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Aelbrecht Bouts Sold at Auction Prices

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    • FLEMISH SCHOOL, FOLLOWER OF ALBERT BOUTS (CA. 1452-1549): 'ECCE HOMO' AND 'MATER DOLOROSA', OIL ON PANEL, 19TH C. OR EARLIER
      Oct. 10, 2024

      FLEMISH SCHOOL, FOLLOWER OF ALBERT BOUTS (CA. 1452-1549): 'ECCE HOMO' AND 'MATER DOLOROSA', OIL ON PANEL, 19TH C. OR EARLIER

      Est: €600 - €1,200

      Work: ca. 24 x 19 cm Frame: 37 x 33,5 cm

      Coronari Auctions
    • Aelbrecht Bouts, Self-portrait (NFT produced in partnership with the National Brukenthal Museum)
      May. 31, 2024

      Aelbrecht Bouts, Self-portrait (NFT produced in partnership with the National Brukenthal Museum)

      Est: -

      1. lot of digital art, unique, JPG file, 2806 x 3639 pixels (5,029,779 bytes), for encryption in NFT format (non-fungible token) 2. fine art print, 70 x 50 cm (frame), 42.5 x 30 cm (image) 3. shirt, textile material, size M 4. Tote Bag, textile material, 37 x 40 cm 5. sticker, 15 x 20 cm,

      A10 by Artmark
    • Albrecht Bouts, Circle of, Face of Christ with the Crown of Thorns
      May. 16, 2024

      Albrecht Bouts, Circle of, Face of Christ with the Crown of Thorns

      Est: €20,000 - €25,000

      Dated 1510 lower left / Dürer's monogram Hardly any other Flemish master of his time executed the thorn-crowned face of Christ in close-up view and in a round format as frequently as Aelbert Bouts. These paintings are the direct model for the present small work. Aelbert was a son of the important painter Dierick Bouts the Elder and brother of Dierick Bouts the Younger. The Dürer monogram is a later addition. A recent analysis report by the Laboratory for Art Technological Research at the Technical University of Cologne is available.

      Kunsthaus Lempertz KG
    • Ecce Homo
      Mar. 23, 2024

      Ecce Homo

      Est: €15,000 - €20,000

      Oil painting on panel decorated with a gold background depicting Christ as Ecce Homo. It is a work of Flemish origin and dates back to the 16th century. The execution can be attributed to an artist from the circle of Albrecht Bouts (Louven, 1455 – Louvain, 1549), a Flemish painter who was famous for having repeatedly proposed the theme of Ecce Homo. Measures 20 x 16.5 cm.

      Arte Movi Auctions
    • Albrecht Bouts (Nachfolge) (um 1452 – Löwen – 1549) – Ecce Homo (Christus als Schmerzensmann) (Ecce homo (Christ as the man of sorrows))
      Nov. 17, 2023

      Albrecht Bouts (Nachfolge) (um 1452 – Löwen – 1549) – Ecce Homo (Christus als Schmerzensmann) (Ecce homo (Christ as the man of sorrows))

      Est: €12,000 - €15,000

      Oil on panel. (2nd half 16th C.). 25.8 x 20 cm. With an 18th C. label affixed to the reverse: "Crange (sic)" and a label from an unknown auction catalogue. The gold ground overpainted. Framed.

      Karl & Faber
    • Bouts, Aelbrecht (Nachfolger/Follower)
      Nov. 09, 2023

      Bouts, Aelbrecht (Nachfolger/Follower)

      Est: €1,400 - €1,800

      Bouts, Aelbrecht (Nachfolger/Follower) Löwen 1451/54 - 1549 37 x 30 cm Christ crowned with thorns. Oil/canvas. From a German collection.

      Nagel Auction
    • Exceptional and Important Saint Face of Christ, attributable to Albrecht Bouts (Leuven, c. 1451/1460 - 1549), Flemish school of Medieval transition to the Renaissance
      Sep. 27, 2023

      Exceptional and Important Saint Face of Christ, attributable to Albrecht Bouts (Leuven, c. 1451/1460 - 1549), Flemish school of Medieval transition to the Renaissance

      Est: €14,000 - €15,000

      With important period frame in ebonized wood. Oil on panel. Table measurements: 32 x 45 cm, framed measurements: 57 x 70 cm. Lot from an important private Spanish noble collection. Albrecht Bouts (Leuven, c. 1451/1460 - 1549) was an important Flemish painter, also known as the "Master of the Assumption of the Virgin". Son of Dieric Bouts and younger brother of Dieric Bouts II, who inherited his father's workshop, it seems likely that upon the death of his father, in 1475, he completed his training outside of Louvain, with some unknown teacher who could be Hugo van der Goes, whose influence can be seen in the work of Albrecht, who always tends to accentuate the dramatic features present in his father's painting. In 1480 he is mentioned for the first time in Louvanian documentation as "pictor ymaginum", 2​ and from that date he frequently worked for the city's churches, although only one documented work is known: the triptych of the Assumption of the Virgin from the Royal Museums of Fine Arts of Belgium,3​ from which It has been possible to isolate his style and assign it a large group of works. The Transfiguration of the Fitzwilliam Museum stands out among them,4 but without a doubt the most popular and repeated of his compositions is the one that shows with extreme pathos the face of Christ as the Man of Sorrows, isolated or forming diptychs with the face of his mother the Virgin. as Mater Dolorosa. Reference bibliography: Beaudoin, F., "Kanttekeningen by de Catalogus van de Dieric Bouts Tentoonstellingen", Bulletin des Beaux-Arts de Belgique, VII, 1958, pp. 119-140; Châtelet, Albert, Les primitifs hollandais: La peinture dans les Pays-Bas du Nord au XVe siècle, Paris, Bibliothéque des Arts, 1980, pp. 73-78. Provenance: former collection of the XV Duke of Osuna, Mariano Téllez-Girón y Fernández de Córdoba, Seville.

      Templum Fine Art Auctions
    • ALBRECHT BOUTS (seguace di)
      Mar. 14, 2023

      ALBRECHT BOUTS (seguace di)

      Est: €1,000 - €2,000

      (Lovanio, 1455 - 1549) Ecce Homo Olio su tavola, cm 50,7X37 Il dipinto è un'opera destinata alla devozione privata e si inserisce nello sviluppo di immagini destinate alla 'Devotio Moderna' nei Paesi Bassi a partire dalla seconda metà del XV secolo. Si tratta di opere di contenute dimensioni e raffiguranti un ritratto sacro 'in primo piano', così come i ritratti di Cristo, erano soggetti popolari tra i fedeli. Dirk Bouts (circa 1415-1475), e dopo di lui suo figlio Albrecht, che rilevò la bottega del padre all'inizio del XV secolo, sono celebri per la loro invenzione e successivamente per la notevole produzione del Cristo Addolorato. Il dipinto in esame si evidenzia per l'accurato disegno sottostante.

      Wannenes Art Auctions
    • Bouts, Aelbrecht (Nachfolger)
      Nov. 17, 2022

      Bouts, Aelbrecht (Nachfolger)

      Est: €3,000 - €5,000

      Bouts, Aelbrecht (Nachfolger) Löwen 1451/54 - 1549 35 x 24,5 cm Ecce Homo. Öl/Holz. Deutsche Privatsammlung. Das Gemälde lehnt sich in seitenverkehrter Form an das von Albrecht Bouts um 1494 gemalte Dijoner Modell an (Dijon, Musée des Beaux-Arts, Inv.-Nr. D1948-1-P). Im Verhältnis zum Prototyp ist die Dornenkrone vereinfacht, Christi Mantel über dem Oberkörper weiter geöffnet und am Hals rinnen vereinzelte Tropfen Blut herab. Zwei weitere, gegenüber dem Original spiegelverkehrte Fassungen lassen sich in der Abtei Leffe in Dinant sowie in einer Luxemburger Privatsammlung nachweisen. Vgl. Peter van den Brink (Hrsg.), Blut und Tränen. Albrechts Bouts und das Antlitz der Passion. Ausst.-Kat. Suermondt-Ludwig-Museum Aachen, März-Juni 2017. Bouts, Aelbrecht (Nachfolger) Löwen 1451/54 - 1549 35 x 24,5 cm Ecce Homo. Oil/panel. German private collection. The painting is based in reverse on the Dijon model painted by Albrecht Bouts around 1494 (Dijon, Musée des Beaux-Arts, inv. no. D1948-1-P). In relation to the prototype, the crown of thorns is simplified, Christ's cloak is wider open over the upper body and isolated drops of blood run down the neck. Two other inverted versions of the original can be found in the Leffe Abbey in Dinant and in a private collection in Luxembourg. Cf. Peter van den Brink (Ed.), Blut und Tränen. Albrecht Bouts und das Antlitz der Passion. Exhibition-cat. Suermondt-Ludwig-Museum Aachen, March-June 2017.

      Nagel Auction
    • Aelbrecht BOUTS (c.1452-1549) (attrib.)
      Sep. 18, 2022

      Aelbrecht BOUTS (c.1452-1549) (attrib.)

      Est: €300 - €500

      Aelbrecht BOUTS (c.1452-1549) (attrib.) Oil on panel Effigies Christo. Olie op paneel Effigies Christo.

      Maison Jules Veilinghuis
    • BOUTS ALBRECHT (C.1452 - 1549) HUILE SUR PANNEAU DE CHÊNE "LA DERNIÈRE CÈNE". ATTRIBUÉ À ALBRECHT B
      Jun. 21, 2022

      BOUTS ALBRECHT (C.1452 - 1549) HUILE SUR PANNEAU DE CHÊNE "LA DERNIÈRE CÈNE". ATTRIBUÉ À ALBRECHT B

      Est: €10,000 - €15,000

      Huile sur panneau de chêne "La Dernière Cène". Attribué à Albrecht Bouts. Voir au dos une ancienne étiquette d'attribution à cet artiste dans l'atelier de son père Dirk Bouts, ainsi qu'une étiquette de l'expert Thierry Maes. Présente également des caractéristiques que l'on peut rapprocher de l'école allemande. Ecole flamande. Epoque : vers 1510-1520. Dim. : +/-34,5x24 cm.

      Vanderkindere
    • Bouts, Aelbrecht ca. 1452 Leuven - 1549 Leuven (nach)
      Sep. 26, 2020

      Bouts, Aelbrecht ca. 1452 Leuven - 1549 Leuven (nach)

      Est: -

      Bouts, Aelbrecht ca. 1452 Leuven - 1549 Leuven (nach) Triptychon. Öl/Lwd., Mittelteil: 77 x 58 cm, Flügel je 77 x 29 cm (mit Rahmen).

      Dusseldorfer Auktionshaus
    • ENTOURAGE D'ALBRECHT BOUTS (LOUVAIN 1450-1549) - La Sainte Face
      Sep. 15, 2020

      ENTOURAGE D'ALBRECHT BOUTS (LOUVAIN 1450-1549) - La Sainte Face

      Est: €15,000 - €20,000

      ENTOURAGE D'ALBRECHT BOUTS (LOUVAIN 1450-1549) La Sainte Face huile sur panneau, tondo 32 cm. de diamètre (12 ½ in. diameter)

      Christie's
    • ATELIER D'ALBRECHT BOUTS (LOUVAIN VERS 1452-1549) - Le Christ à la couronne d'épines
      Sep. 15, 2020

      ATELIER D'ALBRECHT BOUTS (LOUVAIN VERS 1452-1549) - Le Christ à la couronne d'épines

      Est: €15,000 - €25,000

      ATELIER D'ALBRECHT BOUTS (LOUVAIN VERS 1452-1549) Le Christ à la couronne d'épines huile sur panneau 37,8 x 30 cm. (14 7/8 x 11 ¾ in.)

      Christie's
    • Albrecht BOUTS (1452-1549), Attributed to
      Nov. 24, 2018

      Albrecht BOUTS (1452-1549), Attributed to

      Est: €7,000 - €8,000

      Mater Dolorosa Oil on panel, restoration 35 x 24,5 cm

      Hermitage Fine Art
    • Bouts, Aelbert
      Dec. 15, 2017

      Bouts, Aelbert

      Est: CHF1,500 - CHF2,000

      Bouts, Aelbert (c. 1452 Löwen 1549) in der Art Mater dolorosa. Öl auf (wohl) Zinkplatte. 20,4x14,6 cm. Starting Bid: CHF 1500

      Schuler Auktionen
    • Albrecht Bouts (Leuven 1451/60-1549) - The head of Saint John the Baptist on a charger
      Oct. 31, 2017

      Albrecht Bouts (Leuven 1451/60-1549) - The head of Saint John the Baptist on a charger

      Est: $300,000 - $500,000

      Albrecht Bouts (Leuven 1451/60-1549) The head of Saint John the Baptist on a charger oil on panel, circular 11 1/8 in. (28.3 cm.) diameter

      Christie's
    • BOUTS, ALBRECHT (EARLY 16TH CENTURY FOLLOWER)
      Mar. 22, 2016

      BOUTS, ALBRECHT (EARLY 16TH CENTURY FOLLOWER)

      Est: CHF15,000 - CHF20,000

      BOUTS, ALBRECHT (EARLY 16TH CENTURY FOLLOWER) (c.1451 Leuven 1549) Christ with the Crown of Thorns. Oil on panel. 32.5 x 33 cm. --------------- BOUTS, ALBRECHT (NACHFOLGER ANFANG 16. JAHRHUNDERT) (um 1451 Löwen 1549) Christus mit Dornenkrone. Öl auf Holz. 32,5 x 33 cm. Provenienz: Europäische Privatsammlung. Das Gemälde geht auf eine Komposition von Albrecht Bouts zurück, die sich im Nelson Atkins Museum of Art in Kansas City befindet (Inv. Nr. 40-44/4, Christus mit Dornenkronen, Tondo, 45,9 cm Durchmesser). Eine Werkstatt-Version mit einem vergleichbaren goldenen Nimbus wie in unserem Gemälde befindet sich im Prado in Madrid (Inv. Nr. 2698, Christus mit Dornenkrone, Tondo, 30 cm Durchmesser). Dr. Valentine Henderiks geht nach Prüfung anhand von Fotografien davon aus, dass es sich bei dem hier angebotenen Gemälde um eine Arbeit eines Nachfolgers Albrecht Bouts, möglicherweise aus Spanien, aus der ersten Hälfte des 16. Jahrhunderts handelt, wofür wir ihr danken.

      Koller Auctions
    • ALBRECHT BOUTS, KOPIE 19. JH., Christus als Schmerzensmann
      Jun. 17, 2015

      ALBRECHT BOUTS, KOPIE 19. JH., Christus als Schmerzensmann

      Est: CHF2,400 - CHF3,000

      ALBRECHT BOUTS, KOPIE 19. JH., Christus als Schmerzensmann, Löwen 1455-1549 Löwen, Öl auf Holz, 29,2 x 22,6 cm,

      Galerie Fischer Auktionen AG
    • ALBRECHT BOUTS, KOPIE 19. JH., Mater dolorosa
      Jun. 17, 2015

      ALBRECHT BOUTS, KOPIE 19. JH., Mater dolorosa

      Est: CHF700 - CHF900

      ALBRECHT BOUTS, KOPIE 19. JH., Mater dolorosa, Nach, Löwen 1455-1549 Löwen, Öl auf Holz, 29,3 x 22,7 cm,

      Galerie Fischer Auktionen AG
    • ALBRECHT BOUTS KOPIE 19. JH., Löwen 1455-1549 Löwen, Christus als Schmerzensmann
      Nov. 26, 2014

      ALBRECHT BOUTS KOPIE 19. JH., Löwen 1455-1549 Löwen, Christus als Schmerzensmann

      Est: CHF3,500 - CHF5,000

      ALBRECHT BOUTS KOPIE 19. JH., Löwen 1455-1549 Löwen, Christus als Schmerzensmann, Öl auf Holz, 29,2 x 22,6 cm,

      Galerie Fischer Auktionen AG
    • ALBRECHT BOUTS, KOPIE 19. JH., Löwen 1455-1549 Löwen, Mater dolorosa
      Nov. 26, 2014

      ALBRECHT BOUTS, KOPIE 19. JH., Löwen 1455-1549 Löwen, Mater dolorosa

      Est: CHF1,000 - CHF1,200

      ALBRECHT BOUTS, KOPIE 19. JH., Löwen 1455-1549 Löwen, Mater dolorosa, Nach, Öl auf Holz, 29,3 x 22,7 cm,

      Galerie Fischer Auktionen AG
    • Albrecht Bouts, circle of, Christ as the Man of Sorrows
      Nov. 15, 2014

      Albrecht Bouts, circle of, Christ as the Man of Sorrows

      Est: €30,000 - €40,000

      The Saviour crowned with thorns is presented against a blue green background. His head slightly inclined to the right he wears the traditionally purple mantle of the Passion. His face is marked by his weeping eyes, melancholic gaze, and parted lips. Holding both his hands with palms facing the viewer in the lower right corner of the composition he shows the stigmata in a gesture of blessing. Drops of blood flow from the five row crown of thorns mixing with tears along his cheeks.Typical of the devotional painting this portrait-like representation of the suffering Christ was highly praised in Louvain at the turn of the 15th and 16th century. Sometimes associated with a Virgin at Prayer into a diptych, the composition of Christ alone was mass produced. The present version of fine technical quality is typologically close to the Christ Crowned with Thorns in the Bratislava Narodna Galerija (cf. V. Henderiks: Albrecht Bouts 1451/1455-1549, Brussels 2011, p. 398, no. 188).

      Kunsthaus Lempertz KG
    • Attributed Aelbrecht Bouts 36"x48" oil on board
      Dec. 02, 2012

      Attributed Aelbrecht Bouts 36"x48" oil on board

      Est: $20,000 - $30,000

      Attributed Aelbrecht Bouts 36"x48" oil on board subject: The Christ on 4 boards, restored in Los Angeles - Titled " Kreuzabnahme" Descent from the cross

      California Auctioneers
    • ATTRIBUTED TO ALBRECHT BOUTS, (Dutch, 1455-1549), SAINT IN LANDSCAPE, oil on panel;, 16 5/8 x 6 1/4 inches
      Dec. 11, 2011

      ATTRIBUTED TO ALBRECHT BOUTS, (Dutch, 1455-1549), SAINT IN LANDSCAPE, oil on panel;, 16 5/8 x 6 1/4 inches

      Est: $3,000 - $5,000

      ATTRIBUTED TO ALBRECHT BOUTS (Dutch, 1455-1549) SAINT IN LANDSCAPE oil on panel; bears paper label on verso with attribution and a red wax seal (illegible); 16 5/8 x 6 1/4 inches

      Grogan & Company
    • Workshop of Albrecht Bouts (Leuven 1451/60-1549)
      Dec. 06, 2011

      Workshop of Albrecht Bouts (Leuven 1451/60-1549)

      Est: £60,000 - £80,000

      Workshop of Albrecht Bouts (Leuven 1451/60-1549) Christ as the Man of Sorrows oil on panel, arched top 15 x 10 in. (38.1 x 25.4 cm.) including painted edge

      Christie's
    • ALBRECHT BOUTS (MASTER OF THE ASSUMPTION, DUTCH C.1460-1549). SAINT IN A LANDSCAPE.
      Oct. 31, 2010

      ALBRECHT BOUTS (MASTER OF THE ASSUMPTION, DUTCH C.1460-1549). SAINT IN A LANDSCAPE.

      Est: $1,800 - $2,800

      ALBRECHT BOUTS (MASTER OF THE ASSUMPTION, DUTCH C.1460-1549). SAINT IN A LANDSCAPE. Oil on arched and cradled wood panel, 16 1/2 x 6 1/2 inches. The reverse affixed with red wax seal. Now in a Gothic carved and gilded tabernacle frame, height overall 27 3/4 inches.

      Bourgeault-Horan Antiquarians
    • Ription Aelbrecht Bouts (Leuven c. 1460-1549),
      Apr. 15, 2008

      Ription Aelbrecht Bouts (Leuven c. 1460-1549),

      Est: €10,000 - €12,000

      Ription Aelbrecht Bouts (Leuven c. 1460-1549), circle of St. Margaret and the Dragon against a vast landscape backdrop, oil on panel, 32.5 x 27 cm, framed, (GS) Provenance: Belgian private collection. In line with tradition, the saint's features resemble those of Margaret of Austria (1480-1530), governess of the Netherlands.

      Dorotheum
    • Albrecht Bouts (Löwen/Louvain c. 1455 - 1549),
      Oct. 17, 2007

      Albrecht Bouts (Löwen/Louvain c. 1455 - 1549),

      Est: €14,000 - €18,000

      Albrecht Bouts (Löwen/Louvain c. 1455 - 1549), workshop of Portrait of a bishop-saint, oil on panel, 19.5 x 14.5 cm, framed, (Wo) Albrecht Bouts was the second son of Dirk Bouts. He is said to have collaborated with his father and worked in his workshop. In 1515 he received a major commission from the "Confrerie du Saint Sacrement de Saint Pierre" in Louvain. One of the artist's most important paintings is the Assumption of the Virgin commissioned for Our Lady's Chapel in St. Peter's Church.

      Dorotheum
    • Albert Bouts (Leuven c. 1452/5-1549) and Studio
      Dec. 08, 2004

      Albert Bouts (Leuven c. 1452/5-1549) and Studio

      Est: £40,000 - £60,000

      The outer wings of a triptych: The Baptism of Christ; and Christ and the Woman of Samaria oil on panel, shaped 30 1/2 x 8 1/2 in. (77.5 x 21.6 cm.) a pair (2)

      Christie's
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