Art Brenner (American, 1924-2013). 5 inkless intaglio prints, 4 unframed. All signed, titled, dated and numbered in pencil except framed print untitled. 3 with inscriptions from the artist. Largest plate 12 3/8" x 12 1/4" (unframed sheet 22 1/8" x 14 7/8"). Unframed prints all with some toning, creases to edges and corners, one with staining along edges, framed print with some toning and foxing to debossed sections.
Art Brenner (American, 1924-2013). 2 piece art lot. Abstract aluminum wall sculpture, signed and numbered 9/12 on the reverse, 7 1/8" x 11 3/8" x 7/8"D; silkscreen, The Chevron Variations, pencil signed lower right and titled, dated 1998, signed and numbered 26/60 in pencil lower left, with an inscription and additional signature in pencil lower left, 17 1/2" x 24" (with frame 23 3/4" x 29 7/8". With a selection of letters from Art Brenner. Sculpture some scratches to finish.
Framed Danish Modern Fabric Birch Forest. Beautiful fabric designed by Barbara Brenner for Danish Stoff Design has been mounted over wooden stretchers to become a lovely piece of wall art, with a birch forest set against a pale green background. Marked on the border "BirkeDesign/Barbara Brenner/intair internationales Stott design." Dimensions are 30 in h x 26 in w x .75in d. Condition is good to fair with discoloration & stain spots throughout, and minor wear to the corners. Please call or email for a detailed condition report.
ART BRENNER (American, 1924-2013) Femme Allongée 1984 embossment ed. 15/17 editioned, titled, signed and dated in pencil below image 32 x 31.5cm PROVENANCE: The Estate of Art Brenner OTHER NOTES: Best known for his sculptural work, written essays and articles on the changing nature of sculpture in society, Brenner was also an astonishingly capable painter and printmaker.
ART BRENNER (American,1924-2013) Femme Assise 1984 embossment ed. 11/16 editioned, titled, signed and dated in pencil below image 31.5 x 31.5cm PROVENANCE: The Estate of Art Brenner OTHER NOTES: Best known for his sculptural work, written essays and articles on the changing nature of sculpture in society, Brenner was also an astonishingly capable painter and printmaker.
Bronze Diamond plate sculpture, mixed media involved such as nails, no apparent signature, subject abstract sculpt resembles that of a pinwheel with various nails and shards sticking out in various places, main sculpt is attached to a pole on a bronze platform, brut style sculpt, measures 23.25 inches at tallest, Bronze, bronze sculpture, bronze Diamond plate, diamond plate, abstract art, modern art, contemporary art, abstract sculpture, floor art, decorative art.7 Art Brenner was an American abstract sculptor and painter. Born in New York City, he lived and worked in Paris from 1964 to 2012. He has had numerous solo and group exhibitions in cities such as Paris, London, Avignon, Barcelona, Brussels, Brest, Amsterdam, Heidelberg, Montreal, and Adelaide, Australia-wiki
Art Brenner (American, 1924-2013) "Vita," 1963, modern abstract composition, signed, titled, and dated on reverse, mixed media on canvas, unframed. 42.5" H x 50.25" W. Minor wear to applied paper. Provenance: Boston Art Club.
Art Brenner (American, 1924-2013) "Encounter/Green," 1963, modern abstract composition, signed, dated and titled on reverse, mixed media on canvas, unframed. 54.25" H x 41" W. Area of minor damage in upper left quadrant. Provenance: Boston Art Club.
Art Brenner (1924-2013) United States - 9/ 162. Art Brenner was an abstract sculptor and painter born in New York City in 1924. He spent the later decades of his life in Paris, from 1964 until 2012. Brenner’s first solo show was held at Galerie Lucien Durand, in Paris, in 1967, and from then on his acclaimed work became an international success Brenner created many sculptures for public, architectural settings. In 1971, he wrote an article for Leonardo magazine (produced by MIT Press) entitled “Concerning Sculpture and Architecture,” in which he observed that the development of larger sculptures had “quickly moved sculpture from the private to the public sector, that is towards a renewal of its relation with architecture.” Brenner suggests that monumentality in sculpture was a direct product of Modernist thinking in architecture, and uses this as a call for architects and sculptors to collaborate to create public spaces that are not merely functional, but aesthetically satisfying environments for living. Brenner created works in public spaces, and in conjunction with various building projects around the world. Brenner was also an astonishingly capable painter. His works created in the 1950s reflect the Abstract Expressionist movement of the time. He clearly brings his spatial sensibilities from sculpture, to his canvases, but his color is careful, and unflinchingly unique. His works from that time are gestural, with controlled, but choppy swaths of color, whispering, interrupting each other, and creating a vibrant plane of conversation on the canvas. Brenner brings a spatial awareness that can only be a product of his years of sculpting and unique vision. Brenner enjoyed solo and group exhibitions across the globe, in cities including Paris, London, Barcelona, Amsterdam, Brussels, and Montreal. His work is held in public collections in France, Spain, and in the United States He was inducted by the French Government as “Chevalier de l’Ordre des Arts et des Lettres,” the French equivalent of induction into the American Academy of Arts and Letters.Art Brenner (1924-2013) United States - 9/ 162. Art Brenner was an abstract sculptor and painter born in New York City in 1924. He spent the later decades of his life in Paris, from 1964 until 2012. Brenner’s first solo show was held at Galerie Lucien Durand, in Paris, in 1967, and from then on his acclaimed work became an international success Brenner created many sculptures for public, architectural settings. In 1971, he wrote an article for Leonardo magazine (produced by MIT Press) entitled “Concerning Sculpture and Architecture,” in which he observed that the development of larger sculptures had “quickly moved sculpture from the private to the public sector, that is towards a renewal of its relation with architecture.” Brenner suggests that monumentality in sculpture was a direct product of Modernist thinking in architecture, and uses this as a call for architects and sculptors to collaborate to create public spaces that are not merely functional, but aesthetically satisfying environments for living. Brenner created works in public spaces, and in conjunction with various building projects around the world. Brenner was also an astonishingly capable painter. His works created in the 1950s reflect the Abstract Expressionist movement of the time. He clearly brings his spatial sensibilities from sculpture, to his canvases, but his color is careful, and unflinchingly unique. His works from that time are gestural, with controlled, but choppy swaths of color, whispering, interrupting each other, and creating a vibrant plane of conversation on the canvas. Brenner brings a spatial awareness that can only be a product of his years of sculpting and unique vision. Brenner enjoyed solo and group exhibitions across the globe, in cities including Paris, London, Barcelona, Amsterdam, Brussels, and Montreal. His work is held in public collections in France, Spain, and in the United States He was inducted by the French Government as “Chevalier de l’Ordre des Arts et des Lettres,” the French equivalent of induction into the American Academy of Arts and Letters.Art Brenner (1924-2013) United States - 9/ 162. Art Brenner was an abstract sculptor and painter born in New York City in 1924. He spent the later decades of his life in Paris, from 1964 until 2012. Brenner’s first solo show was held at Galerie Lucien Durand, in Paris, in 1967, and from then on his acclaimed work became an international success Brenner created many sculptures for public, architectural settings. In 1971, he wrote an article for Leonardo magazine (produced by MIT Press) entitled “Concerning Sculpture and Architecture,” in which he observed that the development of larger sculptures had “quickly moved sculpture from the private to the public sector, that is towards a renewal of its relation with architecture.” Brenner suggests that monumentality in sculpture was a direct product of Modernist thinking in architecture, and uses this as a call for architects and sculptors to collaborate to create public spaces that are not merely functional, but aesthetically satisfying environments for living. Brenner created works in public spaces, and in conjunction with various building projects around the world. Brenner was also an astonishingly capable painter. His works created in the 1950s reflect the Abstract Expressionist movement of the time. He clearly brings his spatial sensibilities from sculpture, to his canvases, but his color is careful, and unflinchingly unique. His works from that time are gestural, with controlled, but choppy swaths of color, whispering, interrupting each other, and creating a vibrant plane of conversation on the canvas. Brenner brings a spatial awareness that can only be a product of his years of sculpting and unique vision. Brenner enjoyed solo and group exhibitions across the globe, in cities including Paris, London, Barcelona, Amsterdam, Brussels, and Montreal. His work is held in public collections in France, Spain, and in the United States He was inducted by the French Government as “Chevalier de l’Ordre des Arts et des Lettres,” the French equivalent of induction into the American Academy of Arts and Letters.
ART BRENNER (American, 1924-2013), abstract with green triangle, ink and watercolor, pencil signed and dated '45 lower left. Light mat burn and toning. Sight 15-1/4''h, 12''w. (Fine Art)
ART BRENNER (American, 1924-2013), abstract rooftops, gouache, unsigned. Light toning and mat burn, pin holes and tears in margins. Sight 20''h, 14''w. (Fine Art)
1 ART BRENNER 1962 OIL ON CANVAS MATCH Art Brenner (1924 - ) American abstract sculptor and painter who has lived and worked in Paris since 1964. Abstract oil on canvas, the title is "Match", dated on the stretcher, January 1962. Signed by the artist, lower left. In wood panel frame. Measures: 16" Tall X 20" Wide. Condition: Very Good
*BRENNER, ART (Né à New York en 1924) Trois bateaux Gouache sur papier Signé et daté en bas au centre: Art Brenner 48. 35,8x57,8 cm. CHF 500.- / 800.- € 320.- / 520.-
