Liam Belton Paintings & Artwork for Sale | Liam Belton Art Value Price Guide

Sep. 25, 2024
Liam Belton RHA (b.1947) Meditation of the Egg II Oil on canvas, 51 x 67cm (20 x 26_'') Signed
Est: €5,000 - €7,000
Liam Belton RHA (b.1947) Meditation of the Egg II Oil on canvas, 51 x 67cm (20 x 26_'') Signed
Adam's
Sep. 11, 2024
Liam Belton, The Twins, 1981;
Est: £700 - £900
Liam Belton, Irish b.1947 - The Twins, 1981; oil on canvas, signed and dated lower right 'Liam Belton 1981', 59.2 x 49 cm (ARR)
Roseberys
May. 31, 2023
Liam Belton RHA (b. 1947) Ethnic Cleansing (War in Bosnia) Mixed Media Collage, 43 x 58cm (16¾ x 22¾) Signed; Also signed and inscribed verso
Est: €400 - €600
Liam Belton RHA (b. 1947) Ethnic Cleansing (War in Bosnia) Mixed Media Collage, 43 x 58cm (16¾ x 22¾) Signed; Also signed and inscribed verso
Adam's
Dec. 07, 2022
Liam Belton RHA (b.1947) Three Blue Bottles Oil on panel, 33 x 25.5cm (13 x 10) Signed; also signed, inscribed and dated 2011 verso Provenance: With Peppercannister Gallery, Dublin, Christmas exhibition 2011
Est: €2,000 - €3,000
Liam Belton RHA (b.1947) Three Blue Bottles Oil on panel, 33 x 25.5cm (13 x 10) Signed; also signed, inscribed and dated 2011 verso Provenance: With Peppercannister Gallery, Dublin, Christmas exhibition 2011
Adam's
Apr. 26, 2022
Liam Belton RHA (b.1947) Green Synapses (2010)
Est: €1,000 - €1,500
Liam Belton RHA (b.1947) Green Synapses (2010) acrylic on board - triptych signed, titled and dated 2010 verso h:17.50 w:36 cm. Provenance: Peppercanister Gallery, Dublin (label verso); Private Collection
Morgan O'Driscoll
Apr. 26, 2022
Liam Belton RHA (b.1947) The Hourglass
Est: €2,500 - €3,500
Liam Belton RHA (b.1947) The Hourglass oil on board signed lower right h:43.30 w:57.50 cm. Provenance: Private Collection A variation on a vanitas. The nude figure is in her flawless prime but her curvaceous form is echoed by an hourglass, shattered, signalling the passing of time and the inevitability of mortality. The figures materialising to the right are like TS Eliot's "hollow men". Liam Belton's impeccably realised still lives and subject pictures are, as here, usually layered with allegory.
Morgan O'Driscoll
Sep. 07, 2021
Liam Belton RHA (b.1947) Herb Cutter, Cheese Boxes & Eggs Oil on canvas on board, 50.5 x 40cm (20 x 15¾'') Signed; also signed inscribed with title and dated 2001 verso
Est: €4,000 - €6,000
Liam Belton RHA (b.1947) Herb Cutter, Cheese Boxes & Eggs Oil on canvas on board, 50.5 x 40cm (20 x 15¾'') Signed; also signed inscribed with title and dated 2001 verso
Adam's
Sep. 07, 2021
LIAM BELTON RHA (B.1947) Cigarette Smokers, Bewleys '67 Pen & ink, 12 x 17cm Signed and inscribed Provenance: With Peppercanister Gallery, Dublin.
Est: €250 - €350
LIAM BELTON RHA (B.1947) Cigarette Smokers, Bewleys '67 Pen & ink, 12 x 17cm Signed and inscribed Provenance: With Peppercanister Gallery, Dublin.
Adam's
Jun. 02, 2021
Liam Belton RHA (b.1947) - Still life with Pear's Soap
Est: €3,000 - €5,000
Liam Belton RHA (b.1947) Still life with Pear's Soap Oil on canvas, 35 x 45cm (13¾ x 17¾) Signed Starting Bid: € 2100
Adam's
Dec. 15, 2020
Liam Belton RHA (b.1947) Pewter and Eggs Oil on canvas, 40 x 61cm (15¾ x 24) Signed; also signed, inscribed and dated 2015 verso
Est: €4,000 - €6,000
Liam Belton RHA (b.1947) Pewter and Eggs Oil on canvas, 40 x 61cm (15¾ x 24) Signed; also signed, inscribed and dated 2015 verso
Adam's
Oct. 19, 2020
Liam Belton RHA (b.1947) TWO BACTRIAN VESSELS WITH PEWTER FLAGON
Est: €8,000 - €12,000
signed lower right
Whyte's
Sep. 02, 2020
Liam Belton RHA (b.1947)Three GourdsOil on canvas, 50 x 40cm (19¾ x 15¾'')SignedExhibited: RHA Annual Exhibition.Provenance: Collection of Antoinette & Patrick J. Murphy
Est: €2,500 - €3,500
Liam Belton RHA (b.1947)Three GourdsOil on canvas, 50 x 40cm (19¾ x 15¾'')SignedExhibited: RHA Annual Exhibition.Provenance: Collection of Antoinette & Patrick J. Murphy
Adam's
Jul. 28, 2020
Liam Belton RHA (b.1947) Pewter, Stoneware and Bottles (2019) Oil on canvas, 41 x 51cm Signed
Est: €4,000 - €6,000
Liam Belton RHA (b.1947) Pewter, Stoneware and Bottles (2019) Oil on canvas, 41 x 51cm Signed
Adam's
Jul. 28, 2020
Liam Belton RHA (b.1947) Bowl of Eggs Oil on canvas, 30 x 23cm Signed; signed, inscribed and dated 2017 verso
Est: €1,500 - €2,500
Liam Belton RHA (b.1947) Bowl of Eggs Oil on canvas, 30 x 23cm Signed; signed, inscribed and dated 2017 verso
Adam's
Dec. 04, 2019
Liam Belton RHA (b.1947)Still Life with Iron and VesselsOil on canvas, 30 x 50.5cm (11¾ x 19¾'')SignedProvenance: Collection of Antoinette & Patrick J. Murphy.
Est: €2,000 - €3,000
Liam Belton RHA (b.1947)Still Life with Iron and VesselsOil on canvas, 30 x 50.5cm (11¾ x 19¾'')SignedProvenance: Collection of Antoinette & Patrick J. Murphy.
Adam's
Oct. 23, 2019
Liam Belton RHA (b.1947)Pewter and EggsOil on canvas, 40 x 61cm (15¾ x 24)Signed; also signed, inscribed and dated 2015 verso
Est: €4,000 - €6,000
Liam Belton RHA (b.1947)Pewter and EggsOil on canvas, 40 x 61cm (15¾ x 24)Signed; also signed, inscribed and dated 2015 verso
Adam's
Oct. 23, 2019
Liam Belton RHA (b.1947)Boyle DolmenGraphite on board, 84 x 60cm (33 x 23¾)SignedExhibited: RHA Annual Exhibition, 2004.
Est: €1,000 - €1,500
Liam Belton RHA (b.1947)Boyle DolmenGraphite on board, 84 x 60cm (33 x 23¾)SignedExhibited: RHA Annual Exhibition, 2004.
Adam's
Oct. 23, 2019
Liam Belton RHA (b.1947)Carrowmore, Co. Sligo - DolmenOil on canvas, 50 x 40cm (19¾ x 15¾)Signed
Est: €1,500 - €2,000
Liam Belton RHA (b.1947)Carrowmore, Co. Sligo - DolmenOil on canvas, 50 x 40cm (19¾ x 15¾)Signed
Adam's
Oct. 23, 2019
Liam Belton RHA (b.1947)Congo Gong and Herb CutterOil on canvas, 50 x 76cm (19¾ x 30)Signed; also signed, inscribed and dated 2016 versoLiam Belton is a well-known and popular figure in Irish art circles. Given the ineffable calm and stillness
Est: €6,000 - €8,000
Liam Belton RHA (b.1947)Congo Gong and Herb CutterOil on canvas, 50 x 76cm (19¾ x 30)Signed; also signed, inscribed and dated 2016 versoLiam Belton is a well-known and popular figure in Irish art circles. Given the ineffable calm and stillness of his paintings it is somewhat surprising that he first came to attention for political activism as a student in the National College of Art in the late 1960s and early 70s, fighting for the reforms that culminated in the colleges re-organisation into the National College of Art and Design in 1971. His political leanings led to attempts to establish free art education for all in Ballymun and Ballyfermot and he spent over twenty years teaching art to people with visual impairments but little of his Beuysian principles are visible in his paintings.Instead his signature still-life paintings represent a distillation of all that is calm, considered and, above all, constructed, rather than overtly representative of social life or ideology. While still-life paintings make up the dominant trope in his work, Belton travelled the country to compile a series of paintings of megalithic monuments in the early 2000s that show his capabilities as a landscape artist, yet retaining essential features of the still-life genre. This can be seen in Carrowmore, Co. Sligo - Dolmen (ca. 2003).However his annual entries to the RHA annual exhibition and other shows tended to be still-life paintings, generally executed in a cool, muted, palette, ranging from creamy white to chocolate, and rendered with a quite extraordinary attention to precision, balance and detail. The content changes only a little. Generally they contain domestic utensils, some of which have an antique quality, and exotic ceramic figures or references to art history in the form of pictures or postcards of work by the great masters; for a time in the past decade, they have included quite garishly coloured items from popular culture such as Disneyland figurines and toy cars, and almost always there is at least one egg, quiet, still and shadow-casting. Most still-life artists love to display their skill at capturing texture. In Liam Beltons very classical approach, texture is a superficial quality, easily set aside in favour of colour and composition.Pewter and Eggs (2015) and Congo Gong and Herb Cutter (2016) mark a turn away from that brief flirtation with strong colour and pop and, like Carrowmore, they epitomise Beltons love of clarity, precision and austere colours. What they all have in common is his absorption with space and with the past. The past, represented by the squat stones of the dolmen or the tribal objects and reproductions of artworks, has been reduced to stillness but the careful distancing of one item from another in the still-lifes, or viewer from dolmen in Carrowmore and his other paintings from that series, evokes a space for the stillness to work. Just as the megalithic monuments are weighed down with a sense of time and mortality, the still-life objects also recall art historical memento mori (premonitions of death) as for example in the work of Caravaggio or Dutch 17th century painters. The pervasive presence of an egg in Beltons still-life paintings may be intended to counter-act that with a suggestion of new life and re-birth, but they also read like a reference to the myth of Giottos perfect circle - the test of a great artist. In this case the egg becomes a direct reference to that other perfectly-observed egg in art, the one that dangles, enigmatically, above the Madonna and saints in Piero Della Francescos The Virgin and Child Enthroned (c. 1475) in Milan. These are paintings about art first, pondered on, arranged, adjusted, and only about life as a secondary consideration. Even the inclusion of a reproduction of a painting by William Scott in Congo Gong and Herb Cutter, has been chosen less to impress with the artists knowledge of the Moderns, but rather because Scotts emphatic shapes form a perfect co-relative for the shapes of Beltons chosen objects.A dedicated member of the RHA since 1991, Keeper of the RHA from 1995 -2001 and a former member of the Board of the National Gallery of Ireland, Liam Belton is represented by the Peppercanister Gallery. His work is to be found in major Irish art collections.Catherine MarshallAugust 2019
Adam's
Oct. 23, 2019
Liam Belton RHA (b.1947)TowerPlaster, 72.5 x 29 x 29cm (28½ x 11¼ x 11¼)SignedEdition 2/3
Est: €1,500 - €2,000
Liam Belton RHA (b.1947)TowerPlaster, 72.5 x 29 x 29cm (28½ x 11¼ x 11¼)SignedEdition 2/3
Adam's
Oct. 21, 2019
Liam Belton RHA (b.1947) Oil Lamp with Eggs (2015)
Est: €4,000 - €6,000
Liam Belton RHA (b.1947) Oil Lamp with Eggs (2015) oil on canvas signed lower right, dated and titled verso h:41 w:56 cm. Provenance: Peppercanister Gallery, Dublin; Private Collection Although he has worked a great deal with landscape, notably including the sites of ancient monuments in Ireland, and the human figure, Liam Belton, a meticulous draughtsman, is probably best known, and celebrated, as a still life painter. His usually austere palette tends towards monochrome, and his precise arrangements of kitchen crockery and utensils often have anthropomorphic hints, not unlike the sexual puns of Picasso's still lifes. Here, as it happens, the spherical forms of eggs and bowl echo the 1933 Picasso etching in the background, Three Seated Nudes and Basket of Flowers, while the body-like oil lamp suggests warmth.
Morgan O'Driscoll
Sep. 25, 2019
***WITHDRAWN*** Belton RHA (b.1947)Pewter and EggsOil on canvas, 40 x 61cm (15¾ x 24'')Signed; also signed, inscribed and dated 2015 versoLiam Belton is a well-known and popular figure in Irish art circles.
Est: €4,000 - €6,000
***WITHDRAWN*** Belton RHA (b.1947)Pewter and EggsOil on canvas, 40 x 61cm (15¾ x 24'')Signed; also signed, inscribed and dated 2015 versoLiam Belton is a well-known and popular figure in Irish art circles. Given the ineffable calm and stillness of his paintings it is somewhat surprising that he first came to attention for political activism as a student in the National College of Art in the late 1960s and early 70s, fighting for the reforms that culminated in the colleges re-organisation into the National College of Art and Design in 1971. His political leanings led to attempts to establish free art education for all in Ballymun and Ballyfermot and he spent over twenty years teaching art to people with visual impairments but little of his Beuysian principles are visible in his paintings.Instead his signature still-life paintings represent a distillation of all that is calm, considered and, above all, constructed, rather than overtly representative of social life or ideology. While still-life paintings make up the dominant trope in his work, Belton travelled the country to compile a series of paintings of megalithic monuments in the early 2000s that show his capabilities as a landscape artist, yet retaining essential features of the still-life genre. This can be seen in Carrowmore, Co. Sligo - Dolmen (ca. 2003).However his annual entries to the RHA annual exhibition and other shows tended to be still-life paintings, generally executed in a cool, muted, palette, ranging from creamy white to chocolate, and rendered with a quite extraordinary attention to precision, balance and detail. The content changes only a little. Generally they contain domestic utensils, some of which have an antique quality, and exotic ceramic figures or references to art history in the form of pictures or postcards of work by the great masters; for a time in the past decade, they have included quite garishly coloured items from popular culture such as Disneyland figurines and toy cars, and almost always there is at least one egg, quiet, still and shadow-casting. Most still-life artists love to display their skill at capturing texture. In Liam Beltons very classical approach, texture is a superficial quality, easily set aside in favour of colour and composition.Pewter and Eggs (2015) and Congo Gong and Herb Cutter (2016) mark a turn away from that brief flirtation with strong colour and pop and, like Carrowmore, they epitomise Beltons love of clarity, precision and austere colours. What they all have in common is his absorption with space and with the past. The past, represented by the squat stones of the dolmen or the tribal objects and reproductions of artworks, has been reduced to stillness but the careful distancing of one item from another in the still-lifes, or viewer from dolmen in Carrowmore and his other paintings from that series, evokes a space for the stillness to work. Just as the megalithic monuments are weighed down with a sense of time and mortality, the still-life objects also recall art historical memento mori (premonitions of death) as for example in the work of Caravaggio or Dutch 17th century painters. The pervasive presence of an egg in Beltons still-life paintings may be intended to counter-act that with a suggestion of new life and re-birth, but they also read like a reference to the myth of Giottos perfect circle - the test of a great artist. In this case the egg becomes a direct reference to that other perfectly-observed egg in art, the one that dangles, enigmatically, above the Madonna and saints in Piero Della Francescos The Virgin and Child Enthroned (c. 1475) in Milan. These are paintings about art first, pondered on, arranged, adjusted, and only about life as a secondary consideration. Even the inclusion of a reproduction of a painting by William Scott in Congo Gong and Herb Cutter, has been chosen less to impress with the artists knowledge of the Moderns, but rather because Scotts emphatic shapes form a perfect co-relative for the shapes of Beltons chosen objects.A dedicated member of the RHA since 1991, Keeper of the RHA from 1995 -2001 and a former member of the Board of the National Gallery of Ireland, Liam Belton is represented by the Peppercanister Gallery. His work is to be found in major Irish art collections.Catherine MarshallAugust 2019
Adam's
May. 27, 2019
Liam Belton RHA (b.1947) TSWANA GOURD MUSICAL INSTRUMENT, 2016
Est: €5,000 - €7,000
signed lower left; signed, titled and dated on reverse
Whyte's
Apr. 30, 2019
Liam Belton RHA (b.1947)Ten EggsOil on canvas, 50 x 76cmSigned, inscribed and dated 2018 verso
Est: €5,000 - €7,000
Liam Belton RHA (b.1947)Ten EggsOil on canvas, 50 x 76cmSigned, inscribed and dated 2018 verso
Adam's
Apr. 29, 2019
Liam Belton RHA (b.1947) Pewter, Nude and Bottles (2018)
Est: €4,000 - €6,000
Liam Belton RHA (b.1947) Pewter, Nude and Bottles (2018) oil on canvas signed lower left, titled and dated 2018 verso h:43.25 w:56 cm. Provenance: Peppercanister Gallery, Dublin where purchased by the present owner In Liam Belton's still life paintings, there is often a dialogue between the nude figure (usually a depiction within the painting, an image within an image, rather than a figure per se) and an arrangement of inanimate objects. His high precision, almost austere realism provides a factual record of things, but the image is layered with implications. Here, the smooth, taut, tactile quality of skin and musculature, and the body's curves, are evoked in the eggs and pewter pot in the foreground, while the phallic candlestick surely suggests the male gaze.
Morgan O'Driscoll
Nov. 12, 2018
Liam Belton RHA (b.1947) Herb Cutter and Eggs (2005)
Est: €4,000 - €6,000
Liam Belton RHA (b.1947) Herb Cutter and Eggs (2005) oil on canvas signed lower right, titled and dated on reverse h:40.70 w:30.50 cm. Provenance: Private Collection
Morgan O'Driscoll
Nov. 12, 2018
Liam Belton RHA (b.1947) Pewter and Eggs (2016)
Est: €5,000 - €7,000
Liam Belton RHA (b.1947) Pewter and Eggs (2016) oil on canvas signed lower right, titled and dated on reverse h:40 w:61 cm. Provenance: Peppercanister Gallery, Dublin (label verso); Private Collection There's an almost eerie quality to Liam Belton's paintings. They are finished to a high degree of representational precision but are also unrealistic in that they are staged and unnatural - he prefers the term tableaux to describe them rather than the more obvious "still life." The choreography of objects in Pewter and Eggs recalls Picasso's penchant for imbuing still lifes with erotic symbolism - the anthropomorphic play is underlined here by the incorporation of the image of a female nude. The mood is different in Herb Cutter and Eggs, the dark curved blade rests against the wall, but there is an implied threat in the way that it both echoes and looms over the curved form of the eggs.
Morgan O'Driscoll
May. 30, 2018
Liam Belton RHA (b.1947)Moonlight and Rushlight Oil on canvas, 51 x 76cm (20 x 30)Signed and dated 2006. Inscribed with title and dated 2006 versoProvenance: The Peppercanister Gallery, 3 Herbert Street, Dublin 2, where purchased by present own
Est: €5,000 - €7,000
Liam Belton RHA (b.1947)Moonlight and Rushlight Oil on canvas, 51 x 76cm (20 x 30)Signed and dated 2006. Inscribed with title and dated 2006 versoProvenance: The Peppercanister Gallery, 3 Herbert Street, Dublin 2, where purchased by present owner
Adam's
May. 22, 2018
Liam Belton POPCORN & ANDIE MURPHY Oil on board, 18 x 25cm, signed, inscribed and dat
Est: €600 - €900
Liam Belton POPCORN & ANDIE MURPHY Oil on board, 18 x 25cm, signed, inscribed and dated 2011 verso. Provenance: RHA 2012
deVeres
Dec. 01, 2015
Liam Belton RHA, b.1947 LEGANANNY DOLMEN, CO DUBLIN Oil on canvas, 10 1/4'' x 27 1/2'' (26 x 70cm), signed, inscribed verso. Provenance: The Peppercanister Gallery, Dublin (label verso)
Est: €2,000 - €3,000
Liam Belton RHA, b.1947 LEGANANNY DOLMEN, CO DUBLIN Oil on canvas, 10 1/4'' x 27 1/2'' (26 x 70cm), signed, inscribed verso. Provenance: The Peppercanister Gallery, Dublin (label verso)
deVeres
Dec. 01, 2015
Liam Belton RHA, b.1947 STILL LIFE - VESSELS Oil on canvas, 20'' x 16'' (51 x 41cm), signed
Est: €2,000 - €3,000
Liam Belton RHA, b.1947 STILL LIFE - VESSELS Oil on canvas, 20'' x 16'' (51 x 41cm), signed
deVeres
Nov. 30, 2015
Liam Belton RHA (b.1947) TOOLS AND TORSO II
Est: €1,000 - €1,500
Liam Belton RHA (b.1947) TOOLS AND TORSO II charcoal on paper signed lower right; inscribed on Jorgensen Fine Art [Dublin] label on reverse h:17 w:25 in. Provenance: Jorgensen Fine Art, Dublin; Private collection; Adam's, 11 November 2014, lot 66; Private collection
Whyte's
Sep. 30, 2015
Liam Belton RHA (b.1947)Stone Breaker
Est: €500 - €700
Liam Belton RHA (b.1947)Stone Breaker, after Sevrat (1967)Conte, 25 x 15cm (9¾ x 6)Signed and inscribed; Provenance with Peppercanister Gallery, Dublin
Adam's
Jul. 06, 2015
Liam Belton RHA (b.1947) Summer Evening
Est: €800 - €1,200
Liam Belton RHA (b.1947) Summer Evening oil on canvas board signed & dated '82 lower right h:25 w:35 cm. Provenance: Private Collection
Morgan O'Driscoll
Jun. 24, 2015
Liam Belton RHA (b.1947)Storm over HowthOil on card
Est: €500 - €800
Liam Belton RHA (b.1947)Storm over HowthOil on card, 18 x 32cm (7 x 12å_)Signed and dated and inscribed 2003
Adam's
Jun. 24, 2015
Liam Belton RHA (b.1947)Kilclooney Dolmen
Est: €400 - €600
Liam Belton RHA (b.1947)Kilclooney Dolmen, Donegal Watercolour, 24.5 x 18cm (9å_ x 7)Signed, signed inscribed with title and dated 2002Mounted on card, inscribed Christmas 2002
Adam's
Jun. 24, 2015
Liam Belton RHA (b.1947)Trees in LandscapeWatercolour
Est: €200 - €400
Liam Belton RHA (b.1947)Trees in LandscapeWatercolour, 27.5 x 22cm (10å_ x 8å_)Signed and dated (20)'01Mounted on card, inscribed Christmas 2001
Adam's
Jun. 24, 2015
Liam Belton RHA (b.1947)Tree in LandscapeWatercolour
Est: €100 - €200
Liam Belton RHA (b.1947)Tree in LandscapeWatercolour, 18 x 20cm (7 x 7å_)Signed and dated 2000Mounted on card, inscribed Christmas 2000
Adam's
Jun. 24, 2015
Liam Belton RHA (b.1947)Oak and ElmWatercolour and pen & ink
Est: €100 - €200
Liam Belton RHA (b.1947)Oak and ElmWatercolour and pen & ink, 23 x 16cm (9 x 6å_)Signed and dated (19)'67 Mounted on card, inscribed Christmas 1999
Adam's
Nov. 11, 2014
Liam Belton RHA (b.1947) Tools & Torso II
Est: €1,200 - €1,800
Liam Belton RHA (b.1947) Tools & Torso II Charcoal, 43 x 65cm (17 x 25.6'') Signed
Adam's
Sep. 15, 2014
Liam Belton RHA (b.1947) Gallurus Oratory, Dingle Penninsula, Co. Kerry
Est: €400 - €600
Liam Belton RHA (b.1947) Gallurus Oratory, Dingle Penninsula, Co. Kerry pen & ink, watercolour, chalk signed lower right, signed & titled on reverse h:12.50 w:17.50 cm. Provenance: Hillsboro Fine Art, Dublin Private Collection
Morgan O'Driscoll
Dec. 02, 2013
Liam Belton RHA (b.1947) Two Vessels and Eight Eggs
Est: €4,000 - €6,000
Liam Belton RHA (b.1947) Two Vessels and Eight Eggs oil on board signed lower left, titled & dated 2001 verso h:50.50 w:76 cm.
Morgan O'Driscoll
Apr. 29, 2013
Liam Belton RHA (b.1947) Bohemian Lemon Soup and Three Eggs
Est: €4,000 - €5,000
Liam Belton RHA (b.1947) Bohemian Lemon Soup and Three Eggs oil on canvas diptych signed lower right, signed, titled & dated verso h:51 w:81 in.
Morgan O'Driscoll
Dec. 09, 2012
Liam Belton RHA (b.1947) CHIMU VESSEL and VESSEL WITH ABSTRACT, 2008 (A PAIR)
Est: €1,200 - €1,500
both signed and dated in the margin lower right; numbered / inscribed [a/p] lower left respectively; each with blind stamp of Lemon Street Dublin lower right
Whyte's
Dec. 09, 2012
Liam Belton RHA (b.1947) PEWTER TANKARD WITH EGGS, 2008
Est: €600 - €800
signed and dated in the margin lower right; numbered lower left; with blind stamp of Lemon Street Dublin lower right
Whyte's
Oct. 09, 2012
Liam Belton RHA b.1947 IN BONNARD'S GARDEN Oil on
Est: €1,500 - €2,000
Liam Belton RHA b.1947 IN BONNARD'S GARDEN Oil on board, 28½ x 13¼ (72.5 x 33.5cm), signed. Provenance: Hillsboro Fine Art 2001, label verso.
deVeres
Oct. 09, 2012
Liam Belton RHA b.1947 PEWTER FLAGON WITH DRAWING
Est: €2,000 - €4,000
Liam Belton RHA b.1947 PEWTER FLAGON WITH DRAWING Oil on canvas, 20" x 16" (51 x 41cm), signed, inscribed and dated 2011 verso.
deVeres
Sep. 24, 2012
Liam Belton RHA (b.1947) Diana and Eros oil on linen canvas
Est: €1,000 - €1,500
Liam Belton RHA (b.1947) Diana and Eros oil on linen canvas signed lower left & dated 1981 h:61 w:50.50 in.
Morgan O'Driscoll

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