Dionís Baixeras y Verdaguer Paintings & Artwork for Sale | Dionís Baixeras y Verdaguer Art Value Price Guide

Oct. 23, 2024
Dionisio Baixeras and Verdaguer. Boats
Est: -
Oil on board. Signed in the lower right corner. Circa 1930
Duran Arte y Subastas
Sep. 17, 2024
DIONIS BAIXERAS VERDAGUER - Landscape
Est: -
DIONIS BAIXERAS VERDAGUER Barcelona 1862--1943 Landscape Oil on panel Signed Measurements 8.5 x 15.5 cm
Subastas Segre
Sep. 12, 2024
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862 – 1943). Rural Landscape, Catalan school of the 19th - 20th centuries
Est: €1,500 - €2,000
Oil on canvas, total framed measurements: 115 x 79 cm
Templum Fine Art Auctions
Jul. 25, 2024
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862 – 1943). Rural Landscape, Catalan school of the 19th - 20th centuries
Est: €1,500 - €2,000
Oil on canvas, total framed measurements: 115 x 79 cm
Templum Fine Art Auctions
Jul. 18, 2024
DIONÍS BAIXERAS (1862-1943). Study for fishermen.
Est: €120 - €180
Charcoal on paper. Attributive label of Sala Parés on the back, with its technical data. 14 x 23 cm; 31 x 39 cm (frame).
Subarna Subastas
Jul. 18, 2024
DIONÍS BAIXERAS (1862-1943). "ORANGE TREES".
Est: €1,500 - €2,500
Oil on canvas. Signed. 40 x 54 cm; 59.5 x 73.5 cm (frame).
Subarna Subastas
Jul. 11, 2024
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862 - 1943). "Mending nets". Charcoal on paper. Signed in the lower right corner.
Est: €1,000 - €1,200
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862 - 1943). "Mending nets". Charcoal on paper. Signed in the lower right corner. Measurements: 63 x 49 cm; 69 x 54 cm (frame). Disciple in the School of the Fish market of Martí Alsina and, mainly, of Antonio Caba, during his years of student Baixeras received the nickname of "the medals", due to his facility to win the contests. He exhibited for the first time in 1882, at the Sala Parés in Barcelona, and four years later he traveled to Paris, where he was enthusiastic about the peasant-themed realism of Millet and Bastien-Lepage. During these years he won awards at the Fine Arts Exhibitions of Madrid (1884, third medal) and Paris (1886, honorable mention). Back in Barcelona he made great compositions of historical character, like those of the auditorium of the university (1888), those of the seminary (1904, destroyed in 1936) and those of the dome of the hall of Sant Jordi of the Generalitat (1928). In 1907 he made a series of drawings of documentary type, focused on the representation of the corners of Barcelona that would disappear with the construction of the Via Layetana, which earned him a prize from the City Council. In 1926 he joined the Royal Academy of Fine Arts of Sant Jordi, and was linked to the Artistic Circle of Sant Lluc since its foundation. During his last years he wrote some interesting memoirs, the original manuscript of which is currently preserved in the Academy of Sant Jordi. Baixeras devoted himself mainly to naturalistic painting, with marine or rural themes, in works that show a certain influence of the school of Olot. He meticulously elaborated his works in the workshop, so his previous drawings have much more freshness and interest. In 1908 he made a collection of drawings, of great documentary value, of places in old Barcelona that were to disappear during the construction of the Via Layetana. His work is preserved in the Metropolitan of New York, the Museum of Art and Industry of Roubaix (France) and the MACBA, among others. A disciple at the Escuela de la Lonja of Martí Alsina and, above all, of Antonio Caba, during his student years Baixeras was nicknamed "el medallas" (the medal winner), due to his ability to win competitions. He exhibited for the first time in 1882, at the Sala Parés in Barcelona, and four years later he traveled to Paris, where he was enthusiastic about the peasant-themed realism of Millet and Bastien-Lepage. During these years he won awards at the Fine Arts Exhibitions of Madrid (1884, third medal) and Paris (1886, honorable mention). Back in Barcelona he made great compositions of historical character, like those of the auditorium of the university (1888), those of the seminary (1904, destroyed in 1936) and those of the dome of the hall of Sant Jordi of the Generalitat (1928). In 1907 he made a series of drawings of documentary type, focused on the representation of the corners of Barcelona that would disappear with the construction of the Via Layetana, which earned him a prize from the City Council. In 1926 he joined the Royal Academy of Fine Arts of Sant Jordi, and was linked to the Artistic Circle of Sant Lluc since its foundation. During his last years he wrote some interesting memoirs, whose original manuscript is currently preserved in the Academy of Sant Jordi. Baixeras devoted himself mainly to naturalistic painting, with marine or rural themes, in works that show a certain influence of the school of Olot. He meticulously elaborated his works in the workshop, so his previous drawings have much more freshness and interest. In 1908 he made a collection of drawings, of great documentary value, of places in old Barcelona that were to disappear during the construction of the Via Layetana. His work is preserved in the Metropolitan of New York, the Museum of Art and Industry of Roubaix (France) and the MACBA, among others.
Setdart Auction House
Jun. 11, 2024
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862 - 1943). "Fisherman".1906. Oil on canvas adhered to board. Signed and dated in the lower left corner.
Est: €1,800 - €2,200
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862 - 1943). "Fisherman".1906. Oil on canvas adhered to board. Signed and dated in the lower left corner. Measurements: 35 x 27 cm; 53 x 45 cm (frame). Disciple in the School of the Fish market of Martí Alsina and, mainly, of Antonio Caba, during his years of student Baixeras received the nickname of "the medals", due to his facility to win the contests. He exhibited for the first time in 1882, at the Sala Parés in Barcelona, and four years later he traveled to Paris, where he was enthusiastic about the peasant-themed realism of Millet and Bastien-Lepage. During these years he won awards at the Fine Arts Exhibitions of Madrid (1884, third medal) and Paris (1886, honorable mention). Back in Barcelona he made great compositions of historical character, like those of the auditorium of the university (1888), those of the seminary (1904, destroyed in 1936) and those of the dome of the hall of Sant Jordi of the Generalitat (1928). In 1907 he made a series of drawings of documentary type, focused on the representation of the corners of Barcelona that would disappear with the construction of the Via Layetana, which earned him a prize from the City Council. In 1926 he joined the Royal Academy of Fine Arts of Sant Jordi, and was linked to the Artistic Circle of Sant Lluc since its foundation. During his last years he wrote some interesting memoirs, the original manuscript of which is currently preserved in the Academy of Sant Jordi. Baixeras devoted himself mainly to naturalistic painting, with marine or rural themes, in works that show a certain influence of the school of Olot. He meticulously elaborated his works in the workshop, so his previous drawings have much more freshness and interest. In 1908 he made a collection of drawings, of great documentary value, of places in old Barcelona that were to disappear during the construction of the Via Layetana. His work is preserved in the Metropolitan of New York, the Museum of Art and Industry of Roubaix (France) and the MACBA, among others.
Setdart Auction House
Jun. 11, 2024
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862 - 1943). No title. Oil on canvas. Presents repaints, restorations and patches on the back. Signed in the lower right corner.
Est: €3,000 - €4,000
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862 - 1943). Untitled. Oil on canvas. With repainting, restorations and patches on the back. Signed in the lower right corner. Measurements: 89 x 116 cm. Dionís Baixeras portrays in this canvas an everyday scene of Barcelona in the first half of the 20th century, starring a couple of Catalan children playing by the sea in a seaside town on the coast of Girona. The children are surrounded by a delicate chromaticism captured with a certain lyrical tone, in which they remain oblivious to everything around them, sitting by the water, immersed in their own thoughts. Ultimately, behind a harmonious mass of water worked with the colours of the sunset, the local church rises up. A disciple at the Escuela de la Lonja of Martí Alsina and, above all, of Antonio Caba, during his student years Baixeras was nicknamed "el medallas" ("the medal winner"), due to his facility for winning competitions. He exhibited for the first time in 1882 at the Sala Parés in Barcelona, and four years later he travelled to Paris, where he became enthusiastic about the peasant-themed realism of Millet and Bastien-Lepage. During these years he won awards at the Fine Arts Exhibitions in Madrid (1884, third medal) and Paris (1886, honourable mention). On returning to Barcelona he produced large compositions of a historical nature, such as those of the university auditorium (1888), the seminary (1904, destroyed in 1936) and the dome of the Generalitat's Sant Jordi Hall (1928). In 1907 he produced a series of drawings of a documentary type, centred on depicting the corners of Barcelona that would disappear with the construction of the Via Layetana, which won him a prize from the City Council. In 1926 he joined the Sant Jordi Royal Academy of Fine Arts and was linked to the Círculo Artístico de Sant Lluc from its foundation. During his last years he wrote an interesting memoir, the original manuscript of which is now kept at the Sant Jordi Academy. Baixeras devoted himself mainly to naturalistic painting, with marine or rural themes, in works that show a certain influence of the Olot school. He worked meticulously on his works in his studio, which is why his preliminary drawings are much fresher and more interesting. In 1908 he produced a collection of drawings, of great documentary value, of places in old Barcelona which were to disappear when the Via Layetana was built. His work is preserved in the Metropolitan Museum of Art and Industry in Roubaix (France) and the MACBA, among others.
Setdart Auction House
Jun. 06, 2024
DIONÍS BAIXERAS (1862-1943). "BARCELONA TRADITIONAL SCENE".
Est: €350 - €500
Charcoal on paper. Signed. 39.5 x 31.5 cm; 62.5 x 54.5 cm (frame).
Subarna Subastas
Jun. 06, 2024
DIONÍS BAIXERAS (1862-1943). "FIXING NETS".
Est: €100 - €200
Signed. 14 x 22 cm; 31 x 39 cm (frame).
Subarna Subastas
Jun. 06, 2024
DIONÍS BAIXERAS (1862-1943). "LANDSCAPE".
Est: €300 - €1,200
Signed. On the back it preserves a label of Sala Parés with its technical data. 32 x 45 cm; 55.5 x 70 cm (frame).
Subarna Subastas
May. 23, 2024
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862 - 1943). "Shepherds". Oil on canvas. Signed in the lower corner. Attached to the back a label of the Parés room in Barcelona.
Est: €8,000 - €9,000
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862 - 1943). "Shepherds". Oil on canvas. Signed in the lower corner. Attached to the back a label of the Parés room in Barcelona. Measurements: 138 x 198 cm. In this country scene, Baixeras offers us a costumbrista image devoid of all folkloric eagerness. On the contrary, he captures the daily moment charged with simplicity, but also with poetry. A couple of peasants are immersed in the sacred calm of the sunset, in a magical silence that seems to be palpable and is only interrupted by the course of the river. All of this is resolved with his characteristic round and thick brushstrokes. A disciple at the Escuela de la Lonja of Martí Alsina and, above all, of Antonio Caba, during his student years Baixeras received the nickname of "the medal winner", due to his ease in winning competitions. He exhibited for the first time in 1882, at the Sala Parés in Barcelona, and four years later he traveled to Paris, where he was enthusiastic about the peasant-themed realism of Millet and Bastien-Lepage. During these years he won awards at the Fine Arts Exhibitions of Madrid (1884, third medal) and Paris (1886, honorable mention). Back in Barcelona he made great compositions of historical character, like those of the auditorium of the university (1888), those of the seminary (1904, destroyed in 1936) and those of the dome of the hall of Sant Jordi of the Generalitat (1928). In 1907 he made a series of drawings of documentary type, focused on the representation of the corners of Barcelona that would disappear with the construction of the Via Layetana, which earned him a prize from the City Council. In 1926 he joined the Royal Academy of Fine Arts of Sant Jordi, and was linked to the Artistic Circle of Sant Lluc since its foundation. During his last years he wrote some interesting memoirs, the original manuscript of which is currently preserved in the Academy of Sant Jordi. Baixeras devoted himself mainly to naturalistic painting, with marine or rural themes, in works that show a certain influence of the school of Olot. He meticulously elaborated his works in the workshop, so his previous drawings have much more freshness and interest. In 1908 he made a collection of drawings, of great documentary value, of places in old Barcelona that were to disappear during the construction of the Via Layetana. His work is preserved in the Metropolitan of New York, the Museum of Art and Industry of Roubaix (France) and the MACBA, among others.
Setdart Auction House
May. 21, 2024
DIONISIO BAIXERAS Barcelona (1862 / 1943) "The Grandfather"
Est: €450 - €600
Pencil and pastel on paper Signed in the lower right corner. Measurements: Frame: 37 x 28 cm
Ansorena
Apr. 11, 2024
DIONÍS BAIXERAS (1862-1943). "ORANGE TREES".
Est: €1,500 - €2,500
Oil on canvas. Signed. 40 x 54 cm; 59.5 x 73.5 cm (frame).
Subarna Subastas
Apr. 11, 2024
DIONÍS BAIXERAS (1862-1943). "LANDSCAPE".
Est: €500 - €1,200
Signed. On the back it preserves a label of Sala Parés with its technical data. 32 x 45 cm; 55.5 x 70 cm (frame).
Subarna Subastas
Mar. 20, 2024
Dionisio Baixeras and Verdaguer. Boats
Est: -
Oil on panel. Signed in the lower right corner.
Duran Arte y Subastas
Mar. 19, 2024
DIONIS BAIXERAS VERDAGUER - Shepherd and flock
Est: -
DIONIS BAIXERAS VERDAGUER Barcelona 1862--1943 Shepherd and flock. 1931 Oil on canvas Signed and dated 1931 Measurements 31 x 44 cm
Subastas Segre
Feb. 27, 2024
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862-1943). "Romanesque altarpiece. Oil on canvas adhered to board. Without signature. Provenance: bought by the present owner from the artist's family.
Est: €300 - €400
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862-1943). "Romanesque altarpiece. Oil on canvas adhered to board. Without signature. Provenance: bought by the present owner from the artist's family. Measurements: 34 x 24 cm; 55 x 44 cm (frame). Disciple in the School of the Fish market of Martí Alsina and, mainly, of Antonio Caba, during his years of student Baixeras received the nickname of "the medals", due to his facility to win the contests. He exhibited for the first time in 1882, at the Sala Parés in Barcelona, and four years later he traveled to Paris, where he was enthusiastic about the peasant-themed realism of Millet and Bastien-Lepage. During these years he won awards at the Fine Arts Exhibitions of Madrid (1884, third medal) and Paris (1886, honorable mention). Back in Barcelona he made great compositions of historical character, like those of the auditorium of the university (1888), those of the seminary (1904, destroyed in 1936) and those of the dome of the hall of Sant Jordi of the Generalitat (1928). In 1907 he made a series of drawings of documentary type, focused on the representation of the corners of Barcelona that would disappear with the construction of the Via Layetana, which earned him a prize from the City Council. In 1926 he joined the Royal Academy of Fine Arts of Sant Jordi, and was linked to the Artistic Circle of Sant Lluc since its foundation. During his last years he wrote some interesting memoirs, the original manuscript of which is currently preserved in the Academy of Sant Jordi. Baixeras devoted himself mainly to naturalistic painting, with marine or rural themes, in works that show a certain influence of the school of Olot. He meticulously elaborated his works in the workshop, so his previous drawings have much more freshness and interest. In 1908 he made a collection of drawings, of great documentary value, of places in old Barcelona that were to disappear during the construction of the Via Layetana. His work is preserved in the Metropolitan of New York, the Museum of Art and Industry of Roubaix (France) and the MACBA, among others.
Setdart Auction House
Feb. 27, 2024
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862-1943). Four sketches for religious works. Set of four pencil drawings on paper. Signed.
Est: €400 - €500
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862-1943). Four sketches for religious works. Set of four pencil drawings on paper. Signed. Measurements: 13 x 10 cm; 29 x 27 cm (frame). Disciple in the School of the Fish market of Martí Alsina and, mainly, of Antonio Caba, during his years of student Baixeras received the nickname of "the medals", due to his facility to win the contests. He exhibited for the first time in 1882, at the Sala Parés in Barcelona, and four years later he traveled to Paris, where he was enthusiastic about the peasant-themed realism of Millet and Bastien-Lepage. During these years he won awards at the Fine Arts Exhibitions of Madrid (1884, third medal) and Paris (1886, honorable mention). Back in Barcelona he made great compositions of historical character, like those of the auditorium of the university (1888), those of the seminary (1904, destroyed in 1936) and those of the dome of the hall of Sant Jordi of the Generalitat (1928). In 1907 he made a series of drawings of documentary type, focused on the representation of the corners of Barcelona that would disappear with the construction of the Via Layetana, which earned him a prize from the City Council. In 1926 he joined the Royal Academy of Fine Arts of Sant Jordi, and was linked to the Artistic Circle of Sant Lluc since its foundation. During his last years he wrote some interesting memoirs, the original manuscript of which is currently preserved in the Academy of Sant Jordi. Baixeras devoted himself mainly to naturalistic painting, with marine or rural themes, in works that show a certain influence of the school of Olot. He meticulously elaborated his works in the workshop, so his previous drawings have much more freshness and interest. In 1908 he made a collection of drawings, of great documentary value, of places in old Barcelona that were to disappear during the construction of the Via Layetana. His work is preserved in the Metropolitan of New York, the Museum of Art and Industry of Roubaix (France) and the MACBA, among others.
Setdart Auction House
Feb. 15, 2024
DIONÍS BAIXERAS (1862-1943). "FISHERMAN", 1922.
Est: €300 - €500
Signed and dated. 44 x 29 cm; 62 x 48 cm (frame).
Subarna Subastas
Feb. 15, 2024
DIONÍS BAIXERAS (1862-1943). Study for fishermen.
Est: €120 - €180
Charcoal on paper. Attributive label of Sala Parés on the back, with its technical data. 14 x 23 cm; 31 x 39 cm (frame).
Subarna Subastas
Feb. 15, 2024
DIONÍS BAIXERAS (1862-1943). "FIXING NETS".
Est: €150 - €200
Signed. 14 x 22 cm; 31 x 39 cm (frame).
Subarna Subastas
Feb. 15, 2024
DIONÍS BAIXERAS (1862-1943). 4 notes on the Barcelona beach.
Est: €200 - €350
Charcoal on paper. Signed in ink. Label of Sala d'Art Artur Ramon on the back. 9.5 x 15.5 cm (drawing); 38.5 x 50 cm (frame).
Subarna Subastas
Feb. 15, 2024
DIONÍS BAIXERAS (1862-1943). "FISHERMAN"
Est: €1,400 - €2,500
Oil on canvas. Signed. Visible restoration of the canvas on the reverse. 41 x 56 cm; 49 x 63.5 cm (frame).
Subarna Subastas
Feb. 08, 2024
DIONISIO BAIXERAS
Est: €130 - €300
Dionisio Baixeras (Barcelona, 1862-1943) Barca varada en la playa. Dibujo a carboncillo sobre papel. Firmado. 41 x 26 cm.
Aletheia Subastas
Jan. 15, 2024
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862 - 1943). "Fisherman".1906. Oil on canvas adhered to board. Signed and dated in the lower left corner.
Est: €1,800 - €2,200
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862 - 1943). "Fisherman".1906. Oil on canvas adhered to board. Signed and dated in the lower left corner. Measurements: 35 x 27 cm; 53 x 45 cm (frame). Disciple in the School of the Fish market of Martí Alsina and, mainly, of Antonio Caba, during his years of student Baixeras received the nickname of "the medals", due to his facility to win the contests. He exhibited for the first time in 1882, at the Sala Parés in Barcelona, and four years later he traveled to Paris, where he was enthusiastic about the peasant-themed realism of Millet and Bastien-Lepage. During these years he won awards at the Fine Arts Exhibitions of Madrid (1884, third medal) and Paris (1886, honorable mention). Back in Barcelona he made great compositions of historical character, like those of the auditorium of the university (1888), those of the seminary (1904, destroyed in 1936) and those of the dome of the hall of Sant Jordi of the Generalitat (1928). In 1907 he made a series of drawings of documentary type, focused on the representation of the corners of Barcelona that would disappear with the construction of the Via Layetana, which earned him a prize from the City Council. In 1926 he joined the Royal Academy of Fine Arts of Sant Jordi, and was linked to the Artistic Circle of Sant Lluc since its foundation. During his last years he wrote some interesting memoirs, the original manuscript of which is currently preserved in the Academy of Sant Jordi. Baixeras devoted himself mainly to naturalistic painting, with marine or rural themes, in works that show a certain influence of the school of Olot. He meticulously elaborated his works in the workshop, so his previous drawings have much more freshness and interest. In 1908 he made a collection of drawings, of great documentary value, of places in old Barcelona that were to disappear during the construction of the Via Layetana. His work is preserved in the Metropolitan of New York, the Museum of Art and Industry of Roubaix (France) and the MACBA, among others.
Setdart Auction House
Nov. 30, 2023
DIONÍS BAIXERAS (1862-1943). SKETCHES FOR CHARACTERS.
Est: €100 - €180
Charcoal on paper. Signed. 15.5 x 31 cm; 25 x 40.5 cm (frame).
Subarna Subastas
Nov. 30, 2023
DIONÍS BAIXERAS (1862-1943). "LANDSCAPE".
Est: €850 - €1,200
Signed. On the back it preserves a label of Sala Parés with its technical data. 32 x 45 cm; 55.5 x 70 cm (frame).
Subarna Subastas
Oct. 24, 2023
DIONISIO BAIXERAS
Est: €150 - €300
Dionisio Baixeras (Barcelona, 1862-1943) Barca varada en la playa. Dibujo a carboncillo sobre papel. Firmado. 41 x 26 cm.
Aletheia Subastas
Jul. 26, 2023
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862 - 1943). "Marina". Oil on canvas adhered to board. Signed in the lower right corner. The frame has slight chipping.
Est: €700 - €900
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862 - 1943). "Marina". Oil on canvas adhered to panel. Signed in the lower right corner. The frame has slight chipping. Size: 9 x 15 cm; 26,5 x 32,5 cm (frame). A disciple at the Escuela de la Lonja of Martí Alsina and, above all, of Antonio Caba, during his student years Baixeras received the nickname of "the medal winner", due to his ease in winning competitions. He exhibited for the first time in 1882 at the Sala Parés in Barcelona, and four years later he travelled to Paris, where he became enthusiastic about the peasant-themed realism of Millet and Bastien-Lepage. During these years he won awards at the Fine Arts Exhibitions in Madrid (1884, third medal) and Paris (1886, honourable mention). On returning to Barcelona he produced large compositions of a historical nature, such as those of the university auditorium (1888), the seminary (1904, destroyed in 1936) and the dome of the Generalitat's Sant Jordi Hall (1928). In 1907 he produced a series of drawings of a documentary type, centred on depicting the corners of Barcelona that would disappear with the construction of the Via Layetana, which won him a prize from the City Council. In 1926 he joined the Sant Jordi Royal Academy of Fine Arts and was linked to the Círculo Artístico de Sant Lluc from its foundation. During his last years he wrote an interesting memoir, the original manuscript of which is now kept at the Sant Jordi Academy. Baixeras devoted himself mainly to naturalistic painting, with marine or rural themes, in works that show a certain influence of the Olot school. He worked meticulously on his works in his studio, which is why his preliminary drawings are much fresher and more interesting. In 1908 he produced a collection of drawings, of great documentary value, of places in old Barcelona which were to disappear when the Via Layetana was built. His work is preserved in the Metropolitan Museum of Art and Industry in Roubaix (France) and the MACBA, among others.
Setdart Auction House
Jul. 26, 2023
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862 - 1943). "Fishermen at sunset". Oil on canvas. Signed in the lower right corner.
Est: €3,000 - €3,500
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862 - 1943). "Fishermen at Sunset". Oil on canvas. Signed in the lower right corner. Size: 44 x 82 cm; 70 x 107 cm (frame). In this coastal scene Baixeras transmits us a costumbrist image devoid of any folkloric eagerness. On the contrary, he captures the everyday moment charged with harshness, but also with poetry, with some fishermen preparing the tools for the boats at dawn, next to the boats stranded on the sand. A disciple at the Escuela de la Lonja of Martí Alsina and, above all, of Antonio Caba, during his student years Baixeras was nicknamed "el medallas" ("the medal winner"), due to his facility for winning competitions. He exhibited for the first time in 1882 at the Sala Parés in Barcelona, and four years later he travelled to Paris, where he became enthusiastic about the peasant-themed realism of Millet and Bastien-Lepage. During these years he won awards at the Fine Arts Exhibitions in Madrid (1884, third medal) and Paris (1886, honourable mention). On returning to Barcelona he produced large compositions of a historical nature, such as those of the university auditorium (1888), the seminary (1904, destroyed in 1936) and the dome of the Generalitat's Sant Jordi Hall (1928). In 1907 he produced a series of drawings of a documentary type, centred on depicting the corners of Barcelona that would disappear with the construction of the Via Layetana, which won him a prize from the City Council. In 1926 he joined the Sant Jordi Royal Academy of Fine Arts and was linked to the Círculo Artístico de Sant Lluc from its foundation. During his last years he wrote an interesting memoir, the original manuscript of which is now kept at the Sant Jordi Academy. Baixeras devoted himself mainly to naturalistic painting, with marine or rural themes, in works that show a certain influence of the Olot school. He worked meticulously on his works in his studio, which is why his preliminary drawings are much fresher and more interesting. In 1908 he produced a collection of drawings, of great documentary value, of places in old Barcelona which were to disappear when the Via Layetana was built. His work is preserved in the Metropolitan Museum of Art and Industry in Roubaix (France) and the MACBA, among others.
Setdart Auction House
Jul. 04, 2023
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862 - 1943). "Fishermen at sunset". Oil on canvas. Signed in the lower right corner.
Est: €3,000 - €3,500
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862 - 1943). "Fishermen at Sunset". Oil on canvas. Signed in the lower right corner. Size: 44 x 82 cm; 70 x 107 cm (frame). In this coastal scene Baixeras transmits us a costumbrist image devoid of any folkloric eagerness. On the contrary, he captures the everyday moment charged with harshness, but also with poetry, with some fishermen preparing the tools for the boats at dawn, next to the boats stranded on the sand. A disciple at the Escuela de la Lonja of Martí Alsina and, above all, of Antonio Caba, during his student years Baixeras was nicknamed "el medallas" ("the medal winner"), due to his facility for winning competitions. He exhibited for the first time in 1882 at the Sala Parés in Barcelona, and four years later he travelled to Paris, where he became enthusiastic about the peasant-themed realism of Millet and Bastien-Lepage. During these years he won awards at the Fine Arts Exhibitions in Madrid (1884, third medal) and Paris (1886, honourable mention). On returning to Barcelona he produced large compositions of a historical nature, such as those of the university auditorium (1888), the seminary (1904, destroyed in 1936) and the dome of the Generalitat's Sant Jordi Hall (1928). In 1907 he produced a series of drawings of a documentary type, centred on depicting the corners of Barcelona that would disappear with the construction of the Via Layetana, which won him a prize from the City Council. In 1926 he joined the Sant Jordi Royal Academy of Fine Arts and was linked to the Círculo Artístico de Sant Lluc from its foundation. During his last years he wrote an interesting memoir, the original manuscript of which is now kept at the Sant Jordi Academy. Baixeras devoted himself mainly to naturalistic painting, with marine or rural themes, in works that show a certain influence of the Olot school. He worked meticulously on his works in his studio, which is why his preliminary drawings are much fresher and more interesting. In 1908 he produced a collection of drawings, of great documentary value, of places in old Barcelona which were to disappear when the Via Layetana was built. His work is preserved in the Metropolitan Museum of Art and Industry in Roubaix (France) and the MACBA, among others.
Setdart Auction House
Jul. 04, 2023
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862 - 1943). "Marina". Oil on canvas adhered to board. Signed in the lower right corner. The frame has slight chipping.
Est: €700 - €900
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862 - 1943). "Marina". Oil on canvas adhered to panel. Signed in the lower right corner. The frame has slight chipping. Size: 9 x 15 cm; 26,5 x 32,5 cm (frame). A disciple at the Escuela de la Lonja of Martí Alsina and, above all, of Antonio Caba, during his student years Baixeras received the nickname of "the medal winner", due to his ease in winning competitions. He exhibited for the first time in 1882 at the Sala Parés in Barcelona, and four years later he travelled to Paris, where he became enthusiastic about the peasant-themed realism of Millet and Bastien-Lepage. During these years he won awards at the Fine Arts Exhibitions in Madrid (1884, third medal) and Paris (1886, honourable mention). On returning to Barcelona he produced large compositions of a historical nature, such as those of the university auditorium (1888), the seminary (1904, destroyed in 1936) and the dome of the Generalitat's Sant Jordi Hall (1928). In 1907 he produced a series of drawings of a documentary type, centred on depicting the corners of Barcelona that would disappear with the construction of the Via Layetana, which won him a prize from the City Council. In 1926 he joined the Sant Jordi Royal Academy of Fine Arts and was linked to the Círculo Artístico de Sant Lluc from its foundation. During his last years he wrote an interesting memoir, the original manuscript of which is now kept at the Sant Jordi Academy. Baixeras devoted himself mainly to naturalistic painting, with marine or rural themes, in works that show a certain influence of the Olot school. He worked meticulously on his works in his studio, which is why his preliminary drawings are much fresher and more interesting. In 1908 he produced a collection of drawings, of great documentary value, of places in old Barcelona which were to disappear when the Via Layetana was built. His work is preserved in the Metropolitan Museum of Art and Industry in Roubaix (France) and the MACBA, among others.
Setdart Auction House
Jun. 29, 2023
DIONÍS BAIXERAS. Scenery.
Est: €800 - €960
Oil on canvas Signed and dated 1892 114x80 cm.
Balclis
Jun. 12, 2023
DIONIS BAIXERAS VERDAGUER, (Barcelona, 1862 - 1943). "Catalunya Nord". Oil on canvas. Signed in the lower left corner.
Est: €5,000 - €6,000
DIONIS BAIXERAS VERDAGUER, (Barcelona, 1862 - 1943). "Catalunya Nord". Oil on canvas. Signed in the lower left corner. Size: 100 x 151 cm; 134 x 184 cm (frame). Disciple in the School of the Fish Market of Martí Alsina and, especially, of Antonio Caba, during his student years Baixeras received the nickname of "the medal winner", due to his facility to win the competitions. He exhibited for the first time in 1882 at the Sala Parés in Barcelona, and four years later he travelled to Paris, where he became enthusiastic about the peasant-themed realism of Millet and Bastien-Lepage. During these years he won awards at the Fine Arts Exhibitions in Madrid (1884, third medal) and Paris (1886, honourable mention). On returning to Barcelona he produced large compositions of a historical nature, such as those of the university auditorium (1888), the seminary (1904, destroyed in 1936) and the dome of the Generalitat's Sant Jordi Hall (1928). In 1907 he produced a series of drawings of a documentary type, centred on depicting the corners of Barcelona that would disappear with the construction of the Via Layetana, which won him a prize from the City Council. In 1926 he joined the Sant Jordi Royal Academy of Fine Arts and was linked to the Círculo Artístico de Sant Lluc from its foundation. During his last years he wrote an interesting memoir, the original manuscript of which is now kept at the Sant Jordi Academy. Baixeras devoted himself mainly to naturalistic painting, with marine or rural themes, in works that show a certain influence of the Olot school. He worked meticulously on his works in his studio, which is why his preliminary drawings are much fresher and more interesting. In 1908 he produced a collection of drawings, of great documentary value, of places in old Barcelona which were to disappear when the Via Layetana was built. His work is preserved in the Metropolitan Museum of Art and Industry in Roubaix (France) and the MACBA, among others.
Setdart Auction House
May. 30, 2023
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862 - 1943). "Marina". Oil on canvas adhered to board. Signed in the lower right corner. The frame has slight chipping.
Est: €700 - €900
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862 - 1943). "Marina". Oil on canvas adhered to panel. Signed in the lower right corner. The frame has slight chipping. Size: 9 x 15 cm; 26,5 x 32,5 cm (frame). A disciple at the Escuela de la Lonja of Martí Alsina and, above all, of Antonio Caba, during his student years Baixeras received the nickname of "the medal winner", due to his ease in winning competitions. He exhibited for the first time in 1882 at the Sala Parés in Barcelona, and four years later he travelled to Paris, where he became enthusiastic about the peasant-themed realism of Millet and Bastien-Lepage. During these years he won awards at the Fine Arts Exhibitions in Madrid (1884, third medal) and Paris (1886, honourable mention). On returning to Barcelona he produced large compositions of a historical nature, such as those of the university auditorium (1888), the seminary (1904, destroyed in 1936) and the dome of the Generalitat's Sant Jordi Hall (1928). In 1907 he produced a series of drawings of a documentary type, centred on depicting the corners of Barcelona that would disappear with the construction of the Via Layetana, which won him a prize from the City Council. In 1926 he joined the Sant Jordi Royal Academy of Fine Arts and was linked to the Círculo Artístico de Sant Lluc from its foundation. During his last years he wrote an interesting memoir, the original manuscript of which is now kept at the Sant Jordi Academy. Baixeras devoted himself mainly to naturalistic painting, with marine or rural themes, in works that show a certain influence of the Olot school. He worked meticulously on his works in his studio, which is why his preliminary drawings are much fresher and more interesting. In 1908 he produced a collection of drawings, of great documentary value, of places in old Barcelona which were to disappear when the Via Layetana was built. His work is preserved in the Metropolitan Museum of Art and Industry in Roubaix (France) and the MACBA, among others.
Setdart Auction House
May. 30, 2023
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862 - 1943). "Marina". Oil on panel. Signed in the lower right corner.
Est: €800 - €1,000
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862 - 1943). "Marina". Oil on panel. Signed in the lower right corner. Size: 20 x 30 cm; 37 x 47 cm (frame). The navy was one of Baixeras's favourite themes, whose waters he always animated with fishermen and boatmen tanned by life. A disciple at the Escuela de la Lonja of Martí Alsina and, above all, of Antonio Caba, during his student years Baixeras was nicknamed "el medallas" (the medal winner), due to his facility for winning competitions. He exhibited for the first time in 1882 at the Sala Parés in Barcelona, and four years later he travelled to Paris, where he became enthusiastic about the peasant-themed realism of Millet and Bastien-Lepage. During these years he won awards at the Fine Arts Exhibitions in Madrid (1884, third medal) and Paris (1886, honourable mention). On returning to Barcelona he produced large compositions of a historical nature, such as those of the university auditorium (1888), the seminary (1904, destroyed in 1936) and the dome of the Generalitat's Sant Jordi Hall (1928). In 1907 he produced a series of drawings of a documentary type, centred on depicting the corners of Barcelona that would disappear with the construction of the Via Layetana, which won him a prize from the City Council. In 1926 he joined the Sant Jordi Royal Academy of Fine Arts and was linked to the Círculo Artístico de Sant Lluc from its foundation. During his last years he wrote an interesting memoir, the original manuscript of which is now kept at the Sant Jordi Academy. Baixeras devoted himself mainly to naturalistic painting, with marine or rural themes, in works that show a certain influence of the Olot school. He worked meticulously on his works in his studio, which is why his preliminary drawings are much fresher and more interesting. In 1908 he produced a collection of drawings, of great documentary value, of places in old Barcelona which were to disappear when the Via Layetana was built. His work is preserved in the Metropolitan Museum of Art and Industry in Roubaix (France) and the MACBA, among others.
Setdart Auction House
May. 30, 2023
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862 - 1943). "Fishermen at sunset". Oil on canvas. Signed in the lower right corner.
Est: €3,000 - €3,500
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862 - 1943). "Fishermen at Sunset". Oil on canvas. Signed in the lower right corner. Size: 44 x 82 cm; 70 x 107 cm (frame). In this coastal scene Baixeras transmits us a costumbrist image devoid of any folkloric eagerness. On the contrary, he captures the everyday moment charged with harshness, but also with poetry, with some fishermen preparing the tools for the boats at dawn, next to the boats stranded on the sand. A disciple at the Escuela de la Lonja of Martí Alsina and, above all, of Antonio Caba, during his student years Baixeras was nicknamed "el medallas" ("the medal winner"), due to his facility for winning competitions. He exhibited for the first time in 1882 at the Sala Parés in Barcelona, and four years later he travelled to Paris, where he became enthusiastic about the peasant-themed realism of Millet and Bastien-Lepage. During these years he won awards at the Fine Arts Exhibitions in Madrid (1884, third medal) and Paris (1886, honourable mention). On returning to Barcelona he produced large compositions of a historical nature, such as those of the university auditorium (1888), the seminary (1904, destroyed in 1936) and the dome of the Generalitat's Sant Jordi Hall (1928). In 1907 he produced a series of drawings of a documentary type, centred on depicting the corners of Barcelona that would disappear with the construction of the Via Layetana, which won him a prize from the City Council. In 1926 he joined the Sant Jordi Royal Academy of Fine Arts and was linked to the Círculo Artístico de Sant Lluc from its foundation. During his last years he wrote an interesting memoir, the original manuscript of which is now kept at the Sant Jordi Academy. Baixeras devoted himself mainly to naturalistic painting, with marine or rural themes, in works that show a certain influence of the Olot school. He worked meticulously on his works in his studio, which is why his preliminary drawings are much fresher and more interesting. In 1908 he produced a collection of drawings, of great documentary value, of places in old Barcelona which were to disappear when the Via Layetana was built. His work is preserved in the Metropolitan Museum of Art and Industry in Roubaix (France) and the MACBA, among others.
Setdart Auction House
May. 25, 2023
DIONÍS BAIXERAS. Country view.
Est: €900 - €1,080
Oil on canvas Signed 71x100 cm.
Balclis
May. 08, 2023
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862 - 1943). "Marina". Oil on canvas adhered to board. Signed in the lower right corner. The frame has slight chipping.
Est: €700 - €900
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862 - 1943). "Marina". Oil on canvas adhered to panel. Signed in the lower right corner. The frame has slight chipping. Size: 9 x 15 cm; 26,5 x 32,5 cm (frame). A disciple at the Escuela de la Lonja of Martí Alsina and, above all, of Antonio Caba, during his student years Baixeras received the nickname of "the medal winner", due to his ease in winning competitions. He exhibited for the first time in 1882 at the Sala Parés in Barcelona, and four years later he travelled to Paris, where he became enthusiastic about the peasant-themed realism of Millet and Bastien-Lepage. During these years he won awards at the Fine Arts Exhibitions in Madrid (1884, third medal) and Paris (1886, honourable mention). On returning to Barcelona he produced large compositions of a historical nature, such as those of the university auditorium (1888), the seminary (1904, destroyed in 1936) and the dome of the Generalitat's Sant Jordi Hall (1928). In 1907 he produced a series of drawings of a documentary type, centred on depicting the corners of Barcelona that would disappear with the construction of the Via Layetana, which won him a prize from the City Council. In 1926 he joined the Sant Jordi Royal Academy of Fine Arts and was linked to the Círculo Artístico de Sant Lluc from its foundation. During his last years he wrote an interesting memoir, the original manuscript of which is now kept at the Sant Jordi Academy. Baixeras devoted himself mainly to naturalistic painting, with marine or rural themes, in works that show a certain influence of the Olot school. He worked meticulously on his works in his studio, which is why his preliminary drawings are much fresher and more interesting. In 1908 he produced a collection of drawings, of great documentary value, of places in old Barcelona which were to disappear when the Via Layetana was built. His work is preserved in the Metropolitan Museum of Art and Industry in Roubaix (France) and the MACBA, among others.
Setdart Auction House
May. 08, 2023
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862 - 1943). "Marina". Oil on panel. Signed in the lower right corner.
Est: €800 - €1,000
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862 - 1943). "Marina". Oil on panel. Signed in the lower right corner. Size: 20 x 30 cm; 37 x 47 cm (frame). The navy was one of Baixeras's favourite themes, whose waters he always animated with fishermen and boatmen tanned by life. A disciple at the Escuela de la Lonja of Martí Alsina and, above all, of Antonio Caba, during his student years Baixeras was nicknamed "el medallas" (the medal winner), due to his facility for winning competitions. He exhibited for the first time in 1882 at the Sala Parés in Barcelona, and four years later he travelled to Paris, where he became enthusiastic about the peasant-themed realism of Millet and Bastien-Lepage. During these years he won awards at the Fine Arts Exhibitions in Madrid (1884, third medal) and Paris (1886, honourable mention). On returning to Barcelona he produced large compositions of a historical nature, such as those of the university auditorium (1888), the seminary (1904, destroyed in 1936) and the dome of the Generalitat's Sant Jordi Hall (1928). In 1907 he produced a series of drawings of a documentary type, centred on depicting the corners of Barcelona that would disappear with the construction of the Via Layetana, which won him a prize from the City Council. In 1926 he joined the Sant Jordi Royal Academy of Fine Arts and was linked to the Círculo Artístico de Sant Lluc from its foundation. During his last years he wrote an interesting memoir, the original manuscript of which is now kept at the Sant Jordi Academy. Baixeras devoted himself mainly to naturalistic painting, with marine or rural themes, in works that show a certain influence of the Olot school. He worked meticulously on his works in his studio, which is why his preliminary drawings are much fresher and more interesting. In 1908 he produced a collection of drawings, of great documentary value, of places in old Barcelona which were to disappear when the Via Layetana was built. His work is preserved in the Metropolitan Museum of Art and Industry in Roubaix (France) and the MACBA, among others.
Setdart Auction House
May. 08, 2023
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862 - 1943). "Fishermen at sunset". Oil on canvas. Signed in the lower right corner.
Est: €3,000 - €3,500
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862 - 1943). "Fishermen at Sunset". Oil on canvas. Signed in the lower right corner. Size: 44 x 82 cm; 70 x 107 cm (frame). In this coastal scene Baixeras transmits us a costumbrist image devoid of any folkloric eagerness. On the contrary, he captures the everyday moment charged with harshness, but also with poetry, with some fishermen preparing the tools for the boats at dawn, next to the boats stranded on the sand. A disciple at the Escuela de la Lonja of Martí Alsina and, above all, of Antonio Caba, during his student years Baixeras was nicknamed "el medallas" ("the medal winner"), due to his facility for winning competitions. He exhibited for the first time in 1882 at the Sala Parés in Barcelona, and four years later he travelled to Paris, where he became enthusiastic about the peasant-themed realism of Millet and Bastien-Lepage. During these years he won awards at the Fine Arts Exhibitions in Madrid (1884, third medal) and Paris (1886, honourable mention). On returning to Barcelona he produced large compositions of a historical nature, such as those of the university auditorium (1888), the seminary (1904, destroyed in 1936) and the dome of the Generalitat's Sant Jordi Hall (1928). In 1907 he produced a series of drawings of a documentary type, centred on depicting the corners of Barcelona that would disappear with the construction of the Via Layetana, which won him a prize from the City Council. In 1926 he joined the Sant Jordi Royal Academy of Fine Arts and was linked to the Círculo Artístico de Sant Lluc from its foundation. During his last years he wrote an interesting memoir, the original manuscript of which is now kept at the Sant Jordi Academy. Baixeras devoted himself mainly to naturalistic painting, with marine or rural themes, in works that show a certain influence of the Olot school. He worked meticulously on his works in his studio, which is why his preliminary drawings are much fresher and more interesting. In 1908 he produced a collection of drawings, of great documentary value, of places in old Barcelona which were to disappear when the Via Layetana was built. His work is preserved in the Metropolitan Museum of Art and Industry in Roubaix (France) and the MACBA, among others.
Setdart Auction House
Mar. 28, 2023
DIONIS BAIXERAS VERDAGUER - Landscape of Vic
Est: -
DIONIS BAIXERAS VERDAGUER Barcelona 1862--1943 Landscape of Vic Pencil on paper Signed Size 15.5 x 23.5 cm
Subastas Segre
Mar. 28, 2023
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862 - 1943). "Shepherds with flock of sheep." Oil on canvas. Signed in the lower corner.
Est: €6,000 - €7,000
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862 - 1943). "Shepherds with flocks of sheep". Oil on canvas. Signed in the lower corner. Size: 116 x 225 cm; 134 x 241 cm (frame). A disciple at the Escuela de la Lonja of Martí Alsina and, above all, of Antonio Caba, at the age of twenty-four Baixeras travelled to Paris, where he became enthusiastic about the realism of the peasant themes of Millet and Bastien-Lepage. On his return to Barcelona he produced large compositions of a historical nature, such as those of the university auditorium (1888), the seminary (1904, destroyed in 1936) and the dome of the Generalitat's Sant Jordi Hall (1928). He devoted himself mainly to naturalistic painting, with marine or rural themes, in works that show a certain influence of the Olot school. He worked meticulously on his works in his studio, which is why his preliminary drawings are much fresher and more interesting. In 1908 he produced a collection of drawings, of great documentary value, of places in old Barcelona which were to disappear when the Via Layetana was built. His work is preserved in the Metropolitan Museum of Art and Industry in Roubaix (France) and the MACBA, among others.
Setdart Auction House
Mar. 09, 2023
DIONÍS BAIXERAS. Country view.
Est: €1,850 - €2,220
Oil on canvas Signed 71x100 cm.
Balclis
Mar. 09, 2023
DIONÍS BAIXERAS. Scenery.
Est: €900 - €1,080
Oil on canvas Signed and dated 1892 114x80 cm.
Balclis
Dec. 28, 2022
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862 - 1943). "Shipyard". Oil on canvas. Signed in the lower left corner.
Est: €4,000 - €5,000
DIONÍS BAIXERAS VERDAGUER (Barcelona, 1862 - 1943). "Shipyard". Oil on canvas. Signed in the lower left corner. Size: 48,5 x 79,5 cm; 73 x 105 cm (frame). In this port scene, Baixeras transmits us a costumbrist image devoid of any folkloric eagerness. On the contrary, he captures an everyday moment charged with harshness, but also with poetry, with sailors repairing their boats on a cold winter's morning. He also emphasises the gradual remoteness of the boats, glimpsed through the damp atmosphere. All this is resolved with his characteristic thick, emphatic brushstrokes. A disciple at the Escuela de la Lonja of Martí Alsina and, above all, of Antonio Caba, during his student years Baixeras was nicknamed "the medal winner", due to his facility for winning competitions. He exhibited for the first time in 1882 at the Sala Parés in Barcelona, and four years later he travelled to Paris, where he became enthusiastic about the peasant-themed realism of Millet and Bastien-Lepage. During these years he won awards at the Fine Arts Exhibitions in Madrid (1884, third medal) and Paris (1886, honourable mention). On returning to Barcelona he produced large compositions of a historical nature, such as those of the university auditorium (1888), the seminary (1904, destroyed in 1936) and the dome of the Generalitat's Sant Jordi Hall (1928). In 1907 he produced a series of drawings of a documentary type, centred on depicting the corners of Barcelona that would disappear with the construction of the Via Layetana, which won him a prize from the City Council. In 1926 he joined the Sant Jordi Royal Academy of Fine Arts and was linked to the Círculo Artístico de Sant Lluc from its foundation. During his last years he wrote an interesting memoir, the original manuscript of which is now kept at the Sant Jordi Academy. Baixeras devoted himself mainly to naturalistic painting, with marine or rural themes, in works that show a certain influence of the Olot school. He worked meticulously on his works in his studio, which is why his preliminary drawings are much fresher and more interesting. In 1908 he produced a collection of drawings, of great documentary value, of places in old Barcelona which were to disappear when the Via Layetana was built. His work is preserved in the Metropolitan Museum of Art and Industry in Roubaix (France) and the MACBA, among others.
Setdart Auction House