Pierre-François Basan Paintings & Artwork for Sale | Pierre-François Basan Art Value Price Guide

Sep. 22, 2024
PIERRE-FRANCOIS BASAN - Le Passe-Temps de L'Hiver
Est: $100 - $140
PIERRE-FRANCOIS BASAN (French, 1723-1797) "Le Passe-Temps de L'Hiver" - Engraving on off-white wove paper. Signed in plate lower left. Image is 10.25 x 8.25 inches (26.3 cm x 21 cm), sheet is 12.5 x 10 inches (32 cm x 25 cm). Very good condition, lightly tipped onto backing. From the Gary Robertson Historical Print Collection (Regina).
Saskatchewan Network for Art Collecting
Aug. 31, 2024
Pierre-Francois Basan, attr., Die Gärtnerin
Est: -
Pierre-Francois Basan, attr., Die Gärtnerin den Betrachter anblickende junge Dame beim Wasser aus einem Brunnen schöpfen und umgeben von verschiedenem Gemüse, Kupferstich, 2. Hälfte 18. Jh., Spuren von früherem Wurmfraß und etwas fleckig, hinter Glas in historischem Goldstuckrahmen, Falzmaße ca. 35,5 x 27 cm. Künstlerinfo: franz. Kupferstecher und Verleger (1723 Paris bis 1797 Paris), Schüler seines Cousins (oder Onkels) Etienne Fessard, später bei Jean Daullé, weitergebildet bei Pierre Jean Mariette, 1750-54 Mitarbeit am Galeriewerk "Gal. du Comte de Bruhl (Galerie des Grafen Brühl)" und "Gal. royale de Dresde (Die Königliche Galerie Dresden)", ab 1754 auch als Verleger tätig, vom Herzog von Choiseul als "le maréchal de saxe de la curiosite (der sächsische Marschall der Wissbegierde)" betitelt, veröffentlichte zahlreiche Stichfolgen, meist unter maßgeblicher Mitwirkung seiner Mitarbeiter nach holländischen und flämischen Meistern, tätig in Paris, Quelle: Thieme-Becker und AKL. Pierre-Francois Basan, attr., The Gardener A young lady looking at the viewer while drawing water from a fountain and surrounded by various vegetables, copper engraving, 2nd half 18th century, traces of former worm damage and somewhat stained, behind glass in historical gold stucco frame, folded dimensions approx. 35.5 x 27 cm. Artist info: French engraver and publisher. Engraver and publisher (1723 Paris - 1797 Paris), pupil of his cousin (or uncle) Etienne Fessard, later with Jean Daullé, further trained by Pierre Jean Mariette, 1750-54 collaboration on the gallery work "Gal. du Comte de Bruhl (Galerie des Grafen Brühl)" and "Gal. royale de Dresde (The Royal Gallery of Dresden)", from 1754 also active as a publisher, titled by the Duke of Choiseul as "le maréchal de saxe de la curiosite (the Saxon marshal of curiosity)", published numerous series of engravings, mostly with the significant co-operation of his collaborators after Dutch and Flemish masters, active in Paris, source: Thieme-Becker and AKL.
Auktionshaus Mehlis GmbH
May. 29, 2024
Basan, Pierre-François: "Les vrais Flamands".
Est: €600 - €800
[*] "Les vrais Flamands". Radierung mit Kupferstich nach Adriaen Brouwer. 33,6 x 23 cm. Le Blanc 412, IFF 49. Ganz ausgezeichneter, kräftiger Druck an die Darstellung geschnitten, unten mit dem Schriftrand. Links geschlossener Randeinriss, zwei kleine unmerkliche Ausbesserungen im rechten Rand, montierungsbedingt dünne Stellen in den Ecken, Montierungsreste verso, sonst vorzügliches Exemplar. Beigegeben von H. Hémery le jeune "Le petit pelerin", nach Fragonard "Dites donc, s'il vous plaît", nach Freudeberg "L'horoscope accomplie", von Georg Friedrich Schmidt zwei Radierungen mit Selbstbildnissen Rembrandts (Wessely 91 und 147), von Jacques Boursse nach Rembrandt "Catechizatie - Kircheninterieur" (Hollstein 1), von Cornelis van Dalen "Bildnis Giorgio Bartarelli", von Jan de Bisschop nach Cornelis Poelenburch "Engel auf Wolken" (Hollstein 5b), sowie eine Radierung "Heiliger in Anbetung eines Gemäldes mit der Heiligen Familie", insgesamt 10 Blatt. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
May. 14, 2024
REMBRANDT (1606 - 1669), BASAN Pierre-François (1723 - 1797) Eau-forte, pointe sèche sur papier
Est: €500 - €700
REMBRANDT (1606 - 1669), BASAN Pierre-François (1723 - 1797) Eau-forte, pointe sèche sur papier vergé partiellement collé sur papier "Autoportrait au béret de velours orné d'une plume". D'après Rembrandt, en 1638. Tirage attribué à Pierre-François Basan. Epoque: vers 1790. (Rousseurs). Dim.(planche):+/-13,5x10,5cm.
Vanderkindere
Feb. 10, 2024
Pierre-Francois Basan, French (1723-1797), Lieven Willemsz Van Coppenol, etching, 11 1/4"H x 13 1/2"W
Est: $300 - $400
Pierre-Francois Basan French, (1723-1797) Lieven Willemsz Van Coppenol etching After Rembrandt's own etched portrait of Lieven Willemsz Van Coppenol (c. 1658). Missing small pieces along edges and corners.
Ripley Auctions
Sep. 28, 2023
Genreszene, Vergnügen / Genre scene, Pleasures
Est: -
Basan, Pierre-Francois (1723 Paris - 1797 ebenda) ''Les Plaisirs variés'' (Die mannigfaltigsten Vergnügungen). Kupferstich von Basan nach A. Booth, um 1770. Stechersignatur unterhalb der Darstellung rechts. Publiziert in Paris. Hinter Glas gerahmt. 34,5 x 41,5 cm (Pl=Bl), 42 x 50 cm (Ra). Angegraut, berieben und etwas fleckig. Eckabriss oben links. Blatt an die Plattenkante geschnitten. Karikatureske Darstellung verschiedenster sinnlicher Genüsse in Wirtshausszenerie. Multiple pleasures. Copperplate engraving after Booth, around 1770. Engraver's signature below the motif. Published in Paris. Framed behind glass. Dusty and rubbed, some spots. Loss of top left corner. Cut to plate.
Kunstauktionshaus Günther
Sep. 02, 2023
P. BASAN (*1723) after VERTUE (*1684), Portrait of John Duke of Lancaster, Copper engraving
Est: €90 - €150
Pierre Francois Basan (1723 Paris - 1797 ibid.) after George Vertue (1684 London - 1756 ibid.): Portrait of Jean Duc de Lancastre, as a breastpiece with crown, 18th century, Copper engraving Technique: Copper engraving on Paper Inscription: Lower middle signed in the printing plate: "Vertue del | Basan Sculp". Lower middle inscribed in the printing plate: "Jean Duc de Lancastre.". Date: 18th century Person: Johann von Gent, Herzog von Lancaster; Duke Jean I. de Lancastre Lancaster (1340 Ghent - 1399 Leicester) Keywords: Duke, Duke of Lancaster, portrait of a ruler, man, 18th century, Baroque, Portraits, France,
Fichter Kunsthandel
Sep. 02, 2023
P. BASAN (*1723) after HOLBEIN (*1498), King Edward VI (1537-1553), around 1770, Copper engraving
Est: €75 - €125
Pierre Francois Basan (1723 Paris - 1797 ibid.) after Hans Holbein jun. (1498 Augsburg - 1543 London): Portrait of King Edward VI, England Tudor (1537 Hampton Court Palace - 1553 Greenwich), c. 1770, Copper engraving Technique: Copper engraving on Laid paper Inscription: Lower middle signed in the printing plate: "Holbein pinx. Basan sculp.". Date: c. 1770 Description: Portrait medallion of King Edward VI of England. Person: King Eduard VI., England Tudor (1537 Hampton Court Palace - 1553 Greenwich) Edward was the first English king to receive a Protestant education. His reign was marked by religious reforms that for the first time set the Anglican Church on a course that was close to the Protestant confession in terms of content. His father, Henry VIII, had detached the English Church from Rome, but had largely maintained Catholic church doctrine. Under Edward, services in English became obligatory, the Holy Mass was banned, celibacy for priests was abolished and the Book of Common Prayer was introduced, which is still used today in a modified form. The architect of the reforms was Thomas Cranmer, Archbishop of Canterbury. Edward's reign was at the same time plagued by economic problems and rebellions (1549); a costly war with Scotland also ended in military retreat. After Edward became deathly ill in February 1553, he and his council tried to prevent England's return to Catholicism by changing the succession to the throne. His half-sisters Mary and Elizabeth were excluded from the succession and his cousin Jane Grey was named as heir instead. However, Jane was deposed after only nine days and the throne was ascended by Mary, who reversed Edward's Protestant reforms. It was not until the reign of Elizabeth that these reforms became the basis for religious regulation again. Keywords: King, England, 18th century, Baroque, Portraits, France,
Fichter Kunsthandel
May. 06, 2023
P. BASAN (*1723) after VAN LOO (*1705), Portrait of Marie-Rosalie Vanloo, Copper engraving
Est: €120 - €200
Pierre Francois Basan (1723 Paris - 1797 ibid.) after Charles André van Loo (1705 Nice - 1765 Paris): 'Mlle Vanloo' Portrait der Marie-Rosalie Vanloo (1737 vermutl Paris - 1762 ebd), , Copper engraving Technique: Copper engraving on Paper Stamp: Verso Lugt no.: 5h. Albertina. Vienna. 20th century Inscription: Inscribed with the sitter's name below the portrait, signed below on the left and right in the printing plate. Date: Description: Marie-Rosalie Vanloo was born in 1737, probably in Paris, the only daughter of the French court painter Charles André Vanloo and his wife Anne-Marie-Christine de Somis to reach adulthood. From early childhood, she served as a model for her father, brothers and family members, and the drawings, pastels and oil paintings depicting her were also exhibited publicly, for example at the Paris Salon of 1760. Keywords: 18th century, Rococo, Portraits, France,
Fichter Kunsthandel
Feb. 18, 2023
P. BASAN (*1723) after VERTUE (*1684), Portrait of John Duke of Lancaster, Copper engraving
Est: €90 - €150
Pierre Francois Basan (1723 Paris - 1797 ibid.) after George Vertue (1684 London - 1756 ibid.): Portrait of Jean Duc de Lancastre, as a breastpiece with crown, 18th century, Copper engraving Technique: Copper engraving on Paper Inscription: Lower middle signed in the printing plate: "Vertue del | Basan Sculp". Lower middle inscribed in the printing plate: "Jean Duc de Lancastre.". Date: 18th century Person: Johann von Gent, Herzog von Lancaster; Duke Jean I. de Lancastre Lancaster (1340 Ghent - 1399 Leicester) Keywords: Duke, Duke of Lancaster, portrait of a ruler, man, 18th century, Baroque, Portraits, France,
Fichter Kunsthandel
Feb. 18, 2023
P. BASAN (*1723) after HOLBEIN (*1498), Portrait of Edouard VI, around 1770, Copper engraving
Est: €75 - €125
Pierre Francois Basan (1723 Paris - 1797 ibid.) after Hans Holbein jun. (1498 Augsburg - 1543 London): Portrait of Edouard VI, c. 1770, Copper engraving Technique: Copper engraving on Laid paper Inscription: Lower middle signed in the printing plate: "Holbein pinx. Basan sculp.". Date: c. 1770 Description: Portrait medallion of King Edward VI of England. Person: King Eduard VI., England Tudor (1537 Hampton Court Palace - 1553 Greenwich) Edward was the first English king to receive a Protestant education. His reign was marked by religious reforms that for the first time set the Anglican Church on a course that was close to the Protestant confession in terms of content. His father, Henry VIII, had detached the English Church from Rome, but had largely maintained Catholic church doctrine. Under Edward, services in English became obligatory, the Holy Mass was banned, celibacy for priests was abolished and the Book of Common Prayer was introduced, which is still used today in a modified form. The architect of the reforms was Thomas Cranmer, Archbishop of Canterbury. Edward's reign was at the same time plagued by economic problems and rebellions (1549); a costly war with Scotland also ended in military retreat. After Edward became deathly ill in February 1553, he and his council tried to prevent England's return to Catholicism by changing the succession to the throne. His half-sisters Mary and Elizabeth were excluded from the succession and his cousin Jane Grey was named as heir instead. However, Jane was deposed after only nine days and the throne was ascended by Mary, who reversed Edward's Protestant reforms. It was not until the reign of Elizabeth that these reforms became the basis for religious regulation again. Keywords: King, England, 18th century, Baroque, Portraits, France,
Fichter Kunsthandel
Nov. 30, 2022
Basan, Pierre-François: Selbstporträt des Malers Willem Drost
Est: €200 - €300
Selbstporträt des Malers Willem Drost. Radierung nach Willem Drost. 8,7 x 7 cm. Nicht im IFF. -- -- Aus einer um 1810 von Henri Louis Basan herausgegebenen Ausgabe des Recueil. Die Datierung "1616" links oben muss ein Fehler sein, hat Drost sein Selbstbildnis doch erst um 1650 angefertigt. - Ausgezeichneter Druck mit Rändchen um die deutlich sichtbare Plattenkante. Verso Bleistiftannotation, sonst tadellos. Selten. Beigegeben von demselben die Radierung "Liegender Amor nach Rembrandt" nach der Radierung von Isaac De Jouderville (IFF 27) und die Radierung "Mann mit Kappe (Rembrandt?)" (nicht im IFF), sowie von Stefano della Bella "Mann mit Turban" (De Vesme 309) und wohl nach Ferdinand Landerer eine Radierung mit einem Mann vor einem Buch sitzend (Ausschnit aus "Der Astronom"). -- -- - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. -- - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Nov. 30, 2022
Basan, Pierre-François: Le Peintre
Est: €1,800 - €2,400
Le Peintre. Kupferstich und Radierung nach Louis Aubert. 29,4 x 22,3 cm. "F. Basan Exc." Le Blanc 394, IFF 39. -- -- Pierre-François Basan wirkte selbst als Kupferstecher und Radierer, ist heute jedoch primär als erfolgreicher Verleger von europäischer Druckgraphik bekannt. In seinem Verlagshaus beschäftigte er eine große Zahl talentierter junger Stecher, deren Namen jedoch auf vielen der Abzüge aus dem Verlagshaus Basans fehlen. Auch der vorliegende, mit größter Sorgfalt ausgeführte Kupferstich mit der Darstellung eines Malers und seines jungen Gehilfen trägt zwar die Verlagsadresse Basans, der Name des Stechers jedoch wird nicht genannt. Die Komposition basiert auf einer wohl in Pastell ausgeführten Zeichnung vom Pariser Maler und Zeichner Louis Aubert (1720 - ca. 1790), deren Verbleib heute unbekannt ist. Eine sehr ähnliche, auf 1747 datierte Zeichnung des Künstlers befindet sich heute in der Albertina, Wien (Inv. Nr. 12241; zu Louis Aubert vgl. Neil Jeffares, "Louis Aubert", in: Dictionary of pastellists before 1800, London 2006). Die dem Kupferstich beigegebene Bildunterschrift verrät, dass die vorbildhafte Zeichnung sich einst in der Sammlung des Monsieur de Damery, Ritter des Königlichen Ordens von St. Louis und Oberstleutnant der Infanterie in Paris befand. Das seltene Blatt in einem ausgezeichneten Druck mit schmalem, unten mit feinem Rändchen um die deutlich zeichnende Plattenkante. Geringfügig fleckig, sonst sehr schönes Exemplar. -- -- - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. -- - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Dec. 07, 2021
[GRAPHIC ARTS, PAINTINGS & DRAWINGS 16TH-19TH CENTURY] [PORTRAITS] COLLECTION OF CA. 40 MISCELLANEOUS 16TH-19TH CENT. PORTRAITS
Est: €70 - €140
Including: 1) Rembrandt Harmensz. van Rijn (1606-1669) (after). "Copenol, No. 262 du catalogue". Etched portrait by Pierre-François Basan (1723-1797), 24.5 x 18 cm, titled and monogrammed in the plate below the image, mounted at left margin under passepartout. 2) "Anag. de l'auth. Par la priiere dieu m'ayde". Oval woodcut portrait of Pierre de la Primaudaye, seigneur de la Barrée (1546-1619), 10 x 7.5 cm, dated 1578. Folds; scribbling in pen on verso, visible on recto; 3) "Mr. J. ter Pelkwijk." Etched portrait on chine-collé by Dirk Jurriaan Sluyter (1811-1886), sheet size 54 x 38 cm. Fully mounted (marginal tears). Stamped below the image are the names G. Luttenberg and D. van Schreven. Muller 4136a; 4) Paul Berthon (1872-1909). "Koningin Wilhelmina". Colour lithograph on stiff paper, sheet size 30 x 26 cm, published by J.F. van de Ven in Baarn, ca. 1900. Fine art-nouveau portrait depicting the queen in traditional Dutch dress (total ca. 40).
Zwiggelaar Auctions
Oct. 16, 2021
Basan, Pierre François
Est: €160 - €240
(1723 Paris 1797). Le Concert Flamand. P. F. Basan nach David Teniers d.J. Kupferstich. 1751. Blgr. ca. 51 x 38,4 cm. R
Kiefer Buch- und Kunstauktionen
May. 22, 2021
PIERRE-FRANCOIS BASAN ETCHING L. WILLEMSZ VAN COPPENOL
Est: $50 - $100
This is a etching by Pierre-Francois Basan (French, 1723-1797). The portrait is of Lieven Willemsz. van Coppenol, a Flemish intellectual and scribe. Measurements: 7 5/8" x 10 5/8"
Mark Lawson Antiques, Inc.
Feb. 06, 2021
PIERRE-FRANCOIS BASAN ETCHING L. WILLEMSZ VAN COPPENOL
Est: $100 - $200
This is a etching by Pierre-Francois Basan (French, 1723-1797). The portrait is of Lieven Willemsz. van Coppenol, a Flemish intellectual and scribe. Measurements: 7 5/8" x 10 5/8"
Mark Lawson Antiques, Inc.
Oct. 27, 2019
Antioh Cantemir, engraving
Est: €300 - €600
28 x 21 cm; His portrait was designed to illustrate the volume published posthumously in London (Satyres de monsieur le prince Cantemir avec l'histoire de sa vie, translated into French, London, by Jean Nourse, 1749, 432 p.). The work is done by the French engraver Pierre-François Basan (1723-1797) after a drawing by the Italian painter Jacopo Amiconi (1685-1752).
Historic Auction House
Oct. 26, 2019
Ansicht von Haarlem - Pierre Francois B
Est: -
Ansicht von Haarlem - Pierre Francois Basan. Kolorierter Stahlstich, Platte 31 x 48 cm, verglast und gerahmt 49 x 63,5 cm, Holzrahmen mit Goldleiste. Blick auf Haarlem vom Fluss Spaarne, bezeichnet "Vue de Haarlem, du cote du Spaar", nach einem Gemälde von Dirck Dalens. Sehr stockfleckig. Pierre-Francois Basan (1723 - 1797), französischer Kupferstecher. Dirck Dalens d.Ä. (ca. 1600 - 1676), niederländischer Maler. Provenienz: Aus dem Nachlass von Prof. Dr. Klaus von Wysocki.
Auktionshaus Wendl
Oct. 02, 2019
Pierre-François Basan, The Gamblers (based on a painting by David II Teniers)
Est: €300 - €500
Pierre-François Basan, The Gamblers (based on a painting by David II Teniers)
A10 by Artmark
Mar. 29, 2019
BASAN, Pierre-François Recueil d'estampes gravées d'après le
Est: €400 - €500
BASAN, Pierre-François Recueil d'estampes gravées d'après les tableaux du cabinet de Monseigneur le duc de Choiseul. S.l. s.n. fin XIXe s.-début XXe s. ? In-4° : 3 -12-125 ff. (qqs piqûres ou rouss., bords des ff. lég. brunis). Demi-veau moderne, dos lisse avec faux filets à froid sertis de pointillés dorés et étiq. de cuirs rouge et vert. Tirage moderne sur papier vélin reproduisant en héliogravure l'éd. gravée de Paris, 1771. Ce recueil montrait l'étendue de la collection de maîtres des écoles flamande et hollandaise mais aussi française rassemblée par Étienne-François, comte de Choiseul puis duc de Choiseul-Stainville (Nancy 1719-1785), bras droit de Louis XV. Il vendit sa collection après sa disgrâce en 1772. Contient : portrait de Choiseul, titre gravé, dédicace de Basan, 12 ff. descriptifs, 125 ff. (n° 1-123 dont n° 3-4, 44-45 et 93-94 avec 2 sujets et plus, 68*, 69*, 76*, 78*, 101*) et 2 ff. (ajoutés ?) : "Fête de village" de Teniers entre les n° 38-39 et le n° 47 en 2 formats dont l'un avec composition inversée. Réf. Cohen 115 (éd. 1771).
Arenberg Auctions
Nov. 30, 2018
Basan, P.F. (1723-1797). "Copenol, No.262 du catalogue." Etching and engraving after REMBRANDT, 23,4
Est: €80 - €100
Basan, P.F. (1723-1797). "Copenol, No.262 du catalogue." Etching and engraving after REMBRANDT, 23,4x18,2 cm., monogrammed and titled in the plate below. - AND 5 other prints: by the same (2x, after TITIAN and MACHY), A. BARTSCH (2x) and J. BEICH.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Oct. 29, 2018
Pierre-Francois Basan (French, 1723-1797), after Rembrandt, "The Advocate Tolling", 7-1/8" x 5-15/16" pl, 7-3/4" x 6-1/4" sheet, fai...
Est: $100 - $200
Pierre-Francois Basan (French, 1723-1797), after Rembrandt, "The Advocate Tolling", 7-1/8" x 5-15/16" pl, 7-3/4" x 6-1/4" sheet, fair condition, trimmed with tape residue to edges
William Bunch Auctions & Appraisals
Oct. 12, 2018
BASAN, Pierre-François - Dictionnaire des graveur
Est: €200 - €240
BASAN, Pierre-François - Dictionnaire des graveurs anciens et modernes, depuis l'origine de la gravure, par F. Basan, Graveur. Seconde éd. mise par ordre alphabétique, considérablement augm. et orné de cinquante estampes par différents artistes célèbres, ou sans aucune au gré de l'amateur. Paris, chez l'Auteur, Cuchet, Prault, 1789. 2 vol. in-8, front., (3) ff., 348 pp. ; front., (2) ff., 306 pp., 43 pl. h. t., qqs. rouss., qqs. mouill., veau fauve marbré de l'ép., dos à nerfs ornés, p. de t. et de tom. de mar. rouge et vert, coiffe sup. du t. I et coiffes du t. II refaites, coins sup. émoussés. COHEN 118. 43 planches tirées d'après les cuivres originaux de Callot, Cochin, Eisen, Mariette, Moreau, Picart, Rembrandt, Saint-Aubin, etc. Contient une eau-forte originale de Rembrandt, la Marchande de crêpes (BIÖRKLUND BB, 35-I, n° IV). Basan qui était marchand d'estampes avait réuni au cours de voyages en Flandre, en Hollande et en Angleterre une quantité impressionnante de cuivres. MS
Mallié-Arcelin
Nov. 24, 2017
Basan, P.F. (1723-1797). "La Piqueure la moins dangereuse". Etching and engraving after N. BERCHEM, 35,5x 27,5 cm., Paris, Basan, 1754/58. - Right margin (outside platemark) w. waterstains.
Est: €70 - €90
Basan, P.F. (1723-1797). "La Piqueure la moins dangereuse". Etching and engraving after N. BERCHEM, 35,5x 27,5 cm., Paris, Basan, 1754/58. - Right margin (outside platemark) w. waterstains.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Nov. 25, 2016
[Haarlem and surroundings]. Basan, P.F. (1723-1797
Est: €150 - €250
[Haarlem and surroundings]. Basan, P.F. (1723-1797). "Vue de Haarlem, du Côte du Spaar." Engraved view after D. VAN DALENS, 35x48,8 cm., caption below. - Cut to the platemark; soiled and partly waterstained. = Rare. AND 3 others, i.a. "Het gezicht van de oude Vismarkt/ nieuwe Vismarkt te Haarlem" (2 engr. views by C. PHILIPS JACOBSZ. after H. KEUN).
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
May. 18, 2011
[BASAN, PIERRE-FRANÇOIS]
Est: €1,500 - €2,000
[BASAN, PIERRE-FRANÇOIS] COLLECTION DE 120 ESTAMPES GRAVÉES D'APRÈS LES TABLEAUX ET DESSINS QUI COMPOSAIENT LE CABINET DE M. POULLAIN. PARIS, BASAN ET POIGNANT, 1781. In-4 (300 x 220 mm). Exemplaire du second tirage avec, au titre, la mention « dédié à M. le Comte d'Orsay ». illustration : une vignette au 2ème feuillet non chiffré et 120 planches d'après Rubens, Véronèse, Breughels, Le Moine... Une planche contient les gravures 20 et 61. La gravure 51 est double. reliure signée de hardy. Maroquin rouge, plats et dos ornés. La date au dos "1791" est erronée. Feuillets de titre et d'avertissement légèrement roussis.
Sotheby's
Oct. 13, 2010
[BASAN, PIERRE-FRANÇOIS]
Est: €6,000 - €8,000
[BASAN, PIERRE-FRANÇOIS] RECUEIL D'ANTIQUITÉS ROMAINES OU VOYAGE D'ITALIE PARIS, BASAN, [1769 ?]. In-4 (340 x 254 mm). illustration : titre-gravé et 66 planches gravées à l'eau-forte de vases, autels, trépieds, arabesques et autres sujets. Seules les pl. 23, 38, 47 et 60 portent la signature Veisbrod, 1769 , les pl. 61, 62, 63, 65 et 66 sont dessinées par Hubert Robert, la 64 par Fragonard. Les 6 sont gravées par Alélaïde Allou. reliure de l'époque. Demi-basane marbrée, tranches jaspées rouges. Accident à une coiffe, mors fendillés.
Sotheby's
Oct. 12, 2010
[BASAN, PIERRE-FRANÇOIS]
Est: €6,000 - €8,000
[BASAN, PIERRE-FRANÇOIS] RECUEIL D'ANTIQUITÉS ROMAINES OU VOYAGE D'ITALIE PARIS, BASAN, [1769 ?]. In-4 (340 x 254 mm). illustration : titre-gravé et 66 planches gravées à l'eau-forte de vases, autels, trépieds, arabesques et autres sujets. Seules les pl. 23, 38, 47 et 60 portent la signature Veisbrod, 1769 , les pl. 61, 62, 63, 65 et 66 sont dessinées par Hubert Robert, la 64 par Fragonard. Les 6 sont gravées par Alélaïde Allou. reliure de l'époque. Demi-basane marbrée, tranches jaspées rouges. Accident à une coiffe, mors fendillés.
Sotheby's
Mar. 15, 2007
BASAN, PIERRE-FRANCOIS
Est: $200 - $400
BASAN, PIERRE-FRANCOIS Catalogue Raisonne Dun Choix Precieux De Dessins. Paris, n.d. 8vo., leather-backed marbled boards. Rubbing to the backstrip and wear to edges and extremes of boards.
Hindman