ARTIST: Stanley Bate (New York, Tennessee, 1903 - 1972) TITLE: Samurai (titled on label) MEDIUM: gouache on board CONDITION: Overall good. Framed under the glass. Wear to frame. ART SIZE: 28 x 19 inches / 71 x 48 cm FRAME SIZE: 30 x 22 inches / 76 x 55 cm SIGNATURE: lower right ATTENTION: This lot is located at our Mamaroneck, NY office. CATEGORY: old antique vintage painting for auction sale online AD: ART WANTED: Consign, Trade In, Cash Offer SKU#: 132111 US Shipping $90 + insurance. BIOGRAPHY: Stanley Bate was born on March 26, 1903 in Nashville, Tennessee to Henry C. and Nellie E. Freeman Bate. The Bates were an established Tennessee family, in fact, Henry's brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. William was also a Major General in the Confederate Army during the Civil War and quite a colorful character.1 Henry and Nellie encouraged their son to seek a formal education, but young Stanley eschewed proper schooling and instead chose to study art at the Watkins Institute in Nashville.In the 1920's Stanley Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as "Outdoor Life" and "Popular Science".On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930's when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate's time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School of artists, was later known as Abstract Expressionism. It was comprised of a loosely associated group of vanguard artists working in New York City during the 1940's and 1950's. The New York School was not defined by a specific style, but instead reflected a fusion of European Modernism and American social relevancy that was depicted in many individual styles. Influences of Surrealism, Cubism, and Modernism can be found in their work, along with an interest in experimenting with non-traditional materials and methods. American art was in the forefront of international avant-garde for the first time.Stanley Bate was undoubtedly exposed to the varied styles and techniques that were emerging during the formative years of the New York School. Mark Rothko and Robert Motherwell were formulating their versions of color field paintings. Joseph Cornell was experimenting with assemblages, collage and the use of different types of textured paints. Jackson Pollock was adhering objects such as buttons and coins into his early works, while Louise Nevelson was using found objects. Helen Frankenthaler added sand to her early paintings. The New York School artists were undermining traditional fine art by using mixed media and non-traditional methods.Stanley Bate absorbed these varied influences and soon his early realistic landscapes and still-lifes were replaced with something entirely new. The influence of Cubism, notably the flat, shallow space of the picture plane, is obvious in many of Bate's paintings. Surrealism is evident in Bate's use of subjects from myth, primitive art and antiquity, along with the Automatism-like line work in his more linear images. The unfettered experimentation of the New York School is everywhere in Stanley Bate's work. We see nods to color field, collage, the mixing of textures into paint, mixed media, the inclusion of found objects and thick, luscious impasto. Bate was prolific and experimented in various media including oil, watercolor, lithography, silk screen, wood cut, drawing, collage, ceramics and sculpture. Bate is considered a true Modernist. His work is largely abstract, but sometimes figures and buildings are discernable. He frequently mixed paint, sand and glue together to achieve a textured surface, and then scraped and scratched through this layer to expose some of the underpainting below. His sculpture, which is often whimsical, also reflects the non-traditional methods of the New York School. Bate pioneered the use of enamel and copper in his work. The sculptures are not carved or modeled as was done in the past, but instead are built using mixed media and new materials.In addition to the New York School influence, many of Bate's works exhibit a strong connection to the Spanish school, especially the work of Antonio Tapies and Modesto Cuixart. These artists were both part of an avant-garde group known as Art Informel, the Spanish equivalent of Abstract Expressionism. These artists likewise worked in mixed media and introduced objects and texture into their work. Many of Bate's subjects and titles relate to Spanish locations and words. It is likely that Stanley spent time in Spain and found inspiration there.By the early 1940's, Stanley and Emilie had started spending weekends in a barn they purchased in Craryville, New York, a few hours north of Manhattan. The barn had no electricity or plumbing, but when the Bates eventually decided to leave New York and live full time in Craryville, they remodeled the barn, putting a gallery downstairs and a studio and living quarters upstairs. Although the Bates moved out of New York City, Stanley remained part of the New York art scene, exhibiting in New York and elsewhere throughout the 50's and 60's. During his lifetime he was represented by the New York galleries Knoedler and Company, Kennedy Galleries, Rose Fried Gallery and Key Gallery, along with Tyringham Gallery located in Tyringham, Massachusetts. Craryville was Stanley's home until his death on August 21, 1972. Emilie died 1984. Her obituary requested that any donations be made to the Albany Institute of History and Art. The Institute held a retrospective exhibition of Bate's work in 1973. Since his death, Stanley Bate's artwork has been exhibited widely and placed in numerous collections.
(New York/Tennessee, 1903-1972) Tugboat Docking, signed lower right "Stanley Bate", oil on board, 14 x 13 in.; fine carved gilt wood frame, 22-1/2 x 21-1/2 in. Provenance: D. Wigmore Fine Art, New York, NY (label verso); Property of a Southern Museum sold to benefit the Acquisition Fund
American Abstract Modernism Painting, signed and titled by the artist, Stanley Bate (lower right). Gouache on paper. Label on Verso Reads. SAMURAI. Gouache. Stanley Bate, E.D.Craryville, N.Y. Framed and matted under glass. Dimensions: framed: 30 1/4 inches x 21 1/2 inches, sight: 20 1/2 inches x 12 1/2 inches. Condition: good original framed pre-owned estate condition. Provenance: private estate.
Stanley Bate (American 1903-1972), "Biomorphic Abstraction" oil on canvas board, modern non-objective painting with blue tones, signed at lower right, framed. Approx. sight h. 23.5", w. 31.5"; Overall h. 27.5", w. 35.5", d. 1.75".
STANLEY BATE (1903-1972, AMERICAN) Untitled, #58. Oil on canvas. 1067x1016 mm; 42x40 inches. Signed, Stanley Bate, lower right. Inscribed, #58, on stretcher. Provenance: Estate of the Artist.
Pencil signed lower right. Nameplate gives title "La Gydetta". Dimensions: (Frame) H 54" x W 43.5" (Painting) H 50" x W 40" Condition: One small loss of paint center, beginning of crackling to edges, some surface dirt.
Stanley Bate (American, 1903-1972) Don Quixote, 1951 woodcut in color Published by the Print Club of Albany. Signed in pencil lower right. plate 11 3/4 x 8 5/16in (30 x 21cm); sheet 15 3/4 x 12 1/2in (40 x 31.5cm); matted 22 x 16in (56 x 40.5cm)
STANLEY BATE (1903-1972, AMERICAN) Zuen. Oil on canvas. 1016x1066 mm; 40x42 inches. Signed, Stanley Bate lower right. Provenance: Estate of the Artist.
Stanley Bate (American/Tennessee, 1903-1972), "The Crossing", oil on canvas, signed lower left, signed, titled and inscribed en verso, 16 in. x 20 in., framed
STANLEY BATE Abstract Modernist Painting. Cream ground with colorful figural images. NY Art Students League. Signed oil on canvas.-- Dimensions: Image Size: H: 24 inches: W: 38 inches ---
Bate, Stanley (American, 1903-1972). "Don Quixote." 1951. Color woodcut. Published by the Print Club of Albany. Signed in pencil, l.r. Plate: 11 3/4" x 8 5/16" Sheet: 15 3/4" x 12 1/2" Matted: 22" x 16" Addl Info: Print from this edition included in the permanent collection of the Smithsonian American Art Museum. Condition: Very good condition.
Stanley Bate (American, 1903-1972) "Procession" Oil on canvas Signed lower right "Stanley Bate" and pencil inscribed to verso of stretcher with title Approx. 25" x 43" (framed), 22" x 40"(unframed)
Artist: Stanley Bate, American (1903 - 1972) Title: Dancing Figures Year: circa 1960's Medium: Ink on paper, signed Edition: Image Size: 24.5 x 16.5 inches Size: 24.5 x 16.5 in. (62.23 x 41.91 cm) Frame Size: 32 x 24 inches
Stanley Bate American, 1903-1972 String Quartet Signed Stanley Bate (lr); inscribed as titled on an old label affixed to the stretcher Oil and sand on canvas 24 x 30 inches Exhibited: Cooperstown, NY, Cooperstown Art Association, 18th Annual Exhibition, Aug. 1 - 27, 1953 C
Artist: Stanley Bate, American (1903 - 1972) || Title: Dancing Figures || Year: circa 1960's || Medium: Ink on paper, signed || Image Size: 24.5 x 16.5 inches || Size: 24.5 x 16.5 in. (62.23 x 41.91 cm) || Frame Size: 32 x 24 inches
Artist: Stanley Bate, American (1903 - 1972) || Title: Dancing Figures || Year: circa 1960's || Medium: Ink on paper, signed || Image Size: 24.5 x 16.5 inches || Size: 24.5 x 16.5 in. (62.23 x 41.91 cm) || Frame Size: 32 x 24 inches
Stanley Bate (American, 1903-1972) Pair of New England Summer Landscapes Signed "Stanley Bate" l.l. and l.r., respectively. Oil on canvas board, 12 x 16 in. (30.5 x 40.6 cm), framed. Condition: Surface grime. Provenance: Acquired directly from the artist, by family descent to the present owner.
Stanley Bate (American, 1903-1972) Autumn Landscape Signed "Stanley Bate" l.r. Oil on Masonite, 26 1/2 x 31 5/8 in. (67.3 x 80.3 cm), framed. Condition: Craquelure, surface grime. Provenance: Acquired directly from the artist, by family descent to the present owner.
Stanley Bate (American, 1903-1972) Milkweed Pods & Sumach Signed "Stanley Bate" l.l., identified on a Connecticut Academy of Fine Arts label affixed to the frame. Oil on Masonite, 18 x 24 in. (45.7 x 61.0 cm), framed. Condition: Minor surface grime. Provenance: Acquired directly from the artist, by family descent to the present owner. Exhibitions: Connecticut Academy of Fine Arts, Forty-first Annual Exhibition, January 20 to February 11, 1951 (Awarded The Margaret Cooper Prize).
Stanley Bate (Tennessee/New York, 1903-1972) THE SEARCHERS, c.1957 mixed media, original modernist frame sight H16 3/4" W26 3/4" Provenance: Winter Park, Florida private collection Exhibitions: Pennsylania Academy of Fine Arts and the Philadelphia Watercolor Club 152nd Annual Exhibition, 1957 (label verso) Butler Institute of American Art, Youngstown Ohio Mid-Year Show, 1957 (label verso)
STANLEY BATE (american, b. 1903)/span "MEDIEVAL CITY" Signed bottom right, titled and signed verso, oil on canvas. 42 x 40 in. (106.7 x 101.6cm) provenance: /spanPrivate Collection.
Stanley Bate (American, 1903-1972) Helvetic Landscape Signed "Stanley Bate" l.r., numbered and titled "#212..." on the stretcher. Oil on canvas, 48 x 41 in. (122.0 x 104.0 cm), framed. Condition: Minor craquelure, surface grime.
Stanley Bate (American, 1903-1972) Love Song Signed "Stanley Bate" l.r., titled on the stretcher. Oil on canvas, 40 x 42 in. (101.5 x 106.5 cm), framed. Condition: Surface grime.
Stanley Bate (American, 1903-1972) Martos Signed "Stanley Bate" l.r., titled on the stretcher. Oil on canvas, 40 x 42 in. (101.8 x 106.7 cm), framed. Condition: Surface grime.
Artist: Stanley Bate, American (1903 - 1972) | Title: Dancing Figures | Medium: Ink on paper, signed | Image Size: 24.5 x 16.5 inches | Size: 24.5 x 16.5 in. (62.23 x 41.91 cm) | Frame Size: 32 x 24 inches
Stanley Bate (American, 1903-1972) Abstract Composition Signed "Stanley Bate" l.r. Oil on canvas, 42 x 40 in. (106.7 x 101.6 cm), framed. Condition: Scattered minor losses.
STANLEY BATE (1903-1972): "THE CROSSING" Oil on canvas, signed lower left and signed and titled on verso; together with an oil on canvas by Eleanor Arnold Clark (1911-1982) signed lower right. 16 1/4 x 20 1/4 in., 23 3/8 x 27 1/4 in. (frame) and 16 x 20 in., 26 1/2 x 30 1/2 in. (frame). Property from the Estate of Emily and Milton Rose.
Stanley Bate (American, 1903-1972) Musica Antigua. Signed "Stanley Bate" l.r., identified on a label affixed to the reverse. Oil on Masonite, 24 x 30 in., framed. Condition: Minor surface grime.
