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Fred Ball Art for Sale and Sold Prices

b. 1945 - d. 1985

Personal life and education: Fred Uhl Ball was born in Oakland, California in 1945. His mother, Kathryn Uhl, was an illustrator and enamelist who taught life drawing at Mills College and his father, F. Carlton Ball, was a ceramist who headed the art department at Mills. His grandfather, George Uhl, was a silversmith. This family influence and involvement in the arts inspired him to explore fine art in his youth. By the age of 11 he had exhibited his work and given enameling demonstrations at the California State Fair.[1] He received his bachelors and masters in fine art from Sacramento State University. He lived and worked in Sacramento. In September 1985 he was robbed and beaten outside of his studio.[2] He died three months later from injuries sustained during the attack.[3]

Fine art: In the early 1970s he began experimenting with placing torch-fired enamels on thin copper foil panels like a collage. Ball also explored the use of bronze as a surface by exposing white enamel at varying temperatures to create varied hues of color on the bronze.[3] These early experiments, described as unorthodox, also had him exploring fire scale and liquid enamels, which are quite common in enameling today.[1] In 1972 he published his first book, "Experimental Techniques in Enameling."[3]

Ball was best known for his large scale murals. In 1976 he participated in Sacramento's federally funded Comprehensive Employment and Training Act, allowing him to create his first large-scale mural at the Sacramento Community Center. He also created a 6 foot by 62 foot[1] mural at a Sacramento parking garage, one of the largest enamel murals, called The Way Home. The piece consists of 1,488, each 12 by 12 inch,[1] enamel tiles set into panels which are bolted to a concrete wall.[4] His success as a muralist allowed him to make a living through commissions and the opportunity to continue experimenting with technique. A large portion of his commissions came from corporate clients in Sacramento, including the piece The Great Sacramento Valley at Sutter General Hospital which, upon his death, was completed by his mother and artist Bruce Beck in December, 1986.[3]

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About Fred Ball

b. 1945 - d. 1985

Alias

Fred Uhl Ball

Biography

Personal life and education: Fred Uhl Ball was born in Oakland, California in 1945. His mother, Kathryn Uhl, was an illustrator and enamelist who taught life drawing at Mills College and his father, F. Carlton Ball, was a ceramist who headed the art department at Mills. His grandfather, George Uhl, was a silversmith. This family influence and involvement in the arts inspired him to explore fine art in his youth. By the age of 11 he had exhibited his work and given enameling demonstrations at the California State Fair.[1] He received his bachelors and masters in fine art from Sacramento State University. He lived and worked in Sacramento. In September 1985 he was robbed and beaten outside of his studio.[2] He died three months later from injuries sustained during the attack.[3]

Fine art: In the early 1970s he began experimenting with placing torch-fired enamels on thin copper foil panels like a collage. Ball also explored the use of bronze as a surface by exposing white enamel at varying temperatures to create varied hues of color on the bronze.[3] These early experiments, described as unorthodox, also had him exploring fire scale and liquid enamels, which are quite common in enameling today.[1] In 1972 he published his first book, "Experimental Techniques in Enameling."[3]

Ball was best known for his large scale murals. In 1976 he participated in Sacramento's federally funded Comprehensive Employment and Training Act, allowing him to create his first large-scale mural at the Sacramento Community Center. He also created a 6 foot by 62 foot[1] mural at a Sacramento parking garage, one of the largest enamel murals, called The Way Home. The piece consists of 1,488, each 12 by 12 inch,[1] enamel tiles set into panels which are bolted to a concrete wall.[4] His success as a muralist allowed him to make a living through commissions and the opportunity to continue experimenting with technique. A large portion of his commissions came from corporate clients in Sacramento, including the piece The Great Sacramento Valley at Sutter General Hospital which, upon his death, was completed by his mother and artist Bruce Beck in December, 1986.[3]