Bartholomeus Breenbergh Paintings & Artwork for Sale | Bartholomeus Breenbergh Art Value Price Guide

Oct. 22, 2024
BREENBERGH Bartholomeus (1599 - 1657). Cercle de. TABLEAUX
Est: €800 - €1,200
Huile sur panneau "Pan et Syrinx". Attribué au cercle de Bartholomeus Breenbergh. Ecole hollandaise. Voir au dos une étiquette de la Galerie Blendinger - Agno et de chez Dobiaschofsky à Bern. Dim.:+/-30x37cm.
Vanderkindere
Oct. 16, 2024
Breenbergh (Bartholomeus, Deventer 1598-1657 Amsterdam). Italianate Landscape
Est: £10,000 - £15,000
Breenbergh (Bartholomeus, Deventer 1598-1657 Amsterdam). Italianate Landscape * Breenbergh (Bartholomeus, Deventer 1598-1657 Amsterdam). Italianate Landscape with soldiers and hunting dogs going, early morning, oil on wood panel, showing a group of soldiers and hunting dogs on a path, with buildings on a rocky outcrop and distant view of the Apennine mountains, with printed red label to verso of Thos. Agnew & Sons Ltd. bearing the number W.O. 0668-73, and printed label for Christie's Old Master Paintings and Sculpture sale, December 2019, lot 208, the wood panel with chamfered edges to verso, 26 x 38.5 cm (10 1/4 x 15 1/8 ins), old ebonised wood frame QTY: (1) NOTE: Provenance: with E. T. Parker & Co., Bristol by 1914; with Thos. Agnew & Sons Ltd.; Professor Michael Jaffé (1923-1997); thence by descent; Christie's, London, Old Master Paintings and Sculpture for December 2019, lot 208. Bartholomeus Breenbergh lived and worked in Rome from 1619, where he was influenced by the Italian landscapes of his older compatriot Cornelis van Poelenburgh. He was one of the founder members of the society of Dutch and Flemish artists in Rome, the Bentvueghels (Birds of a Feather), or Schildersbent (Band of Painters), by whom he was nicknamed Het Fret (The Ferret). Breenbergh's use of the panoramic landscape with dramatic contrasts of light and shade, and buildings drenched in sunlight (as in the present work) influenced the French landscape painter Claude Lorrain, who arrived in Rome around the same time.
Dominic Winter Auctions
Sep. 03, 2024
BARTHOLOMEUS BREENBERGH (1599-1657), D
Est: -
Bartholomeus Breenbergh (1599-1657), Dutch painter who studied under Paul Bril in Rome. Italian landscape with ruins and country folk, oil on panel, unsigned, inscription verso, minimally rubbed and retouched, 21 x 27.5 cm, framed 34 x 40 cm
Historia Auctionata
Feb. 27, 2024
Breenbergh, Bartholomeus
Est: €350 - €500
Breenbergh, Bartholomeus (1599-1659), zugeschrieben. Zwei Figuren vor Ruine in Landschaft. Zeichnung, Sepia, altmontiert auf Albumkarton mit getuschten Zierrändern. 11:18 cm. Stenographische Skizze einer prima idea. – Eventuell Vorarbeit zu einer Landschaft mit Ruinen, Victoria and Albert Museum, in: Roethlisberger, Paintings, Bln. u. New York 1981, Nr. 42, vgl. auch Nr. 57 sowie zu den Figuren Nr. 335. Roethlisberger, Handzeichnungen, Bln. 1969, vgl. Nr. 10, Ruinenphantasie. – Auf Karton verso franz. u. lat. Handschrift zu philosophischem Exkurs.
Schneider-Henn
Feb. 20, 2024
Bartholomeus Breenbergh (Deventer 1598 - Amsterdam 1657) attribuito
Est: €2,400 - €3,500
Bartholomeus Breenbergh (Deventer 1598 - Amsterdam 1657) attribuito Paesaggio con rovine e personaggi Olio su tavola 37 x 58,2 cm Dei suoi primi passi formativi si conosce poco, probabilmente fu allievo di Jacob Pynas considerando gli evidenti influssi riscontrabili. Inoltre, secondo gli ultimi studi, pare avesse frequentato le botteghe di Pieter Lastman e Abraham Bloemaert. Visse dal 1619 al 1629 a Roma, dove ebbe modo di conoscere Paul Brill e Cornelis van Poelenburch, con i quali condivise alcune espressioni stilistiche. In effetti, tutti e tre colsero la calda luce della campagna romana con i suoi antichi resti architettonici. Bartholomeus Breenbergh (Deventer 1598 - Amsterdam 1657) attributed Landscape With Ruins and Characters Oil on panel 37 x 58,2 cm
Lucas Aste
Feb. 02, 2024
Breenbergh, Bartholomeus
Est: €350 - €500
Breenbergh, Bartholomeus (1599-1659), zugeschrieben. Zwei Figuren vor Ruine in Landschaft. Zeichnung, Sepia, altmontiert auf Albumkarton mit getuschten Zierrändern. 11:18 cm. Stenographische Skizze einer prima idea. – Eventuell Vorarbeit zu einer Landschaft mit Ruinen, Victoria and Albert Museum, in: Roethlisberger, Paintings, Bln. u. New York 1981, Nr. 42, vgl. auch Nr. 57 sowie zu den Figuren Nr. 335. Roethlisberger, Handzeichnungen, Bln. 1969, vgl. Nr. 10, Ruinenphantasie. – Auf Karton verso franz. u. lat. Handschrift zu philosophischem Exkurs.
Schneider-Henn
Sep. 28, 2023
Bartholomeus Breenbergh, 1599 – 1657, zugeschrieben
Est: €4,000 - €6,000
ARKADISCHE LANDSCHAFT MIT FELSHÖHLE UND HIRTEN Öl auf Kupferplatte. 29 x 48 cm. In dekorativem Rahmen. Im leicht erhöhten verschatteten Vordergrund ein Hirte mit seiner Ziegenherde, die einen leichten Abhang herunterläuft und dort von einem weiteren Hirten gelenkt wird. Dahinter geht der Blick über zwei Baumstümpfe und dem von der Sonne beschienenen Plateau in die Ferne mit weiter Landschaft in bläulichem Licht, unter hohem hellblauen Himmel. Rechtsseitig eine große, teils verschattet liegende und mit Bäumen und Sträuchern bewachsene große Steinhöhle mit weiten lichten Durchgängen, unter der schemenhaft weitere Figuren und Ziegenherden im Hintergrund erkennbar sind. Idyllische harmonische Landschaftsdarstellung in überwiegend weicher Farbgebung. Der holländische Künstler ging 1619 nach Rom, wo er Schüler des Malers Paul Brill (um 1553/54-1626) wurde. Zwischen 1627 und 1628 kehrte er in die Niederlande zurück und ließ sich 1633 in Amsterdam nieder. Er arbeitete überwiegend als selbstständiger Künstler. Die landschaftliche Umgebung seiner Gemälde sind oftmals mit Ruinen oder ähnlich markanten Bauwerken versehen. Seine Werke fanden im 17. und 18. Jahrhundert viele Liebhaber und waren in zahlreichen Museen vertreten. (13601013) (18)
Hampel Fine Art Auctions
Jun. 29, 2023
Bartholomeus Breenbergh, 1599 – 1657, zugeschrieben
Est: €8,000 - €15,000
ARKADISCHE LANDSCHAFT MIT FELSHÖHLE UND HIRTEN Öl auf Kupferplatte. 29 x 48 cm. In dekorativem Rahmen. Im leicht erhöhten verschatteten Vordergrund ein Hirte mit seiner Ziegenherde, die einen leichten Abhang herunterläuft und dort von einem weiteren Hirten gelenkt wird. Dahinter geht der Blick über zwei Baumstümpfe und dem von der Sonne beschienenen Plateau in die Ferne mit weiter Landschaft in bläulichem Licht, unter hohem hellblauen Himmel. Rechtsseitig eine große, teils verschattet liegende und mit Bäumen und Sträuchern bewachsene große Steinhöhle mit weiten lichten Durchgängen, unter der schemenhaft weitere Figuren und Ziegenherden im Hintergrund erkennbar sind. Idyllische harmonische Landschaftsdarstellung in überwiegend weicher Farbgebung. Anmerkung: Der holländische Künstler ging 1619 nach Rom, wo er Schüler des Malers Paul Brill (um 1553/54-1626) wurde. Zwischen 1627 und 1628 kehrte er in die Niederlande zurück und ließ sich 1633 in Amsterdam nieder. Er arbeitete überwiegend als selbstständiger Künstler. Die landschaftliche Umgebung seiner Gemälde sind oftmals mit Ruinen oder ähnlich markanten Bauwerken versehen. Seine Werke fanden im 17. und 18. Jahrhundert viele Liebhaber und waren in zahlreichen Museen vertreten. (13601013) (18)
Hampel Fine Art Auctions
Feb. 01, 2023
BARTHOLOMEUS BREENBERGH
Est: €300 - €700
(Deventer, 1598 - Amsterdam, 1657) Paesaggio con rovine Matita e acquerello su carta, cm 6,5X12 Londra, Chaucer Fine Arts Londra, Chriestie's, 6 dicembre 2012, lotto 93 L'atmosfera chiara e ariosa, la pausata articolazione del paesaggio, la delicata armonia della luminosità, suggeriscono che l'autore fosse a conoscenza dei testi pittorici del paesismo mediterraneo diffuso nei Paesi Bassi da Bartholomeus Breenbergh, Nicolaus Berchem e Jan Both. La fortuna iconografica di queste tematiche si deve altresì a Philips Wouwerman e ai pittori bamboccianti, assai apprezzati dal collezionismo dell'epoca, inoltre non si deve dimenticare la notevole diffusione di disegni e stampe che ispirarono l'arte fiamminga e olandese. Bibliografia di riferimento: G. Capitelli, Il paesaggio italianizzante, in La Pittura di paesaggio in Italia, Il Seicento, a cura di L. Trezzani, Milano 2004, pp. 213-230
Wannenes Art Auctions
Jan. 27, 2023
BARTHOLOMEUS BREENBERGH (DEVENTER 1598-1657 AMSTERDAM) Allegory of Vanity BARTHOLOMEUS BREENBERGH (DEVENTER 1598-1657 AMSTERDAM) Allegory of Vanity si
Est: $70,000 - $100,000
BARTHOLOMEUS BREENBERGH (DEVENTER 1598-1657 AMSTERDAM) Allegory of Vanity BARTHOLOMEUS BREENBERGH (DEVENTER 1598-1657 AMSTERDAM) Allegory of Vanity signed and indistinctly dated ‘BBreenberg F. Ao 1647’ ('BB' linked, lower left); inscribed with an inventory number '[2]295.' (upper left) oil on panel 14 1/8 x 18 1/4 in. (36 x 46.5 cm.)
Christie's
Jan. 25, 2023
BARTHOLOMEUS BREENBERGH (DEVENTER 1598-1657 AMSTERDAM) Portrait of a gentleman holding a letter, full-length, seated with a sword beside a draped table with a globe, candlestick, inkwell, books and letter
Est: $120,000 - $180,000
BARTHOLOMEUS BREENBERGH (DEVENTER 1598-1657 AMSTERDAM) Portrait of a gentleman holding a letter, full-length, seated with a sword beside a draped table with a globe, candlestick, inkwell, books and letter signed ‘BBreenberg. fecit.’ (‘BB’ linked, lower left) and inscribed and dated ‘Ætatis sua. 57. Ao 1641’ (upper right) oil on panel 17 1/8 x 13 5/8 in. (43.5 x 34.5 cm.) Read more
Christie's
Nov. 04, 2022
BREENBERGH, BARTHOLOMEUS: Die Bestrafung der Leviter.
Est: CHF4,000 - CHF6,000
BREENBERGH, BARTHOLOMEUS (Deventer 1598 - 1657 Amsterdam) : Der Levit und seine Nebenfrau; Öl auf Leinwand, doubliert; 57,5x50,5 cm; sig. u. dat. 1656 o.r., verso a. altem Etikett bez.
Dobiaschofsky Auktionen AG
May. 02, 2022
Anciennement attribué à Bartholomeus Breenbergh (1599-1657) Paysage animé, encre et lavis sur papier
Est: CHF200 - CHF300
Anciennement attribué à Bartholomeus Breenbergh (1599-1657) Paysage animé, encre et lavis sur papier, 17x21 cm
Geneve Encheres
Dec. 04, 2021
Breenbergh, Bartholomeus
Est: -
Breenbergh, Bartholomeus 1599 Deventer - 1657 Amsterdam Ruinenlandschaft mit Landvolk. Öl/Holz, 27 x 36,5 cm.
Dusseldorfer Auktionshaus
Nov. 24, 2021
Bartholomeus Breenbergh – Eine Theatermaske (A theatre mask)
Est: €800 -
Etching on laid paper. (1613-1657). 7.2 x 5.9 (sheet).
Karl & Faber
Nov. 05, 2021
BREENBERGH, BARTHOLOMEUS, Umkreis - Circle: Nymphe von Satyr verfolgt.
Est: CHF2,400 - CHF3,600
BREENBERGH, BARTHOLOMEUS (Deventer 1598 - 1657 Amsterdam); Umkreis - Circle : Nymphe von Satyr verfolgt; Öl auf Eichenholz; 31,5x39 cm; verso Siegel in rotem Lack
Dobiaschofsky Auktionen AG
Mar. 15, 2021
Bartholomeus Breenbergh (1599-1657), Landscape with Bridge
Est: $500 - $700
Bartholomeus Breenbergh (1599-1657), Landscape with Bridge Black chalk on paper Inscribed (on the reverse). 20 x 17.3 cm Provenance: Collection of Prof. J. Leski (Professor of Astrology, University of Cracovia), according to a declaration from the Administration of the Museum of the Princes of Lubomirski, Lwow, 1923. Family of Elena Parys Feldberg by descent to the present owner. Notes: Catalogued by Dr. Dagmar Hnikova, expert from the "Kunsthaus Zurich" Museum, Zurich, September 1975. Condition: For a detailed condition report, please contact us at info@hammersite.com
Hammersite
Nov. 30, 2020
Bartholomeus Breenbergh (1599-1657), Landscape with Bridge
Est: $800 - $1,200
Black chalk on paper Inscribed (on the reverse). 20 x 17.3 cm Provenance: Collection of Prof. J. Leski (Professor of Astrology, University of Cracovia), according to a declaration from the Administration of the Museum of the Princes of Lubomirski, Lwow, 1923. Family of Elena Parys Feldberg by descent to the present owner. Notes: Catalogued by Dr. Dagmar Hnikova, expert from the "Kunsthaus Zurich" Museum, Zurich, September 1975.
Hammersite
Nov. 05, 2020
Breenbergh, Bartholomeus
Est: €350 -
(1599-1659), zugeschrieben. Zwei Figuren vor Ruine in Landschaft. Zeichnung. Tuschfeder, Sepia, altmontiert auf Albumkarton mit getuschten linearen Zierrändern. 11 : 18 cm. Stenographische Skizze einer Prima idea. – Eventuell Vorarbeit zu Landschaft mit Ruinen, Victoria and Albert Museum, Roethlisberger, Paintings, Bln. u. New York 1981, Nr. 42, vgl. auch Nr. 57 sowie zu den Figuren Nr. 335. Roethlisberger, Handzeichnungen, Bln. 1969, vgl. Nr. 10, Ruinenphantasie. – Auf Karton verso franz. u. lat. Handschrift mit philosophischem Exkurs.
Schneider-Henn
Sep. 24, 2020
Bartholomeus Breenbergh (1598 Deventer - 1657 Amsterdam), in the style of - Antique rotunda
Est: €500 - €600
Sepia drawing, grey wash on thin cardboard. 10.6 x 13.4 cm. Stained. Additional: \ruin architecture\". Red chalk on handmade paper. Stained. 18 x 22.1 cm. Provenance: formerly in the collection of Hanns O. Münsterer, Munich. - Private owner. "
Neumeister
Jul. 30, 2020
BARTHOLOMEUS BREENBERGH (DEVENTER 1598-1657 AMSTERDAM) A landscape with classical ruins
Est: £10,000 - £15,000
BARTHOLOMEUS BREENBERGH (DEVENTER 1598-1657 AMSTERDAM) A landscape with classical ruins indistinctly signed and dated 'B. B. / Ao 1632' (lower left, on the pedestal) oil on panel 125⁄8 x 20 in. (32.3 x 50.7 cm.) Provenance Anonymous sale; J.C. Naón y Cía S.A., Buenos Aires, 11 July 2018, lot 113, as 'Dutch School, 18th century'.
Christie's
Jun. 25, 2020
BARTHOLOMEUS BREENBERGH (attr. a)
Est: €300 - €500
(Deventer, 1598 - Amsterdam, 1657) Paesaggio con rovine e pellegrini Olio su tela, cm 50X66 L'atmosfera chiara e ariosa, la pausata articolazione del paesaggio, la delicata armonia cromatica e la luminositÃ suggeriscono che l'autore fosse a conoscenza dei testi pittorici del paesismo mediterraneo diffuso nei Paesi Bassi da Bartholomeus Breenbergh, Nicolaus Berchem e Jan Both. La fortuna iconografica di queste tematiche si deve altresÃ¬ a Philips Wouwerman e ai pittori bamboccianti, assai apprezzati dal collezionismo dell'epoca, inoltre non si deve dimenticare la notevole diffusione di disegni e stampe che ispirarono l'arte fiamminga e olandese. Bibliografia di riferimento: G. Capitelli, Il paesaggio italianizzante, in La Pittura di paesaggio in Italia, Il Seicento, a cura di L. Trezzani, Milano 2004, pp. 213-230
Wannenes Art Auctions
Dec. 04, 2019
Bartholomeus Breenbergh (Deventer 1598-1657 Amsterdam) - An Italianate landscape with soldiers
Est: £12,000 - £18,000
Bartholomeus Breenbergh (Deventer 1598-1657 Amsterdam) An Italianate landscape with soldiers oil on panel 10 ¼ x 15 in. (26 x 38.2 cm.)
Christie's
Dec. 03, 2019
BREENBERGH BARTHOLOMEUS
Est: €7,500 - €8,300
BREENBERGH BARTHOLOMEUS (1600-1647) "Paesaggio fluviale con rovina romana" olio cm. 145x120 La data e il luogo di nascita del pittore olandese si ricavano da una sua dichiarazione negli atti del matrimonio avvenuto ad Amsterdam nel 1633. E' del tutto probabile che il pittore si sia recato in Italia intorno ai diciotto anni come era consuetudine per gli artisti nordici che dopo un primo apprendistato in patria si recavano nella Penisola per lo più a Roma per completare la propria formazione giovandosi della diretta conoscenza dell'arte e della cultura italiana. Il suo arrivo a Roma intorno al 1618 è inoltre probabile poichè in un'expertise di un quadro di Paul Bril che il pittore firmò nel 1653 dichiara di essere vissuto con il Bril sette anni a Roma; considerando che il Bril morì a Roma nel 1626 la data di arrivo del 1618 diviene del tutto verosimile. La sua arte vicina a quella del Polemburg tanto da essere spesso con questi confuso reca la traccia delle sue principali fonti di ispirazione. In contatto con il Polemburg e come si è visto con Paul bril il suo soggiorno italiano gli garantì ulteriori stimolanti incontri. Se dal Bril grande maestro e iniziatore della pittura di paesaggio si distacca per un naturale scarto generazionale che fa dei suoi paesaggi testimonianze pittoriche di una stagione più moderna-già sensibile cioè nei confronti del paesaggio "classico" inaugurato proprio a Roma dal francese Claude Lorrain-dal Polemburg si differenzia per una minore minutezza esecutiva e maggiore sensibilità pittorica nonchè per la caraterizzazione delle figure che derivano più direttamente da quelle di Filippo Napoletano. A questo artista così come al tedesco Goffredo Waals si accosta sensibilmente anche per la particolare trattazione della luce. La sensibilità tonale che caratterizza le opere del Breembergh verso la maturità è il tratto caratterizzante anche questa nostra piacevole composizione nella quale le figure se pure presenti hanno scarso rilievo. Il paesaggio in sè-gli alberi l'acqua che conduce lo sguardo verso un lontano orizzonte l'ampia porzione di cielo una rovina ricca di elementi fantastici-è il vero protagonista della scena nonchè scenario di un'azione drammatica condotta non dall'uomo ma dalla luce naturale e al contempo fantastica. I tratti stilistici dell'opera e i confronti con dipinti certi o già attribuiti all'artista suggeriscono di riferirgli anche questa tela. La presenza della rovina a destra ma perlopiù lo spirito che anima questa composizione suggeriscono di datarlo agli inizi degli anni'30. Al suo periodo italiano quindi prima del rientro in patria intorno al 1633 si può datare il dipinto poichè in esso manca il ruolo della figura umana che sarà più presente nelle opere tarde.... Anna Orlando Giugno 1999
Aste Boetto SRL
Jul. 05, 2019
Bartholomeus Breenbergh (Deventer 1598-1657 Amsterdam) A landscape with classical ruins oil on panel 12 5/8 x 20 in. (32.3 x 50.7 cm.)
Est: £20,000 - £30,000
Bartholomeus Breenbergh (Deventer 1598-1657 Amsterdam) A landscape with classical ruins indistinctly signed and dated 'B. B. / Ao 1632' (lower left, on the pedestal) oil on panel 12 5/8 x 20 in. (32.3 x 50.7 cm.)
Christie's
Jul. 05, 2019
Bartholomeus Breenbergh (Deventer 1598-1659 Amsterdam) Tobias and the Angel; and The Journey to Emmaus oil on copper 6 3/8 x 8 ¾ in. (16.3 x 22.2 cm.) (2)
Est: £12,000 - £18,000
Bartholomeus Breenbergh (Deventer 1598-1659 Amsterdam) Tobias and the Angel; and The Journey to Emmaus oil on copper 6 3/8 x 8 ¾ in. (16.3 x 22.2 cm.) (2)a pair
Christie's
Feb. 25, 2019
BREENBERGH BARTHOLOMEUS
Est: €15,000 - €16,500
BREENBERGH BARTHOLOMEUS (1600-1647) 'Paesaggio fluviale con rovina romana' olio cm. 145x120 La data e il luogo di nascita del pittore olandese si ricavano da una sua dichiarazione negli atti del matrimonio avvenuto ad Amsterdam nel 1633. E' del tutto probabile che il pittore si sia recato in Italia intorno ai diciotto anni come era consuetudine per gli artisti nordici che dopo un primo apprendistato in patria si recavano nella Penisola per lo più a Roma per completare la propria formazione giovandosi della diretta conoscenza dell'arte e della cultura italiana. Il suo arrivo a Roma intorno al 1618 è inoltre probabile poichè in un'expertise di un quadro di Paul Bril che il pittore firmò nel 1653 dichiara di essere vissuto con il Bril sette anni a Roma; considerando che il Bril morì a Roma nel 1626 la data di arrivo del 1618 diviene del tutto verosimile. La sua arte vicina a quella del Polemburg tanto da essere spesso con questi confuso reca la traccia delle sue principali fonti di ispirazione. In contatto con il Polemburg e come si è visto con Paul bril il suo soggiorno italiano gli garantì ulteriori stimolanti incontri. Se dal Bril grande maestro e iniziatore della pittura di paesaggio si distacca per un naturale scarto generazionale che fa dei suoi paesaggi testimonianze pittoriche di una stagione più moderna-già sensibile cioè nei confronti del paesaggio 'classico' inaugurato proprio a Roma dal francese Claude Lorrain-dal Polemburg si differenzia per una minore minutezza esecutiva e maggiore sensibilità pittorica nonchè per la caraterizzazione delle figure che derivano più direttamente da quelle di Filippo Napoletano. A questo artista così come al tedesco Goffredo Waals si accosta sensibilmente anche per la particolare trattazione della luce. La sensibilità tonale che caratterizza le opere del Breembergh verso la maturità è il tratto caratterizzante anche questa nostra piacevole composizione nella quale le figure se pure presenti hanno scarso rilievo. Il paesaggio in sè-gli alberi l'acqua che conduce lo sguardo verso un lontano orizzonte l'ampia porzione di cielo una rovina ricca di elementi fantastici-è il vero protagonista della scena nonchè scenario di un'azione drammatica condotta non dall'uomo ma dalla luce naturale e al contempo fantastica. I tratti stilistici dell'opera e i confronti con dipinti certi o già attribuiti all'artista suggeriscono di riferirgli anche questa tela. La presenza della rovina a destra ma perlopiù lo spirito che anima questa composizione suggeriscono di datarlo agli inizi degli anni'30. Al suo periodo italiano quindi prima del rientro in patria intorno al 1633 si può datare il dipinto poichè in esso manca il ruolo della figura umana che sarà più presente nelle opere tarde.... Anna Orlando Giugno 1999
Aste Boetto SRL
Nov. 14, 2018
Bartholomeus Breenbergh (Deventer, 1598 - Amsterdam, 1657)
Est: €8,000 - €10,000
Bartholomeus Breenbergh (Deventer, 1598 - Amsterdam, 1657), attributed to Capriccio with roman monuments Oil on canvas, cm. 47,5x80,5 The painting is accompanied by an expertise by Dr. Didier Bodart.
Bertolami Fine Art s.r.l.
Oct. 30, 2018
Bartholomeus Breenbergh (Deventer 1598-1657 Amsterdam)
Est: $15,000 - $20,000
Bartholomeus Breenbergh (Deventer 1598-1657 Amsterdam) The Miracle at the Grave of Elisha oil on panel 16 3/8 x 21 5/8 in. (41.6 x 54.8 cm.)
Christie's
May. 02, 2018
BARTHOLOMEUS BREENBERGH (1599-1657) (circle) Animated mountainous landscape.
Est: €1,250 - €1,500
BARTHOLOMEUS BREENBERGH (1599-1657) (omgeving) Geanimeerd bergachtig landschap. Paneel. Horizontale band onderaan gerestaureerd. 31 x 45 BARTHOLOMEUS BREENBERGH (1599-1657) (omgeving) Geanimeerd bergachtig landschap. Paneel. Horizontale band onderaan gerestaureerd. 31 x 45 BARTHOLOMEUS BREENBERGH (1599-1657) (entourage) Paysage montagneux animé de personnages. Panneau. Bord horizontal inférieur restauré. 31 x 45 BARTHOLOMEUS BREENBERGH (1599-1657) (circle) Animated mountainous landscape. Panel. Restorations. 31 x 45
Bernaerts Auctioneers
Mar. 23, 2018
Bartholomeus BREENBERGH (Deventer 1598 – Amsterdam 1657) Adam découvrant la mort d’Abel
Est: €15,000 - €20,000
Bartholomeus BREENBERGH (Deventer 1598 – Amsterdam 1657) Adam découvrant la mort d’Abel Panneau de chêne, une planche Monogrammé sur le morceau de bois B.B. f. 1639 Provenance : Musée Vrijthof, Maastricht (inv. 0697) ; Collection Wagner de Wit (Maastricht) en 2010. Parti pour Rome en 1619, Breenbergh fit partie de ce que l’on appela les Schildersbent, ce groupe de peintres flamands et nordiques surtout versés dans le tableau de paysages. A ses débuts son art fut influencé par les paysagistes Paul Bril puis van Poelenburgh avec lequel on confondit parfois ses œuvres. De retour à Amsterdam en 1629, il se tourna de plus en plus vers des peintures religieuses, plus particulièrement issues de l’Ancien Testament. A l’instar des peintres de son époque comme Lastman ou un de ses suiveurs, Moeyaert, il exécuta des thèmes assez rares, quelque fois même assez dramatiques. Adam découvrant la mort d’Abel en forme un bon exemple avec son caractère de mise en garde symbolique. Le thème de la mort d’Abel, assez populaire parmi les peintres nordiques, fut traité à plusieurs reprises par Breenbergh et à différentes époques de sa vie. On connaissait effectivement deux peintures sur le thème, l’une datée de 1624 conservée au Rembrandthuis d’Amsterdam et une autre de 1645 au musée royal des Beaux-Arts d’Anvers. La nôtre, datée de 1639 prouve que ce thème occupa l’artiste pendant de nombreuses années.
Leclere - Maison de ventes
Feb. 25, 2017
After Bartholomeus Breenbergh (Dutch,1598-1657)
Est: $500 - $700
The Legend of Tobias. Ink on paper, 18th/19th century. Signed 'Bart Breenbergh' (LR). Inscribed on mat 'The Legend of Tobais; Bartholomeus Breenbergh (1599-1659) Prov. Conte Moritz Von Fries.' Size 11 x 15 inches. Notice to bidders: Condition reports and additional photographs are provided by request as a courtesy to our clients, as such any condition report is only an opinion and should not be treated as a statement of fact. The absence of a condition report does not imply that the lot is in perfect condition or completely free of defects, imperfections, restoration, wear and tear, or the effects of aging. Capo Auction shall have no responsibility for any error or omission, additionally all lots are sold 'As Is' and in accordance with the conditions of sale.
Capo Auction
Jan. 28, 2017
After Bartholomeus Breenbergh (Dutch,1598-1657)
Est: $600 - $800
The Legend of Tobias. Ink on paper, 18th/19th century. Signed 'Bart Breenbergh' (LR). Inscribed on mat 'The Legend of Tobais; Bartholomeus Breenbergh (1599-1659) Prov. Conte Moritz Von Fries.' Size 11 x 15 inches. Notice to bidders: Condition reports and additional photographs are provided by request as a courtesy to our clients, as such any condition report is only an opinion and should not be treated as a statement of fact. The absence of a condition report does not imply that the lot is in perfect condition or completely free of defects, imperfections, restoration, wear and tear, or the effects of aging. Capo Auction shall have no responsibility for any error or omission, additionally all lots are sold 'As Is' and in accordance with the conditions of sale.
Capo Auction
Jul. 08, 2015
Circle of Bartholomeus Breenbergh (Deventer 1598-1657 Amsterdam)
Est: -
Circle of Bartholomeus Breenbergh (Deventer 1598-1657 Amsterdam) An Italianate landscape with a round, blind colonnade temple, drovers with their cattle by cascades; and A coastal capriccio with a ruined tower (2)
Bonhams
Jun. 16, 2015
École hollandaise - 5 estampes : paysages, chevaux ou vaches, 17e siècle. Eaux-fortes, cuv. de 9 x 6,5 cm à 15,7 x 23,3 cm, papier vergé.
Est: €120 - €150
POTTER, Paulus (1625-1654).- 2 estampes figurant des chevaux (condition moyenne, collées en plein sur un f. de papier).-- BYE, Marcus de (1638/39-1688).-- Vache et moutons (brunie, rognée, manque 2 coins, fixée par 3 coins sur f. de support).-- BREENBERGH, Bartholomeus (1598-1657).- Vue d'une maison à côté d'une tour hexagonale (fixée par le bord sup. sur carton de support).-- Îlot de terre au milieu d'une étendue d'eau. Provenance : Gaston de Ramaix (cachet; # Lugt 4099); C.D. Ginsburg (idem; # id. 1145).
Arenberg Auctions
Jun. 16, 2015
École hollandaise - Joseph vend du blé en Égypte [d'après Bartholomeus BREENBERGH (1599-1657)]. Eau-forte, cuv. 40,8 x 52,2 cm + bonnes marges, papier vergé filigrané (fleur de lys sur écu couronné), fixée par les coins sup. sous
Est: €600 - €700
Version réduite destinée à illustrer la grande bible imagée donnée par Visscher. La planche originale consiste en 2 cuivres et mesure c. 48 x 69 cm. En bas, légende en latin et néerlandais citant le verset 47 de la Génèse.# Hollstein (Breenbergh) 30.
Arenberg Auctions
Dec. 10, 2014
Bartholomeus Breenbergh (Deventer 1598-1657 Amsterdam)
Est: €6,000 - €8,000
Bartholomeus Breenbergh (Deventer 1598-1657 Amsterdam) A tower in a hilly landscape near Rome pen and brown ink, brown wash, black ink framing lines 7¾ x 7¼ in. (20 x 18.4 cm.)
Christie's
Dec. 03, 2014
Bartholomeus Breenbergh (Deventer 1598-1657 Amsterdam)
Est: £7,000 - £10,000
Bartholomeus Breenbergh (Deventer 1598-1657 Amsterdam) An Italianate landscape with figures before a ruined classical building oil on copper 6¾ x 8 7/8 in. (17 x 22.5 cm.)
Christie's
Nov. 14, 2014
BREENBERGH, BARTHOLOMEUS - 1599 Deventer - 1659 Mountainous Landscape with Tobias and the Angel.
Est: €20,000 - €22,000
BREENBERGH, BARTHOLOMEUS 1599 Deventer - 1659 Mountainous Landscape with Tobias and the Angel. Oil on wood. 21,5 x 21 cm. Signed lower right: B. Breenbergh f. / 1635 (?). Framed. Verso: - Two inventory numbers in ink and paint and illegible note on the wood - On the frame label with handwritten inventory number and artist's name Provenance: - Private collection Graf Wolff Metternich, Bonn Bartholomeus Breenbergh was born in 1599/1600 in the Dutch Deventer and moved to Rome while still young, where he was educated by the painter Paul Bril. After his return to Amsterdam he painted for the most part small, biblical and antique-mythological scenes in landscaped surroundings of exceptionally high quality. A well-made example for this is the painting with Tobias and the angel in front a mountainous riverscape and ruins, which is presented here. On his long and perilous way to Gabael the young Tobias is accompanied and protected by the angel. Particularly the subtlety of the execution and the successful compostion bear witness to Breenbergh's mastery. A similar work with the identical topic from 1630 can be found in the Eremitage, St. Petersburg. The story of Tobias from the doctrinal Book Tobit in the Old Testament is shown in various versions by art history with the archangel Raphael. Through the role of the guardian, which the archangel Raphael takes over for young Tobias, he becomes his attribute. In the 15th and 16th century a real torrent of archangel paintings initiates, especially in Italy, which experiences its height in ca. 1480 with the painting "Tobias and the Angel" (National Gallery of Art, Washington D.C.). Due to his longtime stay in Italy Breengergh will most probably have known this and other image types.
Van Ham Kunstauktionen
Oct. 29, 2014
Bartholomeus Breenbergh (1598-1657), Neptun und
Est: €4,000 - €7,000
Bartholomeus Breenbergh (1598-1657), Neptun und Coronis, oil on wooden panel. Cracks, minor scratches, small panel cracks. Literature: Coronis, daughter of Phlegyas, King of the Lapiths, was one of Apollo's lovers. While Apollo was away, Coronis, already pregnant with Asclepius, fell in love with Ischys, son of Elatus. A white crow which Apollo had left to guard her informed him of the affair and Apollo, enraged that the bird had not pecked out Ischys' eyes as soon as he approached Coronis, flung a curse upon it so furious that it scorched its feathers, which is why all crows are black. Apollo sent his sister, Artemis, to kill Coronis because he could not bring himself to. Afterward Apollo, feeling dejected, only regained his presence of mind when Coronis' body was already aflame on a funeral pyre. Upon a sign from Apollo, Hermes cut the unborn child out of her womb and gave it to the centaur Chiron to raise. Hermes then brought her soul to Tartarus. Additional Information: Marcel Roethlisberger had viewed the painting from a photo and meant "This painting is for sure from the circle of Bartholomeus Breenberg. There are known examples by the same hand and it is possible to assume that it is by Breenberg" (summary of a written correspondence). 33,5x51cm
Deutsch Auktionen
Aug. 19, 2014
ATTRIBUTED TO BARTHOLOMEUS BREENBERGH (Netherlands, 1599 - c. 1657) FLIGHT INTO EGYPT
Est: $5,000 - $7,000
Oil on wood panel Housed in a wonderful burl decorated ebonized antique frame Signed center bottom with artist monogram SIZE: Sight: 9" x 11" Overall: 20-3/4" x 23" CONDITION: Slight bow to panel, inpainting, very good 9-94199
James D. Julia
Jun. 25, 2014
In the style of Bartholomeus Breenbergh, Dutch (1598-1657), Figures Amongst Ruins, oil on board, 20 x 28 in. (50.8 x 71.1 cm)
Est: $1,500 - $2,000
unsigned
Maynards Fine Art & Antiques
Mar. 26, 2014
In the style of Bartholomeus Breenbergh, Dutch (1598-1657), Figures Amongst Ruins, oil on board, 20 x 28 in. (50.8 x 71.1 cm)
Est: $2,000 - $3,000
unsigned
Maynards Fine Art & Antiques
Mar. 26, 2014
BREENBERGH, BARTHOLOMEUS (UMKREIS)(Deventer um
Est: CHF2,000 - CHF3,000
BREENBERGH, BARTHOLOMEUS (UMKREIS) (Deventer um 1599 - 1657 Amsterdam) Arkadische Landschaft mit Figuren. Öl auf Holz. Unten mittig mit Monogramm: C. P. 15,2 x 20,3 cm.
Koller Auctions
Jul. 05, 2013
Bartholomeus Breenbergh (Deventer 1598-1657 Amsterdam)
Est: -
Bartholomeus Breenbergh (Deventer 1598-1657 Amsterdam) Rocca Pia, Tivoli oil on copper 4 5/8 x 6¼ in. (11.6 x 15.8 cm.)
Christie's
Jul. 03, 2013
BARTHOLOMEUS BREENBERGH
Est: £10,000 - £15,000
DEVENTER 1598 - 1657 AMSTERDAM INSIDE THE RUINS OF THE COLOSSEUM, ROME UENT Pen and brown ink and wash 328 by 225 mm
Sotheby's
Jun. 05, 2013
Bartholomeus Breenbergh (Deventer 1598-1657 Amsterdam)
Est: -
Bartholomeus Breenbergh (Deventer 1598-1657 Amsterdam) A landscape with a hermit monk praying in classical ruins signed and dated 'BBreenbergh f. 1635' [BB linked] (lower right, on the rock) oil on panel 16¼ x 25¼ in. (41.3 x 64.1 cm.)
Christie's
Jun. 05, 2013
Bartholomeus Breenbergh (Deventer 1598-1657 Amsterdam)
Est: -
Bartholomeus Breenbergh (Deventer 1598-1657 Amsterdam) A landscape with Italianate ruins and a shepherd making music oil on copper 8 1/8 x 10 1/8 in. (20.6 x 25.7 cm.)
Christie's