Thomas Barker of Bath Sold at Auction Prices

THOMAS BARKER OF BATH (BRITISH 1769-1847), DROVERS WITH CATTLE

THOMAS BARKER OF BATH (BRITISH 1769-1847)DROVERS WITH CATTLE Oil on canvas52 x 62cm (20¼ x 24¼ in.)

THOMAS BARKER OF BATH (BRITISH 1769-1847)

THOMAS BARKER OF BATH (BRITISH 1769-1847) FISHING BY A BRIDGE pen and ink and sepia wash 20 x 16cm; 8 x 6½in together with a further drawing of rustic figures by a camp, by the same hand both unframed (2)

Attributed to Thomas Barker of Bath (British, 1769-1847)

Attributed to Thomas Barker of Bath (British, 1769-1847) A traveller with horses pencil and watercolour 7 x 18cm The present work is compositionally related to the figures and animals depicted in Lot 229. A similar group is also present in a work by Barker in the Victoria Art Gallery, Bath (BATVG : P : 1962.1).

Thomas Barker of Bath (UK,1769-1847) oil painting antique

ARTIST: Thomas Barker of Bath (United Kingdom, 1769 - 1847) TITLE: Outdoor Scene YEAR: 1809 MEDIUM: oil on canvas CONDITION: Relined. Missing a few flakes of paint. Some craquelure. Some scattered inpaintings. Some small damages to frame. ART SIZE: 40 x 30 inches / 101 x 76 cm FRAME SIZE: 46 x 36 inches / 116 x 91 cm SIGNATURE: lower left NAME VARIANTS: Thomas Baker of Bath CATEGORY: old antique vintage painting for auction sale online AD: ART WANTED: Consign, Trade In, Cash Offer SKU#: 133235 US Shipping $249 + insurance. BIOGRAPHY: Thomas Barker or Barker of Bath (1769 - 11 December 1847), was a British painter of landscape and rural life. Barker was born in 1769, at Trosnant near the village of Pontypool, in Monmouthshire. His father, Benjamin Barker, was the son of a barrister, and practiced as an artist, but never attempted more than the portraits of horses. He eventually took up employment as a Japanware decorator. Barker was an occasional exhibitor at the Royal Academy and the British Institution for almost fifty years, during which period he exhibited nearly one hundred pictures. He was a prolific artist, and painted a wide range of subjects. Few pictures of the English school are more generally known and appreciated than The Woodman, of which it appears two were painted, both of them from nature, and of life size: the first was sold to Mr. Macklin for 500 guineas; the second, for the same amount, became the property of Lord W. Paulett. In 1821 he painted the Trial of Queen Caroline, which included portraits of many celebrated men; but perhaps the best effort of Barker's pencil skill was the fresco, 30 feet in length, and 12 feet in height, representing The Inroad of the Turks upon Scio, in April, 1822, painted on the wall of his residence, Sion Hill, Bath. When Barker's talents were in full vigour, no artist of his time had a greater hold on popular favour; his pictures of The Woodman, Old Tom (painted before he was seventeen years of age), and gipsy groups and rustic figures, were copied onto almost every possible material: Staffordshire pottery, Worcester china, Manchester cottons, and Glasgow linens. At one time he amassed considerable property by the sale of his works, and spent a large sum in building a mansion for his residence, enriching it with sculpture and other works of art. He died at Bath in 1847.Barker was one of the first British artists to use Lithography as a print medium and contributed two prints Young Boy Seated, and Tilemakers to Specimens of Polyautography, the first British publication of a collection of Lithographic plates, originally published by Philipp Andre in 1803, and then reissued in an enlarged edition by Vollweiler in 1806-07. Barker's series of Rustic figures after nature published in Bath in 1813 in a small edition, is the first series of lithographs by a British single artist. Some of Barker's stones survive.There are six paintings by Barker in the Tate Gallery, including A Woodman and his Dog in a Storm (originally presented to the National Gallery in 1868) and several landscapes.The British Museum holds a number of Barker's drawings and prints.Three of Barker's paintings, Italian Landscape 1808, Landscape with a Waterfall and Landscape with Cattle are in Wolverhampton Art Gallery. A painting of Wooded landscape with gipsies round a camp fire turned out to be probably the work of Barker painted over an earlier work by Michael Dahl, was featured on the BBC television series Fake or Fortune? in 2019. Barker's work on this subject was heavily inspired by Gainsborough's, and he painted several copies of The Gipsies, as well as many gypsy works of his own. He used the grouping from Gainsborough's The Gipsies as the background to one of his 1789 self-portraits.In an episode of BBC's Britain's Lost Masterpieces broadcast in November 2019, a forest scene thought to be a copy of a famous painting by Gainsborough, was located at Birmingham Art Gallery. Following a full restoration by Simon Gillespie, the work was attributed Barker.In 1825, Thomas Barker painted a fresco depicting the Chios Massacre on the walls of Doric House, Bath, Somerset.

Attributed to Thomas Barker of Bath (1769-1847) - Pencil drawing - Roman soldiers, signed in ink, 13.5ins x 9

Attributed to Thomas Barker of Bath (1769-1847) - Pencil drawing - Roman soldiers, signed in ink, 13.5ins x 9.5ins, Lawson Wood (1878-1957) - pen, ink and pencil - a horse-drawn omnibus, initialled, 3ins x 3.25ins, and six other figural studies and portraits, all unframed, (8).

THOMAS BARKER OF BATH (BRITISH 1769-1847), FIGURES DANCING AMONG ANCIENT RUINS

THOMAS BARKER OF BATH (BRITISH 1769-1847)FIGURES DANCING AMONG ANCIENT RUINS IN AN ITALIAN LANDSCAPEOil on canvas132.5 x 188cm (52 x 74 in.)

Thomas Barker of Bath (UK, 1769 - 1847)

Thomas Barker of Bath (United Kingdom, England, 1769 - 1847) Oil on canvas painting of figures on a pathway. Signed and dated lower left. Sight Size: 40 x 30 in. Overall Framed Size: 46 x 35.5 in.

THOMAS BARKER OF BATH (PONTYPOOL 1769-1847 BATH) A stormy wooded landscape

THOMAS BARKER OF BATH (PONTYPOOL 1769-1847 BATH) A stormy wooded landscape with foragers by a river oil on canvas 40 x 49 7⁄8 in. (101.6 x 126.7 cm.)

Thomas Barker of Bath (UK,1769-1847) oil painting antique

ARTIST: Thomas Barker of Bath (United Kingdom, 1769 - 1847) TITLE: Resting Travelers MEDIUM: oil on canvas CONDITION: Relined. Minor scratches/paint losses. No visible inpaint under UV light. ART SIZE: 15 x 19 inches / 38 x 48 cm FRAME SIZE: 29 x 33 inches / 73 x 83 cm SIGNATURE: unsigned PROVENANCE: Bonhams Oxford, Date 2012-09-05, Lot 156 ATTENTION: This lot is located at our Mamaroneck, NY office. CATEGORY: old antique vintage painting for auction sale online AD: ART WANTED: Consign, Trade In, Cash Offer SKU#: 131061 US Shipping $90 + insurance. BIOGRAPHY: Thomas Barker or Barker of Bath (1769 - 11 December 1847), was a British painter of landscape and rural life. Barker was born in 1769, at Trosnant near the village of Pontypool, in Monmouthshire. His father, Benjamin Barker, was the son of a barrister, and practiced as an artist, but never attempted more than the portraits of horses. He eventually took up employment as a Japanware decorator.Barker was an occasional exhibitor at the Royal Academy and the British Institution for almost fifty years, during which period he exhibited nearly one hundred pictures. He was a prolific artist, and painted a wide range of subjects. Few pictures of the English school are more generally known and appreciated than The Woodman, of which it appears two were painted, both of them from nature, and of life size: the first was sold to Mr. Macklin for 500 guineas; the second, for the same amount, became the property of Lord W. Paulett. In 1821 he painted the Trial of Queen Caroline, which included portraits of many celebrated men; but perhaps the best effort of Barker's pencil skill was the fresco, 30 feet in length, and 12 feet in height, representing The Inroad of the Turks upon Scio, in April, 1822, painted on the wall of his residence, Sion Hill, Bath.When Barker's talents were in full vigour, no artist of his time had a greater hold on popular favour; his pictures of The Woodman, Old Tom (painted before he was seventeen years of age), and gipsy groups and rustic figures, were copied onto almost every possible material: Staffordshire pottery, Worcester china, Manchester cottons, and Glasgow linens. At one time he amassed considerable property by the sale of his works, and spent a large sum in building a mansion for his residence, enriching it with sculpture and other works of art. He died at Bath in 1847.Barker was one of the first British artists to use Lithography as a print medium and contributed two prints Young Boy Seated, and Tilemakers to Specimens of Polyautography, the first British publication of a collection of Lithographic plates, originally published by Philipp Andre in 1803, and then reissued in an enlarged edition by Vollweiler in 1806-07. Barker's series of Rustic figures after nature published in Bath in 1813 in a small edition, is the first series of lithographs by a British single artist. Some of Barker's stones survive.There are six paintings by Barker in the Tate Gallery, including A Woodman and his Dog in a Storm (originally presented to the National Gallery in 1868) and several landscapes.The British Museum holds a number of Barker's drawings and prints.Three of Barker's paintings, Italian Landscape 1808, Landscape with a Waterfall and Landscape with Cattle are in Wolverhampton Art Gallery.A painting of Wooded landscape with gipsies round a camp fire turned out to be probably the work of Barker painted over an earlier work by Michael Dahl, was featured on the BBC television series Fake or Fortune? in 2019. Barker's work on this subject was heavily inspired by Gainsborough's, and he painted several copies of The Gipsies, as well as many gypsy works of his own. He used the grouping from Gainsborough's The Gipsies as the background to one of his 1789 self-portraits.In an episode of BBC's Britain's Lost Masterpieces broadcast in November 2019, a forest scene thought to be a copy of a famous painting by Gainsborough, was located at Birmingham Art Gallery. Following a full restoration by Simon Gillespie, the work was attributed Barker.In 1825, Thomas Barker painted a fresco depicting the Chios Massacre on the walls of Doric House, Bath, Somerset.

British School, Varley & Barker, ink drawings

Cornelius Varley (British, 1781-1873), Study of a Cottage, pencil and ink wash on paper, gallery label verso, matted and framed under plexiglass, 7.5"h x 12.5"w (sight), 14.5"h x 19.5"w (frame), together with Thomas Barker of Bath (British, 1769-1847), Cottage Landscape, inscribed verso "Some cottages and shed in a piece of ground behind the crescent, once Mr. Ansley's garden....", gallery label verso frame, matted and framed under plexiglass, 9"h x 12"w (sight), 15"h x 18.5"w (frame)

Thomas Barker of Bath (British, 1769-1847)

Thomas Barker of Bath (British, 1769-1847), "Washing Sheep", oil on canvas, unsigned, handwritten partial label with artist name and title on stretcher, 27 5/8 in. x 41 1/4 in., framed with artist and title plaque, overall 48 5/8 in. x 35 1/2 in. x 2 3/4 in.

THOMAS BARKER, CALLED BARKER OF BATH (1769-1847)*

THOMAS BARKER, CALLED BARKER OF BATH (1769-1847)* THOMAS BARKER, CALLED BARKER OF BATH (1769-1847) Pastoral landscape oil on canvas 61 x 76 cm unframed *Please note, the lot has been imported from outside the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price.

Thomas Barker of Bath (British, 1769-1847)

Thomas Barker of Bath (British, 1769-1847) Oil on Canvas. Signed and dated (Nov 1809) lower left. Has been relined. Sight Size: 40 x 30 in. Overall Framed Size: 46 x 35.5 in.

Thomas Barker of Bath (British, 1769-1847)

Thomas Barker of Bath (British, 1769-1847) , "Washing Sheep", oil on canvas, unsigned, handwritten partial label with artist name and title on stretcher, 27 5/8 in. x 41 1/4 in., framed with artist and title plaque.

Circle of Thomas Barker of Bath (Pontypool 1769-1847 Bath) A wooded landscape with a traveller before a riverside cottage

Circle of Thomas Barker of Bath (Pontypool 1769-1847 Bath) A wooded landscape with a traveller before a riverside cottage oil on canvas 28.3 x 36.2cm (11 1/8 x 14 1/4in). For further information on this lot please visit the Bonhams website

Attrib Thomas Barker of Bath (1769-1817) British

Attributed to Thomas Barker of Bath (1769-1817) British, watercolor. Barker was heavily influenced by Gainsborough. He became highly popular in the first half of the19th Century and was extremely prolific. Overall Size: 27 1/2 x 21 1/2 in. Sight Size: 16 x 10 in.

THOMAS BARKER, CALLED BARKER OF BATH (PONTYPOOL 1769-1847 BATH)*

THOMAS BARKER, CALLED BARKER OF BATH (PONTYPOOL 1769-1847 BATH) THOMAS BARKER, CALLED BARKER OF BATH (PONTYPOOL 1769-1847 BATH) Pastoral Landscape oil on canvas 61 x 76 cm (24 x 30 in) unframed *indicates that this lot has been imported under Temporary Admission.

Circle of Thomas Barker of Bath (Pontypool 1769-1847 Bath) A wooded landscape with a traveller before a riverside cottage

Circle of Thomas Barker of Bath (Pontypool 1769-1847 Bath) A wooded landscape with a traveller before a riverside cottage oil on canvas 28.3 x 36.2cm (11 1/8 x 14 1/4in). For further information on this lot please visit the Bonhams website

Manner of Thomas Barker of Bath (WELSH, 1769–1847) oil on panel, Landscape/Pasture with animals and herdsman, in early 18/19th Century Frame, panel size 8-1/4 x 11-1/2 inches

Manner of Thomas Barker of Bath (WELSH, 1769–1847) oil on panel, Landscape/Pasture with animals and herdsman, in early 18/19th Century Frame, panel size 8-1/4 x 11-1/2 inches

Follower of Thomas Barker of Bath (Pontypool 1769-1847 Bath) An extensive river landscape with travellers on horseback

Follower of Thomas Barker of Bath (Pontypool 1769-1847 Bath) An extensive river landscape with travellers on horseback oil on canvas 75.6 x 110.4cm (29 3/4 x 43 7/16in). For further information on this lot please visit the Bonhams website

BARKER OF BATH, THOMAS (1769-1846), "Hirten mit Kühen an einem Ufer",

BARKER OF BATH, THOMAS (1769-1846), "Shepherds with cows on a bank", oil/canvas relined, HxW: approx. 34x44 cm (46x56.5 cm with frame). Slightly craquelure and signs of wear on the outer edges. restored and retouched. With frame, with plaque with the artist's name. VERSO red lacquer seal and naming of the previous owner: Lord Colborne collection. PROVENANCE: Estate of a Berlin art dealer.

Circle of Thomas Barker of Bath, British 1769-1847- A wooded landscape on the edge of a lake;

Circle of Thomas Barker of Bath, British 1769-1847- A wooded landscape on the edge of a lake; oil on canvas, 63.5 x 76.5 cm. Provenance: Private Collection, UK. Note: This artist's skilled execution of a romanticised lake-side landscape is likely influenced by the landscape compositions of Thomas Barker of Bath, who would at times similarly adopt unusual close-cropped vantage points, rather than the sweeping views more typical of the likes of Richard Wilson (1713-1782) a century earlier (see 'Hampton Rocks, Morning' by Thomas Barker held by the Victoria Gallery, Bath, no.BATVG:P:1985.1). The present work portrays a distant vista, yet viewed from a foreground area rendered immediately in front of the viewer, thus serving to invite the audience into the natural world. The prominent central rock is an unusual compositional device which both vertically splits the landscape in two between the foreground and distant landscape, and animates the otherwise relatively static scene. Please refer to department for condition report

Thomas Barker of Bath (1769-1847) British, A Scene of Cattle Crossing a River with Figures Conversing in the F

Thomas Barker of Bath (1769-1847) British, A Scene of Cattle Crossing a River with Figures Conversing in the Foreground, Watercolour. 8.5" x 12.5".

Attributed to Thomas Barker of Bath

(British, 1769-1847) Seated Man, unsigned, sepia ink and ink wash on laid paper, 7-5/8 x 4-3/4 in.; modern frame, 16 x 12-1/2 in. Note: This lot bears some similarity to a group of figural drawings that were published as lithographs in 1813 titled, Forty Lithographic Impressions from Drawings of Landscape Scenery by Thomas Barker, Selected from His Studies of Rustic Figures after Nature.

THOMAS BARKER OF BATH BEGGAR BOY OF BATH

115263THOMAS BARKER OF BATH BEGGAR BOY OF BATH Barker, Thomas (1769-1847). Attributed to Thomas Barker of Bath. May be an After. Original oil on board. 6x8 Size: 6x8" Condition: Fine

YOUNG COUNTRY GIRL RESTING BY A TREE.

Watercolour, 20 x 27,5 cm, velin paper, unsigned (rubbed and stained, sm. defects at corners). - Thomas Barker, known as "Barker of Bath" (1769-1847), British painter of landscapes and rural life. Attribution on label verso. - Prov. A. Van Loock (collector's stamp on verso, Lugt 3751). - Joined: Anonymous - Doves and turkeys in the country. Watercolour, 22,5 x 30,5 cm, velin paper (margins sl. stained). Stuck by upper edge under same passe-partout. (2 pcs)

Thomas Barker of Bath (1769-1847) British. A Scene of Cattle Crossing a River with Figures Conversing in the F

Thomas Barker of Bath (1769-1847) British. A Scene of Cattle Crossing a River with Figures Conversing in the Foreground, Watercolour. 8.5 x 12.5 .

Thomas Barker of Bath (1769-1847)

Thomas Barker of Bath (1769-1847) Thomas Barker of Bath (1769-1847) A carrier with a grey horse hauling a sledge, his brown and white spaniel beside him oil on panel 16 x 20cm Provenance: A London private collection.

Thomas Barker of Bath (1769-1847)

Thomas Barker of Bath (1769-1847) Thomas Barker of Bath (1769-1847) A carrier with a grey horse hauling a sledge, his brown and white spaniel beside him oil on panel 16 x 20cm Provenance: A London private collection.

BARKER OF BATH, Thomas zugeschrieben (1769 Pontypool - 1847 Bath). Thomas Parker of Bath attr. - Kühe am Waldesrand.

BARKER OF BATH, Thomas zugeschrieben(1769 Pontypool - 1847 Bath) Kühe am Waldesrand Öl/Leinwand. Unsigniert. 1. H. 19. Jh. 46 x 61 cm. Framed : 70 x 86 cm. Hirte mit dem Vieh am Ufer eines Waldbaches nahe einer Lichtung . Altersspuren. Wenn Thomas Barker of Bath, dann: Englischer Landschafts-, Bildnis- und Genremaler. Literature: Thieme/Becker.

THOMAS BARKER (OF BATH) (BRITISH, 1769-1847) MAN AND HIS DOG SITTING UNDER A TREE Pen and ink and wash on paper: 14 x 20 3/4 in. (si...

THOMAS BARKER (OF BATH) (BRITISH, 1769-1847) MAN AND HIS DOG SITTING UNDER A TREE Pen and ink and wash on paper: 14 x 20 3/4 in. (sight), 24 1/4 x 30 1/4 in. Framed; verso inscribed and signed: Barker of Bath /

THOMAS BARKER OF BATH (PONTYPOOL 1769-1847 BATH) Cowherds with cattle on a

THOMAS BARKER OF BATH (PONTYPOOL 1769-1847 BATH) Cowherds with cattle on a dirt road oil on canvas, unlined 27 7/8 x 36 in. (70.8 x 91.4 cm.)

Thomas Barker of Bath (1769-1847) British. A Scene of Cattle Crossing a River with Figures Conversing in the F

Thomas Barker of Bath (1769-1847) British. A Scene of Cattle Crossing a River with Figures Conversing in the Foreground, Watercolour. 8.5" x 12.5".

Thomas Barker of Bath, British 1769-1847- Goodrich Castle, c.1800; pen and black ink and wash, 35

Thomas Barker of Bath, British 1769-1847- Goodrich Castle, c.1800; pen and black ink and wash, 35.5x51.5cm Provenance: with Abbott & Holder Ltd., London, according to the label attached to the reverse. Please refer to department for condition report

Thomas Barker of Bath (1769-1847) British. A Scene of Cattle Crossing a River with Figures Conversing in the F

Thomas Barker of Bath (1769-1847) British. A Scene of Cattle Crossing a River with Figures Conversing in the Foreground, Watercolour. 8.5" x 12.5".

Thomas Baker of Bath (1769-1847), view of 'Low Harrogate, North Yorkshire', pen & ink with watercolour, 4" x 7

Thomas Baker of Bath (1769-1847), view of 'Low Harrogate, North Yorkshire', pen & ink with watercolour, 4" x 7". Provenance: Thomas Agnews & Sons, London.

Manner of Thomas Barker / Barker of Bath (1769?184…

Manner of Thomas Barker / Barker of Bath (1769?1847), Oil on panel, A landscape scene depicting two boys watching dogs fighting. Approx. 12 1/4" x 9 1/4"

Pair Antique British Prints

Barefoot Boy. Two Gleaners. 2 lithographs by Thomas Barker of Bath ((1769-1847). From Rustic Figures After Nature, Bath, 1813.. Sights 9" x 6".

THOMAS BARKER OF BATH (1769-1847)

Animated stormy landscape, Watercolour

Thomas Barker of Bath (1769-1847) British. An Extensive Classical Landscape, with Figures with Cows and Sheep, Oil on Canvas, in a Fine Gilt Hollow Frame, 51.5" x 69.5".

Thomas Barker of Bath (1769-1847) British. An Extensive Classical Landscape, with Figures with Cows and Sheep, Oil on Canvas, in a Fine Gilt Hollow Frame, 51.5" x 69.5".

Thomas Barker, Moroccan Harbour, 18th/19th c.

Attributed to Barker, Thomas called "Barker of Bath" (British, 1769-1847). Moroccan harbor scene with low-setting sun. 18th/19th century. Oil on canvas. Evident re-vanish and craquelure throughout. Signed l.l. 12" x 15 3/4". Frame 18" x 22". Condition: Evident re-vanish all over surface. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

Thomas Barker of Bath (1769-1847) British. "The Philanthropist", an Interior with a Seated Man, and a Mother and Children, with a Religious Scene beyond, Oil on Canvas, Indistinctly Signed, 28.5" x 36".

Thomas Barker of Bath (1769-1847) British. "The Philanthropist", an Interior with a Seated Man, and a Mother and Children, with a Religious Scene beyond, Oil on Canvas, Indistinctly Signed, 28.5" x 36".

PAIR OF WATERCOLOURS BY THOMAS BARKER (OF BATH) 1769-1847 VIEW OF TRYFAN & MOUNTAIN LAKE SCENE

PAIR OF WATERCOLOURS BY THOMAS BARKER (OF BATH) 1769-1847 VIEW OF TRYFAN & MOUNTAIN LAKE SCENE

[Lithography]. Barker of Bath, Th. (1769-1847). (A woman, two children). Lithograph, pen manner, ±18

[Lithography]. Barker of Bath, Th. (1769-1847). (A woman, two children). Lithograph, pen manner, ±1803, 22x33,5 cm., signed "Barker del" on the stone. - Foxed; blank margin sl. irregularly trimmed; sl. handling creases. = 301 Lithoos 1802-1981 no.2. Published in Specimens of Polyautography, published in 1803 by Philipp André.

Thomas Barker of Bath (1769-1847) British. "The Philanthropist", an Interior with a Seated Man, with a Mother and her Children, and a Religious Scene beyond, Oil on Canvas, Indistinctly Signed, 28.5" x 36".

Thomas Barker of Bath (1769-1847) British. "The Philanthropist", an Interior with a Seated Man, with a Mother and her Children, and a Religious Scene beyond, Oil on Canvas, Indistinctly Signed, 28.5" x 36".

Thomas Barker of Bath (Welsh, 1769-1847) Church and riders on a track

Thomas Barker of Bath (Welsh, 1769-1847) Church and riders on a track watercolour with pen and ink heightened with white h:16 w:23 cm Provenance: The late Michael Rice, Burley House, Burley-on-the-Hill, Rutland.

Thomas Barker of Bath (1769-1847) British. Study of a Boy, Crouching, Pencil, Signed with Monogram, Unframed, 8.75" x 6.5", together with eight other Pencil Studies of Figures, and two Prints, First State, by the same hand, Eleven (11).

Circle of Thomas Barker of Bath (British, 1769-1847) - Cattle, sheep and a donkey with a herdsman in a rocky wooded landscape

Circle of Thomas Barker of Bath (British, 1769-1847) Cattle, sheep and a donkey with a herdsman in a rocky wooded landscape oil on canvas h:59 w:74.50 cm Provenance: Thomas Damant Eaton (1800-1871) of Eaton Hall, Norwich, and by descent