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Albert Birkle Sold at Auction Prices

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      • Albert Birkle *
        Nov. 19, 2024

        Albert Birkle *

        Est: €3,500 - €4,000

        (Charlottenburg 1900–1986 Salzburg) Berlin Bahnhof Schöneberg, ca 1978, signed Albert Birkle, inscribed and titled on the reverse, charcoal, ink on paper, 35.5 x 50 cm, framed The work was confirmed by Viktor and Roswita Pontzen, Salzburg, 13 July 2024 (email) We are grateful to Roswita and Viktor Pontzen, for their support in cataloging the work. Provenance: Sale Ketterer, Munich, 30 May 1988, lot 133 Kunsthandel Artax, Dusseldorf Private Collection, North Germany Sale Van Ham, Cologne, 5 May 2022, lot 12 Private Collection, Germany This drawing is a late variation of the motif “Berlin Bahnhof Schöneberg, 1921”

        Dorotheum
      • Albert Birkle (1900 Berlin - Salzburg 1986) – Franziskus (Glasfensterentwurf)
        Nov. 18, 2024

        Albert Birkle (1900 Berlin - Salzburg 1986) – Franziskus (Glasfensterentwurf)

        Est: €1,200 - €1,500

        Aquarell, Gouache und Kreide auf festem Aquarellpapier. (1960). Ca. 73 x 53 cm. Signiert unten links. Papier schwach gebräunt und leicht fleckig, an der Oberkante mit leichtem Lichtrand. Oberfläche partiell geringfügig berieben. Feines Craquelé in den pastosen Farbpartien, teils mit minimalen Farbverlusten. Blattkanten leicht unregelmäßig, mit vereinzelten kleinen Löchlein und Läsuren. An der rechten Kante mit drei wohl vom Künstler geschwärzten Montierungen. Insgesamt in guter Erhaltung. Taxation: differenzbesteuert (VAT: Margin Scheme)

        Karl & Faber
      • Birkle, Albert
        Sep. 27, 2024

        Birkle, Albert

        Est: €3,200 - €4,800

        (1900 Berlin - Salzburg 1986) Kohlezeichnung. Zitat des Künstlers aus einem Brief an den Sammler: "eine geflügelte weibliche Gestalt, die die Männer anzieht, die durch sie zu Grunde gehen." Geschenk des Künstlers an den Sammler. 50 x 36 cm. - Charcoal drawing. "A winged female figure who attracts the men who perish through her." Provenance: Gift of the artist to the collector. R

        Kiefer Buch- und Kunstauktionen
      • Birkle, Albert
        Jul. 05, 2024

        Birkle, Albert

        Est: €3,400 - €5,000

        (1900 Berlin - Salzburg 1986) Kohlezeichnung. Zitat des Künstlers aus einem Brief an den Sammler: "eine geflügelte weibliche Gestalt, die die Männer anzieht, die durch sie zu Grunde gehen." Geschenk des Künstlers an den Sammler. 50 x 36 cm. - Charcoal drawing. "A winged female figure who attracts the men who perish through her." Provenance: Gift of the artist to the collector. R

        Kiefer Buch- und Kunstauktionen
      • Birkle, Albert
        Jul. 05, 2024

        Birkle, Albert

        Est: €1,000 - €1,500

        (1900 - 1986). Van Gogh predigt in der Borinage. 1977. Farbige Zeichnung auf Papier. 16 x 20,5 cm. Unten links sign. u. dat. Unter Passep. u. unter Glas gerahmt (nicht ausgerahmt). Mit dem Titel "Van Gogh predigt in der Borinage" auf dem Passep. bezeichnet. - Geschenk des Künstlers an die Frau des Sammlers. Van Gogh preaches in the Borinage. Colour drawing. Mounted under passepartout. Framed. Provenance: Present of the artist. R

        Kiefer Buch- und Kunstauktionen
      • Birkle, Albert (Berlin, Salzburg 1900-1986)
        Jun. 27, 2024

        Birkle, Albert (Berlin, Salzburg 1900-1986)

        Est: €3,000 - €3,600

        Fabrikgelände mit rauchenden Schornsteinen Sign. u. dat. 1928. Kohle auf gelblichem Papier. Ca. 38,5×49 cm. Rücks. bez. "aus Oberschlesien 9". (Blattkanten teils eingerissen, an oberer Kante kleine Fehlstelle). R. (60821)

        Leo Spik
      • ALBERT BIRKLE: HIMMELSZEICHEN
        Jun. 19, 2024

        ALBERT BIRKLE: HIMMELSZEICHEN

        Est: €10,000 - €20,000

        Albert Birkle Himmelszeichen c. 1975 oil on canvas; framed 72 x 52 cm signed on the lower left: A. Birkle inscribed on the top of the nail strip: Himmelszeichen (covered by the frame) Galerie Heinze, Salzburg (1985 directly from the artist); probably acquired from the above in 1986, Austrian private property Sylvia Kraker, Albert Birkle. 1900-1986, phil. Diss. (ms.), Innsbruck 1992, vol. 2, cat.-no. 383 (without ill.)

        Im Kinsky
      • ALBERT BIRKLE 'TODESSTRAFE'
        Jun. 01, 2024

        ALBERT BIRKLE 'TODESSTRAFE'

        Est: €180 - €360

        ALBERT BIRKLE 1900 Berlin - 1986 Salzburg 'DEATH PENALTY' Offset lithograph on vellum, with watermark. Print size 36,5 x 46 cm, sheet size 53,5 x 75,8 cm. Signed in pencil lower right, titled lower centre and inscribed 'Sonderdruck Nr. 15'. Verso: inscribed in pencil on the reverse (by an unknown hand). Min. light-stained, min. browned. Provenance: Private collection Düsseldorf.ALBERT BIRKLE 1900 Berlin - 1986 Salzburg 'TODESSTRAFE' Offsetlithografie auf Velin, mit Wasserzeichen. DM 36,5 x 46 cm, BM 53,5 x 75,8 cm. Unten rechts mit Bleistift signiert, unten mittig betitelt sowie unten links bez. 'Sonderdruck Nr. 15'. Verso: Rückseitig (von fremder Hand?) mit Bleistift bez. Min. lichtrandig, min. gebräunt. Provenienz: Privatsammlung Düsseldorf. Bitte beachten Sie, dass bei diesem Objekt wegen der Abgeltung des gesetzlichen Folgerechts § 26 UrhG eine pauschale Umlage von 2% auf den Zuschlagpreis zu entrichten ist. Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).

        Hargesheimer Kunstauktionen Düsseldorf
      • Woman with Cat
        May. 28, 2024

        Woman with Cat

        Est: €300 - €500

        lithograph signed lower left, numbered 46/100 sheet size: 19,1 x 16,3 in / plate size: 12,5 x 16,3 in

        Lehner Kunstauktionen
      • Die bösen Gesichter, 1979
        May. 28, 2024

        Die bösen Gesichter, 1979

        Est: €300 - €500

        lithograph signed and dated lower right, numbered lower left: 24/100 sheet size: 19,7 x 21 in / plate size: 14,6 x 21 in

        Lehner Kunstauktionen
      • Albert Birkle (1900 Berlin - Salzburg 1986) – Franziskus (Glasfensterentwurf)
        May. 08, 2024

        Albert Birkle (1900 Berlin - Salzburg 1986) – Franziskus (Glasfensterentwurf)

        Est: €3,000 - €4,000

        Aquarell, Gouache und Kreide auf festem Aquarellpapier. (1960). Ca. 73 x 53 cm. Signiert unten links. Papier schwach gebräunt und leicht fleckig, an der Oberkante mit leichtem Lichtrand. Oberfläche partiell geringfügig berieben. Feines Craquelé in den pastosen Farbpartien, teils mit minimalen Farbverlusten. Blattkanten leicht unregelmäßig, mit vereinzelten kleinen Löchlein und Läsuren. An der rechten Kante mit drei wohl vom Künstler geschwärzten Montierungen. Insgesamt in guter Erhaltung. Taxation: differenzbesteuert (VAT: Margin Scheme)

        Karl & Faber
      • Birkle, Albert
        May. 04, 2024

        Birkle, Albert

        Est: €4,000 - €6,000

        (1900 Berlin - Salzburg 1986) Kohlezeichnung. Zitat des Künstlers aus einem Brief an den Sammler: "eine geflügelte weibliche Gestalt, die die Männer anzieht, die durch sie zu Grunde gehen." Geschenk des Künstlers an den Sammler. 50 x 36 cm. - Charcoal drawing. "A winged female figure who attracts the men who perish through her." Provenance: Gift of the artist to the collector. R

        Kiefer Buch- und Kunstauktionen
      • Die schöne Zigeunerin, 1979
        Feb. 01, 2024

        Die schöne Zigeunerin, 1979

        Est: €150 - €200

        lithography signed and dated lower right, numbered lower left: 29/100 sheet size: 27,5 x 19,6 in , plate size: 16,1 x 11,2 in

        Lehner Kunstauktionen
      • Birkle, Albert: Schallmooser Hauptstrasse
        Dec. 02, 2023

        Birkle, Albert: Schallmooser Hauptstrasse

        Est: €8,000 - €12,000

        Schallmooser Hauptstrasse -- Öl auf Leinwand, auf Holz. Um 1945. -- 37 x 53,5 cm. -- Unten rechts mit Pinsel in Rot signiert "a. Birkle". -- -- Eine stumme und gesichtslose Reihe Menschen zieht die Schallmooser Hauptstrasse in Salzburg entlang. Es ist eine bedrückende, fast düstere Stimmung die Birkle in seinem Gemälde einfängt. Die Sonne wirft zwar noch ihre letzten Strahlen auf die Stadt, jedoch verschwindet sie bereits fast hinter den in Blau angelegten Bergkuppen und wird durch den Mond abgelöst. Die abendliche Stimmung der „Blauen Stunde“ birgt in diesem Fall keine romantischen Assoziationen. Auch in Salzburg sind in diesen späten Kriegsjahren die Auswirkungen des Zweiten Weltkriegs spürbar; in den Jahren 1944 und 1945 erlebte die Stadt insgesamt 15 Angriffe, bei denen 547 Menschen ums Leben kamen. Beobachtet der Betrachter hier einen Flüchtlingsstrom, welcher das nahe Umland für eine sichere Bleibe aufsucht? Birkle absolvierte nach Ende des Ersten Weltkrieges eine Lehre als Dekorationsmaler im väterlichen Betrieb, studierte von 1920 bis 1925 an der Hochschule für Bildende Künste in Berlin und war Meisterschüler bei Arthur Kampf. Er entwickelte in diesen Studienjahren einen religiös geprägten, sozialkritischen Realismus in einer formalästhetisch-neusachlichen Formensprache. Im Umbruch der Machtergreifung Hitlers übersiedelte Birkle nach Salzburg, wobei er sein Berliner Atelier behielt. 1936 stellte er in der Berliner Nationalgalerie aus und vertrat Deutschland auf der Biennale in Venedig. Die dort gezeigten Bilder wurden 1937 im Haus der Deutschen Kunst in München entfernt, weitere Werke von ihm in öffentlichen Sammlungen als "entartet" beschlagnahmt und er selbst mit einem Malverbot belegt. Birkle meldete sich freiwillig zum Reichsarbeitsdienst, wodurch er vorübergehend dem Militärdienst entgehen konnte. Er arbeitete als Kriegsmaler, Kriegsberichterstatter und musste 1944 einrücken. 1946 erhielt Birkle die österreichische Staatsbürgerschaft und widmete sich vor allem sakralen Gestaltungswegen als Glasmaler. Das Werk ist im digitalen Werkverzeichnis von Roswita und Viktor Pontzen, Archiv und Werkbetreuung Albert Birkle, Salzburg unter der Nr. 1711 gelistet. -- -- - Provenienz: Galerie Heinze, Salzburg (seit 1980er Jahren) -- Privatsammlung Europa -- -- - Ausstellung: Albert Birkle zum 100. Geburtstag, Museums Carolino Augusteum, Salzburg, 2001, Kat.-Nr. 53, Abb. 54 -- -- - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. -- - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

        Bassenge Auctions
      • ”Dame im offenen Wagen”
        Dec. 01, 2023

        ”Dame im offenen Wagen”

        Est: €20,000 - €30,000

        Signed and dated lower left: Albert Birkle 1925. On the reverse lower right titled and dated in pencil: Dame im offenen Wagen 1925

        Grisebach
      • ”Dame im offenen Wagen”
        Nov. 30, 2023

        ”Dame im offenen Wagen”

        Est: €150,000 - €200,000

        Signed lower left: A. Birkle

        Grisebach
      • ALBERT BIRKLE* (Berlin 1900 - 1986 Salzburg)
        Nov. 23, 2023

        ALBERT BIRKLE* (Berlin 1900 - 1986 Salzburg)

        Est: €15,000 - €20,000

        ALBERT BIRKLE* (Berlin 1900 - 1986 Salzburg) Landscape near Salzburg pastel/paper, 60 x 90 cm ESTIMATE € 15000 - 20000 STARTING PRICE € 15000 The German painter and draftsman Albert Birkle completed an apprenticeship as a decorative painter, studied from 1920 to 1925 at the Hochschule für bildende Künste in Berlin and was a master student of Arthur von Kampf. During his studies he developed a religiously influenced, socially critical realism with formal-aesthetic, neo-objective elements, which bore caricatural traits, especially in his character heads. Standing between Expressionism and New Objectivity and often overdrawn into the fantastic, a direct and close reference to the Christian Passion is often recognizable. As the youngest member, Birkle was accepted into the Berlin Secession in 1921; later he was accepted into the Prussian Academy of Arts, led by Max Liebermann as president. The artist turned down the offer of a professorship at the Königsberg Academy in 1927 in order to carry out commissions for church murals in Gaislingen and Katowice, among other places. After the seizure of power Birkle moved to Salzburg, keeping his Berlin studio. In 1936 he exhibited at the Berlin National Gallery and represented Germany at the Venice Biennale. The paintings shown there were removed from the Haus der Deutschen Kunst in Munich in 1937, other works of his were confiscated from public collections as degenerate, and he himself was banned from painting. Birkle volunteered for the Reich Labor Service, which allowed him to temporarily avoid military service. He worked as a war painter, war correspondent and had to enlist in 1944. In 1946 Birkle received Austrian citizenship and devoted himself primarily to sacred design paths as a glass painter. In the 1950s and 1960s he produced significant works in this field. In his late work as a painter and draftsman, he drew on the socially critical tendencies of his early motifs in an expressive style. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

        Widder Auctions
      • ALBERT BIRKLE* (Berlin 1900 - 1986 Salzburg)
        Nov. 23, 2023

        ALBERT BIRKLE* (Berlin 1900 - 1986 Salzburg)

        Est: €10,000 - €15,000

        ALBERT BIRKLE* (Berlin 1900 - 1986 Salzburg) Silesian landscape oil/canvas, 38,1 x 45,7 cm signed A. Birkle ESTIMATE € 10000 - 15000 STARTING PRICE € 10000 The German painter and draftsman Albert Birkle completed an apprenticeship as a decorative painter, studied from 1920 to 1925 at the Hochschule für bildende Künste in Berlin and was a master student of Arthur von Kampf. During his studies he developed a religiously influenced, socially critical realism with formal-aesthetic, neo-objective elements, which bore caricatural traits, especially in his character heads. Standing between Expressionism and New Objectivity and often overdrawn into the fantastic, a direct and close reference to the Christian Passion is often recognizable. As the youngest member, Birkle was accepted into the Berlin Secession in 1921; later he was accepted into the Prussian Academy of Arts, led by Max Liebermann as president. The artist turned down the offer of a professorship at the Königsberg Academy in 1927 in order to carry out commissions for church murals in Gaislingen and Katowice, among other places. After the seizure of power Birkle moved to Salzburg, keeping his Berlin studio. In 1936 he exhibited at the Berlin National Gallery and represented Germany at the Venice Biennale. The paintings shown there were removed from the Haus der Deutschen Kunst in Munich in 1937, other works of his were confiscated from public collections as degenerate, and he himself was banned from painting. Birkle volunteered for the Reich Labor Service, which allowed him to temporarily avoid military service. He worked as a war painter, war correspondent and had to enlist in 1944. In 1946 Birkle received Austrian citizenship and devoted himself primarily to sacred design paths as a glass painter. In the 1950s and 1960s he produced significant works in this field. In his late work as a painter and draftsman, he drew on the socially critical tendencies of his early motifs in an expressive style. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

        Widder Auctions
      • ALBERT BIRKLE* (Berlin 1900 - 1986 Salzburg)
        Nov. 23, 2023

        ALBERT BIRKLE* (Berlin 1900 - 1986 Salzburg)

        Est: €1,000 - €2,000

        ALBERT BIRKLE* (Berlin 1900 - 1986 Salzburg) Ikarus mixed media/paper, 56,8 x 49,4 cm signed Albert Birkle inscribed Ikarus verso pencil study male nude ESTIMATE € 1000 - 2000 STARTING PRICE € 1000 The German painter and draftsman Albert Birkle completed an apprenticeship as a decorative painter, studied from 1920 to 1925 at the Hochschule für bildende Künste in Berlin and was a master student of Arthur von Kampf. During his studies, he developed a religiously influenced, socially critical realism with formal-aesthetic, neo-objective elements, which bore caricatural traits, especially in his character heads. Standing between Expressionism and New Objectivity and often overdrawn into the fantastic, a direct and close reference to the Christian Passion is often recognizable. As the youngest member, Birkle was accepted into the Berlin Secession in 1921; later he was accepted into the Prussian Academy of Arts, led by Max Liebermann as president. The artist turned down the offer of a professorship at the Königsberg Academy in 1927 in order to carry out commissions for church murals in Gaislingen and Katowice, among other places. After the seizure of power Birkle moved to Salzburg, keeping his Berlin studio. In 1936 he exhibited at the Berlin National Gallery and represented Germany at the Venice Biennale. The paintings shown there were removed from the Haus der Deutschen Kunst in Munich in 1937, other works of his were confiscated from public collections as degenerate, and he himself was banned from painting. Birkle volunteered for the Reich Labor Service, which allowed him to temporarily avoid military service. He worked as a war painter, war correspondent and had to enlist in 1944. In 1946 Birkle received Austrian citizenship and devoted himself primarily to sacred design paths as a glass painter. In the 1950s and 1960s he produced significant works in this field. In his late work as a painter and draftsman, he drew on the socially critical tendencies of his early motifs in an expressive style. Daedalus/Daidalos and his son Icarus/Ikaros were imprisoned by King Minos in the Minotaur's labyrinth on Crete as punishment because Daedalus had given Theseus helpful tips on how to use Ariadne's thread. Since Minos controlled the sea and the land, Daedalus invented wings for himself and his son from feathers that he attached to a rod with wax. Before takeoff, he warned Icarus not to fly too high or too low, otherwise the heat of the sun or the moisture of the sea would cause him to crash. After they passed Samos, Delos and Lebinthos, Icarus became cocky and climbed so high that the sun melted the wax, whereupon the feathers came off and he fell into the sea. The desperate Daedalus named the island where he buried his son Ikaria. According to Ovid, the gods let Icarus die in revenge because Daedalus murdered his nephew and student Perdix out of envy of his skills. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

        Widder Auctions
      • Birkle, Albert (Berlin 1900-1986 Salzburg),
        Jun. 23, 2023

        Birkle, Albert (Berlin 1900-1986 Salzburg),

        Est: €20,000 - €30,000

        Passau mit Sonne. Öl auf Karton. Sign., verso betitelt und dat. 1925. 74 x 92 cm. - In breitem vg. Rahmen. Die Dreiflüssestadt Passau, aus leicht erhöhter Perspektive gesehen, leuchtet dem Betrachter in expressiven rötlich-violetten und grün-gelben Tönen entgegen. Das großformatige Gemälde entstand noch während der Studienzeit des Künstlers an der Preußischen Akademie der Künste in Berlin, wo er zu diesem Zeitpunkt Meisterschüler von Arthur Kampf (1864-1950) war. Die kraftvollen Konturen und expressiven Farben lassen das Werk zwischen Neuer Sachlichkeit und Expressionismus oszillieren. Es ist damit eine besonders ausdrucksstarke Landschaft aus dem Frühwerk des Künstlers, der sich dem Passau-Motiv etwa zur gleichen Zeit noch zweimal widmete. Eine Darstellung aus dem Jahr 1924 legt den Fokus auf das Stadtzentrum, ein weiteres Bild aus dem Jahr 1925 ist von ähnlicher Farbigkeit wie das vorliegende Gemälde und zeigt ebenfalls das Zentrum mit dem Dom St. Stefan. Unser Gemälde erweitert die Perspektive um die aufeinander zufließenden Flüsse und die umliegenden Hänge, die in ein grelles Gelb, der über dem Horizont erscheinenden Sonne getaucht sind.

        Zisska & Lacher
      • ALBERT BIRKLE: ST. JOHN ON PATMOS (DESIGN FOR A LEADED GLASS WINDOW)
        Jun. 22, 2023

        ALBERT BIRKLE: ST. JOHN ON PATMOS (DESIGN FOR A LEADED GLASS WINDOW)

        Est: €1,500 - €3,000

        Albert Birkle St. John on Patmos (design for a leaded glass window) c. 1980 mixed media on paper; framed 54.5 x 37.5 cm (cut-out), 59.5 x 42.5 cm (sheet size) signed on the lower left: Albert Birkle acquired directly from the artist, since then private property, Germany

        Im Kinsky
      • ALBERT BIRKLE: GRAND OPERA
        Jun. 22, 2023

        ALBERT BIRKLE: GRAND OPERA

        Est: €2,000 - €4,000

        Albert Birkle Grand Opera c. 1960 mixed media on paper; framed 40 x 52.5 cm (cut-out), 48 x 62 cm (sheet size) signed on the lower left: Albert Birkle acquired directly from the artist, since then private property, Germany

        Im Kinsky
      • ALBERT BIRKLE: LANDSCAPE FROM TYROL
        Jun. 22, 2023

        ALBERT BIRKLE: LANDSCAPE FROM TYROL

        Est: €1,000 - €2,000

        Albert Birkle Landscape from Tyrol c. 1950 black chalk on paper; framed 34.5 x 48 cm (sheet size) signed on the lower right: Albert Birkle acquired directly from the artist, since then private property, Germany

        Im Kinsky
      • ALBERT BIRKLE: BODENSEE LANDSCAPE
        Jun. 22, 2023

        ALBERT BIRKLE: BODENSEE LANDSCAPE

        Est: €10,000 - €20,000

        Albert Birkle Bodensee landscape 1950s oil on canvas; framed 50 x 72 cm signed on the lower left: A. Birkle acquired directly from the artist, since then private property, Germany

        Im Kinsky
      • ALBERT BIRKLE: WINTER ROAD IN UPPER SILESIA
        Jun. 22, 2023

        ALBERT BIRKLE: WINTER ROAD IN UPPER SILESIA

        Est: €1,500 - €3,000

        Albert Birkle Winter road in Upper Silesia black chalk on paper; framed 39 x 52 cm (cut-out), 45 x 59.5 cm (sheet size) signed on the lower left: Albert Birkle acquired directly from the artist, since then private property, Germany

        Im Kinsky
      • ALBERT BIRKLE: MORNING TOILET
        Jun. 22, 2023

        ALBERT BIRKLE: MORNING TOILET

        Est: €2,000 - €4,000

        Albert Birkle Morning toilet c. 1960 black chalk on paper; framed 53 x 35.5 cm (cut-out), 58.7 x 45 cm (sheet size) signed on the lower right: Albert Birkle acquired directly from the artist, since then private property, Germany

        Im Kinsky
      • Albert Birkle, Merlin, 1921
        Jun. 06, 2023

        Albert Birkle, Merlin, 1921

        Est: €30,000 - €40,000

        We would like to thank Roswita and Viktor Pontzen, Archiv und Werkbetreuung Albert Birkle, Salzburg, for their kind support. The work is listed in the internal catalogue of works under number 101. In the early 1920s Albert Birkle created a number of crucifixion scenes which, through the extreme and surreal manner in which they are depicted, visualise images of pure horror. The elongated and emaciated bodies, grotesque faces and lurid palette of these Biblical scenes make it vividly apparent that Matthias Grünewald’s Isenheim Altarpiece served as a model. Birkle has made use of a similarly manneristic visual idiom in the mysterious scene found here. Merlin is depicted as an old man, kneeling naked in the middle of a dense forest divided by a rapidly flowing brook. A deer has trustingly laid its head on his lap. In spite of the colouristic and formal resemblance to the crucifixions, the morbid and tormented effect is absent here, and the scene is instead defined by a certain harmony and calm. The man and his natural surroundings form a unity: the elongated, gaunt limbs of the man and animal correspond to the gnarled branches. The forest is illuminated by a magical, pale-green light that seems to radiate from the brook; the chilly yellowish-green and greyish-blue coloration that results is moderated and, to a certain extent, warmed by the occasional passages of reddish brown. In this early work, Albert Birkle not only displays his affinity for enigmatically surreal subjects, but also the extraordinary power of expression and intensity that would define the entirety of his subsequent oeuvre.

        Kunsthaus Lempertz KG
      • Albert Birkle, Irrsinn, 1925
        Jun. 06, 2023

        Albert Birkle, Irrsinn, 1925

        Est: €40,000 - €60,000

        Signed 'A. Birkle' in black lower left. Signed and titled on the stretcher 'A. Birkle "Irrsinn"' and inscribed 'Akademie Ausstellung 1925' and 'Preis 1200' [crossed out]. We would like to thank Roswita and Viktor Pontzen, Archiv und Werkbetreuung Albert Birkle, Salzburg, for their kind support. The work is listed in the internal catalogue of works under number 803. With his characteristic, overstated depictions of physiognomies and his old-master-like precision in executing his paintings, Albert Birkle occupied a unique artistic position. In his oeuvre, surreal motifs and an aesthetic based on the New Objectivity combine to form an exceptional sort of magical realism. “Irrsinn”, from 1925, thematises the dark depths of the human psyche and human beings’ all-too-realistic fear of death. With this work – alongside the painting “Der letzte Kavalier” (Salzburg Museum), which was created the same year – Birkle produced a Dance of Death of his own, based on late medieval models. These images featuring drastic personifications of Death, such as the Dance of Death frieze in St Mary’s Church in Lübeck (c. 1460) or the woodcut series by Hans Holbein the Younger (c.1530), served as memento mori reminding the living of their inevitable mortality. In Birkle’s version, the theme is imbued with a particularly dramatic dynamism. Death, as a skeleton shimmering with a greenish light and still displaying traces of decomposition, leaps up to ambush his victim from behind, grasping his throat. The deathly terror gripping this man in the midst of his delusion is depicted with the utmost clarity: the eyes bulging in panic and the rigid fingers pressed against his temples. The red background, which also accompanies “Der letzte Kavalier”, keeps the scene set within a nightmarish void. As Silvia Kraker conjectures in her doctoral thesis, Birkle’s wartime experiences, a possible severe illness of his own or the literature of Baudelaire, for whom he had a special predilection, could have led to these extraordinary explorations of death.

        Kunsthaus Lempertz KG
      • Albert Birkle *
        May. 23, 2023

        Albert Birkle *

        Est: €12,000 - €22,000

        (Charlottenburg 1900–1986 Salzburg) “Abendstimmung (mit Königskerzen)”, 1935, signed A. Birkle, ligated monogram AB 101 (under this number in the artist’s handwritten list of works) on the reverse as well as inscription: “Albert Birkle. Abend in den Bergen” by another hand and label: “Württ. Kunstverein/Stuttgart/ Kunstgebäude/947, oil on hardboard, 66 x 87 cm, framed Shown is the artist’s home and studio on the Gersberg above Salzburg/Parsch. Provenance: In the artist’s possession until 1982 Neue Münchener Galerie Dr. Hiepe, 1982 (in commisson) Galerie Heinze, Salzburg, 1985 Collection, Upper Austria Exhibited: 1937–1938 Kunstausstellung – Hilfswerk für deutsche bildende Kunst, Stuttgart, Hamburg, Dortmund, Rostock, Nürnberg, Breslau, Dresden 1982 Albert Birkle. 150 Werke von 1916–1980, Neue Münchner Galerie Dr. Hiepe, Munich Illustrated: Dr. Ludwig Baer: Kunstausstellung in der Fränkischen Galerie. In: Fränkischer Kurier, Nürnberg, 26.4.1938 Sylvia Kraker, PhD thesis, Innsbruck, cat. no. 59 Registered: digital cat. raisonné by Roswita and Viktor Pontzen under no. 167. We thank Roswita and Viktor Pontzen for their help in cataloguing this work.

        Dorotheum
      • Albert Birkle (Berlin 1900 - 1986 Ostermünchen bei Rosenheim) - Nach oben blickend.
        Apr. 29, 2023

        Albert Birkle (Berlin 1900 - 1986 Ostermünchen bei Rosenheim) - Nach oben blickend.

        Est: -

        Albert Birkle (Berlin 1900 - 1986 Ostermünchen bei Rosenheim) Nach oben blickend. Kohle auf Bütten. 1924. 60,2 x 45,5 cm. Unter Glas gerahmt. Signiert u. datiert (März 24). Leicht unregelmäßig gebräunt sowie stellenweise leicht knitterspurig. Die untere Blattkante mit einem winzigen Einriss.

        Dr. Irene Lehr Kunstauktionen GmbH
      • Albert Birkle "Die Blinden". Wohl 1976.
        Mar. 25, 2023

        Albert Birkle "Die Blinden". Wohl 1976.

        Est: €350 - €400

        Albert Birkle 1900 Charlottenburg – 1986 Salzburg Lithografie auf starkem Bütten. Unter der Darstellung in Blei signiert u.li., nummeriert "100/100" u.re. Verso Künstlerdaten in Blei. Albert Birkle 1900 Charlottenburg – 1986 Salzburg Deutscher Maler und Entwurfszeichner für Glasmalerei. Studium von 1918–1924 bei den Professoren Kampf und Spiegel an der Berliner Akademie. Der Künstler fertigte vor allem in Süddeutschland und Österreich auch Fresken und Glasmalereien für Kirchen. Während des Dritten Reiches nimmt der Künstler sozialkritische Tendenzen in seinen Arbeiten zurück, kommt aber in den 1950er und 1960er Jahren in expressiven Arbeiten wieder darauf zurück. 1946 wird er Österreichischer Staatsbürger und erhält 1958 einen Professorentitel in Salzburg.

        Schmidt Kunstauktionen Dresden OHG
      • ALBERT BIRKLE: SCHLACKENHALDEN
        Dec. 08, 2022

        ALBERT BIRKLE: SCHLACKENHALDEN

        Est: €50,000 - €100,000

        Albert Birkle Schlackenhalden 1927 oil on cardboard; framed 73.5 x 75.5 cm signed on the lower left: A. Birkle inscribed on the reverse by the hand of the artist: Albert Birkle / "Schlackenhalden" private collection, Austria Velhagen & Klasings Monatshefte, 44. Jg., Heft 2, October 1929, p. 132

        Im Kinsky
      • ”Die letzten Häuser” (”Großstadt”)
        Dec. 01, 2022

        ”Die letzten Häuser” (”Großstadt”)

        Est: €120,000 - €150,000

        Signed lower right: A. Birkle. Signed in pencil and titled on the reverse: Albert Birkle („Großstadt“) „Die letzten Häuser“. There as well as on the decorative frame a stamp of the Joseph Hierling Collection

        Grisebach
      • ALBERT BIRKLE* (Berlin 1900 - 1986 Salzburg)
        Nov. 28, 2022

        ALBERT BIRKLE* (Berlin 1900 - 1986 Salzburg)

        Est: €10,000 - €15,000

        ALBERT BIRKLE* (Berlin 1900 - 1986 Salzburg) Landscape near Salzburg, around 1930 pastel/paper, 60 x 90 cm signed A. Birkle provenance: acquired from the artist 1977; New Gallery Munich Dr. Hiepe 1981; Gallery Heinze Salzburg 2000; Kunsthandel Widder Fine Arts 2007; international private collection ESTIMATE °€ 10.000 - 15.000 STARTING PRICE °€ 10.000 The German painter and draftsman Albert Birkle completed an apprenticeship as a decorative painter, studied from 1920 to 1925 at the University of Fine Arts in Berlin and was a master student at Arthur von Kampf. He developed a religious, socially critical realism with formal aesthetic and neusal elements, the v. a. Career trains in his character heads. Standing between expressionism and new objectivity and often exaggerated in fantastic, a direct and close reference to the Christian passion can often be seen. As the youngest member, Birkle was admitted to the Berlin Secession in 1921; He was later admitted to the Prussian Academy of the Arts led by Max Liebermann as President. The artist turned down the offer of a professorship at the Königsberg Academy in 1927 to carry out commissions for church murals in Gaislingen and Katowice, among other places. After the seizure of power, Birkle moved to Salzburg, retaining his Berlin studio. In 1936 he exhibited in the Berlin National Gallery and represented Germany at the Biennale in Venice. The pictures shown there were removed in 1937 in the Haus der Deutsche Kunst in Munich, further works by him in public collections confiscated as degenerated and he himself occupied with a ban on painting. Birkle voluntarily reported to the Reich Labor Service, which was able to temporarily avoid military service. He worked as a war painter, war correspondent and had to enlist in 1944. In 1946 Birkle received Austrian citizenship and was primarily devoted to sacred design paths as a glass painter. In the 1950s and 1960s, important works were created in this area. In his picturesque and drawing late work, he used the socially critical tendencies of his early motifs in an expressive style. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

        Widder Auctions
      • ALBERT BIRKLE* (Berlin 1900 - 1986 Salzburg)
        Nov. 28, 2022

        ALBERT BIRKLE* (Berlin 1900 - 1986 Salzburg)

        Est: €6,000 - €10,000

        ALBERT BIRKLE* (Berlin 1900 - 1986 Salzburg) Silesian landscape oil/canvas, 38.1 x 45.7 cm signed A. Birkle provenance: Gallery Heinze, Salzburg; Kunsthandel Widder Fine Arts 2007; international private collection ESTIMATE °€ 6.000 - 10.000 STARTING PRICE °€ 6.000 The German painter and draftsman Albert Birkle completed an apprenticeship as a decorative painter, studied from 1920 to 1925 at the University of Fine Arts in Berlin and was a master student at Arthur von Kampf. He developed a religious, socially critical realism with formal aesthetic and neusal elements, the v. a. Career trains in his character heads. Standing between expressionism and new objectivity and often exaggerated in fantastic, a direct and close reference to the Christian passion can often be seen. As the youngest member, Birkle was admitted to the Berlin Secession in 1921; He was later admitted to the Prussian Academy of the Arts led by Max Liebermann as President. The artist turned down the offer of a professorship at the Königsberg Academy in 1927 to carry out commissions for church murals in Gaislingen and Katowice, among other places. After the seizure of power, Birkle moved to Salzburg, retaining his Berlin studio. In 1936 he exhibited in the Berlin National Gallery and represented Germany at the Biennale in Venice. The pictures shown there were removed in 1937 in the Haus der Deutsche Kunst in Munich, further works by him in public collections confiscated as degenerated and he himself occupied with a ban on painting. Birkle voluntarily reported to the Reich Labor Service, which was able to temporarily avoid military service. He worked as a war painter, war correspondent and had to enlist in 1944. In 1946 Birkle received Austrian citizenship and was primarily devoted to sacred design paths as a glass painter. In the 1950s and 1960s, important works were created in this area. In his picturesque and drawing late work, he used the socially critical tendencies of his early motifs in an expressive style. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

        Widder Auctions
      • ALBERT BIRKLE* (Berlin 1900 - 1986 Salzburg)
        Nov. 28, 2022

        ALBERT BIRKLE* (Berlin 1900 - 1986 Salzburg)

        Est: €6,000 - €10,000

        ALBERT BIRKLE* (Berlin 1900 - 1986 Salzburg) Gastein, around 1930 oil/cardboard, 38.2 x 31.6 cm signed A. Birkle provenance: acquired from the artist in 1984; gallery Heinz Salzburg; Kunsthandel Widder 2007; international private collection ESTIMATE °€ 6.000 - 10.000 STARTING PRICE °€ 6.000 The German painter and draftsman Albert Birkle completed an apprenticeship as a decorative painter, studied from 1920 to 1925 at the University of Fine Arts in Berlin and was a master student at Arthur von Kampf. He developed a religious, socially critical realism with formal aesthetic and neusal elements, the v. a. Career trains in his character heads. Standing between expressionism and new objectivity and often exaggerated in fantastic, a direct and close reference to the Christian passion can often be seen. As the youngest member, Birkle was admitted to the Berlin Secession in 1921; He was later admitted to the Prussian Academy of the Arts led by Max Liebermann as President. The artist turned down the offer of a professorship at the Königsberg Academy in 1927 to carry out commissions for church murals in Gaislingen and Katowice, among other places. After the seizure of power, Birkle moved to Salzburg, retaining his Berlin studio. In 1936 he exhibited in the Berlin National Gallery and represented Germany at the Biennale in Venice. The pictures shown there were removed in 1937 in the Haus der Deutsche Kunst in Munich, further works by him in public collections confiscated as degenerated and he himself occupied with a ban on painting. Birkle voluntarily reported to the Reich Labor Service, which was able to temporarily avoid military service. He worked as a war painter, war correspondent and had to enlist in 1944. In 1946 Birkle received Austrian citizenship and was primarily devoted to sacred design paths as a glass painter. In the 1950s and 1960s, important works were created in this area. In his picturesque and drawing late work, he used the socially critical tendencies of his early motifs in an expressive style. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

        Widder Auctions
      • ALBERT BIRKLE* (Berlin 1900 - 1986 Salzburg)
        Nov. 28, 2022

        ALBERT BIRKLE* (Berlin 1900 - 1986 Salzburg)

        Est: €20,000 - €30,000

        ALBERT BIRKLE* (Berlin 1900 - 1986 Salzburg) Glass painter Diermeier oil/cardboard, 71 x 51 cm signed A. Birkle provenance: New Munich Gallery; private collection; Kunsthandel Widder, Vienna; International private collection ESTIMATE °€ 20.000 - 30.000 STARTING PRICE °€ 20.000 The German painter and draftsman Albert Birkle completed an apprenticeship as a decorative painter, studied from 1920 to 1925 at the Hochschule für bildende Künste in Berlin and was a master student of Arthur von Kampf. During his studies he developed a religiously influenced, socially critical realism with formal-aesthetic, neo-objective elements, which bore caricatural traits, especially in his character heads. Standing between Expressionism and New Objectivity and often overdrawn into the fantastic, a direct and close reference to the Christian Passion is often recognizable. As the youngest member, Birkle was accepted into the Berlin Secession in 1921; later he was accepted into the Prussian Academy of Arts, led by Max Liebermann as president. The artist turned down the offer of a professorship at the Königsberg Academy in 1927 in order to carry out commissions for church murals in Gaislingen and Katowice, among other places. After the seizure of power Birkle moved to Salzburg, keeping his Berlin studio. In 1936 he exhibited at the Berlin National Gallery and represented Germany at the Venice Biennale. The paintings shown there were removed from the Haus der Deutschen Kunst in Munich in 1937, other works of his were confiscated from public collections as degenerate, and he himself was banned from painting. Birkle volunteered for the Reich Labor Service, which allowed him to temporarily avoid military service. He worked as a war painter, war correspondent and had to enlist in 1944. In 1946 Birkle received Austrian citizenship and devoted himself primarily to sacred design paths as a glass painter. In the 1950s and 1960s he produced significant works in this field. In his late work as a painter and draftsman, he drew on the socially critical tendencies of his early motifs in an expressive style. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

        Widder Auctions
      • Birkle, Albert (1900 Berlin - Salzburg 1986), wohl
        Sep. 24, 2022

        Birkle, Albert (1900 Berlin - Salzburg 1986), wohl

        Est: €300 - €360

        Blick aus Passau. Kohlezeichnung/Papier (Kanten montiert, gebräunt, l. fleckig), li. u. sign. 31x 47 cm. PP., in alter Berliner Leiste (best.), 19. Jh.

        Dannenberg
      • Albert Birkle
        Sep. 04, 2022

        Albert Birkle

        Est: €6,000 - €12,000

        (1900 Berlin - 1986 Salzburg) Oberbayerische Alpenlandschaft Frühe, 1923 entstandene Landschaft Birkles, der 1918 - 1924 an der Hochschule der Künste in Berlin studierte. 1921 wurde er als jüngstes Mitglied in die Berliner Secession aufgenommen, später in die von Max Liebermann geleitete Preußische Akademie der Künste. Rasch erlangte er ein beachtliches Renommee: 1921 beteiligte er sich mit einem Selbstbildnis und zwei Landschaften erstmals an der Großen Berliner Kunstausstellung, 1924 stellte er in der Akademie der Künste aus. 1922 bildete die bekannte Zeitschrift "Deutsche Kunst und Dekoration" seine Ansicht von "Horb am Neckar" ab; international beachtet, widmete ihm sogar "The Studio" 1925 einen Artikel. 1924 - 1927 setzte Birkle sein Studium als Meisterschüler von Arthur Kampf an der Preußischen Akademie der Künste fort. Künstlerisch stand Birkle in der Weimarer Republik zwischen Expressionismus und Neuer Sachlichkeit, viele Gemälde waren sozialkritisch, veristisch oder bis ins Phantastische und Groteske überzeichnet. Aufgrund der politischen Turbulenzen in Berlin vor der "Machtergreifung" ging Birkle 1932 ins österreichische Salzburg. Ambivalent blieb die Haltung des NS-Regimes ab 1933 zu Birkle: Während er weiterhin ausstellen konnte, wurden frühere Werke der 1920er Jahre als "entartet" verfemt. Öl/Lwd.; R. u. sign. u. dat. (19)23. 48 cm x 68 cm Rahmen. Oil on canvas. Signed and dated (19)23.

        Kunstauktionshaus Schloss Ahlden
      • Albert Birkle (1900 - 1986) Austria, Germany ,Charcoal on Vellum ,Signed
        Jul. 27, 2022

        Albert Birkle (1900 - 1986) Austria, Germany ,Charcoal on Vellum ,Signed

        Est: $700 - $1,000

        Albert Birkle (1900 - 1986) Austria, Germany ,Charcoal on Vellum ,Signed ,measures 11 x 8 inches

        Cutler Bay Auctions
      • Birkle, Albert
        Jul. 09, 2022

        Birkle, Albert

        Est: €80 - €120

        (1900 Berlin - 1986 Ostermünchen). König Saul. Aquarell. 13 x 19 cm. - Provenienz: Geschenk des Künstlers an den Sammler. R

        Kiefer Buch- und Kunstauktionen
      • Birkle, Albert: Bretonische Küste
        Jun. 04, 2022

        Birkle, Albert: Bretonische Küste

        Est: €4,000 - €6,000

        Bretonische Küste -- Öl auf Hartfaserplatte. 1945. -- 51,5 x 72 cm. -- Unten rechts mit Pinsel in Rot signiert "A. Birkle". -- Kraker 103. -- -- Wie ein mitreißender Schwung zieht der Sturm durch das Bild, lässt den roten Schal flattern und ebenso die kleine Flagge am Holzkahn, weht Gischt ans Ufer und treibt dunkle Wolken über die Landschaft der Atlantikküste bei Saint Malo. Der Duktus des weichen Pinsels scheint dem Gang des Windes zu folgen, ihn aufzunehmen und geradezu materiell ins Bild zu bannen. Dem Sujet der Landschaftsmalerei widmet sich Albert Birkle sein ganzes künstlerisches Leben hindurch, und das leicht Verwehte, die schattenhaften Übergänge, die seine Landschaften kennzeichnen, werden diesem Küstenmotiv in besonderem Maße gerecht. -- Das Werk wird laut Roswita und Viktor Pontzen, Archiv und Werkbetreuung Albert Birkle, Salzburg, in das in Vorbereitung befindliche erweiterte Werkverzeichnis mit der Nr. 660 aufgenommen. -- -- - Provenienz: Besitz des Künstlers (bis 1985) -- Privatsammlung (bis 1987) -- Galerie Heinze Salzburg -- Kunsthandel Widder, Wien (dort 2007 erworben) -- Privatsammlung Europa -- -- - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. -- - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

        Bassenge Auctions
      • Albert Birkle (1900 - 1986) Austria, Germany
        Apr. 14, 2022

        Albert Birkle (1900 - 1986) Austria, Germany

        Est: $1,500 - $3,000

        Albert Birkle (1900 - 1986) Austria, Germany ,Charcoal on Vellum ,Signed ,measures 11 x 8 inches

        Cutler Bay Auctions
      • Birkle, Albert
        Feb. 23, 2022

        Birkle, Albert

        Est: €800 - €1,200

        Birkle, Albert Charlottenburg, 1900 - Salzburg, 1986 59 x 46,7 cm, o. R. Portrait of Pastor Albert Pfeiffer, 1928. Charcoal on cardboard. Signed and dated. Estate of Pastor Albert Pfeffer (1873 - 1937), Lautlingen. - Private property, Baden-Württemberg, received though inheritance from the aforementioned.

        Nagel Auction
      • Birkle, Albert
        Dec. 18, 2021

        Birkle, Albert

        Est: €800 - €1,200

        (1900 - 1986). Van Gogh predigt in der Borinage. 1977. Farbige Zeichnung auf Papier. 16 x 20,5 cm. Signiert. Unter Passep. unter Glas gerahmt. Mit dem Titel "Van Gogh predigt in der Borinage" auf Passep. bezeichnet. Geschenk des Künstlers an die Frau des Sammlers. Van Gogh preaches in the Borinage. Colour drawing. Signed. Mounted under passepartout. Framed. Provenance: Present of the artist. D

        Kiefer Buch- und Kunstauktionen
      • Birkle, Albert
        Dec. 18, 2021

        Birkle, Albert

        Est: €2,000 - €3,000

        (1900 Berlin - Salzburg 1986) Kohlezeichnung. Zitat des Künstlers aus einem Brief an den Sammler: "eine geflügelte weibliche Gestalt, die die Männer anzieht, die durch sie zu Grunde gehen." Geschenk des Künstlers an den Sammler. 50 x 36 cm. - Charcoal drawing. "A winged female figure who attracts the men who perish through her." Provenance: Gift of the artist to the collector. D

        Kiefer Buch- und Kunstauktionen
      • Birkle, Albert
        Dec. 18, 2021

        Birkle, Albert

        Est: €500 - €750

        (1900 - 1986). 2 Originalzeichnungen auf einem Blatt, Bildgr. 24 x 20 cm. Auf der einen Seite ist eine Katze und verso ein Minotaur der in der einen Hand eine Frau und in der Anderen ein Messer hält. Bildgr. 23,5 x 20 cm, signiert Dabei: Vier Lithographien, eine Farboffsetlithographie, alle signiert. - Zus. 6 Bll. D

        Kiefer Buch- und Kunstauktionen
      • Albert Birkle Studie aus der Natur
        Dec. 16, 2021

        Albert Birkle Studie aus der Natur

        Est: €1,000 - €2,000

        Albert Birkle Nature study oil on canvas 33 × 36 cm (cut-out) monogrammed on the lower right: A.B. Galerie Heinze, Salzburg; private property, Austria Sylvia Kraker, Albert Birkle. 1900-1986, phil. Diss. (ms.), Innsbruck 1992, vol. 2, cat.-no. 136 (w/o ill.)

        Im Kinsky
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