Nicolas-Guy Brenet Paintings & Artwork for Sale | Nicolas-Guy Brenet Art Value Price Guide

Jun. 18, 2024
NICOLAS GUY BRENET (attr. a)
Est: €3,000 - €5,000
(Parigi, 1728 - 1792) San Sebastiano Olio su tela, cm 64X47,5 Provenienza: Milano, Christie's, 7 giugno 2006, lotto 105 (come scuola romana del XVIII secolo) Napoli, Blindarte, 22 maggio 2019, lotto 137 (come attribuito a Corrado Giaquinto) Sia pur allievo di Boucher, Brenet fu particolarmente influenzato dall'arte italiana d'età barocca, guardando alle opere di Reni e Nicolas Poussin apprese durante il suo soggiorno italiano documentato tra il 1756 e il 1759. L'opera in esame si può datare a questi anni, in analogia dal punto di vista illustrativo con l'Endimione dormiente del Worcester Art Museum del Massachusetts. Possiamo percepire nel nostro caso che l'autore abbia visto e studiato le creazioni di Corrado Giaquinto e Daniel Seiter.
Wannenes Art Auctions
Nov. 17, 2023
NICOLAS-GUY BRENET (PARIS 1728-1792) Virginius prêt à poignarder sa fille V
Est: €10,000 - €15,000
NICOLAS-GUY BRENET (PARIS 1728-1792) Virginius prêt à poignarder sa fille Virginie huile sur toile 81 x 64,8 cm. (31 7⁄8 x 25 ½ in.)
Christie's
Feb. 07, 2023
Ecole française vers 1781 Atelier de Nicolas-Guy Brenet Le combat des Grecs et des Troyens sur le corps de Patrocle Huile sur toile
Est: €1,500 - €2,000
Ecole française vers 1781 Atelier de Nicolas-Guy Brenet Le combat des Grecs et des Troyens sur le corps de Patrocle Huile sur toile Sans cadre h: 53,50 w: 68 cm Bibliographie : Marie Fournier, 'Nicolas-Guy Brenet (1728-1792), peintre d'histoire à Paris au siècle des Lumières', thèse de doctorat, Paris, Sorbonne-Université, 2022, mentionné dans la notice du n° *189P Estimation 1 500 - 2 000 €
Artcurial
Jun. 21, 2021
Nicolas Guy Brenet, Paris 1728 – 1792 Paris, Portraits of the family "Von Schauenstein"
Est: €8,000 - €12,000
Nicolas Guy Brenet Paris 1728 – 1792 Paris LOUIS XVI Portraits of the family "Von Schauenstein" Oil on canvas 63 x 50 cm The portrait of men: Signed & dated 1771 Backside: Reference to the valet of King Louis XVI
Tiberius Auctions
Apr. 19, 2018
NICOLAS-GUY BRENET (PARIS 1728-1792) Saint Louis receiving the ambassador of the King
Est: $10,000 - $15,000
NICOLAS-GUY BRENET (PARIS 1728-1792) Saint Louis receiving the ambassador of the King of Tartary signed and dated '·Brenet·1773·' (lower right) oil on panel 17 1/8 x 12 1/2 in. (43.6 x 31.8 cm.) in a French 18th-century frame
Christie's
Nov. 23, 2016
Venere e Cupido
Est: €2,000 - €4,000
Nicolas Guy BRENET (1728-1792). Olio su tela, cm 37 x 45,5. Firmato e datato in basso a sinistra: B f. 1764.
Ansuini 1860 Auctions
Nov. 13, 2013
Attribué à Nicolas-Guy Brenet Paris, 1728 - 1792 Orphée charmant les animaux Huile sur toile de forme ovale
Est: €8,000 - €12,000
Attribué à Nicolas-Guy Brenet Paris, 1728 - 1792 Orphée charmant les animaux Huile sur toile de forme ovale 'ORPHEUS CHARMING THE ANIMALS', OIL ON CANVAS, ATTRIBUTED TO N.-G. BRENET h: 142 w: 104 cm
Artcurial
Mar. 31, 2013
Attribué à Nicolas BRENET (1728-1792) Le Sacre de Saint-Louis Huile sur toile (réentoilée) 264 x 162 cm (accidents)
Est: €8,000 - €10,000
Attribué à Nicolas BRENET (1728-1792) Le Sacre de Saint-Louis Huile sur toile (réentoilée) 264 x 162 cm (accidents)
Osenat
Dec. 05, 2012
Nicolas Guy BRENET (Paris 1728-1791)
Est: €2,000 - €3,000
Portrait d'un officier Toile ovale Signe et date en bas a gauche, Brenet 1791 56 x 46 cm RM
Millon & Associes
Apr. 24, 2008
Attributed to Nicolas-Guy Brenet , Paris 1728 - 1792 Melpomene oil on canvas, oval
Est: £3,000 - £4,000
oil on canvas, oval
Sotheby's
Nov. 15, 2006
NICOLAS-GUY BRENET (PARIS 1728-1792)
Est: €15,000 - €20,000
Saint Louis recevant les Ambassadeurs des Tartares signé et daté '.Brenet:1773' (en bas à droite) Huile sur panneau 43,5 x 31,5 cm. (17 1/4 x 12 1/4 in.)
Christie's
Aug. 05, 2005
NICHOLAS GUY BRENET Fr. 1728 -1792
Est: $12,000 - $18,000
NICHOLAS GUY BRENET Fr. 1728 -1792 Death of Orion Oil on canvas 63 × 51 in.(160.0 × 129.5 cm)
Barridoff Auctions
Jan. 24, 2001
Nicolas-Jacques-Antoine Vestier (1765-1816)
Est: $18,000 - $22,000
Portrait of Catherine-Noële Grand, n‚e Worl‚e, Princesse de Talleyrand-P‚rigord (1762-1835), bust-length signed and dated 'n.g.a vestier f. 1788.' black and white chalk on light brown paper 191/4 x 14 in. (485 x 355 mm.) PROVENANCE Princesse de Talleyrand-P‚rigord; and by descent to the present owners. LITERATURE A.-M. Passez, Antoine Vestier, Paris, 1989, pp. 41-2, fig. 4. NOTES Nicolas Vestier was a pupil of with his father, the portrait painter Antoine Vestier, and of the history painter Nicolas-Guy Brenet. He studied at the Acad‚mie Royale d'Architecture from 1781 to 1790, and became a very active architect, particularly involved in speculative building. He was also a gifted portraitist. Several other large portrait drawings by him are known, in the Metropolitan Museum of Art, New York, in Dijon, Bl‚rancourt, and sold at Drouot, 26 April 1923, lot 26 and 30 June 1925, lots 9-10. All are dated between 1785 and 1789. Another portrait of Madame Grand, famously mistress and then wife of the Prince de Talleyrand-P‚rigord, by Vig‚e-Lebrun, dated 1783, is in the Metropolitan Museum of Art, J. Baillio, Elisabeth-Louise Vig‚e-Le Brun, exhib. cat., Fort Worth, Kimbell Art Museum, 1982, no. 12. Catherine-Noële Worl‚e's was born in India in 1762, and lived in Pondicherry where her father was a French official. In 1777 the family moved to Chandernagore where Catherine married George Francis Grand, an English civil servant. The same year the couple moved to Calcutta where the young woman had an affair with Sir Philip Francis. Grand and his wife then returned to Chandernagore, but eventually Madame Grand moved to England with Francis. By the 1780s, she had settled in Paris where she became a notorious courtesan. Her official lover then was the rich banker Valdec de Lessart. In 1792 she fled the Revolution to London, but soon returned with her new lover, the Genoese banker Spinola. During the Directoire she was imprisoned, but Charles-Maurice de Talleyrand-P‚rigord (1754-1838), an ex-priest, then just returning from America, came to her help. He wrote a reavealing letter to Barras, a member of the Directoire, in her defense: 'On vient d'arrêter madame Grand comme conspiratrice. C'est la personne d'Europe la plus ‚loign‚e et la plus incapable de se mêler d'aucune affaire. C'est une indienne bien belle, bien paresseuse, le plus d‚soccup‚e de toutes le femmes que j'aie jamais rencontr‚es.....Je l'aime; et je vous atteste … vous, d'homme … homme que de sa vie elle ne s'est mêl‚e et n'est en ‚tat de se mêler d'aucune affaire. C'est une v‚ritable indienne, et vous savez … quel degr‚ cette espŠce de femmes est loin de toute intrigue', in Bibliographie universelle, Paris, 1855, vol. 83, p. 186. Talleyrand later became Minister of Foreign Affairs, and lived with Mme. Grand in the Minister's official residence. In 1802 Bonaparte, who did not like unmarried couples, forced the Minister to marry his mistress, who first had to divorce her English husband. George Grand was quickly found, and having agreed to the divorce was given money for the settlement, before being sent to a distant island. After the Empire she separated from her husband, and moved to London. In the last years of her life she moved back to Paris and died there in 1835. Madame Grand was renowned for her beauty and for her too numerous, though involuntary, bon-mots. Madame Vig‚e-Lebrun recounts that Talleyrand one day asked his wife to read Vivant-Denon's book about his travels in Egypt, as the writer was coming to dinner that evening. Instead Madame Grand inadvertendly read Robinson Crusoe. During the dinner she asked a startled Vivant-Denon 'Ah! monsieur, with what pleasure I have just read about your trip! how interesting it is especially when you met poor Friday'. On another occasion, when asked where she was from, she replied 'Je suis d'Inde', which in French has a double meaning.
Christie's