Alexis-Simon Belle Paintings & Artwork for Sale | Alexis-Simon Belle Art Value Price Guide

Dec. 12, 2024
ATTRIBUÉ À ALEXIS SIMON BELLE (1674-1734)
Est: €8,000 - €12,000
ATTRIBUÉ À ALEXIS SIMON BELLE (1674-1734) Portrait d’un Grand officier de l’ordre du Saint Esprit Toile Restaurations anciennes Att. To A. S. Belle, Portrait of a Grand Officer of the Order of the Holy Spirit, canvas, with restorations 138 x 105 CM - 54,3 x 41,3 IN.
Tajan
Aug. 20, 2024
AFTER ALEXIS SIMON BELLE (FRENCH 1674-1734)
Est: £400 - £600
AFTER ALEXIS SIMON BELLE (FRENCH 1674-1734) PORTRAIT OF KING JAMES VIII AND III In a feigned oval, oil on canvas 74cm x 61cm (29in x 24in), oval
Lyon & Turnbull
Jun. 22, 2024
Ecole française du XVIIIème siècle Entourage de Alexis Simon BELLE (1674-1734)
Est: €2,800 - €3,000
Ecole française du XVIIIème siècle Entourage de Alexis Simon BELLE (1674-1734) Portrait de femme à la robe bleue et cape rouge Huile sur toile 60x48 cm (usures et restaurations)
Osenat
Jun. 09, 2024
CIRCLE OF ALEXIS-SIMON BELLE (1674-1734)
Est: €2,000 - €3,000
Portrait of a young girl with her hand on a cane Oil on canvas H: 70 x W: 57 cm ENTOURAGE D'ALEXIS-SIMON BELLE (1674-1734) Portrait de jeune-fille la main sur une canne Huile sur toile H: 70 x L: 57 cm
Antenor Auction
Nov. 09, 2022
Alexis-Simon BELLE Paris, 1674 - 1734 Portrait du prince Jacques François Edward Stuart Huile sur toile
Est: €15,000 - €20,000
Alexis-Simon BELLE Paris, 1674 - 1734 Portrait du prince Jacques François Edward Stuart Huile sur toile (Restaurations) Portrait of James Francis Edward Stuart, oil on canvas, by A. S. Belle h: 127 w: 102 cm Commentaire : Jacques François Edward Stuart (1688-1766) est le fils de la princesse Marie de Modène et du roi Jacques II d'Angleterre et d'Irlande et Jacques VII d'Ecosse. Ce dernier est renversé lors de la Grande Révolution de 1688 et s'exila à Saint-Germain-en-Laye, alors que sa fille Marie II d'Angleterre devient reine aux côtés de son mari le roi Guillaume III. A la mort de son père en 1701, Jacques Stuart est prétendant au trône d'Angleterre et d'Ecosse, soutenu par Louis XIV et ses partisans les Jacobites. Cependant, son adhésion à l'Eglise catholique romaine dans la lignée de son père permet au Parlement anglais de déposer un 'Bill d'attainder' contre lui, les royalistes considérant comme impossible son avènement s'il ne faisait pas profession d'anglicanisme. Malgré plusieurs tentatives et soulèvements, Jacques Stuart, surnommé le " Vieux Prétendant ", ne parvint pas à récupérer le trône et son père demeura le dernier de la dynastie des Stuart au pouvoir. Alexis-Simon Belle, peintre français à la cour du roi Jacques II lorsqu'il réside à Saint-Germain-en-Laye, réalise plusieurs portraits officiels de Jacques Stuart et des Jacobites. Ce portrait en armure est typique de la représentation de Jacques Stuart, portant sur sa cuirasse le ruban bleu de l'Ordre de la Jarretière. Un portrait similaire issu de l'atelier de Belle et daté de 1712 est conservé à la National Portrait Gallery de Londres. Estimation 15 000 - 20 000 €
Artcurial
Oct. 13, 2022
Portrait of Marie Leszczynska, Queen of France (1703-1768)
Est: €50,000 - €70,000
Alexis Simon Belle 1674 - 1734 Portrait of Marie Leszczynska, Queen of France (1703-1768) oil on canvas 57⅛ in. by 45 in. 145 cm by 114,4 cm ____________________________________________ Alexis Simon Belle 1674 - 1734 Portrait de Marie Leszczynska, reine de France (1703-1768) huile sur toile 57⅛ in. by 45 in. 145 cm by 114,4 cm Bid on Sotheby's
Sotheby's
Oct. 13, 2022
Portrait of a man seated wearing a red coat and holding a letter
Est: €20,000 - €30,000
Alexis-Simon Belle 1674 - 1734 Portrait of a man seated wearing a red coat and holding a letter bears a partially legible inscription on the letter lower left 172[?] oil on canvas 51 1⁄2 in. by 38 1⁄2 in. 130,7 cm by 97,7 cm ____________________________________________ Alexis-Simon Belle 1674 - 1734 Portrait d'homme assis en manteau rouge tenant une lettre inscription partiellement lisible sur la lettre en bas à gauche 172[?] huile sur toile 51 1⁄2 in. by 38 1⁄2 in. 130,7 cm by 97,7 cm Bid on Sotheby's
Sotheby's
Dec. 09, 2021
Circle of Alexis Simon Belle (French, 1674-1734)
Est: £300 - £500
Circle of Alexis Simon Belle (French, 1674-1734) Portrait of Prince James Francis Edward Stuart (1688-1766) oil on canvas 59.5 x 49cm Provenance: Property of the late Michael Stennett, Suffolk
Cheffins
Jul. 12, 2021
ALEXIS SIMON BELLE (PARIS 1674-1734) Augusta Marie Jeanne de Baden-Baden, duchesse d'Orléans (1704-1726), three-quarter-length, in gilt embroidered dress, with a page and a dog
Est: £20,000 - £30,000
ALEXIS SIMON BELLE (PARIS 1674-1734) Augusta Marie Jeanne de Baden-Baden, duchesse d'Orléans (1704-1726), three-quarter-length, in gilt embroidered dress, with a page and a dog ALEXIS SIMON BELLE (PARIS 1674-1734) Augusta Marie Jeanne de Baden-Baden, duchesse d'Orléans (1704-1726), three-quarter-length, in gilt embroidered dress, with a page and a dog oil on canvas 57¹⁄₂ x 45 in. (146.1 x 114.3 cm.)
Christie's
Apr. 20, 2021
Huile sur toile marouflée sur toile "Portrait d'une dame de qualité". Attribué à Alexis Simon Belle.
Est: €2,500 - €3,500
Huile sur toile marouflée sur toile "Portrait d'une dame de qualité". Attribué à Alexis Simon Belle. Ecole française. On y joint un certificat de René Millet daté du 17 janvier 2019 à Paris. Dim.:+/-81,5x66,5cm.
Vanderkindere
Feb. 24, 2021
DANS LE GOÛT DE SIMON BELLE (1674-1734) Portrait d'une Dame de qualité
Est: €600 - €800
DANS LE GOÛT DE SIMON BELLE (1674-1734) Portrait d'une Dame de qualité Huile sur toile ovale dans un encadrement en bois sculpté. Cadre à la Bérain. Restaurations. Dimensions : 96 x 76 cm Portrait n the style of Simon Belle, oil on oval canvas in a wooden carved frame.
Accademia Fine Art
Oct. 21, 2020
Follower of Alexis Simon Belle (Paris 1674-1734) Portrait of James Francis Edward Stuart, in armour, within a painted oval
Est: £2,000 - £3,000
Follower of Alexis Simon Belle (Paris 1674-1734) Portrait of James Francis Edward Stuart, in armour, within a painted oval bears inscription 'James VIII' (upper left) oil on canvas 78 x 63cm (30 11/16 x 24 13/16in). For further information on this lot please visit the Bonhams website
Bonhams
Jul. 04, 2020
Belle, Alexis Simon
Est: -
Portrait "Louis IV. Henri de Bourbon, Prince of Condé" (1692 Versailles - 1740 Chantilly). Beer / Lw. 133 x 100 cm. Doubl., Rest. Unsign. With Original Regency frames.
Kunst & Auktionshaus Ruef OHG
Jun. 09, 2020
Alexis Simon Belle and Workshop
Est: €30,000 - €40,000
Please note the exact Buyer’s Premium charges which can be found in the Conditions of Sale in the Terms below. (Paris 1674–1734) Portrait of Prince James Francis Edward Stuart, ‘The Old Pretender’, oil on canvas, 136.5 x 104 cm, framed Provenance: Private Collection, Belgium Exhibited: Musée de Dinant, Exposition d’une collection de Tableaux de Maitres Anciens, 1 August – 1 October 1935, as Hyacinthe Rigaud (according to a label on the reverse) We are grateful to Alastair Laing for suggesting the attribution on the basis of a digital photograph. The present portrait is of Prince James Francis Edward Stuart eldest son of James II of England and James VII of Scotland and it is linked to a major episode in the history of Britain and Ireland. After the death of King Charles II in 1685, his younger brother James Stuart (1633–1701) succeeded to the throne, ruling as James II of England and James VII of Scotland. A convinced Catholic, he looked favourably towards France and when he unexpectedly produced a male heir, James Francis Edward Stuart (1688–1766), portrayed here, the English aristocracy, horrified by the prospect of ‘papist tyranny’ appealed to William III of Orange, the Stadtholder of the Netherlands, and son-in-law of King James II. William of Orange landed in England at the head of an army in the 1688 and James II was obliged to flee to France. Later Queen Mary of Modena, disguised as a laundress, smuggled the infant heir to the throne James Francis Edward, Prince of Wales, to France. They settled in the Château of Saint-Germain-en-Laye, near Versailles, made available to them by their cousin King Louis XIV. The exiled Stuart court began to live in the French manner: the English sovereigns were often received at Versailles, Marly and Fontainebleau, hunted with the King of France and his son, the Grand Dauphin, and attended festivities at the French court. A succession of artists arrived at Saint-Germain to paint the portraits of James II, Mary of Modena, the young James Francis Edward Stuart, Prince of Wales and, soon after, the young Princess Louise Mary, born in 1692. These works, widely copied for the families loyal to the cause of the exiled king (the so-called Jacobites), were painted by the best portraitists of the royal court of France: Pierre Mignard (1612–1695) François de Troy (1645–1730), Nicolas de Largillière (1656–1746) and Hyacinthe Rigaud (1659–1743). A student of François de Troy, Alexis-Simon Belle (1674–1734), became practically the official painter of the Jacobites (see La Cour des Stuarts à Saint-Germain-en-Laye au temps de Louis XIV, exhibition catalogue, Musée des Antiquités nationales de Saint-Germain-en-Laye, 1992). The Stuart court in exile commissioned a steady flow of portraits and it has been argued that their purpose was essentially political and an important part of a long propaganda campaign, which the deposed royals maintained from 1689 until the late 1740s. Portrait painters had always been employed to project an image and reinforce the recognition of monarchs and their importance for a royal family in exile, anxious not to be forgotten, was even more crucial (see: E. Corp, The King over the Water, Portraits of the Stuarts in Exile after 1689, Scottish National Portrait Gallery, 2001). The Stuart court in exile commissioned paintings and engravings of their portraits to remind, or persuade, people that they were still the legitimate kings of England, Scotland and Ireland. Seventeenth century rulers were well aware that dynastic loyalty required visual stimulation and portraits were used as weapons in this specific war fought on several fronts and the present painting is a fine example. Another version of the present painting is in the Scotland Office, Dover House, Whitehall (136 x 107 cm). The long series of Jacobite invasions, rebellions and plots were partly made possible because people knew who they were acting for and could visualise the princes they risked their lives for. Fortunately, the Stuarts were able to employ some of the finest portraitists of the age who worked at the court of France and these artists were arguably more talented than those who were based in England at the time.
Dorotheum
May. 23, 2020
Attribué à Alexis Simon BELLE (1674 - 1734) Portraits d’enfants dont un enfant tenant un oiseau Toil
Est: €15,000 - €20,000
Attribué à Alexis Simon BELLE (1674 - 1734) Portraits d’enfants dont un enfant tenant un oiseau Toile. 113 x 87 cm Restaurations anciennes
Osenat
Oct. 20, 2019
Attribué à Alexis Simon BELLE (1674 - 1734) Portraits d’enfants dont un enfant tenant un oiseau Toil
Est: €25,000 - €30,000
Attribué à Alexis Simon BELLE (1674 - 1734) Portraits d’enfants dont un enfant tenant un oiseau Toile 113 x 87 cm Restaurations anciennes
Osenat
Oct. 03, 2019
Alexis Simon Belle Portrait of a Lady Oil Painting
Est: $20,000 - $30,000
Alexis Simon Belle Portrait of a Lady Oil Painting. This oil on canvas painting depicting a nobleman is signed by the artist Alexis Simon Belle (French, 1674 - 1734). Alexis Simon Belle was a French portraitpainter, known for his portraits of the French and Jacobite nobility. As a portrait artist, Belle's style followed that of his master François de Troy, Hyacinthe Rigaud, and Nicolas de Largillière. He was the masterof the painter Jacques-André-Joseph-Camelot Aved. Framed in a period carved and gilt frame. Frame measures approximately 61 inches x 49 inches, stretcher measures 51 inches x 39 inches.
Greenwich Auction
Jul. 28, 2019
Alexis Simon Belle Portrait of a Lady Oil Painting
Est: $20,000 - $30,000
Alexis Simon Belle Portrait of a Lady Oil Painting. This oil on canvas painting depicting a nobleman is signed by the artist Alexis Simon Belle (French, 1674 - 1734). Alexis Simon Belle was a French portrait
Greenwich Auction
Dec. 19, 2018
18th century French school. Alexis Simon Belle (attrib.)
Est: -
Escuela francesa siglo XVIII Alexis Simon Belle (attrib.). (París, 1674 - 1734). "Retrato de Marie-Geneviève le Tonnellier de Breteuil" (1733), óleo sobre lienzo, 190x110 cm. Procedencia: Antigua colección del Príncipe Giulio Durini di Monza; colección particular de Barcelona.
Sala de Ventas
Mar. 21, 2018
ALEXIS SIMON BELLE (attr. a)
Est: €4,000 - €6,000
(Parigi, 1674 - 1734) Ritratto dell'on. Simon Harcourt Olio su tela cm 81X62 Incastonata in una elegante cornice, l'opera raffigura Simon Harcourt (Stanton 1684 - Parigi 1720). Nato nel Castello di Stanton Harcourt, nell'Oxfordshire sulle sponde del fiume Tamigi, fu l'unico figlio ed erede di Rebecca Clark e del I¡ Visconte Lord Chancellor Simon Harcourt (1661-1727) che svolse un ruolo importante per il raggiungimento della Pace di Utrecht e per l'unione della Scozia all'Inghilterra. L'autore Alexis Simon Belle (Parigi 1674-1734) inizi˜ il suo apprendistato artistico nella bottega paterna, il pittore Jean Baptiste Belle (1642-1703) per poi entrare nell'atelier di Franois de Troy (1645-1730), stimato pittore alla corte del re Giacomo II d'Inghilterra in esilio a Saint-Germain en Laye. Belle si trasfer“ a St. Germain dal 1698 al 1701, diventando il suo migliore allievo e rinunciando persino al prestigioso premio di Roma che aveva vinto nel 1700. Franois de Troy si trasfer“ alla morte del re Giacomo alla corte del giovane James Edward, erede e pretendente giacobita al trono d'Inghilterra, Scozia e Irlanda e, al fine di eseguire le numerose committenze reali, chiam˜ il Belle a lavorare con lui a Londra, lasciandogli poi la sua carica di pittore di corte. Nel 1703 Belle entr˜ nell'AcadŽmie Royale presentando tre famosi ritratti, di cui uno del suo maestro. L'anno seguente espose nel Salone degli Artisti, dedicandosi poi alla ritrattistica dei membri della corte e della nobiltˆ francese ed inglese. Tra le sue opere pi importanti si ricordano i ritratti di re Luigi XV, della sua prima fidanzata Maria Anna Victoria di Spagna (1723), quello della moglie Maria Leszczynska (1740) e del suocero Stanislaw Leszczynski, Re di Polonia, tutti conservati oggi al Castello di Versailles e in diverse copie a Fontainebleau e al Louvre. Per la corte inglese,prima che lasciasse St. Germain per la Lorena, realizz˜ nel 1703 il famoso ritratto in armatura del giovane James Edward Stuart, ora presso la Royal Collection e le due bellissime tele (riprese dal David) dei giovani principi Charles Edward Stuart (1720-1788), successivo pretendente al trono e capo dell'insurrezione giacobita e del principe Henri Benedict Thomas, Duca di York (1725-1807) che divenne Cardinale a Roma. Il ritratto in esame, quindi, si presume realizzato poco prima della morte di Harcourt che il Belle aveva giˆ dipinto con lo stesso abbigliamento (Sotheby's, 14 luglio 1993, lotto 20).
Wannenes Art Auctions
Apr. 26, 2017
Follower of Alexis Simon Belle (Paris 1674-1734) Half-length portrait of Prince James Francis Edward Stuart, the 'Old Pretender' wearing armour and a blue coat 23.5 x 17.5 cm. (9 1/4 x 6 7/8 in.)
Est: £1,500 - £2,000
Half-length portrait of Prince James Francis Edward Stuart, the 'Old Pretender' wearing armour and a blue coat oil on canvas, feigned oval 23.5 x 17.5 cm. (9 1/4 x 6 7/8 in.) Footnotes Provenance: The Bernal Collection, Earls of Breadalbane and Taymouth Castle Exhibited London, The New Gallery, Exhibition of the Royal House of Stuart, 1888-1889, cat.no.157
Bonhams
Feb. 24, 2017
Attribué à Alexis Simon BELLE (1674 - 1734) Portrait de femme à la robe bleue
Est: €6,000 - €8,000
Attribué à Alexis Simon BELLE (1674 - 1734) Portrait de femme à la robe bleue Toile ovale 85 x 68, 5 cm LADY IN BLUE, ATTRIBUTED TO ALEXIS SIMON BELLE, OIL, OVAL CANVAS Portrait French School Old masters painting
Leclere - Maison de ventes
Jul. 20, 2016
ÉCOLE FRANÇAISE DE LA FIN DU XVIIe SIÈCLE.
Est: €10,000 - €15,000
ÉCOLE FRANÇAISE DE LA FIN DU XVIIe SIÈCLE. Attribué à Alexis Simon Belle (1674-1734). Portrait de la princesse Marie-Adélaïde de Savoie (1685-1712). Huile sur toile, conservée dans son cadre d' origine en bois sculpté à décor de motifs floraux. Rentoilée et restaurée, bon état général. A vue : H. : 65 cm L. : 56 cm. Cadre : H. : 81, 5 cm L. : 71, 5 cm.
HVMC - Hôtel des Ventes de Monte-Carlo
Jun. 22, 2016
Follower of Alexis Simon Belle (1674 - 1734), oval oil on canvas - portrait
Est: £1,000 - £1,500
Follower of Alexis Simon Belle (1674 - 1734), oval oil on canvas - portrait of a noblewoman with jewelled hair piece and lace-trimmed red dress, 68cm x 56cm
Reeman Dansie
Sep. 18, 2015
BELLE, ALEXIS SIMON (ZUGESCHRIEBEN)
Est: CHF8,000 - CHF12,000
BELLE, ALEXIS SIMON (ZUGESCHRIEBEN) (1674 Paris 1734) Porträt einer Dame mit einem Papagei in einer Landschaft. Öl auf Leinwand. 101 x 81 cm. Provenienz: - Sammlung The Hon. Marmaduke Constable-Maxwell. - Auktion Christie's, 1873. - Sammlung George Lindsay Holford. - Auktion Christie's, Sammlung George Lindsay Holford, Westonbirt, 17.-18.5.1928, Los 123, verkauft an Tooth. - Auktion Christie's, Sammlung Sawbridge-Erle-Drax, 10.5.1935, Los 45, verkauft an Jacobs. - Sammlung Jelko Yuresha, London, New York, Zürich. Literatur: - The Holford Collection, Westonbirt, 1924, Nr. 107, Plate LXXXVIII. - The Connoisseur, Juni 1967. Edward Corp schlägt eine Zuschreibung unseres Gemäldes an Alexis Simon Belle anhand einer Fotografie vor und datiert es in sein Spätwerk in den 1720er Jahren, wofür wir ihm danken. Er vermutet aufgrund der Provenienz des Gemäldes, dass die Dargestellte eine Dame aus der Constable oder der Maxwell Familie war. Alexis Simon Belle war Sohn des Malers Jean Belle und studierte bei ihm sowie beim Porträtmaler François de Troy (1645-1730). 1700 gewann Belle den Prix de Rome, wodurch er die Möglichkeit erlangte eine Studienreise nach Italien zu unternehmen. Der Künstler entschied sich jedoch in Paris zu bleiben, in der Hoffnung neue Auftraggeber unter dem französischen Adel zu finden. Nach seinem Umzug nach Saint-Germain-en-Laye im Jahre 1701 führte er eine Reihe von Bildnissen für den Hof des verbannten englischen Monarchen James III. aus. 1703 wurde er von der Académie Royale aufgenommen und stellte im darauffolgenden Jahr im Salon aus. Durch die engen Beziehungen zwischen dem französischen Hof in Versailles und dem Hof der Stuarts in Saint-Germain gelang es Belle sich auch beim französischen Adel und beim polnischen Königshof Anerkennung zu verschaffen. Zu seinen Auftraggebern zählten unter anderem Louis XV. und Königin Marie Leszczynska sowie ihr Vater Stanislaw I Leszczynsky, König von Polen - deren Porträts sich alle im Château de Versailles befinden. ATTRIBUTED TO BELLE, ALEXIS SIMON (1674 Paris 1734) Portrait of a lady, with a parrot, in a landscape. Oil on canvas. 101 x 81 cm. Provenance: - Collection of The Hon. Marmaduke Constable-Maxwell. - Christie's, 1873. - Collection of George Lindsay Holford. - Christie's, George Lindsay Holford Collection, Westonbirt, 17.-18.5.1928, Lot 123, sold to Tooth. - Christie's, Sawbridge-Erle-Drax Collection, 10.5.1935, Lot 45, sold to Jacobs. - Collection of Jelko Yuresha, London, New York, Zurich. Literature: - The Holford Collection, Westonbirt, 1924, No. 107, Plate LXXXVIII. - The Connoisseur, June 1967. We are grateful to Edward Corp for suggesting an attribution of Alexis Simon Belle and a dating as one of his late works in the 1720s, on the basis of a photograph. Due to the provenance of the present work, he suspects that the sitter was a lady from the Constable or Maxwell family.
Koller Auctions
Jun. 17, 2015
Alexis Simon Belle (1674-1734),
Est: CHF1,000 - CHF1,500
Alexis Simon Belle (1674-1734), d'après, Portrait de Antonin Nompart de Caumont, duc de Lauzun, huile sur toile, 131x110 cm
Piguet Hôtel des Ventes | Genève
Jun. 16, 2015
Attribué à Alexis Simon BELLE (1674-1734) Portrait d'homme en habit brodé Toile ovale Oval canvas 65 x 53cm (25 5/8 IN. X 20 13/16 I...
Est: €3,000 - €5,000
Attribué à Alexis Simon BELLE (1674-1734) Portrait d'homme en habit brodé Toile ovale Oval canvas 65 x 53cm (25 5/8 IN. X 20 13/16 IN.) Petits manques et restaurations anciennes
Tajan
May. 13, 2015
AFTER ALEXIS-SIMON BELLE (FRENCH 1674-1734) PORTRAIT MINIATURE OF KING JAMES VIII AND III 8cm x 6cm (3in x 2.25in), oval
Est: £1,000 - £1,500
AFTER ALEXIS-SIMON BELLE (FRENCH 1674-1734) PORTRAIT MINIATURE OF KING JAMES VIII AND III Watercolour 8cm x 6cm (3in x 2.25in), oval
Lyon & Turnbull
May. 13, 2015
AFTER ALEXIS SIMON BELLE (FRENCH 1674-1734) PORTRAIT OF KING JAMES VIII AND III 74cm x 61cm (29in x 24in), oval
Est: £400 - £600
AFTER ALEXIS SIMON BELLE (FRENCH 1674-1734) PORTRAIT OF KING JAMES VIII AND III In a feigned oval, oil on canvas 74cm x 61cm (29in x 24in), oval
Lyon & Turnbull
Jun. 24, 2014
MANNER OF ALEXIS SIMON BELLE (FRENCH 1674-1734) PORTRAIT OF EMPEROR CHARLES VI OF SPAIN, BOHEMIA AND HUNGARY 66cm x 49cm (26in x 19....
Est: £800 - £1,200
MANNER OF ALEXIS SIMON BELLE (FRENCH 1674-1734) PORTRAIT OF EMPEROR CHARLES VI OF SPAIN, BOHEMIA AND HUNGARY Oil on canvas 66cm x 49cm (26in x 19.25in)
Lyon & Turnbull
Jun. 29, 2012
Alexis Simon BELLE (Paris 1674-1734) Portrait de Louis Alexandre de Bourbon, comte de Toulouse Toile 160 x 119 cm
Est: €30,000 - €40,000
Alexis Simon BELLE (Paris 1674-1734) Portrait de Louis Alexandre de Bourbon, comte de Toulouse Toile 160 x 119 cm
Piasa
Apr. 17, 2012
Circle of Alexis-Simon Belle (Paris 1674-1734), late 18th Century Charles, Archduke of Austria, the future Holy Roman Emperor Charles VI
Est: £1,000 - £1,500
Charles, Archduke of Austria, the future Holy Roman Emperor Charles VI oil on canvas 72 x 60cm (28 3/8 x 23 5/8in).
Bonhams
Feb. 07, 2012
Circle of ALEXIS-SIMON BELLE (French, 1674-1734) Portra
Est: $4,000 - $6,000
Circle of ALEXIS-SIMON BELLE (French, 1674-1734) Portrait of a Seated Lady, circa 1750 Oil on canvas 30 x 24 inches (76.2 x 61.0 cm) PROVENANCE: Private collection.
Heritage Auctions
Dec. 07, 2011
Alexis-Simon Belle (Paris 1674-1734)
Est: £7,000 - £10,000
Alexis-Simon Belle (Paris 1674-1734) Portrait of a boy as Mars, half-length, in a richly embroidered dress and black feather headdress, holding a spear and a helmet oil on canvas, oval, the spandrels made up 28 x 23 5/8 in. (71.1 x 59.4 cm.)
Christie's
Oct. 12, 2011
Circle of Alexis-Simon Belle (Paris 1674-1734)
Est: £800 - £1,200
Circle of Alexis-Simon Belle (Paris 1674-1734) Portrait of a gentleman, half length wearing armour Oil on canvas Oval 78.5 x 58.5 cm (31 x 23 in)
Dreweatts 1759
Oct. 07, 2011
AFTER ALEXIS-SIMON BELLE, (FRENCH 1674-1734), PORTRAIT OF A LADY, SAID TO BE PRINCESS LOUISA MARIA THERESA STUART
Est: $1,000 - $1,500
AFTER ALEXIS-SIMON BELLE (french 1674-1734)/span PORTRAIT OF A LADY, SAID TO BE PRINCESS LOUISA MARIA THERESA STUART Inscribed 'Maria di Este / Queen Consort of James 2d (sic) / Godmother of Charles Bodenham' lower left, oil on canvas 30 x 25 in. (76.2 x 63.5cm)
Freeman's | Hindman
Jul. 20, 2011
Circle of Alexis-Simon Belle (Paris 1674-1734)
Est: £700 - £1,000
Circle of Alexis-Simon Belle (Paris 1674-1734) Portrait of a gentleman, bust-length, in a burgundy wrap and white stock, feigned oval oil on canvas 32½ x 25½ in. (82.5 x 65 cm.)
Christie's
May. 24, 2011
Circle of Alexis-Simon Belle (Paris 1674-1734)
Est: £2,000 - £3,000
Circle of Alexis-Simon Belle (Paris 1674-1734) Portrait of a gentleman, half length wearing armour, Oil on canvas, Oval, 78.5 x 58.5cm (31 x 23in)
Dreweatts 1759
Apr. 21, 2011
Circle of Alexis-Simon Belle (Paris 1674-1734) An Unknown Nobleman, called Prince James Francis Edward Stuart (1688-1766), known as 'The Old Pretender'
Est: £700 - £1,000
An Unknown Nobleman, called Prince James Francis Edward Stuart (1688-1766), known as 'The Old Pretender' oil on canvas 41.2 x 31.8cm (16 1/4 x 12 1/2in).
Bonhams
Dec. 10, 2010
Circle of Alexis-Simon Belle (Paris 1674-1734)
Est: £2,000 - £3,000
Circle of Alexis-Simon Belle (Paris 1674-1734) Portrait of a gentleman, half-length, in armour and red scarf oil on canvas, oval 31¾ x 24½ in. (80.7 x 62.2 cm.)
Christie's
Sep. 14, 2010
Follower of Alexis-Simon Belle (French, 1674-1734) Portrait of Queen Maria Leszczynska, half-length, in a red dress with an ermine-trimmed robe
Est: £1,000 - £1,500
Portrait of Queen Maria Leszczynska, half-length, in a red dress with an ermine-trimmed robe oil on canvas 81.5 x 65.5cm (32 1/16 x 25 13/16in).
Bonhams
Jun. 23, 2010
Follower of Alexis-Simon Belle (French, 1674-1734) Portrait of Queen Maria Leszczynska, half-length, in a red dress with an ermine-trimmed robe
Est: £2,000 - £3,000
Portrait of Queen Maria Leszczynska, half-length, in a red dress with an ermine-trimmed robe oil on canvas, 81.5 x 65.5cm (32 1/16 x 25 13/16in).
Bonhams
Jun. 08, 2010
ALEXIS-SIMON BELLE
Est: €15,000 - €20,000
ALEXIS-SIMON BELLE PARIGI 1674-1734 RITRATTO DI GENTILUOMO olio su tela 124.5 x 97 cm
Sotheby's
Jun. 23, 2009
ENTOURAGE D'ALEXIS-SIMON BELLE (PARIS 1674-1734)
Est: €20,000 - €30,000
ENTOURAGE D'ALEXIS-SIMON BELLE (PARIS 1674-1734) Portrait d'un artiste avec sa famille Huile sur toile 147,8 x 116,5 cm.
Christie's
Jun. 29, 2008
Alexis Simon BELLE (Paris 1674 - 1734) - Portrait
Est: €30,000 - €40,000
Alexis Simon BELLE (Paris 1674 - 1734) - Portrait de Marie Leszcsynska...
Osenat
Jun. 25, 2008
Alexis-Simon Belle , Paris 1674 - 1734 Portrait d'homme assis en manteau rouge tenant une lettre Huile sur toile Dans son cadre d'origine en bois sculpté doré d'époque Régence
Est: €20,000 - €30,000
Huile sur toile Dans son cadre d'origine en bois sculpté doré d'époque Régence
Sotheby's
Jun. 06, 2008
Attributed to Alexis-Simon Belle Paris 1674 - 1734 , Portrait of a woman, said to be Adrienne LeCouvreur oil on canvas
Est: $6,000 - $8,000
oil on canvas
Sotheby's
Jun. 05, 2008
Alexis-Simon Belle , Paris 1674 - 1734 Portrait of the Hon Mildmay Fane (1689-1715) oil on canvas, held in a British Baroque style frame
Est: £20,000 - £30,000
three-quarter length, standing wearing a silk embroidered coat with a blue cloak, his right hand on his hip, his left arm resting on a plinth, with a landscape beyond to the right later inscribed l.l.; My. fifth son of/ vere E. of Westmorland, and insribed on label, verso; Mildmay - 5th - son of/ the 4th Earl of Westmorland/ purchased by Augusta Fane - at the sale/ of the Apethorpe pictures - June 1892 oil on canvas, held in a British Baroque style frame
Sotheby's