) 11 II. Wz. Fleur-de-lis (?) mit Kleeblatt. Das seltene Blatt in einem ausgezeichneten, leicht tonigen Druck mit feinem Rändchen. Leichte geglättete horizontale Mittelfalte, unten zwei kleine Randeinrisse, weitere winzige Randläsuren, Papierstreifen entlang der rückseitigen Ränder, leicht fleckig, insbesondere in den Ecken, verso Montierungsreste, sonst gutes Exemplar. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Jul. 10, 2021
Brizio, Francesco
Est: €180 - €270
(1574 Bologna 1623). Die Anbetung der Könige. Radierung auf Bütten n. Lodovico Carracci bei Justus Sadeler. Blgr. 23,1 x 19 cm. Mit den Namensz. i.d. Platte. Mit schmalem Rändchen um die Plattenkante. Unter Passep. mont. B. 46. TIB (Commentary, Brizio) .046 S2 (von S3). TIB (Commentary, Annibale Carracci) .025xx. Der Stich galt gemäß der Bezeichnung durch den Verleger Justus Sadeler früher als Werk und Erfindung von Annibale Carracci, wird seit Bartsch jedoch Francesco Brizio zugeschrieben. - Ausgezeichneter, tls. etw. flauer Abzug mit der Adresse Justus Sadelers. - Stellenw. etw. fleckig. Aus d. Slg. Karl Jacob Mayer (L. 5100). R
Kiefer Buch- und Kunstauktionen
May. 08, 2021
Brizio, Francesco
Est: €240 - €360
(1574 Bologna 1623). Die Anbetung der Könige. Radierung auf Bütten n. Lodovico Carracci bei Justus Sadeler. Blgr. 23,1 x 19 cm. Mit den Namensz. i.d. Platte. Mit schmalem Rändchen um die Plattenkante. Unter Passep. mont. B. 46. TIB (Commentary, Brizio) .046 S2 (von S3). TIB (Commentary, Annibale Carracci) .025xx. Der Stich galt gemäß der Bezeichnung durch den Verleger Justus Sadeler früher als Werk und Erfindung von Annibale Carracci, wird seit Bartsch jedoch Francesco Brizio zugeschrieben. - Ausgezeichneter, tls. etw. flauer Abzug mit der Adresse Justus Sadelers. - Stellenw. etw. fleckig. Aus d. Slg. Karl Jacob Mayer (L. 5100). R
Kiefer Buch- und Kunstauktionen
Apr. 29, 2021
FRANCESCO BRIZIO (1575-1623) THE ESCAPE INTO EGYPT
Est: -
The Madonna with Child, behind them Saint Joseph and a young man with a donkey. The engraving plays with the tonalities of the drapery and the landscape that on the right side seems unfinished. The signature at the bottom right absent. engraving, 190x135mm The upper part has a 2 mm restoration on the border with the margin, otherwise a beautiful copy known for its rarity.
Bertolami Fine Art s.r.l.
Nov. 21, 2019
FRANCESCO BRIZIO (Bologna, 1574 - 1623) - Two drawings in suite depicting heads of animals, 1. Head of goat - 2. Two heads of camel
Est: €500 - €700
FRANCESCO BRIZIO (Bologna, 1574 - 1623) Two drawings in suite depicting heads of animals, 1. Head of goat - 2. Two heads of camel Ink on paper laid down on cardboard, 1. cm. 11,5x8,6; 2. cm.7x15,8 The drawing with the goat's head shows the signature on the lower right: "BRIZIO".
Bertolami Fine Art s.r.l.
Apr. 16, 2019
Carracci - Adoration of the Magi -Brizio Attr.
Est: €400 - €450
The adoration of the Magi. Etching after the fresco of Lodovico Carracci in the Gessi chapel of S.M.della Pioggia in Bologna (destroyed in World War II). The attribution remains uncertain. The second state bears added lettering that attributes it to Annibale Carracci. Bartsch listed it as falsely ascribed to Annibale, and suggested that it might be by a pupil such as Badalocchio or Brizio. In the second state, the address of Justus Sadeler was added. Birke (in TIB commentary volume) retained the attribution to Brizio. Reference: TIB 4003.046 S1 (as Brizio), Bartsch XVIII.199.1 (as falsely attributed to Annibale Carracci)
Old Master Print
Aug. 23, 2018
Brizio (Francesco, ca. 1574-1623) The adoration of the Magi, after Ludovico Carracci, etching, [circa 1590-1620]; and three etchings by Giulio Bonasone [circa 1545-1565] (4).
Est: £200 - £300
Brizio (Francesco, ca. 1574-1623), attributed to. The adoration of the Magi, after Ludovico Carracci, etching, a good impression of the lettered state on laid paper with watermark of a quadruped, possibly a dog, sheet 228 x 180 mm. (8 7/8 x 7 1/8 in), trimmed just within platemark with thread margin around image, inset at edges onto paper support, small repaired tear in the lower right quadrant, small pin hole in the lower left, minor surface dirt, unframed, [circa 1590-1620]; together with three etchings by Giulio Bonasone (ca. 1531-1576), including The Adoration of the Shepherds, [B. 39; Massari 167], St Paul Preaching, after Perino del Vaga, [B. 72; Massari 103], and Father Time, after Giulio Romano, [B. 172; Massari 224], etchings, various sizes, all unframed, [circa 1545-1565] (4). Literature: (Brizio) Bartsch (under Annibale Carracci) 1; TIB (Brizio) 1 ⁂ Scarce. The etching attributed to Brizio is after the fresco by Ludovico Carracci in the Gessi chapel of S.M. della Pioggia in Bologna, which was destroyed in World War II. The present impression bears the added lettering falsely attributing the etching to Annibale Carracci, and the work has also previously been attributed to Carlo Marrati, yet The Illustrated Bartsch retains the attribution to Brizio.
Forum Auctions - UK
Jul. 12, 2018
Brizio (Francesco, ca. 1574-1623) The adoration of the Magi, after Ludovico Carracci, etching, [circa 1590-1620]; and three etchings by Giulio Bonasone [circa 1545-1565] (4).
Est: £500 - £700
Brizio (Francesco, ca. 1574-1623), attributed to. The adoration of the Magi, after Ludovico Carracci, etching, a good impression of the lettered state on laid paper with watermark of a quadruped, possibly a dog, sheet 228 x 180 mm. (8 7/8 x 7 1/8 in), trimmed just within platemark with thread margin around image, inset at edges onto paper support, small repaired tear in the lower right quadrant, small pin hole in the lower left, minor surface dirt, unframed, [circa 1590-1620]; together with three etchings by Giulio Bonasone (ca. 1531-1576), including The Adoration of the Shepherds, [B. 39; Massari 167], St Paul Preaching, after Perino del Vaga, [B. 72; Massari 103], and Father Time, after Giulio Romano, [B. 172; Massari 224], etchings, various sizes, all unframed, [circa 1545-1565] (4). Literature: (Brizio) Bartsch (under Annibale Carracci) 1; TIB (Brizio) 1 ⁂ Scarce. The etching attributed to Brizio is after the fresco by Ludovico Carracci in the Gessi chapel of S.M. della Pioggia in Bologna, which was destroyed in World War II. The present impression bears the added lettering falsely attributing the etching to Annibale Carracci, and the work has also previously been attributed to Carlo Marrati, yet The Illustrated Bartsch retains the attribution to Brizio.
Forum Auctions - UK
Nov. 02, 2017
FRANCESCO BRIZIO (after Agostino Carracci) A Satyr Spying on a Sleeping Nymph
Est: $1,200 - $1,800
FRANCESCO BRIZIO (after Agostino Carracci) A Satyr Spying on a Sleeping Nymph. Etching, 1604. 185x130 mm; 7 1/4x5 1/4 inches, narrow to thread margins. Second state (of 2). Bartsch 112 (as Carracci); Bohlin R 30. With--FERRANTES ROSATTI. David with the Head of Goliath, etching, 1649. First state 1 of 2). Bartsch 1.
Swann Auction Galleries
Oct. 21, 2017
Francesco Brizio etching
Est: $400 - $600
Francesco Brizio (Italian 1574-1623)- ''Adoration of the Magi'' (Bellini 8 (as Maratta); (The Illustrated Bartsch 4003.046 (as Brizio)- engraving, first state of three, before the addresss of Justus Sadeler. After the fresco of Lodovico Carracci in the Gessi chapel of S. M. della Pioggia in Bologna, which was destroyed in WWII. A fine impressions with thread margins. 2 11/16 x 10 15/16''
Rachel Davis Fine Arts
Nov. 24, 2016
Brizio, Francesco: Die Anbetung der Könige
Est: €600 - €750
Die Anbetung der Könige. Radierung, nach Lodovico Carracci. 22,8 x 18,5 cm. Um 1495/96. B. 46, TIB (Commentary, Brizio) .046 S2 (von S3), TIB (Commentary, Annibale Carracci) .025xx. Der Stich galt gemäß der Bezeichnung durch den Verleger Justus Sadeler früher als Werk und Erfindung von Annibale Carracci, wird seit Bartsch jedoch Francesco Brizio zugeschrieben. Ausgezeichneter, wenngleich etwas zarter Abzug mit der Adresse Justus Sadelers und mit sehr feinem Rändchen um die Einfassungslinie. Alters- und Gebrauchsspuren, schwache horizontale Quetschspur, kleine Montierungsreste verso, kleinere Läsuren und Ergänzungen in den Eckenspitzen, sonst gut. Beigegeben von Robert Audenaerde nach Carlo Maratta "Die Anbetung der Könige" (Le Blanc 18), von Simone Cantarini die Radierung "Johannes der Täufer als Knabe" (B. 22), von Giovanni Benedetto Castiglione die Radierung "Laban durchsucht das Gepäck des Jacob, um seine Götzen zu finden" (B. 4) sowie von Paolo Farinati "Die Jungfrau mit dem Kind und dem Johannesknaben" (B. 4). - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Apr. 15, 2016
Drawings
Est: €350 - €700
Francesco Brizio (Bologna 1574 - 1623) - attributed to - "Rinaldo e Armida" - drawing - H mm 258x195
Gregory's Casa d'Aste
Nov. 28, 2013
Brizio, Francesco: Die l. Familie
Est: €2,000 - €3,000
Die Hl. Familie mit dem Johannesknaben an einem Brunnen. Kupferstich nach Correggio. 50,2 x 31,5 cm. B. 11, The Illustrated Bartsch 40, Part 1, Commentary, 011 II. Wz. Fleur-de-lis (?) mit Kleeblatt. Das seltene Blatt in einem ganz ausgezeichneten, tonigen Druck mit feinem Rändchen. Geglättete horizontale Mittelfalte, Papierstreifen entlang der rückseitigen Ränder, kleiner Einriss im unteren Rand, leicht fleckig und geringe Altersspuren, sonst gutes Exemplar.
Bassenge Auctions
Jan. 31, 2013
Francesco Brizio (Bologna 1574-1623)
Est: $5,000 - $7,000
Francesco Brizio (Bologna 1574-1623) Carlo and Ubaldo in the enchanted garden of Armida with inscription 'Bricci' black chalk, pen and brown ink, reddish-brown wash, heightened with white, brown ink framing lines on red prepared paper 14¾ x 10¾ in. (37.4 x 27.3 cm.)
Christie's
Jan. 29, 2013
FRANCESCO BRIZIO (CIRCLE OF) (Bologna 1574-1623 Bologna) St. Michael Slaying the Dragon.
Est: $1,200 - $1,800
FRANCESCO BRIZIO (CIRCLE OF) (Bologna 1574-1623 Bologna) St. Michael Slaying the Dragon. Pen and brown ink on cream laid paper. 305x262 mm; 12x10 1/4 inches. The figure of St. Michael is similar, in reverse, to St. Roch in Brizio's St. Roch Interceding for the Divine Protection of an Elderly Gentleman and a Sleeping Shepherd, after Parmigianino, engraving, 1602-03 (Bartsch 9).
Swann Auction Galleries
Sep. 21, 2012
Attributed to BRIZIO, FRANCESCO(1574 Bologna
Est: CHF700 - CHF900
Attributed to BRIZIO, FRANCESCO (1574 Bologna 1623), God the Father flanked by angels and putti beneath a canopy. Brown pen, brown-grey wash. Verso old inscription in brown pen: Francesco Brizzi 24 x 42.6 cm. Provenance: - collector's mark in brown pen verso, not in Lugt BRIZIO, FRANCESCO (1574 Bologna 1623), zugeschrieben Gottvater, von Engeln und Putten flankiert und einem Baldachin bekrönt. Feder in Braun, braungrau laviert. Verso mit brauner Feder alt bezeichnet: Francesco Brizzi 24 x 42,6 cm. Provenienz: - Sammllerzeichen mit brauner Feder verso, nicht bei Lugt
Koller Auctions
Nov. 25, 2010
Brizio, Francesco: Die Madonna mit dem Kissen
Est: €200 - €300
Die Madonna mit dem Kissen. Kupferstich mit Radierung. 16,1 x 11,7 cm. TIB (Commentary, Annibale Carracci) .028 (dort als falsche Zuschreibung an Annibale Carracci dargestellt und an Francesco Brizio gegeben); Bohlin R 3 (Guido Reni); TIB (Commentary, Brizio) .047 S3. Ausgezeichneter Druck mit feinem Rändchen. Leicht gewellt im unteren Rand, minimal fleckig, sonst in tadelloser Erhaltung.
Galerie Bassenge
Nov. 25, 2010
Brizio, Francesco: Christus und die Samariterin
Est: €500 - €750
Christus und die Samariterin. Kupferstich nach Annibale Carracci. 28,9 x 40,2 cm. 1610. B. (Annibale Carracci) 7, TIB (Annibale Carracci) .031; B. (Guido Reni) 52, TIB (Guido Reni, Rejected works) .0039υxx; B. (Francesco Brizio); TIB (Francesco Brizio, Commentary) .048 S4. Wz. Bekrönter Kreis mit Fleur-de-lis. In der Literatur ist die Zuschreibung an Reni umstritten. Bartsch und Bellori haben den Kupferstich Reni zugeschrieben, welcher demzufolge ein Supraportengemälde seines Meisters Carracci im Palazzo Sampieri in Bologna zum Vorbild nahm. Doch weisen weder Stil noch Linienführung auf Reni hin. Seit Malvasia ordnen mehrere Autoren den Stich Brizio zu. Geglättete Mittelfalte, entlang dieser winzige Ausbesserungen, sorgfältig geschlossener Einriss im oberen mittleren Rand, geringfügig fleckig, kleine ergänzte Stelle im oberen rechten Rand, vereinzelte winzige Fehlstellen im linken weißen Rand, sonst in guter Erhaltung. Beigegeben von Guido Reni eine Radierung "Madonna mit Kind und den hll. Klara und Joseph" (B. (Annibale Carracci) 10).
Galerie Bassenge
Jul. 09, 2009
Francesco Brizio (Bologna 1574-1623)
Est: £3,000 - £4,000
Francesco Brizio (Bologna 1574-1623) The Guardian Angels black chalk, pen and brown ink, red wash, heightened with white, on pink prepared paper, on two joined sheets 8 7/8 x 6¾ in. (21.4 x 17.3 cm.)
Christie's
Jun. 04, 2009
Brizio, Francesco: Christus und die Samariterin
Est: €800 - €1,000
Brizio, Francesco: Christus und die Samariterin Christus und die Samariterin. Kupferstich nach Annibale Carracci. 28,9 x 40,2 cm. 1610. B. (Annibale Carracci) 7, TIB (Annibale Carracci) .031; B. (Guido Reni) 52, TIB (Guido Reni, Rejected works) .0039υxx; B. (Francesco Brizio); TIB (Francesco Brizio, Commentary) .048 S4. Wz. Bekrönter Kreis mit Fleur-de-lis. In der Literatur ist die Zuschreibung an Reni umstritten. Bartsch und Bellori haben den Kupferstich Reni zugeschrieben, welcher demzufolge ein Supraportengemälde seines Meisters Carracci im Palazzo Sampieri in Bologna zum Vorbild nahm. Doch weisen weder Stil noch Linienführung auf Reni hin. Seit Malvasia ordnen mehrere Autoren den Stich Brizio zu. Geglättete Mittelfalte, entlang dieser winzige Ausbesserungen, sorgfältig geschlossener Einriss im oberen mittleren Rand, geringfügig fleckig, kleine ergänzte Stelle im oberen rechten Rand, vereinzelte winzige Fehlstellen im linken weißen Rand, sonst in guter Erhaltung.
Bassenge Auctions
Jun. 04, 2009
Brizio, Francesco: Die Madonna mit dem Kissen
Est: €400 - €600
Brizio, Francesco: Die Madonna mit dem Kissen Die Madonna mit dem Kissen. Kupferstich mit Radierung. 16,1 x 11,7 cm. TIB (Commentary, Annibale Carracci) .028 (dort als falsche Zuschreibung an Annibale dargestellt und an Francesco Brizio gegeben); Bohlin R 3 (Guido Reni); TIB (Commentary, Brizio) .047 S3. Ausgezeichneter Druck mit feinem Rändchen. Leicht gewellt im unteren Rand, minimal fleckig, sonst in tadelloser Erhaltung.
Bassenge Auctions
May. 01, 2008
FRANCESCO BRIZIO St. Roch Interceding for the Divine Protection of an Elderly Gentleman.
Est: $1,000 - $1,500
FRANCESCO BRIZIO St. Roch Interceding for the Divine Protection of an Elderly Gentleman. Engraving. 370x260 mm; 14 5/8x10 1/4 inches. Trimmed on or just inside the plate mark. A good, dark impression with strong contrasts. With--CARLO CESIO. A Sleeping Shepherd, engraving. 233x216 mm; 9 1/4x8 1/2 inches, small margins. Repaired diagonal tear upper right. Bartsch 22.
Swann Auction Galleries
Nov. 21, 2007
Un village au bord d'une rivière, deux hommes dont un à cheval en bordure du rivage
Est: €1,500 - €2,000
ATTRIBUE A FRANCESCO BRIZIO (BOLOGNE 1574-1623) Un village au bord d'une rivière, deux hommes dont un à cheval en bordure du rivage plume et encre brune, lavis gris et rouge, filigrane animal dans un cercle 219 x 322 mm.
Christie's
Mar. 22, 2007
Un homme poursuivi par un lion dans une forêt
Est: €2,000 - €3,000
Attribué à Francesco Brizio (Bologne 1574-1623) Un homme poursuivi par un lion dans une forêt plume et encre brune, filigrane fleur-de-lys de Strasbourg 223 x 324 mm.
Christie's
Jan. 26, 2006
FRANCESCO BRIZIO BOLOGNA CIRCA 1574-1623
Est: $100,000 - $150,000
THE MADONNA AND CHILD WITH SAINTS CATHERINE AND FRANCIS measurements note 39 3/4 by 29 3/4 in.; 101 by 75.5 cm. an old inscription on the reverse of the relining canvas: Bo68 Ital:eEN No15 oil on canvas PROVENANCE Eugène de Beauharnais (1781-1824), Leuchtenberg Palace, Munich (after his death the painting formed part of the Leuchtenberg Majorats Fideicommiss., inv. no. 101, according to an old label on the reverse); Thence by family descent; Norkiska Kompaniet Department Stores, Stockholm, before 1917; By whom sold ("Public Sale of Paintings Belonging to Nordiska Kompaniet Department Stores from the Leuchtenberg Collection"), Stockholm, 1917, no. 22, reproduced (as by Parmigianino; probably identifiable with the old label on the reverse of the stretcher: L./No22). EXHIBITED St. Petersburg, Imperial Art Gallery, Exhibition of Paintings from Nicholas Maximilien Leuchtenberg, 1886, no. 31, p. 9 in the catalogue (as by Parmigianino). LITERATURE J.N. Muxel, Catalogue des tableaux de la galerie de feu son Altesse Royale le Prince Eugène duc de Leuchtenberg, Munich 1838, p. 26, no. 21 (as by Parmigianino; probably identifiable with the old label on the reverse of the frame: No21); J.N. Muxel, Gemälde Sammlung in München: Seiner Königl. Hoheit des Dom Augusto Herzogs von Leuchtenberg und Santa Ceuz Fürsten von Eichstädt..., Munich 1835-41, p. 73, no. 21, reproduced as an engraving (as by Parmigianino); J.N. Muxel, Gemälde-Sammlung seiner Haiser. Hoheit des herzogs von Leuchtenberg in München, Frankfurt-am-Main 1851, reproduced as an engraving on p. 61 (as by Parmigianino). NOTE We are grateful to Dott. Alessandro Brogi for first proposing the attribution to Francesco Brizio, on the basis of photographs. Brizio only became a painter after he was twenty years old, having dedicated his youth to the profession of his father Gian Ludovico Brizio; a cobbler. He received his earliest artistic training under Bartolomeo Passerotti but it was under Ludovico Carracci that Brizio really began to excel, leading Malvasia to describe him as "uno de' grandi allievi" [one of the great pupils] who came out of the Accademia degli Incamminati that had been founded by the Carracci in Bologna. It was during this period that Brizio developed his skills as an engraver, often borrowing Carracci designs or drawings for his compositions. He also undertook his first important painting commissions collaborating with other artists, the most important of which was Lionello Spada, who worked with Brizio on a series of frescoes for the Oratorio della SS. Trinità in Pieve di Cento (for Brizio's Lot and His Daughters and Jacob's Dream see F. Frisoni, in La Scuola dei Carracci, dall' Accademia alla Bottega di Ludovico, ed. E. Negro and M. Pirondini, Modena 1994, reproduced in color pp. 76-7, figs. 75 and 76). The background in Jacob's Dream has much in common with that in the present canvas, and Brizio may have had recourse to Nicolò dell'Abate for inspiration. Indeed Brizio was much influenced by the works of Emilian painters such as Correggio, Primaticcio and above all Parmigianino, to whom this painting was once attributed. Brogi has suggested a date of execution for this painting some time between 1605 and 1610, although a comparison with Brizio's other works from the first two decades of the 17th century might suggest a slightly later date, perhaps into the first half of the 1610s. Indeed an interesting point of reference is Brizio's altarpiece of The Communion of Saint Catherine of Siena in the Chiesa di San Domenico, Bologna, which has been dated to 1612 or slightly later (see F. Frisoni, op. cit., pp. 68-9, reproduced in color on p. 80, fig. 79). Although characteristic of the artist's style the present painting would appear to be one of Brizio's most accomplished works, and its reappearance after more than a century is therefore particularly significant. This painting boasts an illustrious provenance for it once belonged to Napoleon Bonaparte's stepson, Eugène de Beauharnais (1781-1824), and hung in the Leuchtenberg Palace in Munich for much of the 19th century. Eugène was born in Paris, the natural son of Vicomte Alexandre de Beauharnais (1760-94) and Joséphine Tascher de la Pagerie (1763-1814), who later married Napoleon in 1796 (the religious ceremony took place in 1804). At eighteen years of age Eugène served as aide-de-camp for Napoleon in Egypt, becoming colonel in 1802 and general two years later. He was made Arch-Chancellor of State and after Napoleon had created the kingdom of Italy in 1805, Eugène served as his Viceroy (until the end of the kingdom in 1814). Napoleon, who was still childless by his marriage with Joséphine, adopted Eugène on January 12, 1806, and later that year Eugène married Augusta of Bavaria (1788-1851), daughter of Maximilian I, the king of Bavaria from 1806 until 1825. After Napoleon's downfall in 1814 Eugène moved to Munich permanently and it was his father-in-law Maximilian I who bestowed upon him the titles of Prince of Eichstätt and Duke of Leuchtenberg in 1817, after which the Leuchtenberg Palace became his official residence. The Leuchtenberg Palace, located on Munich's elegant Odeonplatz, was acquired by the Bavarian government in 1957 and now houses the Ministry of Finance.
Sotheby's
Dec. 16, 2005
Attribué à Francesco Brizio (1575-1623)
Est: €400 - €600
La Vierge couronnée par deux anges avec des études subsidiaires d'une main et d'une jambe drapée craie rouge, plume et encre brune, lavis gris, les contours incisés 107 x 85 mm.
Christie's
Jan. 22, 2004
Francesco Brizio (Bologna 1574-1623)
Est: $20,000 - $30,000
Christ in the wilderness attended by three angels with inscription 'Domenico Passignano.' red chalk, pen and brown ink, the outlines incised 11 1/4 x 9 1/8 in. (286 x 230 mm.)
Christie's
May. 20, 1994
FRANCESCO BRIZIO (1574-1623) ST. MATTHEW.
Est: $1,811 - $2,264
Bears inscription: Guido Reni. Pen and brown ink. 198 by 150 mm. Provenance: Nicos Dhikeos (bears his collector's mark).
Sotheby's