Andrea Briosco Sold at Auction Prices

b. 1532 -

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    • Calamaio. Bronzo fuso e patinato. Arte rinascimentale veneta del XVI secolo. Ambito di Andrea Briosco detto Riccio (Padova 1470-1533)
      Dec. 13, 2022

      Calamaio. Bronzo fuso e patinato. Arte rinascimentale veneta del XVI secolo. Ambito di Andrea Briosco detto Riccio (Padova 1470-1533)

      Est: €3,000 - €5,000

      .

      Cambi Casa d'Aste
    • Andrea BRIOSCO dit RICCIO (1470-1532)
      Sep. 18, 2020

      Andrea BRIOSCO dit RICCIO (1470-1532)

      Est: €2,000 - €4,000

      ANDREA LORÈDAN Bronze sculpture c. 1800, H: 43 cm - W: 48 cm - D: 26 cm - Weight: 19 kg The bust of Andrea Lorèdan, the son of the Doge and a great art collector, is one of the most famous sculptures of the Italian Renaissance. It is exhibited at the Museo Correr in Venice and appears in many books including : - " Italian Art Masterpieces of sculpture " Plate XXXI, Editions Plon of 1935. - " Venise " by Pierre Gusman, Editions Laurens from 1926 Riccio, Italian sculptor and architect, famous for his sculptures exhibited in the collections of major museums including the Louvre and in Italian churches such as the tomb of Antonio Trombetta. He built the Loredan Palace in Venice in 1536, which became the seat of the Venetian Institute of Sciences, Letters and Arts. High resolution photos : https://drive.google.com/drive/folders/1EA1FMIpBrnxMrzabfieikeeQgKcvopJ9?usp=sharing

 Delivery of lots without transport costs to PARIS (rue Drouot) or dispatch at the buyer's expense for all countries.   € 2,000 - € 4,000 - CHF 2’150 - CHF 4’300 Sculpture en bronze c.1800, H : 43 cm - L : 48 cm - P : 26 cm - Poids : 19 kg Le buste d’Andrea Lorèdan, le fils du doge et grand collectionneur d’art, est l’une des plus célèbres sculptures de la renaissance italienne. Elle est exposée au Museo Correr à Venise. Bibliographie : "L’Art Italien Chefs-d’œuvre de la sculpture" Planche XXXI, Editions Plon de 1935. "Venise" de Pierre Gusman, Editions Laurens de 1926 Riccio, sculpteur et architecte italien, célèbre pour ses sculptures exposées dans les collections des grands musées dont le Louvre et dans des églises italiennes comme le tombeau d'Antonio Trombetta. Il construisit à Venise le Palais Loredan en 1536, devenu le siège de l'institut Vénitien des Sciences, Lettres et Arts. Photos en haute résolution : https://drive.google.com/drive/folders/1EA1FMIpBrnxMrzabfieikeeQgKcvopJ9?usp=sharing 

Livraison des lots sans frais de transport à PARIS (rue Drouot) ou expédition aux frais de l'acheteur pour tous les pays.   2 000 € - 4 000 € - CHF 2’150 - CHF 4’300

      Hotel des ventes de Lausanne
    • A BRONZE GROUP OF A CANDLESTICK-BEARING SATYR AND INKWELL
      Jul. 10, 2008

      A BRONZE GROUP OF A CANDLESTICK-BEARING SATYR AND INKWELL

      Est: £70,000 - £100,000

      A BRONZE GROUP OF A CANDLESTICK-BEARING SATYR AND INKWELL FOLLOWER OF ANDREA BRIOSCO, KNOWN AS RICCIO (1470-1532), CIRCA 1530-1540 The satyr seated before a quadrilobe-shaped inkwell, facing slightly to dexter and holding a candlestick nozzle in his right hand; medium brown patina; on a rectangular ormolu-mounted green marble base; minor wear to gilding on the base; the lid of the inkwell lacking, the satyr's horns filed off 8 3/8 in. (21.2 cm.) high; 11 7/8 in. (30.2 cm.) high, overall

      Christie's
    • A BRONZE PLAQUETTE OF THE ENTOMBMENT 16TH CENTURY, CAST AFTER A MODEL BY ANDREA BRIOSCO KNOWN AS RICCIO (CIRCA
      Apr. 06, 1995

      A BRONZE PLAQUETTE OF THE ENTOMBMENT 16TH CENTURY, CAST AFTER A MODEL BY ANDREA BRIOSCO KNOWN AS RICCIO (CIRCA

      Est: $4,826 - $6,434

      1470-1532) with the limp body of Christ being lifted by Joseph of Arimathea, Saint John the Evangelist and Nicodemus into a sarcophagus bearing the inscription QVEM TOTVS NON / CAP ORB IN HAC / TVMBA CLAVDIT, with an entourage of mourners and the Virgin fainting in the foreground supported by another female figure 4 3/4 in. by 6 7/16 in. (12 cm. by 16.3 cm.) Comparative LITERATURE Francesco Rossi, Musei Civici di Brescia, Cataloghi 1, Plachette sec. XV-XIX, Vicenza, 1974, cat.no.109, p.79 John Pope-Hennessy, Renaissance Bronzes From the Samuel H. Kress Collection, London, 1965, cat.no.207, fig. 101 Franco Panvini Rosati, Medaglie e Placchette italiane dal Rinascimento al XVIII secolo, Rome, 1968, cat.no.8, p.68 Three variations of this plaquette are known, the example shown here, another without the inscription and a third without two of the figures. No signed version of this plaquette exists but it relates closely to the reliefs on Riccio's Della Torre monument (at Verona) and he is unanimously accepted as being responsible for the composition. The inscription translates as follows :- He whom the whole world could not contain is enclosed within this tomb.

      Sotheby's
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