Giovanni Francesco Bezzi Sold at Auction Prices

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    • Giovanni Francesco Bezzi, called Nosadella (active c. 1549–1571) – attributed, Baptism of Jesus
      Sep. 18, 2023

      Giovanni Francesco Bezzi, called Nosadella (active c. 1549–1571) – attributed, Baptism of Jesus

      Est: €1,500 - €3,000

      The Mannerist painter Giovanni Francesco Bezzi, known as Nosadella, was a pupil of Pellegrino Tibaldi. His style also shows the influence of Prospero Fontana. Bezzi was mainly active in Bologna. Jesus is kneeling with one leg on a boulder while John the Baptist, dressed in fur and a red cloak, approaches from the right to pour the water of baptism over his head. The dove of the Holy Spirit descends from heaven upon the Son of God. A youth on the right holds Jesus' clothing. The two reclining figures in the background on the left represent river gods, with river water flowing from their jugs.

      Fine Antiques Prague s.r.o.
    • Bezzi, Giovanni Francesco gen. Nosadella (Attrib.): Tafelbild mit Taufe Christi
      Jul. 29, 2023

      Bezzi, Giovanni Francesco gen. Nosadella (Attrib.): Tafelbild mit Taufe Christi

      Est: -

      Bezzi, Giovanni Francesco gen. Nosadella (Attribution): - Panel painting with Baptism of Christ (1530-1571, mainly active in Bologna) In a river landscape Jesus kneels on a rock, while John in a bright red cloak pours baptismal water over him, on the right a person holds Jesus' robe, on the left two river gods with amphorae can be seen, above the scene the Holy Spirit hovers as a dove. Oil/wood. 59 x 48 cm; not framed. - Arched panel. // Bezzi, Giovanni Francesco gen. Nosadella (Attrib.) Tafelbild mit Taufe Christi (1530-1571, vorwiegend tätig in Bologna) In einer Flusslandschaft kniet Jesus auf einen Felsen, während Johannes ihn in leuchtend rotem Mantel mit Taufwasser übergießt, rechts hält eine Person das Gewand von Jesus, links sieht man zwei Flussgötter mit Amphoren, über der Szene schwebt der Heilige Geist als Taube. Öl/Pappelholz. 59 x 48 cm; unger. - Tafel gewölbt.

      Kunstauktionshaus Schlosser
    • Giovanni Francesco Bezzi, called Nosadella (active c. 1549–1571) – attributed, Baptism of Jesus
      Apr. 29, 2023

      Giovanni Francesco Bezzi, called Nosadella (active c. 1549–1571) – attributed, Baptism of Jesus

      Est: €1,500 - €3,000

      The Mannerist painter Giovanni Francesco Bezzi, known as Nosadella, was a pupil of Pellegrino Tibaldi. His style also shows the influence of Prospero Fontana. Bezzi was mainly active in Bologna. Jesus is kneeling with one leg on a boulder while John the Baptist, dressed in fur and a red cloak, approaches from the right to pour the water of baptism over his head. The dove of the Holy Spirit descends from heaven upon the Son of God. A youth on the right holds Jesus' clothing. The two reclining figures in the background on the left represent river gods, with river water flowing from their jugs.

      Fine Antiques Prague s.r.o.
    • Giovanni Francesco Bezzi, called Nosadella (active c. 1549–1571) – attributed, Baptism of Jesus
      Mar. 14, 2023

      Giovanni Francesco Bezzi, called Nosadella (active c. 1549–1571) – attributed, Baptism of Jesus

      Est: €3,000 - €5,000

      The Mannerist painter Giovanni Francesco Bezzi, known as Nosadella, was a pupil of Pellegrino Tibaldi. His style also shows the influence of Prospero Fontana. Bezzi was mainly active in Bologna. Jesus is kneeling with one leg on a boulder while John the Baptist, dressed in fur and a red cloak, approaches from the right to pour the water of baptism over his head. The dove of the Holy Spirit descends from heaven upon the Son of God. A youth on the right holds Jesus' clothing. The two reclining figures in the background on the left represent river gods, with river water flowing from their jugs.

      Fine Antiques Prague s.r.o.
    • GIOVANNI FRANCESCO BEZZI, CALLED NOSADELLA (ACTIVE BOLOGNA, C. 1549-1571) C
      Oct. 14, 2021

      GIOVANNI FRANCESCO BEZZI, CALLED NOSADELLA (ACTIVE BOLOGNA, C. 1549-1571) C

      Est: $80,000 - $120,000

      GIOVANNI FRANCESCO BEZZI, CALLED NOSADELLA (ACTIVE BOLOGNA, C. 1549-1571) Christ Carrying the Cross oil on panel 15 5/8 x 19 ½ in. (39.8 x 49.5 cm.)

      Christie's
    • Giovanni Francesco Bezzi, il Nosadella (Bologna c. 1500-1571 ?)
      Apr. 19, 2018

      Giovanni Francesco Bezzi, il Nosadella (Bologna c. 1500-1571 ?)

      Est: $400,000 - $600,000

      Giovanni Francesco Bezzi, il Nosadella (Bologna c. 1500-1571 ?) The Holy Family with Saints John the Baptist and Jerome oil on panel 29 7/8 x 24 in. (75.9 x 61 cm.)

      Christie's
    • Giovanni Francesco Bezzi, Il Nosadella - Saint Jerome (recto); Sketches (verso)
      Jul. 05, 2017

      Giovanni Francesco Bezzi, Il Nosadella - Saint Jerome (recto); Sketches (verso)

      Est: £7,000 - £10,000

      Giovanni Francesco Bezzi, Il Nosadella Saint Jerome (recto); Sketches (verso) red chalk, pen and brown ink, brown wash, rubbed black chalk (verso) 10 5/8 x 7 1/8 in. (26.9 x 18 cm.)

      Christie's
    • GIOVANNI FRANCESCO BEZZI, CALLED IL NOSADELLA | The Virgin and Child with Saints Thomas and Anthony Abbot
      Jan. 25, 2017

      GIOVANNI FRANCESCO BEZZI, CALLED IL NOSADELLA | The Virgin and Child with Saints Thomas and Anthony Abbot

      Est: $20,000 - $25,000

      Pen and brown ink and wash over traces of black chalk

      Sotheby's
    • Giovanni Francesco Bezzi, genannt „Il Nosadella“, um 1530 Bologna - 1571, zug.
      Dec. 10, 2015

      Giovanni Francesco Bezzi, genannt „Il Nosadella“, um 1530 Bologna - 1571, zug.

      Est: €8,000 - €10,000

      HEILIGER JOSEPH Öl auf Holz. 56 x 45 cm. Ohne Rahmen. Es handelt sich hier mit Sicherheit um das Fragment eines Gemäldes, das die Heilige Familie darstellte. Am unteren Bildrand erkennt man - neben der Figur des Heiligen Joseph - noch die rechte Hand einer weiblichen Figur und deren Locken sowie die kleine Hand des Jesuskindes, die eine Rose hält. Diese Details erinnern eindeutig an die Madonna della Rosa von Parmigianino (Gemäldegalerie, Dresden). Unser Maler variiert das Thema jedoch und macht daraus, indem er einen nachdenklichen Joseph hinzufügt, eine „Heilige Familie“. Besonders diese energisch-männliche Figur verleiht dem Werk seinen an Michelangelo erinnernden Charakter, der die eigentlichen Anklänge an Parmigianino überlagert. Diese Merkmale erinnern an die Werke von Pellegrino Tibaldi, allerdings scheinen die Physionomie, die Haltung und der Ausdruck übertriebener, was das Gemälde wiederum eher in die Nähe der Werke von Giovanni Francesco Bezzi (genannt „Il Nosadella“, 1530 - 1571) rückt, der ein origineller, aber auch exzentrischer Anhänger von Tibaldi war. Es gibt viele vergleichbare Darstellungen männlicher Köpfe mit Bart, die stilistisch diese Zuschreibung untermauern. Verwiesen sei hierzu auf die „Madonna e santi“ im Oratorium der Kirche Santa Maria della Vita in Bologna, „Presentazione di Gesù al tempio“ (Allen Memorial Art Museum, Oberlin, Ohio) und die beiden Versionen der „Circoncisione“ (Santa Maria Maggiore, Bologna, und Privatbesitz). (1030527) (21) Giovanni Francesco Bezzi, also known as “Il Nosadella“, ca. 1530 Bologna - 1571, attributed SAINT JOSEPH Oil on panel. 56 x 45 cm. Unframed. This certainly is a fragment of a painting that originally depicted The Holy Family. At the lower margin of the painting, next to Saint Joseph, the right hand and curls of a female figure as well as the small hand of the Christ Child holding a rose are still visible. These details recall the Madonna della rosa by Parmigianino (today held at the Gemäldegalerie in Dresden). However, by adding the figure of a pensive Joseph, our painter has modified the subject to the The Holy Family. It is especially this vigorously masculine figure, which gives the painting a Michelangelesque character and masks the actual resemblances with Parmigianino. These features recall works by Pellegrino Tibaldi, although physiognomy, posture and expression are more exaggerated. In turn, this brings the painting more in line with works by Giovanni Francesco Bezzi (also known as “Il Nosadella“), an inventive and also eccentric follower of Tibaldi. There are many comparable depictions of male bearded heads that support this attribution stylistically. Reference should be made to the Madonna e santi in the oratory of the Santa Maria della Vita church in Bologna, Presentazione di Gesù al tempio (Allen Memorial Art Museum, Oberlin/ Ohio) and both versions of the Circoncisione (Santa Maria Maggiore, Bologna, and Private Collection).

      Hampel Fine Art Auctions
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